| Tchaikowsky's Greatest Melodies Flute and Piano [Score and Parts] Theodore Presser Co.
By Peter Ilyich Tchaikovsky. Edited by James Galway. For Flute Solo, Piano. Scor...(+)
By Peter Ilyich Tchaikovsky. Edited by James Galway. For Flute Solo, Piano. Score and parts. 62 pages. Published by Theodore Presser Company.
$28.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite from The Nutcracker Concert band - Intermediate/advanced Hal Leonard
Concert Band (Score) - Grade 4-5 SKU: HL.23714011 Composed by Peter Ilyic...(+)
Concert Band (Score) - Grade 4-5 SKU: HL.23714011 Composed by Peter Ilyich Tchaikovsky. Arranged by James Curnow. Symphonic/Concert Band Series. Christmas, Classical, Concert, Secular, Symphonic. 52 pages. Published by Hal Leonard (HL.23714011). UPC: 884088262464. 9.0x12.0x0.122 inches. Here is a superb symphonic treatment of the best-known movements from Tchaikovsky's ballet. Not only does Jim Curnow capture the spirit of the orchestral version, but he has transformed the work into a setting that lets the modern concert band sound its best. $15.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Waltz from Serenade for Strings String Orchestra [Score and Parts] - Easy Southern Music Ltd
Score and Parts. Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged ...(+)
Score and Parts. Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Lauren Keiser. Southern
Music. Classical. Softcover.
Southern Music Company
#SO120C. Published by
Southern Music Company
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Two Movements from the Sleeping Beauty Pocket, Study conductor [Study Score / Miniature] Boosey and Hawkes
By Peter Ilyich Tchaikovsky. (Study Score). Boosey and Hawkes Scores and Books....(+)
By Peter Ilyich Tchaikovsky. (Study Score). Boosey and Hawkes Scores and Books. 24 pages. Published by Boosey & Hawkes.
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Test Pieces for Orchestral Auditions - Viola Viola Schott
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt ...(+)
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt Jenisch, Eckart Schloifer. (Viola). Schott. Size 9x12 inches. 64 pages. Published by Schott.
(1)$33.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Compatible String Ensembles: Christmas Duets Carl Fischer
Chamber Music Cello SKU: CF.BF165 23 Easy- to Medium-Level Holiday Arr...(+)
Chamber Music Cello SKU: CF.BF165 23 Easy- to Medium-Level Holiday Arrangements for Any Combination of String Instruments. Arranged by Todd Parrish. Full score. 32 pages. Carl Fischer Music #BF165. Published by Carl Fischer Music (CF.BF165). ISBN 9781491164334. UPC: 680160923182. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. Arranged specifically for a chamber setting, the flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. These flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. $13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Compatible String Ensembles: Christmas Duets Carl Fischer
Chamber Music solo viola SKU: CF.BF164 23 Easy- to Medium-Level Holida...(+)
Chamber Music solo viola SKU: CF.BF164 23 Easy- to Medium-Level Holiday Arrangements for Any Combination of String Instruments. Arranged by Todd Parrish. Full score. 32 pages. Carl Fischer Music #BF164. Published by Carl Fischer Music (CF.BF164). ISBN 9781491164327. UPC: 680160923175. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. Arranged specifically for a chamber setting, the flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. These flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. $13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Compatible String Ensembles: Christmas Duets Carl Fischer
Chamber Music Violin SKU: CF.BF163 23 Easy- to Medium-Level Holiday Ar...(+)
Chamber Music Violin SKU: CF.BF163 23 Easy- to Medium-Level Holiday Arrangements for Any Combination of String Instruments. Arranged by Todd Parrish. Full score. 32 pages. Carl Fischer Music #BF163. Published by Carl Fischer Music (CF.BF163). ISBN 9781491164310. UPC: 680160923168. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. Arranged specifically for a chamber setting, the flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. These flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. $13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible String Ensembles: Christmas Duets Carl Fischer
Chamber Music Double Bass SKU: CF.BF166 23 Easy- to Medium-Level Holid...(+)
Chamber Music Double Bass SKU: CF.BF166 23 Easy- to Medium-Level Holiday Arrangements for Any Combination of String Instruments. Arranged by Todd Parrish. Full score. 32 pages. Carl Fischer Music #BF166. Published by Carl Fischer Music (CF.BF166). ISBN 9781491164341. UPC: 680160923199. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. Arranged specifically for a chamber setting, the flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. The 23 holiday classics contained in this collection have been carefully arranged for any combination of string duet. Providing a range of keys, style, and difficulty level, melodies include favorite carols and familiar movements from Tchaikovsky's Nutcracker Suite. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. These flexible duets may be performed by any combination of string instruments in a variety of venues, from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Duets will set the festive mood in any environment. $13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Melodie from op. 42 for Trombone and Piano Trombone and Piano - Advanced Cherry Classics
Trombone and Piano accompaniment - advanced SKU: CY.CC2961 Composed by P....(+)
Trombone and Piano accompaniment - advanced SKU: CY.CC2961 Composed by P. I. Tchaikovsky. Arranged by Cory Mixdorf. Russian Romantic. Solo part and Piano accompaniment. 7 pages. Cherry Classics #2961. Published by Cherry Classics (CY.CC2961). ISBN 9790530057803. Tchaikovsky composed Souvenir d'un lieu cher Op. 42 in 1878 for Violin and Piano. Melodie is the third of three movements of this lovely work. Later, in 1884 the movements were published separately and eventually Glazunov arranged the three movements for Violin and orchestra. The music is poetic, expressive, joyous and refreshing with a wink or two. Professor Mixdorf has beautifully arranged this 3-minute work for advanced performers. $22.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Melodie from op. 42 for Tubone and Piano - Advanced Cherry Classics
Tuba or Bass Trombone & Piano accompaniment - advanced SKU: CY.CC2993 Com...(+)
Tuba or Bass Trombone & Piano accompaniment - advanced SKU: CY.CC2993 Composed by P. I. Tchaikovsky. Arranged by Cory Mixdorf. Russian Romantic. Solo part & Piano accompaniment. 7 pages. Cherry Classics #2993. Published by Cherry Classics (CY.CC2993). ISBN 9790530058121. Tchaikovsky composed Souvenir d'un lieu cher Op. 42 in 1878 for Violin and Piano. Melodie is the third of three movements of this lovely work. Later, in 1884 the movements were published separately and eventually Glazunov arranged the three movements for Violin and orchestra. The music is poetic, expressive, joyous and refreshing with a wink or two. Professor Mixdorf has beautifully arranged this 3-minute work for advanced performers. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite for cello and string orchestra (1967) - Solo part and piano reduction Cello, Piano Fennica Gehrman
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1). ISBN 9790550119031. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.
This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).
Victoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.
Yagling won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.
Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Three Miniature Nutcrackers Concert band [Score and Parts] - Beginner Belwin
I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Comp...(+)
I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Michael Story. Concert Band; Masterworks; Part(s); Score. Belwin Beginning Band. Form: Suite. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. 272 pages. Published by Belwin Music (AP.44889).
$56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Nutcracker ... In About Three Minutes String Orchestra [Score and Parts] - Easy Belwin
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Doug...(+)
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Douglas E. Wagner. Orchestra. For strings w/ vln 3. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Christmas; Light Concert; Masterwork Arrangement; Novelty; Romantic; Winter. Grade 2.5. 144 pages. Published by Belwin Publishing
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Nutcracker Suite Concert band - Easy Hal Leonard
Concert Band (Score) - Grade 2 SKU: HL.26014011 Composed by Peter Ilyich ...(+)
Concert Band (Score) - Grade 2 SKU: HL.26014011 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Lavender. Basic Band II. Christmas, Classical, Concert, Secular. Published by Hal Leonard (HL.26014011). UPC: 884088115357. 8.5x11.0x0.044 inches. In this carefully scored setting of the best-known movements from Tchaikovsky's classic ballet, Paul Lavender has made this masterpiece accessible to developing bands. Includes: Dance of the Sugar Plum Fairy, Elves' Dance, Trepak and Waltz of the Flowers. $10.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wild Swan Suite in 10 Movements Violin and Piano Bote and Bock
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and Piano. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 1800 seconds. Bote & Bock #M202533635. Published by Bote & Bock (HL.48025296). UPC: 196288174325. “Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in theWild Swans, more than in any other work of mine, I allowed myself the freedom to roam through 200 years of musical genres, ranging from Hungarian Operetta through folk music and even including the influences of jazz and popular music,†says Elena Kats-Chernin. The full-length work, which premiered in Sydney in 2003, was written for choreographer Meryl Tankard after the two artists had already worked together for the opening ceremony of the 2000 Olympic Games, and became one of the composer's greatest successes. Many excerpts in various arrangements have a concert life of their own today - including the world-renowned Eliza Aria. Arranged by the composer in 2004 for violin and piano after the original orchestral version, the half-hour suite comprises ten characteristic movements: Green Leaf Prelude, Eliza Aria, Brothers, Wicked Witch (piano solo), Magic Spell Tango, Glow Worms, Darkness of the Forest, Eliza and the Prince, Mute Princess, Transformation. $58.00 - See more - Buy online | | |
| Selections From The Nutcracker Suite (Op. 71A) - Intermediate/advanced Kendor Music Inc.
Quartet 2 Altos, Tenor and Baritone Saxes - Grade 4 SKU: KN.16266 (Op....(+)
Quartet 2 Altos, Tenor and Baritone Saxes - Grade 4 SKU: KN.16266 (Op. 71A). Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Balent. Ensemble. Kendor Ensemble Series. Duration 3 minutes, 40 seconds. Kendor Music Inc #16266. Published by Kendor Music Inc (KN.16266). UPC: 822795162660. These three favorites from Peter Ilyich Tschaikowsky's Nutcracker Suite (Op. 71a) will be a great addition to any program during the holiday season. Movements in this grade 4 AATB saxophone quartet edition include: Marche, Waltz Of The Flowers, and Trepak. Duration ca. 3:40. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Nuts and Crackers Sweet Concert band - Easy C.L. Barnhouse
Grade 2.5 SKU: CL.011-3629-01 Composed by Shaffer. Young Concert Band. Co...(+)
Grade 2.5 SKU: CL.011-3629-01 Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR355). Extra full score. Composed 2007. Duration 3 minutes, 44 seconds. C.L. Barnhouse #011-3629-01. Published by C.L. Barnhouse (CL.011-3629-01). Shaffer has risen to a higher level of musical misquotation with this adaptation of Tchaikovsky’s famous ballet, Nuts and Crackers. David has lovingly orchestrated three of the most best known movements from the ballet: March of the Rin Tin Tin Soldiers, Dance of the Thoroughly Modern Mirlitons, and the Russian Hat-rack Dance (Ho Ho Hopak). This delightfully fun piece is especially appropriate for holiday concerts, but is sure to bring down the house in any concert setting. Lots of fun and full of percussion sound effects. DELIGHTFUL! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Nuts and Crackers Sweet Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-3629-00 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2 SKU: CL.011-3629-00 Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR355). Score and set of parts. Composed 2007. Duration 3 minutes, 44 seconds. C.L. Barnhouse #011-3629-00. Published by C.L. Barnhouse (CL.011-3629-00). Shaffer has risen to a higher level of musical misquotation with this adaptation of Tchaikovsky’s famous ballet, Nuts and Crackers. David has lovingly orchestrated three of the most best known movements from the ballet: March of the Rin Tin Tin Soldiers, Dance of the Thoroughly Modern Mirlitons, and the Russian Hat-rack Dance (Ho Ho Hopak). This delightfully fun piece is especially appropriate for holiday concerts, but is sure to bring down the house in any concert setting. Lots of fun and full of percussion sound effects. DELIGHTFUL! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nutcracker Suite Selections - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110). ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nutcracker Suite Selections - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110F Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CAS110F. Published by Carl Fischer Music (CF.CAS110F). ISBN 9781491151662. UPC: 680160909162. 9 x 12 inches. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Miniature Nutcrackers Concert band - Beginner Belwin
Concert Band - Grade 1 SKU: AP.44889S I. March, II. Dance of the Reed ...(+)
Concert Band - Grade 1 SKU: AP.44889S I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: Suite. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. Score. 32 pages. Duration 3:45. Belwin Music #00-44889S. Published by Belwin Music (AP.44889S). UPC: 038081516080. English. Based on Alexander Dumas' adaptation of E. T. A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes March, Dance of the Reed Flutes, and Russian Dance (Trepak). The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during the holidays or any time of the year. (3:45). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazzy Nutcracker Piano solo Schott
Piano SKU: HL.49047096 Suite-Fantasy on Themes from Tchaikovsky's Suit...(+)
Piano SKU: HL.49047096 Suite-Fantasy on Themes from Tchaikovsky's Suite Op. 71a Piano. Composed by Alexander Rosenblatt. Piano Solo. Classical, Jazz. Softcover. Schott Music #ED23678. Published by Schott Music (HL.49047096). UPC: 196288120735. Suite-fantasy in six movements on the most popular melodies from Tchaikovsky's Nutcracker. $29.99 - See more - Buy online | | |
| Piccolo Ridicolo Theodore Presser Co.
Chamber Music Piccolo 1, Piccolo 2, Piccolo 3 SKU: PR.114419920 Composed ...(+)
Chamber Music Piccolo 1, Piccolo 2, Piccolo 3 SKU: PR.114419920 Composed by Julia Grenfell. Set of Score and Parts. 16+8+8+8 pages. Duration 9 minutes. Theodore Presser Company #114-41992. Published by Theodore Presser Company (PR.114419920). ISBN 9781491134665. UPC: 680160685257. Have you ever yearned to perform a whole bunch of great piccolo orchestral excerpts all in one concert, programming the music yourself, without waiting through the tacet movements, and without a loud brass section behind you? Julia Grenfell’s PICCOLO RIDICOLO is a beautifully theatrical medley of favorite orchestral solos from Tchaikovsky to Beethoven to Ravel, scored for piccolo trio. The three players rotate equally between the lead part and the accompaniment to share the fun (and terror). The 9-minute work celebrates 10 favorite piccolo highlights, and more!. The prototype for Piccolo Ridicolo was first created for a joint piccolo recital at the Australian Flute Festival in Brisbane, July 2017. The recital was performed by the three piccoloists from the Sydney, Melbourne and Adelaide Symphony Orchestras: Rosamund Plummer (SSO), Andrew Macleod (MSO), and me (ASO).When searching for a final piece that we could all play together as a trio, I came up a little short. Who would have guessed there would be so little repertoire for three piccolos? Thus the idea for Piccolo Ridicolo was born – a celebratory and humorous collaboration for three piccolos, with much debt and apologies owed to Rossini, Beethoven, Tchaikovsky, and more.Thank you Andrew and Rose for being my first guinea pigs, my ASO flute colleagues for various road tests, my sister Maria Grenfell for her initial typesetting, and my mentor Leone Buyse for encouraging me to seek publication of the piece. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orientale - Intermediate Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4 SKU: CF.CAS63 From Novelettes, Op. 15. Composed by Alexander Glazunov. Arranged by Deborah Baker Monday. SWS FS. Concert String Orchestra. Set of Score and Parts. With Standard notation. 24+24+6+15+15+10+16 pages. Carl Fischer Music #CAS63. Published by Carl Fischer Music (CF.CAS63). ISBN 9780825889387. UPC: 798408089382. 8.5 x 11 inches. Key: D major. Originally written for string quartet, this fantastic characteristic piece from Glazunov is a welcome addition to the string orchestra repertoire, as arranged by Deborah Baker Monday. Well-suited for the more advanced ensemble, it contains excellent musical opportunities and the chance to play the music of a prominent Russian composer. Deborah's setting stays very true to the original, but enhances it for use by the full ensemble. Alert your contest/festival music committee to this worthy new piece for high school string orchestras. Alexander Glazunov (1865–1936) lived during a very transitional period of Russian music history, active as a composer, conductor, and teacher. He was a part of the Romantic school of Russian music following in the tradition of Tchaikovsky, like his fellow composers Borodin and Rimsky-Korsakov.During his years at the conservatory he instructed many students who chose to pursue the modern trends set forth by Debussy. Stravinsky, Shostakovich, and even Prokofiev took instruction from Glazunov. Although they considered him old-fashioned, he was remembered as a stabilizing influence during transitional times.Glazunov’s music stayed within the category of Russian Romanticsm: nationalistic with classical formality. His list of works includes numerous symphonies, concertos, piano and vocal works, and chamber works including seven string quartets.Op. 15 was first given the title “Suite†(a collection of dances), and after a friend’s recommendation he changed the name to “Novelettesâ€. The five movements are of contrasting style, but beautifully reminiscent of their particular themes:I. Alla SpagnuolaII. OrientaleIII. Interludium in modo anticoIV. ValseV. All’ UnghereseThis movement is very well adaptable for string orchestra. The original string quartet moodis light, using harmonics and pizzicato, but there are forceful sections which allow for strong sectional playing (especially with the cello and bass orchestral sound). There is very much interesting melodic material offered for all instruments which lends itself to a fantastic string orchestra arrangement. Conductors will find material in all sections which provide greatopportunities for rehearsal.The form is a large ABA with a D.C. al fine, but the sections are not square by any means.There is lots of energy and momentum in the material of both sections, as well as a modalcharacter which gives the music an exotic sound. Bowing patterns abound in all sections formore great teaching opportunities. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Repertoire für Musikschulen - Trompete 1. Trumpet, Piano EMB (Editio Musica Budapest)
Trumpet and Piano SKU: BT.EMBZ14277 By Istvan Sztan. Educational Tool. Bo...(+)
Trumpet and Piano SKU: BT.EMBZ14277 By Istvan Sztan. Educational Tool. Book Only. Composed 2001. 84 pages. Editio Musica Budapest #EMBZ14277. Published by Editio Musica Budapest (BT.EMBZ14277). Hungarian-English-German-French. The collection contains pieces transcribed for one or two trumpets with piano accompaniment in the order of difficulty. It comprises such popular works as Mozart's Turkish March, certain movements of Handel's Water Music and Fireworks Music, the famous solo from Don Pasquale, the Neapolitan Dance from Tchaikovsky's ballet Swan Lake (for two trumpets) or a set of Christmas carols such as Stille Nacht, O Tannenbaum and Jingle bells. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Repertoire for Music Schools Trumpet, Piano EMB (Editio Musica Budapest)
Trumpet and Piano SKU: HL.50510295 Trumpet. By Istvan Sztan. By Va...(+)
Trumpet and Piano SKU: HL.50510295 Trumpet. By Istvan Sztan. By Various. Arranged by István Sztán. EMB. 1. Pedagogical performance pieces. Book Only. 58 pages. Editio Musica Budapest #Z14277. Published by Editio Musica Budapest (HL.50510295). ISBN 9790080142776. UPC: 073999164169. 9.0x12.0x0.233 inches. Hungarian, English, German, French. Peter Toth; Istvan Sztan. The collection contains pieces transcribed for one or two trumpets with piano accompaniment in the order of difficulty. It comprises such popular works as Mozart's Turkish March, certain movements of Handel's Water Music and Fireworks Music, the famous solo from Don Pasquale, the Neapolitan Dance from Tchaikovsky's ballet Swan Lake (for two trumpets) or a set of Christmas carols such as Stille Nacht, O Tannenbaum and Jingle bells. $36.45 - See more - Buy online | | |
| Passion Week Choral SATB SATB divisi Musica Russica
Composed by Maximilian Steinberg. For SATB choir (div). 13. Published by Musica ...(+)
Composed by Maximilian Steinberg. For SATB choir (div). 13. Published by Musica Russica
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Love songs. Choral collection with CD Choral SATB Carus Verlag
SATB choir SKU: CA.221200 Love Songs. Composed by Various. Edited ...(+)
SATB choir SKU: CA.221200 Love Songs. Composed by Various. Edited by Frieder Bernius, Friedemann Luz. This edition: paperback. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Choral collections, LIEDERPROJEKT. Chorbuch Liebeslieder. Secular choral music, Wedding. Choir Book. 128 pages. Carus Verlag #CV 02.212/00. Published by Carus Verlag (CA.221200). ISBN 9790007170776. In every century, love is probably the most frequently-celebrated theme. The choral anthology for the LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection. * ideal for concerts and weddings * 4-6 part settings, some with piano accompaniment * settings mainly in German, English, and French * contains popular and well-known compositions by composers including Brahms, Dowland, Gluck, Mendelssohn, Monteverdi, Morley, Purcell, Ravel, Tallis, and Tchaikovsky * with numerous new choral movements * with chansons, jazz standards and pop classics such as Autumn leaves, La vie en rose, Sehnsucht and many more * easy to medium difficulty * a CD with selected songs is included with the conductor's volume. $39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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