| Song of Spring Outing Theodore Presser Co.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Score. Duration 6 minutes. Theodore Presser Company #110-41848. Published by Theodore Presser Company (PR.110418480). ISBN 9781491136294. UPC: 680160688784. Chen Yi’s beautiful and highly-textured tone poem was inspired by ancient Chinese poetry; its melodic ideas were developed from musical phrases characteristic of Chinese opera. Wang Ya’s original verse as translated by Chen Yi reads:“SONG OF SPRING OUTING”Ten thousand apricot trees by the riverside,Spring flowers bloom after the wind at night.Covered over the garden, colors dark and light,Mirrored in the green water ripples. SONG OF SPRING OUTING was commissioned by the Center for East Asian Studies and the Asian Classical Music Initiative at the University of Kansas in 2022 for Dr. Yi-Yang Chen to premiere in 2023.The work was inspired by an ancient Chinese poem with the same title:Song of Spring Outingby Wang Ya (Tang Dynasty)English translation by Chen YiTen thousand apricot trees by the riverside,Spring flowers bloom after the wind at night.Covered over the garden, colors dark and light,Mirrored in the green water ripples.This inspiring image is like taking a walk through a beautiful garden with layers of colorful trees and flowers, mirrored in the green water.The opening phrase of the music introduces the signature intervals, the leap of a seventh found in Beijing Opera fiddle’s language, followed by melodic material with a major 2nd and perfect 4th in pentatonic style as the thematic materials. [C-Bb-G in bars 1-2, followed by the top pitches A-B and Ab-E( in bars 2-3]. This statement is brought back (Rehearsal F) in a retrograded form of the introduction at the climatic end of the piece.The musical form is a combination of variations on thematic materials, and a rondo. After the introductory section, Rehearsal A introduces an improvisation-like mountain song melody (developed from the pentatonic material in the introduction).Rehearsal B brings in a lively texture in short groupings with staccato in both hands (using the seventh leap interval introduced in the opening of the piece).Rehearsals C and D develop the introduction’s pentatonic melody and the mountain tune (introduced in Rehearsal A) with more layers in the texture.Rehearsal E develops the material presented in Rehearsal B, with an extended range in both ends of the keyboard, increasing the freshness and excitement. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Children choir Alfred Publishing
A Unison Musical for Primary Performers. Composed by Jill Gallina. This editio...(+)
A Unison Musical for Primary
Performers. Composed by Jill
Gallina. This edition: CD
Kit. Classroom Resources;
Classroom/Pre-School; Early
Childhood; Musicals;
Musicals and Programs;
Reproducible; Songbooks.
Secular; Spring. Book;
Enhanced CD. 40 pages.
Alfred Music #00-46824.
Published by Alfred Music
$69.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Choral Unison Alfred Publishing
A Unison Musical for Primary Performers. Composed by Jill Gallina. This editio...(+)
A Unison Musical for Primary
Performers. Composed by Jill
Gallina. This edition:
Teacher's Handbook.
Classroom Resources;
Classroom/Pre-School; Early
Childhood; Musicals;
Musicals and Programs;
Reproducible; Songbooks.
Secular; Spring. Book. 40
pages. Alfred Music #00-
46825. Published by Alfred
Music
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Score Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043012 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe SKU: HL.14043012 Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31940. Published by Edition Wilhelm Hansen (HL.14043012). ISBN 9788759829271. Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen. $38.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Parts Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043011 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe SKU: HL.14043011 Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31940A. Published by Edition Wilhelm Hansen (HL.14043011). ISBN 9788759829288. 9.7x14.0x0.079 inches. Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Parts. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flowersongs Partitur, Kopi Music Sales
Flute [Trio-] SKU: HL.14011531 Composed by Hans Abrahamsen. Music Sales A...(+)
Flute [Trio-] SKU: HL.14011531 Composed by Hans Abrahamsen. Music Sales America. Classical. Score. 20 pages. Music Sales #KP00379. Published by Music Sales (HL.14011531). ISBN 9788759877104. 10.25x14.25x0.44 inches. Danish. Hans Abrahamsen 's Flowersongs (1973) for three Flutes. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of the new simplicity,minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word: but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| BLOOM: The Gift of Spring Concert band De Haske Publications
Concert Band (Score & Parts) - Level 2.5 SKU: HL.4006471 Composed by Sato...(+)
Concert Band (Score & Parts) - Level 2.5 SKU: HL.4006471 Composed by Satoshi Yagisawa. De Haske Concert Band. Concert. Softcover. Duration 330 seconds. De Haske Publications #032530. Published by De Haske Publications (HL.4006471). UPC: 888680992606. 9.0x12.0 inches. A wonderful new work by Satoshi Yagisawa in which flowers are the focal point. This work honors the official registration of the Dendrobium “Yishun Primary School†in the International Orchid Register. This flower was created by pupils of a Singaporean school. The dramatic mood of the piece is intended to inspire the next generation of students towards a hopeful future after overcoming difficulties and hardships. $106.00 - See more - Buy online | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring's Awakening Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4734-00 Composed by J. Bell. Young Concert Band. Scor...(+)
Grade 2 SKU: CL.011-4734-00 Composed by J. Bell. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4734-00. Published by C.L. Barnhouse (CL.011-4734-00). Flowers bloom and the world stirs with life renewed in Spring’s Awakening! The music begins with a driving ostinato in the clarinets, and staggered entrances that portray flowers opening for the first time. After the entire ensemble enters, two different melodic themes are passed throughout the ensemble, layered over driving 8th-note rhythms that propel the music forward. Spring’s Awakening is an engaging and beautiful work that makes a perfect fit for any spring or end of the year concert. $59.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spring's Awakening Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4734-01 Composed by J. Bell. Young Concert Band. Extr...(+)
Grade 2 SKU: CL.011-4734-01 Composed by J. Bell. Young Concert Band. Extra full score. C.L. Barnhouse #011-4734-01. Published by C.L. Barnhouse (CL.011-4734-01). Flowers bloom and the world stirs with life renewed in Spring’s Awakening! The music begins with a driving ostinato in the clarinets, and staggered entrances that portray flowers opening for the first time. After the entire ensemble enters, two different melodic themes are passed throughout the ensemble, layered over driving 8th-note rhythms that propel the music forward. Spring’s Awakening is an engaging and beautiful work that makes a perfect fit for any spring or end of the year concert. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Alfred Publishing
SKU: AP.46826 A Unison Musical for Primary Performers. Composed by...(+)
SKU: AP.46826 A Unison Musical for Primary Performers. Composed by Jill Gallina. This edition: Enhanced CD. Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible. Secular; Spring. Enhanced CD. Alfred Music #00-46826. Published by Alfred Music (AP.46826). ISBN 9781470639969. UPC: 038081536927. English. Spring is just around the corner, but the flowers have yet to bloom. The children are waiting for nice weather, the weeds have popped out of the earth, but the flowers remain steadfastly hidden underground. It takes the clever Dandelion Queen to figure out why, and bring about the first blossoms of the season! This charming, easy-to-stage 15-minute musical is designed specifically for grades K--4. The unison songs, brief rhyming script, creative costume ideas, and simple staging suggestions will make your primary production blossom. Reproducible student pages, full performance and accompaniment recordings, plus full-color cover art are included on the enhanced CD. $49.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Happy Rain on A Spring Night - Score Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S(+)
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S For Flute, Clarinet, violin, Cello, and Piano. Composed by Chen Yi. Poem by Du Fu (712-770 in Tang Dynasty). Premiered at Merkin Hall in New York. Contemporary. Full score. With Standard notation. Composed 2004. 45 pages. Duration 12 minutes. Theodore Presser Company #114-41271S. Published by Theodore Presser Company (PR.11441271S). UPC: 680160587094. 8.5 x 11 inches. Poem by Du Fu (712-770 in Tang Dynasty). It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. This music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehersal A and B (measures 1 - 41) represents the first four lines of the poem. The woodwind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures. The music in Rehersal C and D (measures 42-87) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy key slaps on the flute creates a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehersal E, F, G (m 88 - 161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehersal H, m. 162 - the end), which stands on the energetic peak at the end of the piece. Commissioned by the Music From Copland House ensemble, supported by a grant from the NYSCA’s Composer’s Commissions program in 2002, my mixed ensemble piece Happy Rain on a Spring Night is written for all five instruments in the ensemble: flute, clarinet, violin, cello and piano, and premiered on Oct. 18, 2004, at Merkin Hall in New York.  The musical imagination came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in the Tang Dynasty. Happy Rain on a Spring Nightby Du Fu (712-770 in the Tang Dynasty) Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) It’s like the welcome rain on a quiet spring night that nurtures the budding seeds; our new society is pushing us forward to the new future.  The music reflects the scenes and the expression according to the meaning of the poem when it’s being unfolded line by line.  Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slowing down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 1-41) represents the first four lines of the poem.  The woodwind instruments respond to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures.  The music in Rehearsal C and D (measures 42-87) represents the next two lines of the poem.  It’s so dark, a little light in the boat is shimmering on the lake...  The breathy key slaps on the flute create a mysterious atmosphere, in a dialogue with other instruments.  The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics.  The music in Rehearsal E, F and G (m 88-161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehearsal H, m. 162-192), which stands on the energetic peak at the end of the piece. According to the principle of the Golden Section, I have constructed the piece with two large parts (m. 1-115 and m. 116-192).  The GS falls onto the beginning of the climax section of the piece, which is exciting and loud.  All subdivisions of the structures coincide with the numbers of proportions based on the GS principle.  The music has textures changed according to the proportional arrangement throughout the piece. First Part (m. 1-115, total 115 measures), including two sectionsSection I (m. 1-69, total 69 measures), including two divisionsFirst Division (m. 1-41, total 41 measures), including two subdivisions:Subdivision I (m. 1-25, total 25 measures)Rehearsal A, violin triplets + cello metalic sound in small intervals, followed by woodwinds.Subdivision II (m. 26-41, total 16 measures)Rehearsal B, cello triplets + violin metallic sound in small intervals, overlapped by woodwinds.Second Division (m. 42-69, total 28 measures)Rehearsal C, breathy key slaps on flute, in dark.Section II (m. 70-115, total 46 measures), including two divisionsFirst Division (m. 70-87, total 18 measures)Rehearsal D, soft cello reciting, followed by string harmonics & woodwind “echo†passages.Second Division (m. 88-115, total 28 measures)Rehearsal E, starts to buildup the excitement, with piano toccata in the beginning. When it reachesthe patterns on the top of the keyboard, the lowest passages on piano and cello punch in, andreview the pitch material with small intervals.Second Part (m.116-192, total 77 measures), including two sectionsSection I (m. 116-161, total 46 measures), including two divisionsFirst Division (m. 116-133, total 18 measures)Rehearsal F, the excitement reaches the climax, GS located. All instruments join in.Second Division (m. 134-161, total 28 measures)Rehearsal G, combination of E and F, continue to buildup.Section II (m. 162-192, total 31 measures)Rehearsal H, coda, keep the excitement on the peak. $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartets for All Seasons: Spring - Parts Greenblatt and Seay
Arranged by Deborah Greenblatt. This edition: spiral-bound. Set of parts. Publis...(+)
Arranged by Deborah Greenblatt. This edition: spiral-bound. Set of parts. Published by Greenblatt & Seay (GS.BSG4ASSP-P).
$30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs About Spring Soprano voice, Piano Boosey and Hawkes
By Dominick Argento. Arranged by e.e. Cummings. (Soprano). Boosey and Hawkes Vo...(+)
By Dominick Argento. Arranged by e.e. Cummings. (Soprano). Boosey and Hawkes Voice. Size 9x12 inches. 20 pages. Published by Boosey and Hawkes.
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spring Promises Piano solo - Intermediate Alfred Publishing
Piano - Late Intermediate SKU: AP.48033 Composed by Dennis Alexander. Due...(+)
Piano - Late Intermediate SKU: AP.48033 Composed by Dennis Alexander. Duet or Duo; Graded Standard Repertoire; Piano Suite; Solo Small Ensembles. Recital Suite Series. Form: Suite. Recital. Book. 12 pages. Alfred Music #00-48033. Published by Alfred Music (AP.48033). ISBN 9781470642716. UPC: 038081554600. English. The three movements of Spring Promises highlight the energy of spring that follows a long winter. The first movement, A Garden's Promise, features a lyrical melody line over a chord progression that includes a descending bass line. It portrays the beauty of the flowers that begin to appear with the warmer weather. Staccato fifths and grace notes suggest the image of Soft Rains in the A section of the second movement. Triplets in the B section give a stronger sense of movement. The final movement---Spring Fever!---is a rondo that uses root position and second inversion chords in a lively setting. The staccato chords alternate with more lyrical lines to provide contrast. $5.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serendipity in Spring Piano solo - Intermediate FJH
Piano - Late Intermediate SKU: FJ.E1134 Composed by Julie Gardner Bray. P...(+)
Piano - Late Intermediate SKU: FJ.E1134 Composed by Julie Gardner Bray. Piano Solo; Piano Supplemental. The FJH Piano Ensemble Series. Spring. Score. The FJH Music Company Inc #98-E1134. Published by The FJH Music Company Inc (FJ.E1134). UPC: 241444419632. English. Appropriately named, this colorful piece is a tone poem that evokes the earth awakening to spring. The lush harmonies exploit the full range of the keyboard with frequent modulations to new keys. The thematic material is seamlessly woven into both parts. Often the primo and secondo hands are very close to each other. The composer includes short phrases above the staff such as swaying branches, fragrant rain, and flowers blooming plus others to depict the various sense of spring. Good piece for an experienced duet team. About FJH Piano Ensemble Series Creative material especially written to explore aspects of artistic ensemble performance. $4.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowers Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50059S Composed by Gregory Aldae Hein, M...(+)
Concert Band - Grade 2.5 SKU: AP.50059S Composed by Gregory Aldae Hein, Michael Pollack, and Miley Cyrus. Arranged by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Light Concert; Pop; Pop/Rock; Radio. Score. Duration 2:30. Alfred Music #00-50059S. Published by Alfred Music (AP.50059S). ISBN 9781470663735. UPC: 038081580760. English. Perfect for your spring concert, Miley Cyrus's massive number-one hit on the Billboard Hot 100 Flowers, arranged by Patrick Roszell, comes to your concert band. (2:30). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowers Orchestra - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49914S Composed by Gregory Aldae Hein, Mich...(+)
Orchestra - Grade 2.5 SKU: AP.49914S Composed by Gregory Aldae Hein, Michael Pollack, and Miley Cyrus. Arranged by Patrick Roszell. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Pop/Rock; Radio. Score. Duration 2:30. Alfred Music #00-49914S. Published by Alfred Music (AP.49914S). ISBN 9781470663704. UPC: 038081580746. English. Perfect for your spring concert, Miley Cyrus's massive number-one hit on the Billboard Hot 100 Flowers, arranged by Patrick Roszell, comes to your string orchestra. (2:30). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowers Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50059 Composed by Gregory Aldae Hein, Mi...(+)
Concert Band - Grade 2.5 SKU: AP.50059 Composed by Gregory Aldae Hein, Michael Pollack, and Miley Cyrus. Arranged by Patrick Roszell. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Pop Young Band. Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:30. Alfred Music #00-50059. Published by Alfred Music (AP.50059). ISBN 9781470663711. UPC: 038081580753. English. Perfect for your spring concert, Miley Cyrus's massive number-one hit on the Billboard Hot 100, Flowers, arranged by Patrick Roszell, comes to your concert band. This arrangement would be great with your middle or high school band. (2:30). $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flowers Orchestra - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49914 Composed by Gregory Aldae Hein, Micha...(+)
Orchestra - Grade 2.5 SKU: AP.49914 Composed by Gregory Aldae Hein, Michael Pollack, and Miley Cyrus. Arranged by Patrick Roszell. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:30. Alfred Music #00-49914. Published by Alfred Music (AP.49914). ISBN 9781470663698. UPC: 038081580739. English. Perfect for your spring concert, Miley Cyrus's massive number-one hit on the Billboard Hot 100 Flowers, arranged by Patrick Roszell, comes to your string orchestra. (2:30). $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yksinlauluja - Volume 2 Piano, Voice Boosey and Hawkes
Piano; Vocal; Voice (Voice and Piano) SKU: HL.48000909 Solo Songs....(+)
Piano; Vocal; Voice (Voice and Piano) SKU: HL.48000909 Solo Songs. Composed by Einojuhani Rautavaara. Boosey & Hawkes Voice. Classical, Contemporary, Finnish. 87 pages. Boosey & Hawkes #M550095052. Published by Boosey & Hawkes (HL.48000909). UPC: 073999257076. 8.25x11.75x0.2 inches. Contents: I Took That Trip towards an Early Daybreak * What Is There Arising from behind Your Eyelids * I am Walking over Tiny Spots of Snow * Deep is the Night * In the Great Wild Woodlands * In Between Grey Stones * Lucky Cat * To You I Would Make a Gift of Sunflowers * I am Not Speaking, I am Singing * Vocalise * Melancholy * The Squirrel * O Wonderful World * Song of My Heart * Like a Pale Mask, the Hour of Parting * Spring Song * Summer Night * Herbsttag * Winter. $83.00 - See more - Buy online | | |
| Spring Revels Choral SATB SATB A Cappella Seafarer Press
By Elizabeth Alexander. For SATB Choir, a cappella (SATB). Medium-difficult. Dur...(+)
By Elizabeth Alexander. For SATB Choir, a cappella (SATB). Medium-difficult. Duration 12 minutes
$6.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| BLOOM: The Gift of Spring Concert band De Haske Publications
Concert Band (Score) - Level 2.5 SKU: HL.4006472 Composed by Satoshi Yagi...(+)
Concert Band (Score) - Level 2.5 SKU: HL.4006472 Composed by Satoshi Yagisawa. De Haske Concert Band. Concert. Softcover. Duration 270 seconds. De Haske Publications #DHP 1206225. Published by De Haske Publications (HL.4006472). UPC: 888680992613. A wonderful new work by Satoshi Yagisawa in which flowers are the focal point. This work honors the official registration of the Dendrobium “Yishun Primary School†in the International Orchid Register. This flower was created by pupils of a Singaporean school. The dramatic mood of the piece is intended to inspire the next generation of students towards a hopeful future after overcoming difficulties and hardships. $23.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| With Flowers Blooming Choral 3-part SSA Theodore Presser Co.
Choral SSA choir SKU: PR.312418600 Fors.S.A. Chorus, A Cappella. C...(+)
Choral SSA choir SKU: PR.312418600 Fors.S.A. Chorus, A Cappella. Composed by Chen Yi. Premiere: Calvin Women's Chorale, conducted by Pearl Shangkuan, Calvin College, Grand Rapids, MI. Contemporary. Performance Score. With Standard notation. Composed 2010. 12 pages. Duration 4 minutes. Theodore Presser Company #312-41860. Published by Theodore Presser Company (PR.312418600). ISBN 9781598063769. UPC: 680160596300. Octavo inches. Chinese. Text: Du Fu. Du Fu. Text by Du Fu (Tang Dynasty), from the poem 'Happy Rain on a Spring Night'. Commissioned by Calvin Women's Chorale, Dr. Pearl Shangkuan, conductor, of Calvin College in Grand Rapids, Michigan, this piece was premiered on April 29th, 2011. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Throughout the Year 1 Piano, 4 hands [Sheet music] Hal Leonard
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsar...(+)
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsaros. Educational Piano Library. Softcover. 48 pages. Published by Hal Leonard.
$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gade, Niels Wilhelm: Selected Piano pieces Piano solo [Sheet music] G. Henle
By Niels Wilhelm Gade. Edited by Bengt Johnsson. Piano (Harpsichord), 2-hands. P...(+)
By Niels Wilhelm Gade. Edited by Bengt Johnsson. Piano (Harpsichord), 2-hands. Pages: XIII and 74. Urtext edition-paper bound. Published by G. Henle.
(2)$35.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Learn From A Pro -Trombone/Euphonium Trombone [Sheet music + CD] - Beginner Santorella Publications
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, is giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Nick Lane will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Trombone" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Nick Lane Nick Lane has been active in the Los Angeles music scene for over twenty five years. He joined Maynard Ferguson's Band after graduating from Bostones Berklee College of Music and remained on the road for three years before moving to Los Angeles. He continued touring while based in L. A. with Rod Stewart, The Who and Tom Petty and The Heart Breakers. Nick Lane continues to perform with Etta James, Chicago, Shakira, Alejandro Sans and has even performed with Jennifer Lopez. Nick has also been featured in a special PBS broadcast about "the blues" with T-Bone Burnett. Nick remains active in the commercial recording fields for movies, television, commercials and has recorded with such Pop artists as; Macy Gray, Tim Mc Graw, Baby Face, Destiny's Child, The Offspring, The Wallflowers, Fast Ball, Green Day, No Doubt, Natalie Merchant, Everclear, Barbara Streisand and Joe Cocker. Nick has recorded with such Jazz artists as; Rick Braun, Jeff Golub, David Benoit, Dave Koz, Kombo, Greg Karukus and Warren Hill. Nick's popular "lounge jazz" CD performed with baritone saxophonist Greg Smith and an organ trio is recorded on the Oakland Stroke Label.
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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