(Mixed Instruments/Woodwind And Brass). By Eric Ewazen. Flute. Mixed Instruments - Woodwind And Brass Ensemble. Southern Music. 20th Century. Grade 5. Set of performance parts. 91 pages. Southern Music Company #SU446. Published by Southern Music Company

Score and Parts. Composed by Yukiko Nishimura. Southern Music. Classical. Softcover. Southern Music Company #SO121C. Published by Southern Music Company

(European Parts). Composed by James Barnes. For Concert Band. Band - Concert Band Music. Southern Music. Grade 4. Southern Music Company #S902EP. Published by Southern Music Company

(Choral Music/Octavo Secular Satb). By Leininger, Jim. SATB. Choral, Secular, Octavo. Southern Music. Southern Music Company #SC811. Published by Southern Music Company

(Band/Concert Band Music). By James Barnes and Tucker, Christopher. For Concert Band. Band - Concert Band Music. Southern Music. Grade 4. Southern Music Company #S902. Published by Southern Music Company

(A Southern Gospel Senior Adult Christmas Musical). By Dave Clark and Steve Maudlin. Choral. Traditional. Book

Accordion (keyboard) - Intermediate

SKU: MB.97210

Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210).

ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.

An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.

Score Concert Band - Grade 3

SKU: HL.1454228

For Concert Band. Composed by Leroy Anderson. Arranged by R. Mark Rogers. Southern Music. Softcover. 12 pages. Duration 120 seconds. Southern Music Company #S1060FS. Published by Southern Music Company (HL.1454228).

ISBN 9798892703338. UPC: 196288208822. 9.0x12.0x0.056 inches.

FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed the piano solo himself. Although the main theme of FORGOTTEN DREAMS was intended to be played on the piano (and with simplicity), the composer’s band edition of the piece allowed for a solo flute to substitute (Play only in absence of Piano). It is also suggested the melody might be beautifully rendered on vibraphone due to the sustaining quality of that instrument. In any event, this charmingly romantic miniature will delight audiences whenever it is performed. This edition includes a full score.

SATB choir

SKU: LP.OR-2339

Composed by Pace & Boyce. Arranged by Thomas Fettke. Anthems. Southern Gospel and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-2339).

UPC: 765762099401.

Simple. Fun. It has been recorded by virtually every southern gospel group and many artists both sacred and secular. You have probably seen it performed on the Gaither Christmas video. Irresistible church choir arrangement with a short low-voice solo.

Alto Flute and Piano

SKU: BT.MUSM570366576

Composed by Thomas Simaku. Score Only. University of York Music Press #MUSM570366576. Published by University of York Music Press (BT.MUSM570366576).

English.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland, which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs, this tune is remarkably short; the melody itself has not been altered, but has been extended, enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. TS.