Piano

SKU: BR.SMV-60005

Composed by Walter Georgii. Edited by Walter Georgii. Solo instruments; Softbound. Monuments of German Music. Baroque; Early classical. Score. 102 pages. Breitkopf and Haertel #SMV 60005. Published by Breitkopf and Haertel (BR.SMV-60005).

ISBN 9790004571453. 0 x 0 inches. English.

Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31).

4 Part Variable Wind Ensemble with Percussion - intermediate

SKU: BT.DHP-1216326-070

Arranged by Wil van der Beek. Music Box. Folk Music. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216326-070. Published by De Haske Publications (BT.DHP-1216326-070).

ISBN 9789043162067. English-German-French-Dutch.

1. Emerald Isle, in this part, the musical spotlight focuses in on the green island of Ireland and its great wealth of traditional folk music. The piece opens with the air ‘My Lodging Is on the Cold Ground’, also known under the title ‘Believe Me, If All Those Endearing Young Charms’ (bars 5-24). Next, we hear another well-known air ‘The Minstrel Boy’ (bars 29-44). Finally, the air ‘The Groves of Blarney’, possibly better known as ‘The Last Rose of Summer’ (bars 53-68) is heard. Each air is heralded by a short introduction and brought to an end by a short conclusion. 2. Old Kentucky Memories, following an introduction of 14 bars all attention is claimed by the song ‘My Old Kentucky Home’. As the piece goes on, snippets of memories emerge, fleetingly, surfacing fast, but quickly disappearing again: this is musically featured by way of small motifs and themes from other songs. These can be heard briefly, and then they disappear, musing on Old Kentucky until the introduction returns to end the piece. 3. Uppland, is a province in Sweden that had a rich folk music culture, like the whole of Sweden, that boasts many songs and dances. A notable amount of these songs and dances have been composed in minor keys, three of which feature in this part. First, we hear ‘Svensk folkvisa’(bars 1-38), followed by the famous ‘Värmlandsvisan’ (bars 39-67) and then brought to an end by ‘Vexelsang’ (bars 68-end). 4. Ratatouille, in this part, no folk songs of just one country or one province are featured. This piece is a mishmash (or ratatouille), a hotchpotch of three folk songs with no significant relation at all. In succession, we hear a song from Russia (bars 1-30), one from Japan (bars 31-58) and one from Australia (bars 59-end). The composer of the Russian song titled ‘The Nightingale’ is Alexander Alyabyev (1787 1851), but the composers of the Japanese song titled ‘Sakura’ and the Australian ‘Waltzing Matilda’ are unknown.

1. Emerald Isle, in dit deel zijn de muzikale schijnwerpers gericht op het groene eiland Ierland, op de grote rijkdom aan traditionele volksmuziek. Het werkje opent met de air ‘My Lodging Is on the Cold Ground’, ook bekend onder de titel ‘Believe Me, If All Those Endearing Young Charms’ (maat 5-24). Daarna volgt de bekende air ‘The Minstrel Boy’ (maat 29-44). En ten slotte horen we nog de air ‘The Groves of Blarney’, misschien beter bekend als ‘The Last Rose of Summer’ (maat 53-68). Elke air wordt voorafgegaan door een korte inleiding en beëindigd met een korte afsluiting. 2. Old Kentucky Memories, na een inleiding van 14 maten (deels ook als afsluiting van dit deel gebruikt) wordt alle aandacht opgeëist door de song ‘My Old Kentucky Home’. Al gauw doemen er echter flarden van herinneringen op, vluchtig, snel opkomend, maar ook weer snel verdwijnend: dit krijgt muzikaal gestalte door middel van motiefjes en thema’s uit andere songs. Deze zijn even hoorbaar en dan weer vlug verdwenen... Mijmeren over Old Kentucky dus... 3. Uppland, is een provincie in Zweden met een rijke muziekcultuur, zoals heel Zweden trouwens ruim bedeeld is met volksliederen en volksdansen. Opvallend veel van deze liederen en dansen zijn gecomponeerd in mineurtoonsoorten. Dit is ook het geval met de drie voor dit deel uitgekozen songs: als eerste ‘Svensk folkvisa’(maat 1-38), gevolgd door het bekende ‘Värmlandsvisan’ (maat 39-67) en tot besluit ‘Vexelsang’ (maat 68-slot). 4. Ratatouille, in dit deel worden geen volksliedjes van één land of één provincie belicht. Dit werkje is een ‘ratjetoe’ (ratatouille), een allegaartje van drie folksongs die onderling geen enkel verband met elkaar hebben: de enige overeenkomst is dat ze alle drie als volksmuziek bestempeld kunnen worden. Achtereenvolgens klinkt er een lied uit Rusland (maat 1-30), uit Japan (maat 31-58) en uit Australië (maat 59-slot). Van het Russische lied met de titel ‘De nachtegaal’ is de componist bekend: dat is Aleksandr Aljabjev (1787 1851). Van het Japanse lied ‘Sakura’ en de Australische song ‘Waltzing Matilda’ kennen we niet de componist niet.

1. Emerald Isle, in diesem Abschnitt richtet sich die musikalische Aufmerksamkeit auf die grüne Insel Irland mit ihrem großen Reichtum an traditioneller Volksmusik. Das Stück beginnt mit der Melodie My Lodging Is on the Cold Ground“, auch bekannt unter dem Titel Believe Me, If All Those Endearing Young Charms“ (Takt 5-24). Anschließend erklingt die bekannte Melodie The Minstrel Boy“ (Takt 29-44). Schließlich ist The Groves of Blarney“, vielleicht bekannter unter dem Titel The Last Rose of Summer“ (Takt 53-68), zu hören. Jede Melodie wird durch eine kurze Einleitung angekündigt und mit einem kurzen Nachspiel beendet. 2. Old Kentucky Memories, nach einer 14 Takte dauerndern Einleitung tritt das Lied My Old Kentucky Home“ in den Mittelpunkt. Im weiteren Verlauf des Stücks erscheinen bruchstückhafte Erinnerungen, die fast so schnell wieder verschwinden, wie sie auftauchen. Dies wird musikalisch durch kleine Motive und Themen aus anderen Liedern dargestellt. Diese sind kurz zu hören und verschwinden dann, während man über Old Kentucky nachdenkt, bis die Einleitung wieder erklingt, die zum Schluss des Stückes führt. 3. Uppland, ist eine schwedische Provinz, die wie ganz Schweden eine reiche Volksmusikkultur mit vielen Liedern und Tänzen hat. Eine große Anzahl der Lieder und Tänze, von denen drei in diesem Abschnitt enthalten sind, stehen in Moll-Tonarten. Zuerst hören wir Svensk folkvisa“ (Takt 1-38), darauf erklingt das berühmte Värmlandsvisan“ (Takt 39-67) und am Ende Vexelsang“ (Takt 68-end). 4. Ratatouille, in diesem Abschnitt werden nicht die Volkslieder eines einzigen Landes oder einer einzigen Provinz vorgestellt, sondern das Stück ist ein Mischung (oder Ratatouille“) aus drei Volksliedern, die keinerlei Beziehung zueinander haben. Zunächst erklingt ein Lied aus Russland (Takt 1-30), dann eines aus Japan (Takt 31-58) und zum Schluss eines aus Australien (Takt 59-Ende). Der Komponist des russischen Liedes mit dem Titel The Nightingale“ ist Alexander Alyabyev (1787 1851). Die Komponisten des japanischen Liedes Sakura“ und der australischen Melodie Waltzing Matilda“ sind unbekannt.

1. Emerald Isle (Île d’émeraude), cette première partie met en vedette la verdoyante île d’Irlande et son riche patrimoine de musique folklorique traditionnelle. Elle s’ouvre avec « My Lodging Is on the Cold Ground », un air également connu sous le titre « Believe Me, If All Those Endearing Young Charms » (mesures 5-24). Vient ensuite un autre air célèbre, « The Minstrel Boy » (mesures 29-44), lui-même suivi de « The Groves of Blarney », peut être mieux connu sous le titre « The Last Rose of Summer » (mesures 53-68). Chaque air est annoncé par une courte introduction et s’achève avec une courte conclusion. 2. Old Kentucky Memories (Souvenirs du vieux Kentucky), après une introduction de 14 mesures, toute l’attention se porte sur la chanson « My Old Kentucky Home ». A fil de la pièce, des fragments de souvenirs fugaces émergent, disparaissant aussi vite qu’ils se présentent : cette impression est créée par le biais de courts motifs et thèmes empruntés d’autres chansons. On les entend brièvement puis ils s’estompent, comme de lointains souvenirs du vieux Kentucky, jusqu’ une reprise de l’introduction pour conclure la pièce. 3. Uppland, est une province suédoise aux riches traditions musicales, tout comme l’ensemble de la Suède, qui compte de nombreuses danses et chansons. Beaucoup sont en tonalité mineure, et cette partie en comprend trois. La première est « Svensk folkvisa » (mesures 1-38), qui est suivie de « ‘Värmlandsvisan » (mesures 39-67), et la pièce s’achève avec « Vexelsang » (mesure 68 jusqu’ la fin). 4. Ratatouille, cette dernière partie ne comprend pas d’air provenant d’un seul pays. C’est un méli-mélo, une « ratatouille » de trois chansons folkloriques sans aucun lien. Il y a d’abord une chanson russe, « Le Rossignol » (mesures 1-30), puis « Sakura », originaire du Japon (mesures 31-58) et, enfin, « Waltzing Matilda », venue d’Australie (mesure 59 jusqu’ la fin). La chanson russe est d’Alexander Alyabyev (1787-1851), mais nous ignorons les auteurs des deux autres chansons.

Concert Band; Orchestra 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set

SKU: AP.36-A672690

Composed by Ernesto Lecuona. Arranged by Morton Gould. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A672690. Published by LudwigMasters Publications (AP.36-A672690).

UPC: 659359666292. English.

The Cuban composer and pianist Ernesto Lecuona (1896-1963) wrote many works labelled as Afro-Cuban, and sorting them all can be difficult. While some are lost and others are scattered about, the 1930 piano suite titled Danzas Afro-Cubanas, a collection of six of the dances, remains a core group in the style. La Comparsa (Carnival Procession) is the sixth dance in the suite, and it is based on the traditional parade and ceremony that occurs during Carnival season in Cuba. This composition starts with the gradual approach of the procession and carries one through all the excitement until the last faint notes of the departing parade die away in the distance. This version for full orchestra has been arranged by Morton Gould (1913-1996). Instrumentation: 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Flute - Beginner - Advanced

SKU: FH.FLE01

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book. The Frederick Harris Music Company #FLE01. Published by The Frederick Harris Music Company (FH.FLE01).

ISBN 978-1-55440-300-4.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.

Slavonic Dances, op. 46, no. 1 Antonin Dvorak
Symphony No. 100 in G Major (Military): II Franz Joseph Haydn
Le carnaval des animaux: Aquarium Camille Saint-Saens
HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan
La forza del destino: Overture Giuseppe Verdi
Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel
Symphony No. 100 in G Major (Military): III Franz Joseph Haydn
Ma Vlast: II Bedrich Smetana
HMS Pinafore: When I Was a Lad Arthur Sullivan
Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky
Symphony No. 6 (Pastoral): III Ludwig van Beethoven
Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak
Faust: Soldier's Chorus Charles Gounod
Peer Gynt Suite No. 1, op. 46: I Edvard Grieg
Symphony No. 102 in B flat Major: I Franz Joseph Haydn
Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach
Carmen: La garde montante Georges Bizet
Petite suite: Ballet IV Claude Debussy
Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn
Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart
Symphony No. 5: IV Ludwig van Beethoven
Carmen: Act 1, Prelude Georges Bizet
Faust Ballet Music: Danse antique Charles Gounod
Symphony No. 102 in B flat Major: IV Franz Joseph Haydn
Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov
Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven
Symphonie fantastique: V Hector Berlioz
Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35: I Nicolai Rimsky-Korsakov
Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach
Symphonie fantastique: I Hector Berlioz
Carmen: Entr'acte (Prelude) Georges Bizet
Symphony No. 1 in C Minor: IV Johannes Brahms
Die Zauberfloete: Overture Wolfgang Amadeus Mozart
Symphony No. 8 in G Major: IV Antonin Dvorak
Leonore Overture No. 3, op. 72a Ludwig van Beethoven
Symphony No. 4 in E Minor: IV Johannes Brahms
La mer: I, II, III Claude Debussy
Symphony No. 4 (Italian): IV Felix Mendelssohn
Symphony No. 1 (Classical): II Sergei Prokofiev
Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven
Prelude a l'apres-midi d'un faune Claude Debussy
Sinfonie Mathis der Maler: I, II Paul Hindemith
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn
Petroushka (1947 revision): Part 1 Igor Stravinsky
Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky
Capriccio espagnol, op. 34: IV Nicolai Rimsky-Korsakov
Symphony No. 1 (Classical): IV Sergei Prokofiev
Concerto for Orchestra: I, II, III, IV, V Bela Bartok
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith
Das Lied von der Erde: VI Gustav Mahler
Peter and the Wolf, op. 67 Sergei Prokofiev
Le carnaval des animaux: 10. Voliere Camille Saint-Saens
Daphnis et Chloe: Troisieme partie Maurice Ravel
Guillaume Tell: Overture Gioachino Rossini
Till Eulenspiegel's Merry Pranks Richard Strauss
Firebird Suite (1919 version) Igor Stravinsky
Symphony No. 9: IV Ludwig van Beethoven
Concerto for Orchestra: III Bela Bartok
Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov
Semiramide: Overture Gioachino Rossini
Symphony No. 5, op. 47: I, II Dmitri Shostakovich.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

By Jane Smisor Bastien. (Bastien Supplementary Books). Bastien Piano. Solo Collections. Music Book. Published by Neil A. Kjos Music Company.

Concert Band - Grade 4

SKU: BT.EMBZ14493

Score for Symphonic Band. Composed by László Dubrovay. EMB Concert Band Series. Concert Piece. Score Only. Composed 2010. 56 pages. Editio Musica Budapest #EMBZ14493. Published by Editio Musica Budapest (BT.EMBZ14493).

9x12 inches. English-Hungarian.

This work was written in 2005, prompted by the composer's determination that young members of junior, music school and conservatoire wind ensembles should not be limited to transcriptions for lack of original compositions, especially contemporary ones. The new devices used in the Little Suite are suitable for student players to try out. Indeed, they enjoy them - for instance, purring or whistling into the instrument. Each of the three-or-four-minute movements of this four-movement work can also be performed separately. The titles of the movements are the following: 1. In cheerful mood, 2. Song, 3. Joke, 4. March. This music in modern idiom, full ofinteresting new effects, offers young players an opportunity for enjoyable music-making together, and at the same time prepares them for playing more difficult contemporary works.

Dieses Werk schrieb der Komponist 2005, für Jugendblasorchester. Jeder der vier Sätze dieser Komposition lässt sich auch einzeln vortragen. Die Titel der Sätze sind: 1. Gutgelaunt, 2. Lied, 3. Spass, 4. Marsch. Die in moderner Sprache gehaltene, mit vielen interessanten neuen Effekten bereicherte Musik bietet den jungen Instrumentalisten Möglichkeiten zum heiteren, gutgelaunten Musizieren in der Gemeinschaft und bereitet sie auch auf das Spielen schwierigerer zeitgenössischer Musik vor.

Little Suite (In Cheerful Mood, Song, Joke, March) pour musiciens décomplexés s’adresse aux Orchestres Juniors de niveau avancé, ainsi qu’aux formations la recherche de nouvelles expériences musicales. Il va falloir, siffl er, souffl er, ronronner, etc. Chacun des quatre mouvements (durée individuelle : 3-4 min.) peut être interprété séparément.

Little Suite si presta per essere eseguito da banda di livello avanzato come anche per tutte le formazioni desiderose di suonare un brano originale moderno con effetti sorprendenti. I quattro movimenti di questa piccola suite, In Cheerful Mood, Song, Joke e March, possono essere eseguiti separatamente.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS114

Suite from Española. Composed by Gaspar Sanz. Arranged by Deborah Baker Monday. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+4+12 pages. Duration 2 minutes, 13 seconds. Carl Fischer Music #CAS114. Published by Carl Fischer Music (CF.CAS114).

ISBN 9781491151334. UPC: 680160908837. 9 x 12 inches. Key: D major.

Canarios is a movement taken from the Suite Espanola for guitar by Gaspar Sanz, a leading composer of Spanish Baroque music.? Deborah Baker Monday presents this delightful arrangement in D major which engages all sections of the ensemble in the interplay between 6/8 and 3/4.? The rich and resonant texture makes this piece a great concert or festival selection.

Gaspar Sanz lived from ca.16401710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.

The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:

1 Espanoletas

1. Gallarda y villano
2. Danza de las hachas
3. Rujero y paradetas
4. Zarabanda al ayre espanol
5. Passacalle de la cavalleria de Napoles
6. Folias
7. La Minona de Cataluna
8. Canarios

Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.

Gaspar Sanz lived from ca.1640a1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.

The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:

A A 1 EspaA+-oletas

1. Gallarda y villano
2. Danza de las hachas
3. Rujero y paradetas
4. Zarabanda al ayre espaA+-ol
5. Passacalle de la cavalleria de Napoles
6. Folias
7. La MiA+-ona de CataluA+-a
8. Canarios

Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.

Gaspar Sanz lived from ca.1640a1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.

The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:

A A 1 EspaA+-oletas

1. Gallarda y villano
2. Danza de las hachas
3. Rujero y paradetas
4. Zarabanda al ayre espaA+-ol
5. Passacalle de la cavalleria de Napoles
6. Folias
7. La MiA+-ona de CataluA+-a
8. Canarios

Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.

Gaspar Sanz lived from ca.1640-1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.

The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:

1 Espanoletas

1. Gallarda y villano
2. Danza de las hachas
3. Rujero y paradetas
4. Zarabanda al ayre espanol
5. Passacalle de la cavalleria de Napoles
6. Folias
7. La Minona de Cataluna
8. Canarios

Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.
Gaspar Sanz lived from ca.1640-1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory. The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements: 1 Espanoletas Gallarda y villano Danza de las hachas Rujero y paradetas Zarabanda al ayre espanol Passacalle de la cavalleria de Napoles Folias La Minona de Cataluna Canarios Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.
Gaspar Sanz lived from ca.1640–1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:    1 Españoletas Gallarda y villano Danza de las hachas Rujero y paradetas Zarabanda al ayre español Passacalle de la cavalleria de Napoles Folias La Miñona de Cataluña Canarios Canarios is written in 6/8 and explores the unique relation to 3/4 and how the accents can be manipulated so cleverly. It is a brilliant piece which can enrich your classroom with many teaching points.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Concert band - Grade 5

SKU: MH.1-59913-082-3

Composed by Bob Margolis. Suitable for community bands, high school bands, and college bands. 14 minutes duration if played as a suite; or movements 1 or 3 may be performed separately. Conductor score and set of parts. Duration 14:00. Published by Manhattan Beach Music (MH.1-59913-082-3).

ISBN 9781599130828.

Fantasia Nova is a suite comprising two concert marches and a slow, middle movement that derives its themes from both marches. Ragtime (composed in early September, 1978) is a new from old sort of piece. Although its tunefulness and harmonies have an old-fashioned character, its structure, development, and orchestration are unusual for a march. In the chorale section (measures 111 - 148) the band director must be very careful in balancing, for each of the elements must come through. More important is that the audience be brought up by this section -- filled with a joyous exaltation; great attention must be paid to sonority and the band must play earnestly. Ragtime stands on its own and may be performed separately. Dreams (composed in late September, 1978) is the traditional march of the two. It is very closely modeled (in structure only) to Sousa's Stars and Stripes Forever. It even includes a tricky piccolo solo, although the accompaniment has a chorale texture, almost like a school alma mater. This march has a patriotic, inspirational sound, because it was composed for the town of Irondequoit, New York -- for a Town March contest held by the town's community concert band. It did not, so far as I know, become the town's march; one can hear the name, Irondequoit, throughout the Trio, for every turn of the melody (in fact, each group of four notes) fits the accent pattern (Ih-RON-dih-kwoit) of the town's name. Parade stands on its own as a complete work and may be performed separately. Ensemble instrumentation: 1 Piccolo, 6 Flutes, 2 1st & 2nd Oboes, 1 English Horn, 1 Eb Clarinet, 3 1st Bb Clarinet, 3 2nd Bb Clarinet, 3 3rd Bb Clarinet, 1 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet (optional), 2 1st & 2nd Bassoons, 1 Contrabassoon (optional), 1 1st Eb Alto Saxophone, 1 2nd Eb Alto Saxophone, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 1st Bb Cornets, 3 2nd Bb Cornets, 3 3rd Bb Cornets, 1 1st Horn in F, 1 2nd Horn in F, 2 3rd and 4th Horns in F, 2 1st Trombones, 2 2nd Trombones, 2 3rd Trombones, 1 Euphonium (Treble Clef), 2 Euphonium (Bass Clef), 4 Tuba, 1 String Bass, 1 Timpani (Triangle), 5 Percussion.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1043670-015

Composed by Christian Bouthier. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043670-015. Published by De Haske Publications (BT.DHP-1043670-015).

Versailles, composed by Christian Bouthier, reflectsa number of impressions of the royal castle inVersailles, near Paris. There are four movementsconsisting of Le Chateau, Le grand Trianon,L’Appartement du Roi and Les Grandes Eaux eachof which depicts a different aspect of Versaillesboth inside and outside. Bring a touch of regalnessto any concert band programme.

Versailles, gecomponeerd door Christian Bouthier, geeft een aantal indrukken weer van het koninklijke kasteel te Versailles, vlak bij Parijs. De vier afwisselende delen beschrijven achtereenvolgens Le ch teau (het kasteelzelf), Le grand Trianon (het extra complex dat Lodewijk XIV liet bouwen), L’Appartement du Roi (het appartement van de koning) en Les Grandes Eaux (de waterpartijen). De fraaie thema’s worden verklankt inboeiende, gemakkelijk te spelen muziek voor blaasorkest.

Versailles, aus der Feder von Christian Bouthier, spiegelt eine Reihe von Impressionen des königlichen Schlosses in Versailles bei Paris wider. Die vier abwechslungsreichen Sätze beschreiben das Schloss selbst, den Nebenpalast Le Grand Trianon, die Gemächer des Königs und das weitläufige System an Wasserläufen und Teichen, welches die ganze Anlage einst versorgte. Prächtige Motive, verpackt in interessante, leicht spielbare Musik.

Versailles de Christian Bouthier est une suite en quatre tableaux inspirés du célèbre Ch teau de Versailles près de Paris.1. Le Ch teau Dès 1623, Louis XIII, le père de Louis XIV (dit le Roi-Soleil), construit Versailles un premier ch teau majestueux. Plus tard, l’architecte Philibert Le Roy s’est vu confier la t che de l’agrandir. Et durant des siècles, divers autres architectes se consacrent l’agrandissement et l’embellissement de ce superbe palais pour en faire cet ensemble de façades et de b timents majestueux, célèbre dans le monde entier.2. Le grand Trianon Trianon est le nom d'un village acheté par Louis XIV dans le but de construire sur ces nouvelles terres unautre palais. Cherchant se défaire du protocole trop pesant de Versailles, le Roi est Trianon plus proche des siens. Trianon demeurera un lieu de détente, loin de l'étiquette et des fatigues du pouvoir. Les travaux du premier Trianon débutent en 1670. De nombreux b timents et péristyles seront rajoutés au fil des années.3. L'Appartement du Roi En 1683, Louis XIV quitte son Grand Appartement pour vivre dans son appartement intérieur qu'on appelle l'Appartement du Roi. Depuis 1701, la suite des pièces est la suivante : salle des Gardes, antichambre du Grand Couvert, antichambre de l'Œil-de-bœuf, chambre du Roi, cabinet du Conseil. L'apparat des plafonds peints qui caractérisait le décor du Grand Appartement, fait place un décor sobre où les plafonds sont laissés nus. Cet allégement correspond un nouveau go t du Roi-Soleil.4. Les Grandes EauxTrouver les ressources en eaux pour les fontaines de Versailles fut la préoccupation constante du Roi-Soleil. Même en pleine guerre, il s'en inquiétait. Ce sera l’extraordinaire Machine de Marly qui apportera les eaux de la Seine Versailles. L’arrivée des eaux au Ch teau aura nécessité la construction d’un réseau hydraulique de rigoles, de fossés et d'aqueducs s’étendant sur près de deux cent kilomètres. L'ensemble demeure unique notamment par son état de conservation.