Tambourin Theme From Swan Lake Viennese Refrain Andantino (Lemare) Andante Cantabile (St.qt.,op11) Aria Nobile (Classic Symphony) Haydn Scarf Dance (Chaminade) Deep River Waltz, Op. 39 No. 15 Rondo (Beethoven) Menuetto (Mozart) Theme From Sheherazade Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 On Wings Of Song Lydian Album (Complete, String Parts And Piano) (Violin, Cello and Piano). Arranged by Herman Hummel and Harvey S. Whistler. Piano trio. For violin, cello, piano. Ensemble Collection. Grade 3. 32 pages. Rubank Publications #RUBL286. Published by Rubank Publications

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

For Piano. Baroque, Popular, Classical. Sheet Music. 160 pages. Published by Wise Publications.

By Ludwig van Beethoven. For Piano. Classical. Sheet Music. 72 pages. Published by Wise Publications.

By Ludwig van Beethoven. Arranged by David Pearl. Easy Piano Composer Collection. Size 9x12 inches. 48 pages. Published by Cherry Lane Music.

By University of Texas at El Paso Wind Symphony. By Various. For band. Mark Records. Audio CD. Duration 47:03. Published by Mark Custom Music

Edited by Maxwell Eckstein. For piano. Format: piano solo book. Baroque, Classical Period and Romantic Period. 160 pages. 9x12 inches. Published by Carl Fischer.

Piano

SKU: IG.PFS201

Composed by Darin Tysdal. Score. Imagine Music Publishing #PFS201. Published by Imagine Music Publishing (IG.PFS201).

9 x 12 inches.

My first piano sonata was started when I was in college, but was recently revised. The main key is B-flat Major, with the first theme of the first movement being a fanfare. The second theme is more lyrical in nature, in D-flat Major. After an exposition repeat, the development deals mostly with the fanfare material. The recapitulation is by-the-book, with a sudden, surprising coda. The slow movement, placed second, has the character of a chaconne, using two different major scales in the treble and bass clefs. The tempo quickens to a dance, and an explosive climax. From out of the ashes comes the beginning of the piece, modified from it's original state. The scherzo played rather fast, mostly in octaves. There is a short trio which was influenced by Prokofiev's Fifth symphony. After the dacapo, the movement disappears into thin air. The last movement is a Rondo. The material for the A section is taken from the opening measures of the piece. The B and C sections are developments of the other themes of the first movement. The sonata ends with much finality.

By Kenneth Henderson, Albert Stoutamire. For Tenor Saxophone, Baritone T.C. Mixed Instruments - Flexible Instrumentation. Book. 28 pages. Published by Alfred Publishing.

Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3

SKU: CF.AS144

Composed by William Grant Still. Arranged by Todd Parrish. Set of Score and Parts. 10+2+24+16+10+10+16 pages. Carl Fischer Music #AS144. Published by Carl Fischer Music (CF.AS144).

ISBN 9781491160602. UPC: 680160919192.

Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African American Composers”, William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedSymphony No. 1, the Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race”, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

(Mixed Trios). By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Part

(Oboe/Guitar/Piano/Electric Bass). Arranged by Victor López. For Oboe/Guitar/Piano/Electric Bass. Mixed Instruments - Flexible Instrumentation. Flex-Ability Series. Book. 24 pages

By Albert Stoutamire and Kenneth Henderson. For Violin. Mixed Instruments - Flexible Instrumentation. 24 pages. Published by Alfred Publishing.