SKU: BT.DHP-0991507-010

Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!

Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.

SKU: SU.00220157

The complete Violin I & II parts [CD-ROM] for the 81 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 6: Mozart and Haydn. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: HAYDN Symphonies 22, 44, 45, 82, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, The Creation, The Seasons. MOZART Symphonies No. 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41; Piano Concertos No. 10, 13, 14, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27; Violin Concertos No. 3, 4, 5; Overtures: Abduction from the Seraglio, La Clemenza di Tito, Cosi fan tutte, Don Giovanni, Idomeneo, Impresario, Magic Flute, Marriage of Figaro; Divertimenti No. 1, 11, 15, Eine Kleine Nachtmusik; A Musical Joke; Notturno in D for 4 Orchestras; Serenades (Haffner and Posthorn); Gran Partita for Winds (Eb and C Minor); Sinfonia Concertante; Requiem; Mass in C Major; Mass in C Minor (55 works in all) Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: SU.00220150

The complete Oboe and English Horn parts [CD-ROM] for the 81 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 6: Mozart and Haydn. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: HAYDN Symphonies 22, 44, 45, 82, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, The Creation, The Seasons. MOZART Symphonies No. 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41; Piano Concertos No. 10, 13, 14, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27; Violin Concertos No. 3, 4, 5; Overtures: Abduction from the Seraglio, La Clemenza di Tito, Cosi fan tutte, Don Giovanni, Idomeneo, Impresario, Magic Flute, Marriage of Figaro; Divertimenti No. 1, 11, 15, Eine Kleine Nachtmusik; A Musical Joke; Notturno in D for 4 Orchestras; Serenades (Haffner and Posthorn); Gran Partita for Winds (Eb and C Minor); Sinfonia Concertante; Requiem; Mass in C Major; Mass in C Minor (55 works in all) Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: HL.48186946

UPC: 888680887520. 9.0x12.0x0.102 inches.

Charles-Marie Widor (1844-1937) composed this Mass, Op. 36 in 1978 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices, while the score for this version is for a choir of baritones and an SCTB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided into five sections, the entire work has been transposed one half step lower ?to avoid the awkward key of F sharp major?. These sections are: 1. Kyrie (Moderato ? F# minor) 2. Gloria (Vivace ? Lento, D major 3. Sanctus (Con brio, A major) 4. Benedictus ( Piu lento, A major) 5. Agnus Dei (Moderato, F# major) This really delicate and emotive Mass, Op. 36 is a piece that stands out by its majesty. Charles-Marie Widorwas a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including 10 symphonies for Organ, some Operas, and some Piano Concerti..

SKU: GI.G-M523

ISBN 9781579992378. English.

This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.

SKU: CF.CAS63

ISBN 9780825889387. UPC: 798408089382. 8.5 x 11 inches. Key: D major.

Originally written for string quartet, this fantastic characteristic piece from Glazunov is a welcome addition to the string orchestra repertoire, as arranged by Deborah Baker Monday. Well-suited for the more advanced ensemble, it contains excellent musical opportunities and the chance to play the music of a prominent Russian composer. Deborah's setting stays very true to the original, but enhances it for use by the full ensemble. Alert your contest/festival music committee to this worthy new piece for high school string orchestras.
Alexander Glazunov (1865–1936) lived during a very transitional period of Russian music history, active as a composer, conductor, and teacher. He was a part of the Romantic school of Russian music following in the tradition of Tchaikovsky, like his fellow composers Borodin and Rimsky-Korsakov.During his years at the conservatory he instructed many students who chose to pursue the modern trends set forth by Debussy. Stravinsky, Shostakovich, and even Prokofiev took instruction from Glazunov. Although they considered him old-fashioned, he was remembered as a stabilizing influence during transitional times.Glazunov’s music stayed within the category of Russian Romanticsm: nationalistic with classical formality. His list of works includes numerous symphonies, concertos, piano and vocal works, and chamber works including seven string quartets.Op. 15 was first given the title “Suite” (a collection of dances), and after a friend’s recommendation he changed the name to “Novelettes”. The five movements are of contrasting style, but beautifully reminiscent of their particular themes:I. Alla SpagnuolaII. OrientaleIII. Interludium in modo anticoIV. ValseV. All’ UnghereseThis movement is very well adaptable for string orchestra. The original string quartet moodis light, using harmonics and pizzicato, but there are forceful sections which allow for strong sectional playing (especially with the cello and bass orchestral sound). There is very much interesting melodic material offered for all instruments which lends itself to a fantastic string orchestra arrangement. Conductors will find material in all sections which provide greatopportunities for rehearsal.The form is a large ABA with a D.C. al fine, but the sections are not square by any means.There is lots of energy and momentum in the material of both sections, as well as a modalcharacter which gives the music an exotic sound. Bowing patterns abound in all sections formore great teaching opportunities.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

SKU: ST.MB80

ISBN 9790220220531.

A key figure in the so-called English Musical Renaissance, Parry was a considerable composer of chamber music. His three violin sonatas, the first of which, in d minor, is here published for the first time, along with the Fantasie-sonata and Sonata in D major, date from the 1870s and 80s, and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens. They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.

SKU: BR.OB-5399-15

ISBN 9790004338346. 10 x 12.5 inches.

The three symphonic sketches La Mer are, after Prelude a Lapresmidi dun faune, no doubt Debussys most frequently performed orchestral work. This success derives in part from its formal resemblance to a symphony, which had already been noted by the composers contemporaries, and in part from its sound, which was associated from the very start with the shimmer and iridescence of Impressionism.Peter Jost takes all major sources into consideration. Ultimately, the musical text of his Urtext edition is based on a copy of the second edition of the score, published in 1909, in which the composer incorporated his experiences as auditor and conductor into a last authorized version. After the cool reception given La Mer at its world premiere, Debussy revised the work and conducted the extraordinarily successful performances of it in early 1908 in Paris,London and Rome.

SKU: BT.DHP-0991507-020

Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!

Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.d.