| Four Chorale Meditations for Organ and Solo Instrument - Intermediate MorningStar Music Publishers
By Charles Callahan. For organ, trumpet, flute, oboe, clarinet, horn, english ho...(+)
By Charles Callahan. For organ, trumpet, flute, oboe, clarinet, horn, english horn, alto sax, violin, viola, guitar. Chamber Music. Level: Medium. Published by MorningStar Music Publishers.
$23.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Two, Volume 1 - Flute/Oboe/Violin and Viola Violin, Viola (duet) [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Edited by Briana Ackerman. Arranged by Daniel Kelley. For Flute (or Oboe or Viol...(+)
Edited by Briana Ackerman. Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Viola. Duets. Music for Two. Wedding, Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quiet Play Viola, Piano Subito Music
Viola and Piano SKU: SU.80118711 For Viola and Piano. Composed by ...(+)
Viola and Piano SKU: SU.80118711 For Viola and Piano. Composed by Meyer Kupferman. Strings, Viola. Performance Score. Subito Music Corporation #80118711. Published by Subito Music Corporation (SU.80118711). Quiet Play (1987) is a lyric meditation for viola and piano. Published by: Soundspells Publications The sales set contains two performance scores. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| ARKA - 3 Rituale (Full Score) Low voice, Piano [Score] Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotali, Glockenspiel, gr, Trommel, vibraphonerafon - 1 Spieler), strings (7, 1) SKU: PE.EP14445 Composed by Bernd Franke. Full Scores. Edition Peters. Score. 52 pages. Duration 00:20:00. Edition Peters #98-EP14445. Published by Edition Peters (PE.EP14445). ISBN 9790014135041. 297 x 420 mm inches. German. ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss. Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester. Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen. In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte). Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between. In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung! Bernd Franke. Leipzig, 11.10.2019 W01476|C|Y 0.0000 Sheet Music _x000D_ 9780193556799 Y 23.50 X556799 357665 9780193556799 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556799 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 Low voice & piano Low voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556799 - Young: A babe is born
- Rutter: Angels' Carol
- McDowall: Before the paling of the stars
- Rutter: Candlelight Carol
- Rutter: I sing of a maiden
- Chilcott: Mid-winter
- Todd: My Lord has Come
- Bullard: Scots Nativity
- Quartel: Snow Angel
- Todd: Softly
- Chilcott: Sweet was the song
- Chilcott: The Shepherd's Carol
- Quartel: This endris night
- McGlade: What child is this?
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano. - 14 songs for solo voice
- Well-loved composers, including John Rutter and Bob Chilcott
- Wide selection of Christmas texts
- Accessible accompaniments
- Includes backing tracks downloadable from a Companion Website
- Available in volumes for high and low voice
MISC|AU|Y 0.0000 Paperback _x000D_ EP73308R Y 0.00 73308R P73308R 1 ORCHA 8000 0.00 Hover A (LARGE) BEAMISH EP73308R GP:ORCHESTRAL HOVER ONLY RENTAL SALLY WORKS NONE ORCHA P 303000 EP73308R 0.0000 Sheet Music _x000D_ EP14437A Y 22.95 14437A P14437A FRANKE, BERND C 9790014137199 52A1 8000 0.00 AGNI A 9790014137199 AGNI BASS BERND CLARINET EP14437A FRANKE PHOTOPRINTS W01476 English / German 00:12:0 Instrumental Score 232 x 303 mm Bass clarinet 20 DETNT NEW PR43 23/04/2021 P 303006 AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything: Every flame, every fire, every light, every warmth is AGNI. AGNI is omnipresent, establishing everything and ending everything. AGNI is often depicted with seven tongues which represent different aspects of his being. These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming. Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet. This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet. W01476|C|Y 0.0000 Sheet Music _x000D_ EP68686 Y 165.00 68686 P68686 LEWIS C 9790300761299 97 8000 0.00 Ikons A 9790300761299 CONTEMPORARY ENSEMBLE EP68686 GEORGE IKONS LEWIS PHOTOPRINTS SMALL W06652 English 00:14:0 Conductor Score & Parts 303 x 232 mm Fl (A-fl in F).Cl.Bsn (Cbsn).Tbn.Perc.Vln.Vlc.Cb 132 NEW PR43 USTNT 21/04/2021 P 303006 Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies. The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer. W06652|C|Y 0.0000 Sheet Music _x000D_ EP73531 Y 31.95 73531 P73531 PANUFNIK, ROXANNA C 9790577020976 61 8000 0.00 Sonnets without Words A 9790577020976 EP73531 HORN PANUFNIK PHOTOPRINTS PIANO ROXANNA SHAKESPEARE SONNETS W03578 WILLIAM WITHOUT WORDS English Score & Instrumental Parts 232 x 303 mm Horn and piano 28 NEW PR43 UKTNT 21/04/2021 P 303006 Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work. Score and horn part. - Contemporary work for Horn in F and piano
- Settings of Sheakespeare's Sonnets 8, 24 & 29 in instrumental form
W03578|C|Y W06737|LY|N 0.0000 Sheet Music _x000D_ EP73571 Y 15.95 73571 P73571 MCNEFF, STEPHEN C 9790577021317 20 8000 0.00 Trig for Solo Cello A 9790577021317 (SOLO) CELLO EP73571 MCNEFF PHOTOPRINTS SOLO STEPHEN TRIG W03150 English 00:07:0 Instrumental Score 232 x 303 mm Solo Violoncello 8 NEW PR43 UKTNT 21/04/2021 P 303006 Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010. Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music. - Contemporary piece for solo cello
- Written for the Royal Academy of Music's bicentennial
W03150|C|Y 0.0000 Sheet Music _x000D_ EP14528 Y 34.95 14528 P14528 SAUNDERS, REBECCA C 9790014136796 3 8000 0.00 to an utterance - study A 9790014136796 (SOLO) AN EP14528 PHOTOPRINTS PIANO REBECCA SAUNDERS STUDY TO UTTERANCE W04191 English Instrumental Score 420 x 297 mm Piano Solo 16 DETNT NEW PR43 21/04/2021 P 303006 to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin. W04191|C|Y 0.0000 Sheet Music _x000D_ EP71880 Y 75.00 71880 P71880 PANUFNIK, ROXANNA C 9790577008332 82 8000 0.00 Spirit Moves for Brass Quintet A 9790577008332 BRASS ENSEMBLE EP71880 MOVES PANUFNIK PHOTOPRINTS QUINTET ROXANNA SPIRIT W03578 English 00:15:0 Score & Instrumental Parts 232 x 303 mm Trumpet 1 in B flat (doubling Piccolo Trumpet), Trumpet 2 in B flat (doubling Flugel Horn), Horn in F, Trombone, Tuba 84 NEW PR43 UKTNT 21/04/2021 P 303006 Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual. This product consists of score and parts. W03578|C|Y 0.0000 Sheet Music _x000D_ EP73585 Y 4.00 73585 P73585 369282 WILLIAMS, RODERICK C 9790577021591 1 151 8000 0.00 Eriskay Love Lilt A 9790577021591 (SECULAR) CHORAL EP73585 ERISKAY HALSTAN-USA LILT LOVE RODERICK TRADITIONAL W05152 WILLIAMS WORKS English 00:03:0 190 x 272 mm SATB (divisi) and piano 16 NEW PR30 UKTNT 20/05/2021 P 377788 A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'. - Commissioned by The Sixteen choir and recorded on their 2021 album 'Goodnight Beloved'
- Roderick Williams is a composer/arranger and also a world-renowned baritone
- The arrangement is described by Williams as 'having a little nod to Ravel and Grieg'
W05152|C|Y W04819|LY|N 0.0000 Sheet Music _x000D_ 9780193556782 Y 23.50 X556782 357665 9780193556782 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556782 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 High voice & piano High voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556782 - Young: A babe is born
- Rutter: Angels' Carol
- McDowall: Before the paling of the stars
- Rutter: Candlelight Carol
- Rutter: I sing of a maiden
- Chilcott: Mid-winter
- Todd: My Lord has Come
- Bullard: Scots Nativity
- Quartel: Snow Angel
- Todd: Softly
- Chilcott: Sweet was the song
- Chilcott: The Shepherd's Carol
- Quartel: This endris night
- McGlade: What child is this?
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano. - 14 songs for solo high voice
- Well-loved composers, including John Rutter and Bob Chilcott
- Wide selection of sacred and secular Christmas texts
- Accessible accompaniments
- Includes backing tracks downloadable from a Companion Website
- Available in volumes for high and low solo voice
MISC|AU|Y 0.0000 Paperback _x000D_ 9780193559066 Y 4.25 X559066 357665 9780193559066 YOUNG C 1 444 8030 0.00 O splendour of God's glory bright PAPER 9780193559066 BRIGHT CHORAL GLORY GOD'S MIXED OF OXFORD SACRED SPLENDOUR TOBY VOICES W06576 YOUNG C 00:03:30 SATB & organ Vocal score 254x178 SATB 20 NONE P 355580 9780193559066 for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different. W06576|C|Y 0.0000 Paperback _x000D_ 9780193554399 Y 2.60 X554399 357665 9780193554399 LASSUS, ORLANDO DE C 1 445 8030 0.00 Oculus non vidit PAPER 9780193554399 CHORAL DE KEANE LASSUS MARK NON OCULUS ORLANDO OXFORD SACRED UPPER VIDIT VOICES W02750 B 00:01:30 SA unaccompanied Vocal score 254x178 Upper Voices - 3 parts or more 4 NONE 10/06/2021 P 355580 9780193554399 for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
W02750|C|Y W06960|E|N 0.0000 Paperback _x000D_ 9780193954298 Y 3.35 X954298 357665 9780193954298 TALLIS, THOMAS C 1 448 8030 0.00 Honor, virtus et potestas PAPER 9780193954298 CANTICLES DUNKLEY ET HONOR OXFORD POTESTAS SALLY SERVICES TALLIS THOMAS VIRTUS W04705 C 00:06:0 SAATB unaccompanied Vocal score MSER00020 SATB 12 NONE 28/05/2021 P 355580 9780193954298 for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony. W04705|C|Y W01184|E|N 0.0000 Paperback _x000D_ EP73527 Y 6.95 73527 P73527 BEAMISH, SALLY C 9790577020891 50 8000 0.00 The Parting Glass A 9790577020891 (SOLO) BEAMISH CLARINET EP73527 GLASS PARTING PHOTOPRINTS SALLY W00306 English Score 232 x 303 mm Clarinet 4 NEW PR43 UKTNT 12/12/2020 P 303006 Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019. Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth. But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind. I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation. The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet. The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians. It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble. W00306|C|Y 0.0000 Sheet Music _x000D_ EP73516 Y 6.95 73516 P73516 BEAMISH, SALLY C 9790577020747 20 8000 0.00 Maple A 9790577020747 (SOLO) BEAMISH CELLO EP73516 MAPLE PHOTOPRINTS SALLY W00306 English 00:06:0 Score 232 x 303 mm Contemporary cello solo 8 NEW PR43 UKTNT 12/12/2020 P 303006 Seed; Spinning Seed; Roots, shoots; Leaves ; Flowers; Tree ; Autumn ; Cello Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world. The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello. The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style. Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project. W00306|C|Y 0.0000 Sheet Music _x000D_ EP73508 Y 39.95 73508 P73508 DILLON, JAMES C 9790577020648 3 8000 0.00 echo the angelus A 9790577020648 (SOLO) ANGELUS DILLON ECHO EP73508 JAMES PHOTOPRINTS PIANO W01097 English 00:25:0 Score 232 x 303 mm Piano Solo 44 NEW PR43 UKTNT 12/01/2021 P 303006 First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020. Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Meditation and Ritual - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS68 Composed by Bill Calhoun. FS - SWS. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+5+2+5+8+2+5+8 pages. Carl Fischer Music #YAS68. Published by Carl Fischer Music (CF.YAS68). ISBN 9780825869464. UPC: 798408069469. 8.5 X 11 inches. Key: A minor. This original composition from Bill Calhoun has a dark and rich texture in the tradition of medieval music. Meditation and Ritual has a seriousness to it that students will gravitate toward, and is an excellent choice for contest or festival performance. Meditation and Ritual is composed in the key of A minor and represents two contrasting styles. The first (“Meditationâ€) is a thought-provoking chorale. Each voice gains prominence through its lyrical quarter-note movement. The use of suspensions to create tension and release are prevalent throughout, which along with its dynamic shading help to create interest within thistender section. “Meditation†reaches its climax at m. 16 before ending with the warmth and emotion in which it began.After a very brief pause “Ritual†begins. Its medieval-sounding theme is characterized by the contrast between short and long (or slurred) articulations and is important to bring to your students’ attention in performance. The dance-like theme is portrayed in both the upper andlower voices and takes some interesting turns harmonically. After reaching a dramatic climax at m. 42, it quickly moves into a return to its opening character. After a brief and quieter move harmonically to C major, it forcefully returns to its original key. A short diminuendo takes the piece into a building flourish of eighth notes in the violins and violas, accompanied by descending quarter notes in the cellos and basses before coming to its dynamic conclusion. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Distance And Enchantment [Score and Parts] Chester
Score and Parts Chamber Group, String Ensemble, String Instruments, Piano Chambe...(+)
Score and Parts Chamber Group, String Ensemble, String Instruments, Piano Chamber SKU: HL.14035705 For Vioin, Viola, Cello, and Piano Score and Parts. Composed by Judith Weir. Music Sales America. Classical. Set. Composed 2000. Chester Music #CH60854. Published by Chester Music (HL.14035705). ISBN 9780711948075. 9.0x12.0x0.158 inches. Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs which are played together without a break, amounting to a single movement of about eleven minutes duration. The first song, The Dark Eyed Gipsy tells of a woman who of her own accord leaves her home to roam the unknown world with a band of gipsies; and the second A ghaoil lig dhachaigh gu m'mathair mi tells of a girl who wanders a little too far from home on a dark night and is stolen away by the fairies. Scored for Violin, Cello, Viola and Piano. Score and parts included. $39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 3 Meditations Schott
Viola and Guitar Two Performance Scores. Composed by Eduard Puetz. This e...(+)
Viola and Guitar Two Performance Scores. Composed by Eduard Puetz. This edition: Saddle stitching. Sheet music. Viola Library. Classical. Softcover. Composed 1983. 77. 32 pages. Duration 10'. Schott Music #VAB77. Published by Schott Music (HL.49019935).
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, tim...(+)
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass SKU: CA.2729305 Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1876/1877. Op. 58. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.293/05. Published by Carus Verlag (CA.2729305). ISBN 9790007181086. Text language: Latin. Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, tim...(+)
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass SKU: CA.2729303 Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Composed 1876/1877. Op. 58. 120 pages. Duration 90 minutes. Carus Verlag #CV 27.293/03. Published by Carus Verlag (CA.2729303). ISBN 9790007171797. Text language: Latin. Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118713 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1726. BWV 187. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.187/13. Published by Carus Verlag (CA.3118713). ISBN 9790007209988. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pranayama [Score] Theodore Presser Co.
Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn...(+)
Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello SKU: PR.446413360 Concert overture for orchestra. Composed by David Leisner. Full score. With Standard notation. 16 pages. Theodore Presser Company #446-41336. Published by Theodore Presser Company (PR.446413360). UPC: 680160667321. 9 x 12 inches. Pranayama is a musical meditation for both orchestra and audience, intended for the opening of a concert program. The three pitches that are the basis of the entire work were first heard by me as music floating in the ether. These pitches are passed from one instrument to another in the orchestra and transposed. Their rhythm is based solely on the timing of the breath of each individual player. The first two notes are played as the string players and percussionists exhale, while the third note is played on the inhale. Wind and brass players divide the three notes between each pair, one player taking the first two notes and then cuing the other player for the third note, and so on in a cycle. The overall result might sound like a community of living, breathing organisms. It may require some patience to get used to the aural subtleties and nuance of detail over time, just like being in a very dark room and waiting for your eyes to adjust to see what is there. These words of the early French philosopher, Nicolas Malebranche supply an epigraph for the piece: Attention is the natural prayer of the soul. Pranayama was completed in 2015 and is an expansion of one of the movements of an earlier work, Twilight Streams for cello and guitar. It is dedicated to Paul Haas, who imaginatively suggested the idea of rewriting if for orchestra and who premiered the work with the Symphony of Northwest Arkansas. David Leisner . $18.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pranayama Theodore Presser Co.
Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn...(+)
Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello SKU: PR.44641336L Concert overture for orchestra. Composed by David Leisner. Large Score. With Standard notation. 16 pages. Theodore Presser Company #446-41336L. Published by Theodore Presser Company (PR.44641336L). UPC: 680160667338. 11 x 17 inches. Pranayama is a musical meditation for both orchestra and audience, intended for the opening of a concert program. The three pitches that are the basis of the entire work were first heard by me as music floating in the ether. These pitches are passed from one instrument to another in the orchestra and transposed. Their rhythm is based solely on the timing of the breath of each individual player. The first two notes are played as the string players and percussionists exhale, while the third note is played on the inhale. Wind and brass players divide the three notes between each pair, one player taking the first two notes and then cuing the other player for the third note, and so on in a cycle. The overall result might sound like a community of living, breathing organisms. It may require some patience to get used to the aural subtleties and nuance of detail over time, just like being in a very dark room and waiting for your eyes to adjust to see what is there. These words of the early French philosopher, Nicolas Malebranche supply an epigraph for the piece: Attention is the natural prayer of the soul. Pranayama was completed in 2015 and is an expansion of one of the movements of an earlier work, Twilight Streams for cello and guitar. It is dedicated to Paul Haas, who imaginatively suggested the idea of rewriting if for orchestra and who premiered the work with the Symphony of Northwest Arkansas. David Leisner . $31.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Wedding Album for String Quartet Book 1 [Score] LudwigMasters Publications
Orchestra Two Violins, Viola and Violoncello SKU: AP.36-M199291 Composed ...(+)
Orchestra Two Violins, Viola and Violoncello SKU: AP.36-M199291 Composed by William Ryden. Performance Music Ensemble; String Quartet. Ludwig Masters. Score. LudwigMasters Publications #36-M199291. Published by LudwigMasters Publications (AP.36-M199291). ISBN 9781621562016. UPC: 746241255051. English. A wonderful and practical collection of wedding music arranged for string quartet. Contains the standard wedding favorites such as Wagner's "Bridal Chorus" and Purcell's "Trumpet Tune." Titles included: 1. Bridal Chorus (Wagner) 2. Trumpet Tune (Purcell) 3. Allelujah (Mozart) 4. Where'er You Walk (Handel) 5. Adagio (Mendelssohn) 6. Meditation (Massenet) 7. The Ring on my Finger (Schumann) 8. Ave Maria (Bach/Gounod). These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $14.95 - See more - Buy online | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118714 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714). ISBN 9790007209995. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118712 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 2. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/12. Published by Carus Verlag (CA.3118712). ISBN 9790007209971. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118711 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 1. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/11. Published by Carus Verlag (CA.3118711). ISBN 9790007209964. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB [Score] Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118700 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Full score. Composed 1726. BWV 187. 48 pages. Duration 25 minutes. Carus Verlag #CV 31.187/00. Published by Carus Verlag (CA.3118700). ISBN 9790007171650. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 9 in D minor Op. 34 String Quartet: 2 violins, viola, cello [Set of Parts] Praha
By Dvorak Antonin. Czech title: Smy covy kvartet 9 d moll op. 34. Published by P...(+)
By Dvorak Antonin. Czech title: Smy covy kvartet 9 d moll op. 34. Published by Praha (Czech import).
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| By Grace Choral Unison - Easy GIA Publications
Unison voices, voice solo, keyboard accompaniment, violin 1, violin 2, viola, ce...(+)
Unison voices, voice solo, keyboard accompaniment, violin 1, violin 2, viola, cello - Early intermediate SKU: GI.G-10622 Composed by Lorraine Hess. Arranged by Ed Bolduc. Voices. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10622. Published by GIA Publications (GI.G-10622). English. This contemporary-style wedding song for solo or unison voices (with optional string quartet) creates a treasured memory in the midst of a holy moment as two become one. Play it as a prelude, for Preparation of Gifts, or as a Communion meditation. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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