SKU: HL.50513577
SKU: BT.DHP-1125251-140
9x12 inches. English-German-French-Dutch.
I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people’s faces.I Love the 207 is in februari 2010 gecomponeerd in opdracht van de Osumi Symphonic Band uit Kyoto, Japan. Dit orkest bracht op 25 april 2010 de première, onder leiding van dirigent Masanori Ozaki. Het werk begint met een inleidingwaarin de instrumenten worden gepresenteerd, gevolgd door een licht scherzo. De titel verwijst naar de forenzentrein van het type 207 van de West Japan Railway Company. Toen het orkest begon, begonnen ook de treinen uit de207-serie door de velden te rijden naast het gebouw waar wordt gerepeteerd. De componist hoopt dat de treinen zullen blijven rijden tot tevredenheid van de mensen die er gebruik van maken.I Love the 207 wurde im Februar 2010 als Auftragswerk für die Osumi Symphonic Band in Kyoto (Japan) komponiert. Die Urraufführung fand am 25. April 2010 mit der Osumi Symphonic Band, unter der Leitung von Masanori Ozaki, statt. Das Stück beginnt einer Einleitung zur Vorstellung aller Instrumente; dann folgt ein leichtes Scherzo. Der Titel ist eine liebevolle Anspielung auf die Pendlerzüge der Serie 207 der West-Japanischen Eisenbahngesellschaft. Während der Anfangszeit des Blasorchesters begannen die Züge der 207er-Serie die Felder ganz in der Nähe des Proberaums zu durchqueren. Mit diesem Stück will der Komponist seiner Hoffnung Ausdruck verleihen, dass die Züge auchweiterhin fahren und ein Lächeln auf die Gesichter der Menschen zaubern mögen. Cette pièce a été composée en février 2010 pour honorer une commande de l’Orchestre Vent d’Osumi, Kyoto (Japon). Elle a été créée le 25 avril 2010 par cet orchestre, sous la direction de Masanori Ozaki. I Love the 207 s’ouvre avec une présentation de chacun des pupitres, suivie d’un scherzo léger. Le titre fait affectueusement référence aux trains de banlieue de la série 207 de la West Japan Railway Company. En effet, les débuts de l’orchestre co ncidèrent avec l’introduction de ces trains sur la ligne qui traverse les champs avoisinant le b timent où se déroulent les répétitions. Le compositeur espère que les trains continueront de rouler et de faire sourire les gens.Questo brano è stato commissionato a Itaru Sakai dall’orchestra di fiati di Osumi in Giappone. I Love the 207 inizia con la presentazione di ogni sezione della banda, seguita da un leggero scherzo. Il titolo si riferisce affettuosamente e con un tocco ironico ai treni della periferia della serie 207 della West Japan Railway Company. In effetti, la data di fondazione dell’orchestra di fiati che ha commissionato il brano coincide con la nascita di questi treni che attraversano le campagne e sfrecciano vicino alla sede della banda.
SKU: OU.9780193390911
ISBN 9780193390911. 10 x 7 inches.
For SAATTB unaccompanied Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bomb disposal expert killed in 2009 during the Afghanistan conflict, Lament embodies a sense of timeless commemoration.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: AP.47899
ISBN 9781470642044. UPC: 038081549071. English.
There's always a song to sing with this charming collection designed especially with primary children in mind. Celebrate Halloween, Valentine's Day, Saint Patrick's Day, Martin Luther King, Mother's and Father's Days, the four seasons, every month of the year, and more! These brief but timely tunes are just right for music class on any day . . . and every day! Plus, you'll always have an appropriate performance piece, no matter the occasion. Recommended for Pre-K--4.
SKU: DB.01-00322
Sensitive Kleinigkeiten von intimem Reiz. Man sollte sie aufter und auch in Konzertselen spielen. Musikerziehung, Feinsinnig, schoen gesetzte und teilweise sehr ausdrucksstarke Stucke in Zwolftontechnik. - Wolters, Handbuch der Klavierliteratur.
SKU: KU.GM-776B_VL2
SKU: HF.FH-3284
ISBN 9790203432845. 9 x 12 inches.
1. A breeze from Alabama; 2. Auld lang syne; 3. The Entertainer; 4. Glory Halleluja; 5. Greensleeves; 6. I come from Alabama; 7. My Bonnie is over the ocean; 8. Swanee River.
SKU: HL.14030057
ISBN 9788759857434. 8.25x11.75x0.066 inches. English.
Jean Sibelius' 1915 compositions, Opus 78 are characterised by their sheer musicality and design for home study and performance. Beautifully arranged for Solo Piano by Karl Ekman, Romanze Op.78 No.2 stands out, following on from the previous piece. It changes the mood dramatically to a fragrant and sweetly uplifting atmosphere; nostalgic, poignant and sentimentally romantic.
SKU: HL.49004172
ISBN 9790001043359. 10.75x7.25x0.4 inches. German. Illustrator: Orff-Schulwerk.
Schon seit fruhester Kindheit waren mir Krippen und Krippenspiele vertraut, die ich mir selber phantastisch ausgedacht und aufgebaut hatte. Ohne bayrische Landschaft und Mundart hatte ich mir ein solches traditionsgebundenes Spiel nicht vorstellen konnen. Von der Mentalitat her wurde es ein richtiges ,Bubenstuck', der Ausdrucksweise der jugendlichen Darsteller entsprechend. Der verkundende Engel sollte von einem Knaben dargestellt werden. Dadurch und durch den kraftvollen Dialekt war falsche Sentimentalitat ausgeschlossen. [] Das fur den Bayerischen Rundfunk geschriebene Spiel wurde schon bald von anderen Sendern ubernommen und verbreitet. Ausserdem gab es zahllose Auffuhrungen in Kirchen und Schulen, bald auch in anderen Dialekten. Die Ubertragung in eine Hochsprache hingegen wurde den fur dieses Spiel so notwendigen Klangboden zerstoren.' (Carl Orff; zitiert nach: Carl Orff und sein Werk - Dokumentation, Band III, Tutzing 1976, S. 220ff) Fur Kinder ab 8 Jahren geeignet.
SKU: HL.1112597
Mackie CR4-X studio monitors are unrivaled in sound quality and style. Now you can have true studio sound in any creative space, whether you're a content creator, a DJ, solo artist, producer, or are simply looking for stellar sound so you can enjoy your favorite music, movies and more.
SKU: GI.WJMS1140
UPC: 888680061807. Latin. Text Source: Traditional Latin.
Terry Schlenker's setting of In Monte Oliveti deeply expresses the sentiments of trial and suffering found in the ancient Latin text. Long, sustained lines mix with rhythmic passages, creating great textural interest. The minor mode and the theme of the poetry make this a unique addition to your program. Jo-Michael Scheibe Choral Series. Duration: Approx. 4:30 MP3 Recording Choir: St. Martin's Chamber Choir, Timothy Krueger, conductor  .
SKU: BT.ZRL28980
French-English-German.
SKU: CA.3710419
ISBN 9790007134310. Language: German.
He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.
SKU: BT.SY-3922-02
Mouvements: 1. Les automates intimes de Tim Hawkinson; 2. Quand Jeff Wall regarde Hokusai; 3. Rouge Burri; 4. Rajeunir, par Penone.
SKU: CA.3710405
ISBN 9790007127442. Language: German.
He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.
SKU: HL.14064397
SKU: KJ.GB902F
Pavilion March, by longtime University of Iowa Director of Bands Frank Piersol, honor's the Hawkeye State's long tradition of outdoor community concerts and pays tribute to the musical legacy of legendary bandmaster Karl King. Dr. Piersol's rousing, upbeat composition, filled with tuneful melodies and sparkling counterpoint, makes an ideal addition to any summer concert program.
SKU: BR.PB-5307-07
For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
ISBN 9790004212318. 6.5 x 9 inches.
Urtext virgin territory: the Fidelio OvertureTo this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings.For the new Fidelio Overture, which was written at lightning speed in 1814 for the reprise of the opera (and was performed with a slight delay), there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition. This manuscript, in which one finds countless indications of corrections and completions in Beethoven's hand, is the only extant source that was examined by the composer himself.For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
SKU: KU.GM-776B_VL1
SKU: BR.PB-33001
ISBN 9790004215821. 10 x 12.5 inches.
The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers....The Concertino's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino, Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.
SKU: BT.DHP-1094729-140
9x12 inches.
This work takes both its name and inspiration from a lighthouse “Sword Cape†that keeps watch near Japan’s naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of ‘sword cape†as it silently guides ships over the mysterious waters.Dieses Werk wurde von einem Leuchtturm mit dem Namen Schwert-Kap“ inspiriert, der in der Nähe des Marinestützpunkts von Japan steht. Es beschreibt, wie die Schiffe bei jedem Wetter von diesem Leuchtturm verabschiedet, auf ihrem Weg geleitet und bei der Rückkehr willkommen geheißen werden. Dabei entstehen verschiedene musikalische Bilder vor dem inneren Auge des Zuhörers: das Vorbeiziehen eines Schiffes, weiße Wellen blauer See oder das Licht des Leuchtturm auf dem stillen Wasser bei Nebel.Light of the Sword è un brano commissionato a Sakai dalla Banda Militare delle Forze marittime di autodifesa giapponesi di stanza nel porto di Yokosuka nella baia di Tokio. L’origine del titolo ha due significati: da una parte si ispira al faro di Tsurugizaki (letteralmente “estremit della spadaâ€), la cui luce serve come punto di riferimento tra la terra ed il mare, e dall’altra alla luce emanata dalla spada che appartiene alla grande tradizione degli ufficiali di marina. Una marcia luminosa!
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