SKU: HL.50603836
ISBN 9781705149003. UPC: 196288015772.
Langgaard sketched out the work at the Tyringe Badesanatorium in Scania (Sweden) in the course of just three summer days in 1915 - 28-30 June.
SKU: PR.41141061S
UPC: 680160087792.
SKU: HL.48188955
French.
Created by Dominique Bigi-dis, The C-E songs is a set of twenty nine songs for really young children from two to six years old. Ideal for school use, they refer to important periods happening during the year such as autumn, school, winter, Christmas, summer and they are very easy to sing (with a small range and easy intervals). The book is also really attractive for children as the tunes are enjoyable and all the pictures are in black and white, to be coloured-in. The C-E songs can be used in a really fun way or more professionally, to help the children discover music and music theory (range, nuances, ternary and binary rhythms?).
SKU: CF.FE192
ISBN 9780825877568. UPC: 798408077563. 9.5 x 13 inches.
The Pytheas Center for Contemporary Music notes: Talma was the first woman to receive two Guggenheims, the first woman elected to the National Institute of Arts and Letters (1974), the first American woman to have a full-scale opera performed in Germany, the first American to teach at Fontainebleau, and the first woman to receive the Sibelius Medal for composition. This is only the highlights of a long life of composing. Talma spent a good amount of time at the MacDowell Colony, where she wrote many of her finest works, including the Violin Sonata. Having studied composition with Nadia Boulanger over 17 summers in her youth, Talma dedicated the Sonata to her former teacher and long-time friend on the occasion of Boulanger's 75th birthday. The single movement reflects Talma's style in 1962, with more than a passing nod to 12-tone construction. For advanced performers. Duration: 16'.
SKU: CF.BPS145
ISBN 9781491161258. UPC: 680160919840.
Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London. Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed.Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London.  Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed. .
SKU: CF.BPS145F
ISBN 9781491161647. UPC: 680160920327.
SKU: HL.14023655
ISBN 9780711977457. 9.0x12.0x0.245 inches.
This cycle of settings of poems by Paul Celan was written between May and July 1990 for Ute Lemper. The texts are taken from the following collections: 'Chanson einer Dame im Schatten' and 'Corona' from Mohn und Gedachtnis(1952), 'Nachtlich geschurzt' from Von Schwelle zu Schwelle (1955), 'Blume' from Sprachgitter (1959), and 'Es war Erde in ihnen' and 'Psalm' from Die Niemandsrose of 1963. The settings of 'Corona' and 'Blume' both introduce an eight-bar chord sequence derived from Chopin's Mazurka in A minor, Op.17 No.4 (the introduction to which was used by Gorecki in his Symphony No.3). Piano and voice version written in 1997 at the request of Hilary Summers.
SKU: BA.BA11045
ISBN 9790006543243. 30 x 23 cm inches. Language: German/English. Preface: Dominik Susteck.
Thoughts on the composition “Zwischenklänge†with regard to the subject of “home and abroadâ€:- Music that never rests, that is in constant motion and mutation, its tones almost trembling, on the run, in constant tension.- Music that unfolds its beauty in the “in betweenâ€, in the appoggiatura, in the flash-like emergence and disappearance of harmonic colors.- Music as an evolvement of time, waiting, bustling, erupting, or withdrawing.The composition “Zwischenklänge†was awarded tje 11th Composition Prize of Contemporary Sacred Music of the European Church Music Festival Schwäbisch Gmünd. – The premiere was given on 27 August 2012 by Roman Summereder (Vienna).Listen to “Zwischenklänge†on Youtube
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