Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Alexander Komarov. Henle Music Folios. Classical. Softcover. 16 pages. G. Henle #HN1274. Published by G. Henle (HL.51481274).

By Jascha Heifetz. By Peter Ilyich Tchaikovsky (1840- 1893). Edited by Endre Granat. LKM Music. Softcover. Lauren Keiser Music Publishing #S511034. Published by Lauren Keiser Music Publishing

By Peter Ilyich Tchaikovsky. Edited by Weitzmann. For piano. From Op.2,5,7,9,10,19,40,etc. Published by C.F. Peters.

Edited and recorded by Alexandre Dossin. By Alexandre Dossin. By Peter Ilyich Tchaikovsky (1840-1893). Edited by Alexandre Dossin. Schirmer Performance Editions. Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer

4 Saxophones SATBar & Piano, Bass & Percussion Ad Lib

SKU: AP.1-ADV7686

For SATBar Saxophone Quartet & Piano, Bass & Percussion Ad Lib. Composed by Peter Ilyich Tchaikovsky. Arranged by Bill Mays. Masterworks; Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Form: Suite. Christmas; Jazz; Masterwork Arrangement; Romantic; Secular; Winter. Score and Part(s). Advance Music #01-ADV7686. Published by Advance Music (AP.1-ADV7686).

UPC: 805095076868. English.

This arrangement is playable with or without rhythm section. It includes completely notated rhythm section parts, including piano voicings and bass lines and fully notated jazz solos. Compatible with the woodwind edition.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tchaikovsky's Hamburg Symphony in the Urtext.

By Janet Vogt. For Games. General music. Published by Heritage Music Press. (30/2190H)

Violoncello (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-23

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-23. Published by Breitkopf and Haertel (BR.OB-4960-23).

ISBN 9790004326824. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Arranged by Sandra Dackow. Part(s); Score; String Orchestra. Orchestra Expressions. Folk. 148 pages. Published by Alfred Music (AP.45825).

Solo flute - Level 3

SKU: LM.26464

Composed by Atarah Ben Tovim. Classical. Score. Editions Henry Lemoine #26464. Published by Editions Henry Lemoine (LM.26464).

ISBN 9790230964647.

BEETHOVEN : Concerto pour piano n. 3 (3e mvt) - Symphonie n. 1 (2e mvt) - Symphonie n. 5 (3e mvt) - Symphonie n. 6, Pastorale (3e mvt) - Symphonie n. 7 (2e mvt) - BERLIOZ : La Damnation de Faust (Marche hongroise) - Les Francs-Juges (ouverture) - Symphonie fantastique (3e mvt) - BORODINE : Le Prince Igor (ouverture) - BRAHMS : Ouverture pour une fete academique - Symphonie n. 1 (4e mvt) - Symphonie n. 2 (3e mvt) - Symphonie n. 3 (2e mvt) - CHABRIER : Espana - DELIBES : Coppelia (Mazurka) - DELIUS : Brigg Fair - DVORAK : Danses slaves Op.46 n. 1 - Symphonie n. 1 (1er mvt) - Symphonie n. 8 (3e mvt) - FRANCK : Symphonie en re mineur (1er mvt) - HAYDN : Symphonie n. 94 (2e, 3e mvt) - Symphonie n. 100 (2e mvt) - Symphonie n. 103 (2e mvt) - MENDELSSOHN : Concerto pour violon Op.64 (1er mvt) - Ruy Blas (ouverture) - Symphonie n. 3 (1er, 4e mvt) - MOUSSORGSKI : Une nuit sur le Mont Chauve - MOZART : Concerto pour clarinette (2e mvt) - Concerto pour flute et harpe (3e mvt) - Concerto pour piano n. 20 (3e mvt) - NICOLAI : Les Joyeuses Commeres de Windsor (ouverture) - ROSSINI : La Pie voleuse (ouverture) - SAINT-SAENS : Carnaval des animaux (Aquarium) - SCHUBERT : Rosamunde (ouverture) - Symphonie n. 5 (1er mvt) - Symphonie n. 7 (3e, 4e mvt) - Symphonie n. 8 (1er mvt) - SCHUMANN : Concerto pour piano Op.54 (1er mvt) - Symphonie n. 2 (4e mvt) - Symphonie n. 3 (3e mvt) - SMETANA : Ma patrie (Vlatva) - STRAUSS : Le Beau Danube bleu Op.314 n. 2 et n. 5 - Valse de l'Empereur n. 1 - TCHAIKOVSKY : Casse-Noisette (ouverture) - Symphonie n. 2 (4e mvt) - Symphonie n. 4 (2e mvt) - Symphonie n. 5 (2e, 3e, 4e mvt) - VERDI : La Force du destin (ouverture) - WALDTEUFEL : Valse Les Patineurs.

From Serenade for Strings. By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Jan Farrar-Royce. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Score. 12 pages. Duration 2:20. Belwin Music #00-43782S. Published by Belwin Music (AP.43782S).

(with analytical exercises by Otakar Sevcik, Op. 19 Violin and Piano). By Peter Ilyich Tchaikovsky (1840-1893) and Ottakar Sevcik (1852-1934). Edited by Stephen Shipps. LKM Music. 152 pages. Hal Leonard #S511013. Published by Hal Leonard