| Still Breathing Marching band [Score and Parts] - Intermediate Arrangers' Publishing Company
By Green Day. Arranged by Tom Wallace. Arrangers' Publ Marching Band. Rock. Soft...(+)
By Green Day. Arranged by Tom Wallace. Arrangers' Publ Marching Band. Rock. Softcover. Published by Arrangers' Publishing Company (HL.236861).
$80.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Breathing Bass Line Tuba Charles Colin Music
Tuba (trombone) SKU: M7.AHW-412 Composed by Bob Stewart. Sheet music. 21 ...(+)
Tuba (trombone) SKU: M7.AHW-412 Composed by Bob Stewart. Sheet music. 21 pages. Charles Colin Corp. #AHW 412. Published by Charles Colin Corp. (M7.AHW-412). English. In the jazz tradition the Tuba was the bass in the rhythm section up until the mid-twenties. It was then the upright bass replaced the Tuba in many ensembles as the jazz music moved north and continued to develop. After this period the Tuba's roll, as bass in the rhythm section, was at a standstill and did not develop through Swing and Bebop. It wasn't until Cool Jazz of the 1950's when the Tuba was used by Miles Davis and Gil Evans in 'Birth of the Cool' as an ensemble horn. The Tuba, like swimming, is something you can't do any longer than you can hold your breath. In order to maintain a steady beat while playing in the rhythm section I have developed a system of breathing called Pant Breathing. Using this method, the player can maintain a steady beat within the rhythm section, without losing time while taking deep breaths. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Songs of the 1990s Easy Piano Hal Leonard
Easy Piano Piano/Keyboard SKU: HL.282481 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard SKU: HL.282481 The New Decade Series. Composed by Various. Easy Piano Songbook. Alternative, Pop, Rock. Softcover. 410 pages. Published by Hal Leonard (HL.282481). ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches. The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Voggy's Harmonica Book (English Edition) Voggenreiter
French harp SKU: M7.VOGG-461 Composed by Martina Holtz. Sheet music with ...(+)
French harp SKU: M7.VOGG-461 Composed by Martina Holtz. Sheet music with CD. 96 pages. Voggenreiter #VOGG 461. Published by Voggenreiter (M7.VOGG-461). ISBN 9783802404610. English. The harmonica is one of the most fascinating instruments for children to play. Starting with the elemental experience of its own breathing your child will easily connect to the musical sounds it is producing. Little Voggy will be your child's companion on his adventurous wanderings through the fascinating world of music. From proper playing position and playing technique to reading music, playing single notes and whole songs - everything your child needs to know is explained thoroughly and easy to understand. Due to the educational preparation of the syllabus and many songs and exercises composed especially for this book, Voggy's Harmonica Book will always be fun and easy to work with. Fast progress will have your child staying motivated throughout this book. There's an additional appendix featuring tips on practicing, caring for the harp and a complete overview of everything learned. For the diatonic harp (Bluesharp, Richter-harp) in C. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Katy Perry : One of the Boys Piano, Vocal and Guitar [Sheet music] Alfred Publishing
Katy Perry. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personalit...(+)
Katy Perry. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Book. 80 pages. Published by Alfred Publishing.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| When the Earth Stands Still Choral TTBB TTBB A Cappella [Octavo] Galaxy Music Corporation
Composed by don macdonald. Advanced/Collegiate. Secular, 21st Century. Octavo. ...(+)
Composed by don macdonald. Advanced/Collegiate. Secular, 21st Century. Octavo. Published by Galaxy Music Corporation (EC.1.3432).
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Green Day - Revolution Radio Guitar notes and tablatures Hal Leonard
Accurate Tab Edition. By Green Day. Guitar Recorded Version. Softcover. With ...(+)
Accurate Tab Edition. By
Green Day. Guitar Recorded
Version. Softcover. With
guitar tablature. 72 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oxford Book Of Flexible Anthems
Choral SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction Composed by John Rutter
A Prayer Of St Richard Of Chichester Composed by L. J. White
Alleluia Composed by William Boyce
Author Of Life Divine Composed by Cecilia Mcdowall
Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard
Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard
Brightest And Best Composed by Malcolm Archer
Christ Is The World's True Light Composed by W. K. Stanton
Christ The Lord Is Risen Again Composed by Richard Shephard
Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach
Come Down, O Love Divine Composed by Hilary Tadman-robins
Plainsong: Creator Of The Stars Arranged by John Scott
Drop, Drop Slow Tears Composed by Kerry Andrew
Evening Service In C Composed by Frank Henry Shera
Fairest Lord Jesus Composed by Martin How
Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard
Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard
God Be In My Head Composed by Armstrong Gibbs
God In Mine Eternity Composed by Alan Bullard
God So Loved The World Composed by Alan Bullard
God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne
Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt
Hark, The Glad Sound Composed by David Thorne
Harvest Carol Composed by Ian Ray
He Is Risen Composed by Cecil Cope
Hide Not Thy Face Composed by Richard Farrant
see all...
Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard
Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith
Hosanna To The Son Of David Composed by Georg Philipp Telemann
Irish Blessing Composed by Bob Chilcott
Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar
Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard
Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart
Lamb Of God (Agnus Dei) Composed by Samuel Webbe
Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury
Like The Murmur Of The Dove's Song Composed by Alan Smith
Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn
Magnificat And Nunc Dimittis In C Composed by F. H. Shera
Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard
Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard
O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard
O For A Closer Walk With God Composed by Charles Villiers Stanford
O God Of Mercy Composed by Simon Lole
O God, Your Goodness Composed by Ludwig Van Beethoven
O Praise God In His Holiness Composed by John Weldon
Panis Angelicus Composed by Cesar Auguste Franck
Peace Between Nations Composed by Christopher Wiggins
Pie Jesu Composed by Gabriel Faure
Praise To The Trinity Composed by Hildegard Of Bingen
Psalm 150 Composed by Bob Chilcott
Rejoice In The Lord Always Composed by Christopher Wiggins
Shout For Joy Composed by African Traditional; Arranged by Alan Bullard
Star Of Wonder Composed by Alan Bullard
The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley
The Heavens Sing Praises To God Composed by Ludwig Van Beethoven
The Lord Ascendeth Composed by Michael Praetorius
The Lord Bless You And Keep You Composed by John Rutter
The Lord's My Shepherd Composed by Bob Chilcott
The Peace Of God Composed by Alan Bullard
The True And Living Bread Composed by David Blackwell
There Is No Rose Composed by Andrew Smith
Thou Visitest The Earth Composed by Maurice Greene
To Be A Pilgrim Composed by Nick Burt
Were You There? Composed by American Spiritual; Arranged by Peter Hunt
Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard
Wondrous Cross Composed by Philip Wilby
The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press
(2)$28.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Breathless Recorder Schott
Recorder - difficult SKU: HL.49011301 For 3 Recorders (1 Player). ...(+)
Recorder - difficult SKU: HL.49011301 For 3 Recorders (1 Player). Composed by Moritz Eggert. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1994. 18 pages. Duration 7'. Schott Music #OFB192. Published by Schott Music (HL.49011301). ISBN 9790001126571. UPC: 073999556148. 9.0x12.0x0.08 inches. Dissatisfied with computerized sounds the composer experiments exhaustively with the various techniques of playing two recorders simultaneously and requires advanced breathing abilities and proficiency of the performer. $26.99 - See more - Buy online | | |
| Fanfare and Jubilation [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1 and more. - Grade 1 SKU: CF.BPS137F Composed by Michael Boo. Sws. Bps. Full score. 16 pages. Duration 2:20. Carl Fischer Music #BPS137F. Published by Carl Fischer Music (CF.BPS137F). ISBN 9781491158494. UPC: 680160917099. 9 x 12 inches. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion. Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue. Percussion accents are to played with more emphasis than non-accented notes, but shouldnat be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you donat have access to Timpani or a timpanist. Bells cover a wide rangea|the lower octave sections should not be played louder just because theyare low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate. Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players donat get carried away and give them more emphasis than is musically desired. At m. 21, be careful that the bass line isnat plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section. There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion. Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue. Percussion accents are to played with more emphasis than non-accented notes, but shouldn't be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you don't have access to Timpani or a timpanist. Bells cover a wide range...the lower octave sections should not be played louder just because they're low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate. Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players don't get carried away and give them more emphasis than is musically desired. At m. 21, be careful that the bass line isn't plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section. There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion.Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue.Percussion accents are to played with more emphasis than non-accented notes, but shouldn’t be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you don’t have access to Timpani or a timpanist. Bells cover a wide range…the lower octave sections should not be played louder just because they’re low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate.Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players don’t get carried away and give them more emphasis than is musically desired.At m. 21, be careful that the bass line isn’t plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section.There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fanfare and Jubilation - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1 and more. - Grade 1 SKU: CF.BPS137 Composed by Michael Boo. Folio. Bps. Set of Score and Parts. 4+4+2+4+4+2+2+3+2+2+2+4+4+3+2+2+2+3+1+1+2+1+16 pages. Duration 2:20. Carl Fischer Music #BPS137. Published by Carl Fischer Music (CF.BPS137). ISBN 9781491158487. UPC: 680160917082. 9 x 12 inches. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion. Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue. Percussion accents are to played with more emphasis than non-accented notes, but shouldnat be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you donat have access to Timpani or a timpanist. Bells cover a wide rangea|the lower octave sections should not be played louder just because theyare low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate. Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players donat get carried away and give them more emphasis than is musically desired. At m. 21, be careful that the bass line isnat plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section. There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion. Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue. Percussion accents are to played with more emphasis than non-accented notes, but shouldn't be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you don't have access to Timpani or a timpanist. Bells cover a wide range...the lower octave sections should not be played louder just because they're low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate. Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players don't get carried away and give them more emphasis than is musically desired. At m. 21, be careful that the bass line isn't plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section. There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. Fanfare and Jubilation is a Grade 1 work that is playable by any beginning band with any instrumentation due to extensive doubling. The mood is regal and optimistic and is non-programmatic, conveying no picturesque image or storyline. It is appropriate for any occasion.Accents are to be emphasized more than non-accented notes, but are not to be hammered hard. Stress that accented notes are to be played with the same good tone as the other notes and that pitches should not suffer from the additional emphasis. Think of the accents as more of an additional emphasis from the air column and not the tongue.Percussion accents are to played with more emphasis than non-accented notes, but shouldn’t be perceived as being much louder. Timpani is only two pitches and is optional. The piece will not suffer at all if you don’t have access to Timpani or a timpanist. Bells cover a wide range…the lower octave sections should not be played louder just because they’re low pitched, as those notes will still be appropriately heard while supporting the melody. Do not use brass mallets. Balter 10 Phenolic mallets or equivalent (such as clear Balter Lexan or white Medium Hard Poly models) are most appropriate.Think of the m. 10 accented quarter notes tied to the half notes (and similar later examples) as being akin to Horn rips in a Hollywood movie. They are to be emphasized slightly but should not be blaring. Even though they are the only things happening on counts 2 and 3, care must be given that the young players don’t get carried away and give them more emphasis than is musically desired.At m. 21, be careful that the bass line isn’t plodding or over-emphasized due to the accents. Those players should be aware of the sudden drop in volume and lack of accents at m. 25. Attention to sudden dynamic shifts will add interest to the piece and present a more musical performance. Throughout this entire section, try to get all winds to sustain a single breath through four bars until the breath marks. If they are unable to do so, please explain the concept of staggered breathing between members of their section.There may be a tendency among the players to blast out m. 57 to the end. Notes should have more power than the section from mm. 21-56, but are still to be approached musically. Explaining such concepts during their early musical development will go far in helping them develop good traits that will pay off dividends in the future. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Popular Melodies ? Super Easy Songbook Easy Piano - Beginner Hal Leonard
Easy Piano Piano SKU: HL.1315782 By Various. Super Easy Songbook. Pop, St...(+)
Easy Piano Piano SKU: HL.1315782 By Various. Super Easy Songbook. Pop, Standards. Softcover. Published by Hal Leonard (HL.1315782). ISBN 9798350110272. UPC: 196288179023. 9.0x12.0 inches. No matter your age or if you're at the very start of your piano journey, you can play the 49 favorites in this collection! Each song is presented in arrangements with no page turns, simple right-hand melody parts, letter names written inside each note head, and basic left-hand chord diagrams. Songs include: Chasing Cars â?¢ Dancing Queen â?¢ Don't Stop Believin' â?¢ Drivers License â?¢ Every Breath You Take â?¢ Free Fallin' â?¢ Golden Hour â?¢ He's a Pirate â?¢ Heart and Soul â?¢ Imagine â?¢ La Bamba â?¢ Lean on Me â?¢ The Lion Sleeps Tonight â?¢ One Call Away â?¢ 100 Years â?¢ Peaches â?¢ Piano Man â?¢ Stand by Me â?¢ Star Wars (Main Theme) â?¢ Sweet Caroline â?¢ Take Me Home, Country Roads â?¢ We Don't Talk About Bruno â?¢ and more. $16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Let All that Has Breath Choral 2-part 2-part, Piano GIA Publications
2-part equal voices, keyboard accompaniment SKU: GI.G-007101 Composed by ...(+)
2-part equal voices, keyboard accompaniment SKU: GI.G-007101 Composed by Marie-Jo Thum. Children. Sacred. Octavo. GIA Publications #007101. Published by GIA Publications (GI.G-007101). English. This charming anthem is a great addition to your adult and/or children's two-part repertiore. The exuberant spirit of Psalm 150 inspires the simplicity of the song. The attractive, animated melody in the refrain is set in a two-part dialogue. The rhythm shifts slightly in the verses while still incorporating the choral interchange. Consider this for your combined-choir efforts. Performance of this work is a wonderful way to celebrate community and our shared individuality as the people of God. $1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Still, Small Voice Organ Lorenz Publishing Company
By Steven Walters. For organ and solo instrument. Level: 3-staff. Collection (wi...(+)
By Steven Walters. For organ and solo instrument. Level: 3-staff. Collection (with solo part). Published by Lorenz Publishing Company. (70/1665L)
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Still Concert band [Score] - Intermediate FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530S Score Only. C...(+)
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530S Score Only. Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Form: Chorale. Score. Duration 6:15. The FJH Music Company Inc #98-B1530S. Published by The FJH Music Company Inc (FJ.B1530S). English. This emotional escape ushers the listener into a world of slow motion and tranquility, where one can take a moment to stop and catch his breath. Complex harmonies seamlessly overlap with rising and falling expressions of longing. A breathtaking climax stuns the listener before an aura of calm takes over, reminding everyone to stop and take a moment. This piece is certain to find a special place in your heart. About FJH Symphonic Band Appropriate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5 $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Favorite Recorder Tunes - Beautiful American Airs and Ballads Recorder - Intermediate Mel Bay
Woodwinds - Intermediate SKU: MB.30964 Old Time, Saddle-stitched. Country...(+)
Woodwinds - Intermediate SKU: MB.30964 Old Time, Saddle-stitched. Country. Book. 44 pages. Mel Bay Publications, Inc #30964. Published by Mel Bay Publications, Inc (MB.30964). ISBN 9781513469775. 8.75x11.75 inches. This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Still Concert band - Intermediate FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530 Composed by Brian Bal...(+)
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530 Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Form: Chorale. Score and Part(s). Duration 6:15. The FJH Music Company Inc #98-B1530. Published by The FJH Music Company Inc (FJ.B1530). UPC: 674398230747. English. This emotional escape ushers the listener into a world of slow motion and tranquility, where one can take a moment to stop and catch his breath. Complex harmonies seamlessly overlap with rising and falling expressions of longing. A breathtaking climax stuns the listener before an aura of calm takes over, reminding everyone to stop and take a moment. This piece is certain to find a special place in your heart. About FJH Symphonic Band Appropriate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5 $80.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Breath of Scandal Piano, Voice Gehrmans Musikforlag
Piano, voice (solo and accompaniment) SKU: GH.CG-5469 Blygaste, rarast...(+)
Piano, voice (solo and accompaniment) SKU: GH.CG-5469 Blygaste, raraste, karaste. Composed by Robert Stolz. With Language: English, Swedish. Gehrmans Musikforlag #CG 5469. Published by Gehrmans Musikforlag (GH.CG-5469). Key: G dur / g major. Text: Al Stillman (text), Eve (Swedish text). $12.08 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Clippinger Class-Method of Voice Culture Piano, Voice [Sheet music] Theodore Presser Co.
By David A. Clippinger. For voice, piano. Published by Theodore Presser Company....(+)
By David A. Clippinger. For voice, piano. Published by Theodore Presser Company.
(2)$31.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Chord Songbook White Pages Lyrics and Chords [Sheet music] Hal Leonard
By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published ...(+)
By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| '80s & '90s Rock Fake Book [Fake Book] Hal Leonard
Fakebook for voice and C instrument. With vocal melody, lyrics, leadsheet notati...(+)
Fakebook for voice and C instrument. With vocal melody, lyrics, leadsheet notation and chord names. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chimera [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5 SKU: CF.CA...(+)
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5 SKU: CF.CAS125F Composed by Eric B. Davis. Sws. Carl Fischer Concert String Orchestra Series. Full score. 12 pages. Duration 4 minutes, 35 seconds. Carl Fischer Music #CAS125F. Published by Carl Fischer Music (CF.CAS125F). ISBN 9781491154809. UPC: 680160913350. 9 x 12 inches. Key: G minor. This high-energy work is based on the Greek mythological fire-breathing monster that has a lion's head, a goat's body and a serpent's tail. Three themes representing each of these interact with one another and move through a series of musical episodes in a battle between the beast and the hero, Bellerophon. It is both fun to play from the dramatic opening to the exciting and heroic conclusion. This high-energy work is based on the Greek mythological fire-breathing monster that has a lion’s head, a goat’s body and a serpent’s tail. Three themes representing each of these interact with one another and move through a series of musical episodes in a battle between the beast and the hero, Bellerophon. It is both fun to play from the dramatic opening to the exciting and heroic conclusion. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Top Christian Hits of 2020-2021 Piano, Vocal and Guitar Hal Leonard
By Various. Piano/Vocal/Guitar Songbook. Christian, Contemporary Christian, G...(+)
By Various.
Piano/Vocal/Guitar Songbook.
Christian, Contemporary
Christian, General Worship,
Worship. Softcover.
Published by Hal Leonard
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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