Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by L. B. Smith. For vocal solo with concert band accompaniment. BOVACO Vocal Solo. Extra condensed score. Published by BOVACO Music Publications

Composed by Peter Ilyich Tchaikovsky (1840-1893). For piano. Published by Banks Publications

By Peter Ilyich Tchaikovsky. Arranged by Gerald Abraham. (Study Score). Schott. Size 5.25x7.5 inches. 148 pages. Published by Eulenburg.

Voice and Piano

SKU: BT.F-80098

Composed by Peter Ilyich Tchaikovsky. Classical. Book Only. Forberg Edition #F 80098. Published by Forberg Edition (BT.F-80098).

By Peter Ilyich Tchaikovsky, Peter Tschaikowsky. Arranged by Lothar Lechner. Schott. Size 9x12 inches. 8 pages. Published by Schott.

For Piano and Orchestra Soloist in Concert Series. By Peter Ilyich Tchaikovsky. Piano. 116 pages. Published by Ricordi.

By Amy Appleby. For Piano. Classical. Sheet Music. 240 pages. Published by Music Sales.

Concert Band; Orchestra 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)

SKU: AP.36-A001401

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by William Ryden. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A001401. Published by LudwigMasters Publications (AP.36-A001401).

ISBN 9798892702348. UPC: 659359754951. English.

EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not understand himself, his emotions, or the value of life, leading him to reject an impassioned declaration of love by a woman he looks down upon and instead pursue the fiancée of his friend, who he kills in a duel as a result of this pursuit. The provincial WALTZ, brought here to a higher level of sophistication by Tchaikovsky, is performed at the ball honoring Tatyana's name day at the beginning of Act II. This orchestral work has found a popular home on the concert stage and outside the full opera. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 128 pages. Published by Hal Leonard.

Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-15

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-15. Published by Breitkopf and Haertel (BR.OB-5558-15).

ISBN 9790004344651. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tchaikovsky's Hamburg Symphony in the Urtext.

Clarinet. Fenton Play Along Books. Book and CD Package. Size 9x12 inches. 24 pages. Published by Fentone Music/De Haske.

Woodwinds (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15115-30

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Ernst Herttrich. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Set of parts. 108 pages. Duration 33'. Breitkopf and Haertel #OB 15115-30. Published by Breitkopf and Haertel (BR.OB-15115-30).

ISBN 9790004340691. 10 x 12.5 inches.

Tchaikovsky had the printing of his epoch-making violin concerto supervised with great care, and he even examined the proofs himself for the publication of the version for violin and piano in 1878, which was followed by the orchestral parts the following year and the score in 1888. After many editions and respective arrangements by Leopold Auer in 1899, Fritz Kreisler in 1939 and, most recently, by Konstantin G. Mostras and David Oistrakh, based on Auer comes an Urtext edition that takes into account all surviving sources and critically evaluates them, a matter of great importance for both scholars and performing artists.

Violin 1 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15115-15

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Ernst Herttrich. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Part. 16 pages. Duration 33'. Breitkopf and Haertel #OB 15115-15. Published by Breitkopf and Haertel (BR.OB-15115-15).

ISBN 9790004340646. 10 x 12.5 inches.

Tchaikovsky had the printing of his epoch-making violin concerto supervised with great care, and he even examined the proofs himself for the publication of the version for violin and piano in 1878, which was followed by the orchestral parts the following year and the score in 1888. After many editions and respective arrangements by Leopold Auer in 1899, Fritz Kreisler in 1939 and, most recently, by Konstantin G. Mostras and David Oistrakh, based on Auer comes an Urtext edition that takes into account all surviving sources and critically evaluates them, a matter of great importance for both scholars and performing artists.

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.PB-4960

Composed by Pjotr Iljitsch Tschaikowsky. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 120 pages. Duration 32'. Breitkopf and Haertel #PB 4960. Published by Breitkopf and Haertel (BR.PB-4960).

ISBN 9790004207451. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...