| Symphony No. 3 Orchestra [Score] Carl Fischer
Composed by William Grant Still (1895-1978). Full score (large). Carl Fischer #C...(+)
Composed by William Grant Still (1895-1978). Full score (large). Carl Fischer #CY02062F. Published by Carl Fischer (CF.CY2062F).
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| Symphony, No. 20 D major, KV 133 Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA04717-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin) SKU: BA.BA04717-75 Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 133, No. 20. 8 pages. Baerenreiter Verlag #BA04717_75. Published by Baerenreiter Verlag (BA.BA04717-75). ISBN 9790006453894. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony, No. 45 D major, KV 95 (73n) Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA05376-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA05376-74 Composed by Wolfgang Amadeus Mozart. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 95 (73n), No. 45. 7 pages. Duration 11 minutes. Baerenreiter Verlag #BA05376_74. Published by Baerenreiter Verlag (BA.BA05376-74). ISBN 9790006501472. 32.5 x 25.5 cm inches. Key: D major. Gerhard Allroggen. Urtext der Neuen Mozart-Ausgabe. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony, No. 19 E flat major, KV 132 Viola Barenreiter
Viola SKU: BA.BA04716-79 Composed by Wolfgang Amadeus Mozart. Edited by W...(+)
Viola SKU: BA.BA04716-79 Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 132, No. 19. 11 pages. Duration 16 minutes. Baerenreiter Verlag #BA04716_79. Published by Baerenreiter Verlag (BA.BA04716-79). ISBN 9790006453849. 32.5 x 25.5 cm inches. Key: E-flat major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony, No. 30 D major, KV 202(186b) Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA04725-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA04725-74 Composed by Wolfgang Amadeus Mozart. Edited by Hermann Beck. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 202(186b), No. 30. 7 pages. Baerenreiter Verlag #BA04725_74. Published by Baerenreiter Verlag (BA.BA04725-74). ISBN 9790006454280. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony, No. 18 F major, KV 130 Viola Barenreiter
Viola SKU: BA.BA04715-79 Composed by Wolfgang Amadeus Mozart. Edited by W...(+)
Viola SKU: BA.BA04715-79 Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 130, No. 18. 8 pages. Baerenreiter Verlag #BA04715_79. Published by Baerenreiter Verlag (BA.BA04715-79). ISBN 9790006453788. 32.5 x 25.5 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony, No. 47 D major, KV 97 (73m) Barenreiter
Cello, double bass, bassoon (Violoncello, Double bass, Bassoon) SKU: BA.BA053...(+)
Cello, double bass, bassoon (Violoncello, Double bass, Bassoon) SKU: BA.BA05377-82 Composed by Wolfgang Amadeus Mozart. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 97 (73m), No. 47. 4 pages. Duration 6 minutes. Baerenreiter Verlag #BA05377_82. Published by Baerenreiter Verlag (BA.BA05377-82). ISBN 9790006501564. 32.5 x 25.5 cm inches. Key: D major. Gerhard Allroggen. Urtext der Neuen Mozart-Ausgabe. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Symphony No. 104 in D major Hob I:104 Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB-4380 Salomo(+)
Orchestra (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB-4380 Salomo. Composed by Franz Joseph Haydn. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphony; Classical. Full score. 64 pages. Duration 25'. Breitkopf and Haertel #PB 4380. Published by Breitkopf and Haertel (BR.PB-4380). ISBN 9790004202999. 10 x 12.5 inches. $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 104 D Major, salomon Orchestra Eulenburg
Orchestra (2.2.2.2. - 2.2.0.0. - timp - str) SKU: HL.49017705 Salomo (...(+)
Orchestra (2.2.2.2. - 2.2.0.0. - timp - str) SKU: HL.49017705 Salomo (London). Composed by Franz Joseph Haydn. Edited by Harry Newstone. Arranged by Harry Newstone. This edition: Paperback/Soft Cover. Sheet music. Orchestra. Classical. Full score. 118 pages. Duration 25'. Eulenburg Edition #ETP9003. Published by Eulenburg Edition (HL.49017705). ISBN 9783795771669. UPC: 841886012998. 9.0x12.0x0.312 inches. Haydn wrote his six last famous London Symphonies, Nos. 99-104, during his second stay in London in 1794/95. The crowning glory of his extensive symphonic oeuvre was the London Symphony, the epithet of which would, of course, have been suitable for each of his symphonies performed there. $38.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 5 - Finale Concert Band [Score] Schirmer
Full Score. By Dmitri Shostakovich. Arranged by Jay Bocook. (Full Score). Schir...(+)
Full Score. By Dmitri Shostakovich. Arranged by Jay Bocook. (Full Score). Schirmer Concert Band. Size 10.75x14 inches. 52 pages. Published by G. Schirmer, Inc.
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| Mozart: Symphony No. 40 in G Minor KV 550 [Study Score / Miniature] Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS108. ...(+)
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS108. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 100 pages. Published by Eulenburg.
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| Classical Quartets For All (Alto Saxophone/Alto Clarinet) Saxophone Quartet: 4 saxophones [Score] Alfred Publishing
(From The Baroque to the 20th Century) Arranged by William Ryden (1939-), edited...(+)
(From The Baroque to the 20th Century) Arranged by William Ryden (1939-), edited by Thom Proctor. Performance score for alto saxophone quartet (or any combination of Eb Saxophones and Eb Clarinets). With full score notation. Series: Classical Quartets for All. 24 pages. Published by Alfred Publishing.
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| Fidl-Fantazye Violin and Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.114418650 A Klezmer Concerto. ...(+)
Chamber Music violin, piano SKU: PR.114418650 A Klezmer Concerto. Composed by Noah Bendix-Balgley. Arranged by Samuel Adler. Set of Score and Parts. With Standard notation. 48+28 pages. Theodore Presser Company #114-41865. Published by Theodore Presser Company (PR.114418650). UPC: 680160642977. 9.5 x 13 inches. Bendix-Balgley is a major young talent, currently serving as first concertmaster in the Berlin Philharmonic. Klezmer music was a background for his childhood and has been an influence in his life ever since. Upon writing his very own Klezmer Concerto, Bendix-Balgley was delighted to have the master of orchestration, Samuel Adler, produce performance versions for both full orchestra and a fully-realized piano reduction. Formerly concertmaster with the Pittsburgh Symphony Orchestra, Bendix-Balgley performed the premiere of this PSO-commissioned work in June, 2016 with the PSO, Maestro Manfred Honeck conducting. Adler's piano reduction of the work is now available. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 5 Orchestra [Study Score / Miniature] Oxford University Press
By Ralph Vaughan Williams (1872-1958). Arranged by Peter Horton. For Full orches...(+)
By Ralph Vaughan Williams (1872-1958). Arranged by Peter Horton. For Full orchestra (2 flute (II piccolo), oboe, Oboe d'caccia, 2 clarinets, 2 bassoon, 2 horn, 2 trumpet, 3 trombone, timpani, strings). Scores. Miscellaneous. Study score. 120 pages. Duration 35'
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| Symphony No. 103 in E-flat Major Hob. I:103 "Drum Roll" [Sheet music + CD] Eulenburg
Study Score/CD Pack Orchestra SKU: HL.49018043 Eulenburg Audio+Score S...(+)
Study Score/CD Pack Orchestra SKU: HL.49018043 Eulenburg Audio+Score Series, Vol. 58. Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Paperback/Soft Cover. Sheet music with CD. Eulenberg Audio plus Score. Classical. Softcover with CD. 104 pages. Duration 29'. Eulenburg Edition #EAS158. Published by Eulenburg Edition (HL.49018043). ISBN 9783795765583. UPC: 841886014268. 6.25x9.0x0.252 inches. The Eulenburg Audio+Score Series covers more than 200 years of the world's favorite classical music. Each of the 50 volumes consists of a clearly-presented and authoritative musical score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear, read, and understand music for everyone from the casual music lover to the expert enthusiast. Each volume includes a study score of the music with an informative article and a CD with a complete recording of the featured piece. $11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Feast of Carols Choral SATB SATB, Piano Randol Bass Music
Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacre...(+)
Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-102. Published by Randol Bass Music
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| Symphony in G Major, Opus 88, No. 8 Double Bass Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 88. 12 pages. Baerenreiter Verlag #BA10418_85. Published by Baerenreiter Verlag (BA.BA10418-85). ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Cho-Cho-San Flute and Piano Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes from Puccini's Madama Butterfly. Composed by Michael Webster. Sws each. See the notes on Madama Butterfly on page two and the notes on Sonata Cho-Cho-San on page three of the full score. Contemporary. Set of Score and Parts. With Standard notation. Composed 1997. 44+8+12 pages. Duration 24 minutes, 28 seconds. Theodore Presser Company #114-41761. Published by Theodore Presser Company (PR.114417610). ISBN 9781491107904. UPC: 680160636051. 9x12 inches. SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinet†in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. $42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No. 4 "chaconne" - Score And Parts String Quartet: 2 violins, viola, cello Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2016. 108 pages. Duration 990 seconds. Schott Music #ED 30174. Published by Schott Music (HL.49045639). ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl. $118.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Norwegian Dances, Op. 35 Flute, Clarinet, Piano (trio) Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb Clarinet, And Piano. Composed by Edvard Grieg. Arranged by Michael Webster. Sws each. See the program notes on pages two and three of the full score. Set of Score and Parts. With Standard notation. Composed 2008. 40 8 8 pages. Duration 18 minutes. Theodore Presser Company #114-41757. Published by Theodore Presser Company (PR.114417570). ISBN 9781491107867. UPC: 680160636013. 9x12 inches. The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, MICHAEL WEBSTER made his New York recital debut at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice Universityâ??s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled â??TeachingClarinetâ? in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. NORWEGIAN DANCES (Grieg)Michael Websterâ??s transcriptions for Flute, Clarinet, and Piano have created the core literature for this instrumental genre. Working directly from Griegâ??s original piano four-hands version of the charmingly familiar Norwegian Dances, Webster has given flutists and clarinetists another addition to the ensembleâ??s repertoire. $31.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 25 G Minor K183 and Symphony No. 29 A Major K201 Orchestra Eulenburg
Eulenburg Audio Score 74. Composed by Wolfgang Amadeus Mozart (1756-1791)...(+)
Eulenburg Audio Score 74. Composed by Wolfgang Amadeus Mozart (1756-1791). Eulenberg Audio plus Score. 104 pages. Eulenburg Edition #EAS174. Published by Eulenburg Edition (HL.49018684).
$19.99 - See more - Buy online | | |
| Symphonies Vol.10 Orchestra SATB, Orchestra Music Distribution Services
Orchestra SKU: M7.DOHR-28710 Composed by Johann Melchior Molter. Sheet mu...(+)
Orchestra SKU: M7.DOHR-28710 Composed by Johann Melchior Molter. Sheet music. Full score. MDS (Music Distribution Services) #DOHR 28710. Published by MDS (Music Distribution Services) (M7.DOHR-28710). ISBN 9790202017104. $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mendelssohn: Symphony No. 3 in A Minor Op. 56 Scottish Symphony Orchestra [Study Score / Miniature] Eulenburg
Eulenburg Audio Score Series. By Felix Mendelssohn. This edition: EAS110. Eulenb...(+)
Eulenburg Audio Score Series. By Felix Mendelssohn. This edition: EAS110. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 222 pages. Published by Eulenburg.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 6 Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony D major, KV 141a(161) Barenreiter
Cello, double bass (Violoncello, Double bass) SKU: BA.BA04719-82 Overt...(+)
Cello, double bass (Violoncello, Double bass) SKU: BA.BA04719-82 Overture to K. 126 Il sogno di Scipione. Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 141a(161). Duration 30 minutes. Baerenreiter Verlag #BA04719_82. Published by Baerenreiter Verlag (BA.BA04719-82). ISBN 9790006454037. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Double Bass Barenreiter
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 15 pages. Baerenreiter Verlag #BA07896_85. Published by Baerenreiter Verlag (BA.BA07896-85). ISBN 9790006563395. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Sae...(+)
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 23 pages. Baerenreiter Verlag #BA07896_74. Published by Baerenreiter Verlag (BA.BA07896-74). ISBN 9790006563357. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Viola Barenreiter
Viola SKU: BA.BA07896-79 Composed by Camille Saint-Saens. Edited by Micha...(+)
Viola SKU: BA.BA07896-79 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 25 pages. Baerenreiter Verlag #BA07896_79. Published by Baerenreiter Verlag (BA.BA07896-79). ISBN 9790006563371. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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