SKU: HL.49009495
ISBN 9790200210040. UPC: 884088117023. 5.25x7.5x0.215 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.49009744
ISBN 9783795761424. UPC: 841886017924. 5.25x7.5x0.152 inches.
SKU: M7.SMP-657
English.
Mulligan's writing for the Kenton Band was fairly minimal in quantity but extraordinary in quality. He had a profound effect on the band and the writers to follow him. This composition was recorded in 1952 and is on the New Concepts CD (available from Sierra Music). There is solo space for alto, tenor and trumpet. A classic which should be in every jazz library. 5-5-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.).
SKU: M7.SMP-587
Stan Kenton had a certain touch in his arranging that stood out. He took a simple, slow-swinging approach to this great Neal Hefti tune, and it was one of the most popular charts played by the band in the 1970's. Piano takes the melody, while the trombones set the harmonic and rhythmic groove. This is a wonderful piece to program, becasue it is so different than most charts. 5-5-5-3.
SKU: HL.49009770
ISBN 9783795769635. UPC: 841886002616. 5.25x7.5x0.11 inches.
SKU: M7.SMP-539
Exactly as recorded on the Kenton / Capitol Retrospective CD (and the original Milestones LP). This was Stan's first long version of the theme Artistry in Rhythm and is a great piece to program. Features piano and tenor saxophone solos. A classic, wild and bright chart which should be a part of any Kenton Tribute concert. 5-5-5-4.
SKU: HL.49009831
ISBN 9783795769727. UPC: 841886004986. 5.25x7.5x0.206 inches.
SKU: HL.49009851
ISBN 9783795761516. UPC: 841886017931. 5.25x7.5x0.089 inches. German - English.
SKU: HH.HH584-FSP
ISBN 9790708185994.
Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the finest of their time’ while some of the others were ‘remarkably inventive and original’ almost sells this composer short. Every single one of these works, scored for two violins, cello and harpsichord, is masterly and deserves a permanent place in the repertoire. Born in or near Kassel, Fisher spent several years in Holland, teaching music from 1741 to 1745 at the university of Leiden, before emigrating to England. After spending about two years in London he settled permanently in Cambridge, where he taught music to members of the local music society. His Op. 1 set, dedicated to the same society, epitomizes the ‘social’ character of the trio sonata genre, where individual virtuosity yields its place to amicable interaction between the players. Fisher was a cellist as well as a violinist, and this background is brought out by the rare eloquence of his bass lines. The diversity of movement types in these ordinarily three-movement sonatas is very attractive. They include powerful fugues, expansive movements in sonata form, languorous middle movements reminiscent of those in operatic overtures and a selection of dance movements, all of which mix baroque, galant and classical elements in a convincing synthesis.
SKU: HL.49009828
ISBN 9783795768720. UPC: 841886013100. 5.25x7.5x0.148 inches.
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