SKU: LM.26846
ISBN 9790230968461.
Just in - Care-Free - With Gab - Walkin'in a Louisiana Street - Dede in the Middle - Call-Back - Two Stomp for You - Robert's Tune - Why 34' ? - As she Like it - Around it - Eastern Nostalgia - Up and Down Blues - Hi Chazz - Coming Together.
SKU: LO.60-1046H
UPC: 000308054958.
If you think it's just another blues, but it's not, it's Hogwart Stomp. Robert Woods shows off some of his wizardry with this interesting and fun-filled excursion into the magical land of the blues shuffle. The cascading triplet figure in the introduction is not only one of the themes of the piece, but it is also used as the basis for the chart's IDEAS FORIMPROV section.
SKU: LM.28151
ISBN 9790230981514.
With Gab - Care-Free - Two stomp for you - Robert's tune - Around it - Goodbye Kate - One note for you - In the Emilie's eyes - For a blue note - As she like it - I prefer the blue - Ballad for Jodie - I'll be in the show - Leave me here - My friend Gabriell.
SKU: FJ.ST6438S
English.
Clap and stomp your way through this lively tune, written in a fun fiddling style. This first-position piece for developing strings moves between minor and major tonalities while also exploring arco and pizzicato technique. Certain to be a hit as the melody passes between sections with all the vigor of a square dance!
About FJH Developing Strings
Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: HL.48011397
UPC: 073999498097. 8.25x12.0x0.088 inches.
Contents: Spring Song * Hungarian Stomp * Fleet Feet * Promises * Wombling * Mechanics Rag * Highly Strung * Beguine * Boogie * Young at Heart.
SKU: LM.28327
ISBN 9790230983273.
Care-Free - With Gab - Walkin' in a Louisiana street - Two stomp for you - Robert's tune - As she like it - Around it - Eastern nostalgia - Hello Charlie - Leave me here - One note for you - Whistling in the street - Goodbye Kate - For Chris and Michel - So goes the life.
SKU: MB.30779M
ISBN 9781513462691. 8.75 x 11.75 inches.
This book presents three of the greatest ragtime blues guitar players from the 1920s-1940s. They all possessed what Rev. Gary Davis called that sportinâ?? right hand. Each could sing the blues or play a dance instrumental. They favored first-position chords but produced incredible textures and rhythms from these easy left-hand fingerings. There are years of exciting fingerpicking challenges in these pages. But what fun it will be once you can play these tunes!
BIG BILL BROONZY Big Bill Blues â?¢ At the Break of Day â?¢ Friendless Blues â?¢ Shuffle Rag â?¢ Worrying You off My Mind Bull Cow Blues â?¢ Five Feet Five
BLIND BLAKE Georgia Bound â?¢ Back Biting Bee Blues â?¢ Cold Hearted Mama Blues â?¢ Ice Man Blues â?¢ Righteous Blues â?¢ Tootie Blues Rope Stretchinâ?? Blues â?¢ Sea Board Stomp â?¢ Walkinâ?? Across the Country â?¢ What a Lowdown Place the Jailhouse Is
BLIND BOY FULLER Baby, I Donâ??t Have to Worry â?¢ Careless Love â?¢ Georgia Ham Mama â?¢ Keep Away From My Woman Somebodyâ??s Been Playing With That Thing â?¢ Why Donâ??t My Baby Write To Me (I Got A Woman Crazy For Me) Sheâ??s Funny That Way â?¢ Jivinâ?? Woman Blues
HOW TO USE THIS BOOK 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!!
SKU: CF.CPS264
ISBN 9781491161418. UPC: 680160920006.
Some of the first music I remember hearing as a child was folk dance music from around the world. My parents were avid folk dancers, and they used to host weekly folk dance evenings in our basement. Some nights, when I was supposed to be in bed, I would stand with my ear to the door, listening to this fascinating music that drifted up the stairs. I didn't know what each piece was, but the melodies have stayed with me. Tropanka is one of those tunes. Tropanka (pronounced tro-PAHN-kuh) is a folk dance from Bulgaria, and the title means stomping dance. One can hear two repeated notes at the end of each phrase - this is where the dancers stomp. Patsh Tantz (pronounced PAHTSH tahnts) is a classic example of Klezmer, which is East European Jewish folk music. The title is Yiddish for clapping dance, and all the players get the chance to clap at certain points in their individual part. Klezmer music is often quite exciting, and this arrangement includes the characteristic accelerando, building excitement as the piece drives to the end. Both movements should be played rhythmically, and as it is folk music that would be danced to by untrained dancers, often wearing boots or other flat-soled shoes, adding weight to many of the downbeats will help bring out the earthy character of the music. Since my parents met while folk dancing, I made these arrangements (originally in a version for string quartet) as a gift in celebration of their 50th wedding anniversary.Some of the first music I remember hearing as a child was folk dance music from around the world. My parents were avid folk dancers, and they used to host weekly folk dance evenings in our basement. Some nights, when I was supposed to be in bed, I would stand with my ear to the door, listening to this fascinating music that drifted up the stairs. I didn’t know what each piece was, but the melodies have stayed with me. Tropanka is one of those tunes. Tropanka (pronounced “tro-PAHN-kuhâ€) is a folk dance from Bulgaria, and the title means “stomping danceâ€. One can hear two repeated notes at the end of each phrase – this is where the dancers stomp. Patsh Tantz (pronounced “PAHTSH tahntsâ€) is a classic example of Klezmer, which is East European Jewish folk music. The title is Yiddish for “clapping danceâ€, and all the players get the chance to clap at certain points in their individual part. Klezmer music is often quite exciting, and this arrangement includes the characteristic accelerando, building excitement as the piece drives to the end.Both movements should be played rhythmically, and as it is folk music that would be danced to by untrained dancers, often wearing boots or other flat-soled shoes, adding weight to many of the downbeats will help bring out the “earthy†character of the music. Since my parents met while folk dancing, I made these arrangements (originally in a version for string quartet) as a gift in celebration of their 50th wedding anniversary.
SKU: CF.CPS264F
ISBN 9781491161746. UPC: 680160920433.
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