SKU: AP.40456
UPC: 038081459752. English.
This stunning, minimalist piece is extremely playable with the melody in all sections. With an emphasis on slow bows, the easy rhythms and notes are very true to the original. The first violins play F-natural. This piece will take your breath away! Correlates to Sound Innovations Book 2, Level 2.
SKU: BT.DHP-1064006-140
9x12 inches. English-German-French-Dutch.
With Day Dreaming, composer Christian Bouthier takes both musicians and audience to a dreamy, imaginative world.People who daydream see the future in a rosy way, daily problems disappear to the background for a while and the world seems a happier place. By careful use of varied orchestration of the main theme this soothing work will make an ideal slow interlude to any concert. In Day Dreaming neemt de componist Christian Bouthier muzikanten en publiek mee naar een dromerige, fantasievolle wereld. Wie aan dagdromen doet, ziet de toekomst rooskleuriger in en kan het eigen leven soms zelfs een nieuwewending geven. Dagelijkse problemen verdwijnen even naar de achtergrond en maken plaats voor rust en mijmeringen. In deze compositie is één nostalgisch hoofdthema verwerkt, dat steeds terugkomt in verschillende orkestraties. DayDreaming vormt een aangenaam rustpunt in elk concert.In Day Dreaming nimmt Christian Bouthier Musiker und Publikum mit in eine phantasievolle Welt der Ruhe und Tagträumereien. Ein nostalgisches Hauptthema, das in verschiedenen Instrumentierungen immer wieder kehrt, beschreibt den berühmten Blick durch die rosa Brille“, der uns so oft hilft, die Probleme des Alltags etwas rosiger zu sehen und positiv in die Zukunft zu blicken. Ein musikalischer und seelischer Genuss! Avec Day Dreaming, Christian Bouthier vous offre une escapade dans le monde des rêves et de l’imagination. Les rêveurs voient l’avenir en rose ; un optimisme qui les conduit parfois prendre un nouveau départ pour une vie meilleure. Les tracas du quotidien deviennent plus dérisoires pour un temps et laissent la place la sérénité et la rêverie. Day Dreaming développe un thème nostalgique récurrent sous diverses orchestrations. Con Day Dreaming, Christian Bouthier offre una passeggiata nel mondo dei sogni e dell’immaginazione. I sognatori vedono l’avvenire in maniera positiva; un ottimismo che li porta ad affrontare anche le situazioni più difficili in modo sereno. Day Dreaming sviluppa un tema nostalgico ricorrente in diverse orchestrazioni.
SKU: BT.DHP-1064006-010
SKU: P2.90076
First published in 1732-33, this set of fantasias is not only one of Telemann's most celebrated creations, but undoubtedly amongst the finest wind instrument works of the Baroque era. Although conceived and still performable as a complete cycle, progressing roughly stepwise from A major to G minor, each fantasia stands apart in its own right, covering all conceivable styles from the slowest Largo to the fastest Presto, with even several seemingly impossible fugues added into the mix. Originally written for the flute, transcriptions have appeared for many instruments over the years with each arranger adding their own personal touch; however, this edition for tuba is taken directly from the composer's manuscript, allowing the performer maximum freedom of expression and interpretation of this fascinating work.
SKU: KN.52355S
As recorded in 1972 by the Thad Jones-Mel Lewis Orchestra on their album Suite For Pops, this solo feature for scat vocalist or guitar opens with a big, full-band intro in slow swing before the 'funky 4 feel' takes over. Punctuated by screaming brass parts, ad lib solo fills by trumpet and tenor, and an optional solo cadenza before the final chord, this tribute to Louis 'Pops' Armstrong is intended for experienced bands only. Duration 11:30.
SKU: KN.52355
SKU: AP.51022S
ISBN 9781470667993. UPC: 038081586878. English.
How Sweet the Sound, a powerful work by Brian Balmages, explores a multitude of soundscapes and styles as the lyrical melody to Amazing Grace slowly unfolds. Largely original, the music draws heavily on gospel styles interspersed with contemporary harmonies, soaring fanfares, and a wash of beautiful colors. The ending will take your breath away. Stunning. (6:20).
SKU: AP.1-ADV8406
UPC: 805095084061. English.
A Klezmer Wedding by Mike Curtis is a set of four dances, newly-composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key) takes the bride, groom, and guests to the edge of frenzy.
SKU: FT.FM173
ISBN 9790570480722.
Saxophone Choir/Ensemble - 12-15 part. Optional Soprillo, Sopranino, 2 Soprano, 3 Alto, 3 Tenor, 2 Baritone, Bass, optional Contrabass, optional Subcontrabass. A complete, unabridged arrangement of Dvorak's Serenade for Strings Op. 22. In five movements, the first four are generally straightforward in form, exploring just one or two themes. The first is melodic and soaring, the second is an elegant waltz, the third is a blistering scherzo, while the fourth is a tranquil and wistful slow movement. The finale is more complex, starting out as a Bohemian peasant dance full off off-beat accents. Two other themes are developed in the course of the movement before a recap of the opening theme of the very first movement leads into a frenetic coda section. All parts take their share of the melodic interest right through this arrangement, which requires careful work to bring out the artistic shading in the work. A great addition to any concert situation.
SKU: BP.HB540
Arranged for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 3-. Anna Laura Page's arrangement is a fresh take on an old favorite. A syncopated version of the tune and malleted bass notes dominate the first verse before giving way to a slower and more delicate statement of Rejoice, the Lord Is King. The original rhythmic feel returns for a final triumphant iteration of the tune.
SKU: BT.AMP-133-010
Harlequin was commissioned by, and is dedicated to, euphonium virtuoso David Childs. The piece takes as its inspiration the happy and sad masks which symbolise the Commedia dell?Arte (which features Harlequin as one of its main characters) and comprises two movements, a slow modal ballad followed by a frenetic faster movement. A fantastic showpiece for euphonium and band.
SKU: BT.AMP-133-140
Harlequin was commissioned by, and is dedicated to, euphonium virtuoso David Childs. The piece takes as its inspiration the happy and sad masks which symbolise the Commedia dell'Arte (which features Harlequin as one of its main characters) and comprises two movements, a slow modal ballad followed by a frenetic faster movement. A fantastic showpiece for euphonium and band.
SKU: CF.YAS169
ISBN 9781491146491. UPC: 680160903993. 9 x 12 inches. Key: D major.
Take a journey on the waves and winds that carry merchant ships to far-off lands. This picturesque piece evokes images of peaceful grandeur as ships slowly leave port at the break of day. A flowing melody in first position features legato slurs and some easy accidentals, offering developing ensembles the opportunity to work on bow control in first position.Take a journey on the waves and winds that carry merchant ships to far-off lands. This reflective piece evokes images of peaceful grandeur as ships slowly leave port at the break of day. A flowing melody in first position features legato slurs and some easy accidentals, offering developing ensembles the opportunity to work on bow control in first position.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: FT.FM878
ISBN 9790570487776. 21 x 30 cm inches.
The piece takes advantage of the Euphonium's full range and has been written for the more advanced player, although the slow movement can accommodate the less advanced players. The player may feel free to be creative throughout the entire piece. The first movement should be played at a lively and energetic tempo with a joyful approach. Particular attention should be paid to articulation, phrasing and the dynamic markings. The glissandi are optional, as are the optional cadenza parts and pedal notes. The second movement requires some really expressive and rubato playing. Phrasing and legato playing should dominate throughout, with lots of feeling and tone. Like the first movement, the third movement should be lively and energetic. No legato playing and attention once again to articulation and phrasing. Options are written in for the high notes, but the player may feel free to attempt them.As a composer, I create the composition. As a musician, you create the music.
SKU: BP.HB755
Written for 3 to 6 octave handbell choir. Level 4.This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable melody moves throughout the ensemble. Frequent interludes take the piece off in different directions before coming back to the melody once more. A slower, retrospective middle section gives a respite before the driving feeling returns once more to close the piece out in explosive, festive fashion!
SKU: MB.21505M
ISBN 9780786689422. 8.75 x 11.75 inches.
Popular tunes, step-by-step instructions, slow, medium and normal speed play-along tracks, and thorough explanations of essentials make this the most comprehensive fiddle method to date. It takes the student from the absolute beginning through professional repertoire. Genres include Celtic, twin fiddling, ragtime, classical and Scandinavian as well as old time and bluegrass.Modern Fiddling Method Grade 1 establishes a solid foundation in first position, with both easy and standard fiddle and bow holds, elementary fiddle bowings, rhythms, scales and ornaments, and fundamentals of music theory. The student can read and/or listen to each tune. Includes access to online audio.
SKU: FJ.B1678S
English.
Take your audience by storm with this riveting work for beginning bands! With the mysterious and slow introduction and powerful allegro section, Stormchasing offers vast musical opportunities with the quarter note as the shortest rhythm. Special sound effects are strategically scored, and the Advanced Percussion 1 part will certainly add to the excitement. Lots of energy and great music with only six notes - a guaranteed winner!
SKU: CF.YAS176
ISBN 9781491146569. UPC: 680160904068. 9 x 12 inches. Key: G major.
This triumphant work by composer Alan Lee Silva will be a perfect selection for your next contest or festival performance. Atlantic Crossing contains all the signature flowing lines and warm harmonies that have made Silva's music so popular and fresh.A joyous journey across the ocean begins in the opening measures, featuring triumphant violins and violas and accented cellos and basses. After the celebratory introduction, Atlantic Crossing comes down in dynamics and transitions to the lyrical A melody in the violins (m. 9) and continues with an AAB form.The violas take over with the flowing B-theme in m. 17 as the rest of the ensemble accompanies the tune with lush harmonies at a lower dynamic. A two-measure build in mm. 24-25 with ascending violins leads back to a reprise of the powerful introductory statement where the ensemble plays full-out with precise articulations and accents. A two-measure interlude in mm. 34-35 slows the energy down to return to the legato A-theme in the violins and violas. Violas carry the B-theme once again in m. 44 with syncopated and accented answer motifs in the violins. The key center shifts at m. 53, and the violins play the melody in a legato interpretationof the introductory theme. The rest of the group plays their accompaniment figures smoothly and expressively underneath. After the molto ritardando at m. 61, the piece returns to the original key center of G. From there the group plays with driving energy as before in the introduction to the final punctuated note in m. 76.
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