Composed by Robert Ward. Full Length Opera. 20th Century. Libretto. Galaxy Music Corporation #7.0277. Published by Galaxy Music Corporation (EC.7.0277). 0.48

Grade 3

SKU: CL.012-1405-02

Composed by Forsblad. Arranged by Livingston. Concert Band. Extra condensed score. Composed 1974. Opus III Wind Orchestra Publications #012-1405-02. Published by Opus III Wind Orchestra Publications (CL.012-1405-02).

This is a highly effective work in a basic slow-fast format. The opening reeds signal a modal flavor which is retained throughout the lyric slow section. Fanfares in the brass introduce the fast section which contains many interesting contrasts in texture. A magnificent allargando section ends the piece with great flourish and impact. Excellent contest material.

Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Published by E.C. Schirmer Publishing

Voice and piano

SKU: BR.EB-8876

Repertoire Collection. Edited by Peter Anton Ling. Voice. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. Breitkopf and Haertel #EB 8876. Published by Breitkopf and Haertel (BR.EB-8876).

ISBN 9790004184660. 0 x 0 inches. German / English.

The Three Tenors Are ComingOn the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download.

(Libretto)

SKU: HL.49012031

Einfuhrung und Kommentar. Composed by Richard Wagner. Edited by Kurt Pahlen. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Diese umfassende Einfuhrung in Richard Wagners Parsifal enthalt das vollstandige Textbuch mit zahlreichen Notenbeispielen. Kurt Pahlen kommentiert das Werk durch musikbezogene Hinweise sowie Erlauterungen zur inneren und ausseren Handlung. Eine das Gesche. Classical. Text book/libretto. 304 pages. Schott Music #SEM 8032. Published by Schott Music (HL.49012031).

ISBN 9783254080325. 4.75x7.5x0.647 inches. German.

No less than 37 years, more than half of Wagner's life, passed from the first idea of the opera 'Parsifal' to its world premiere in Bayreuth in 1882, it being Wagner's last stage work before his death on 13 February 1883. The music publisher Schott from Mainz paid 100,000 marks to acquire 'Parsifal', and the fact that 'Parsifal' has become part of the repertoire of all major music theatres of the world proved the publisher right. This opera is performed every year, especially on Good Friday, always with the same great success with the audience. Every music lover witnesses the grandeur of this highly significant work.Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

Full Score. By Giacomo Puccini. (score). Opera. Size 8x10.5 inches. 419 pages. Published by Ricordi.

Melody instrument (in Bb, Eb, C) and piano

SKU: M7.AHW-1901

Composed by Charlie Parker. Sheet music. 31 pages. Charles Colin Corp. #AHW 1901. Published by Charles Colin Corp. (M7.AHW-1901).

The 'Charlie Parker Yardbird Originals' were originally published in 1954 by my dad, Dr. Charles Colin. In his memoir, 'Reflections II', he includes the colorful story of how it came to be that he met Charlie Parker and would publish this early work. Using most of Pop's lingo, here is a synopsis of that story: 'In the 40's - early 50's 'I' had eight studios on the second floor at 111 West 48th Street with several outstanding teachers. One of whom was Jimmy Abato who played bass clarinet with the Met. Between lessons, Jimmy relaxed at Jim and Andy's, a bar frequented by the top studio and recording artists where they would all meet for a few congenial moments in between sessions. One day Jimmy was chatting with Charlie Parker who confided that he was going through difficult times and was looking for a way to earn some cash. Jimmy, knowing that pop was into music publishing, suggested that Parker and he meet with the idea that he write a few Be Bop tunes that could be printed in book form. Even though Bebop was not yet in the mainstream or necessarily accepted by the music world, pop had great admiration and confidence in 'Charlie Parker' and was willing to make the considerable investment.' Each of the 5 tunes is presented here transposed into B-flat, C, and E-flat, alongside a piano accompaniment. Take a look at the sample pages to the left and then click above to get a physical copy sent directly to your door.

Voice and piano

SKU: BR.EB-8873

Repertoire Collection. Composed by Marina (Hrsg.) Peter Anton und Sandel Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8873. Published by Breitkopf and Haertel (BR.EB-8873).

ISBN 9790004184639. 9 x 12 inches. German / English.

,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Ballet in 3 Acts Piano Reduction. By Dmitri Shostakovich. Piano. Size 9x12 inches. 227 pages. Published by DSCH.

By Rebeca Mauleon. For Piano, Bass, Drum Set and Salsa Percussion Instruments. The only complete method book on salsa ever published! . Afro-Caribbean. Book. Published by Sher Music Company.

Vocal Score. By Gaetano Donizetti. (Vocal Score). Vocal Score. Book only. Size 7.75x10.5 inches. 264 pages. Published by Ricordi.

(Opera). Composed by Daniel Pinkham (1923-2006). For voices. Holy Week/Three Days. Piano/vocal score. 128 pages. Published by Ione Press

(Opera in One Act). Composed by Henry Mollicone (1946-). For voices. Full piano/vocal score. Published by Ione Press