| Suite No. 1 Guitar Classical guitar - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Oboe Classics for the Intermediate Player - Music Minus One Oboe [Sheet music + Audio access] Music Minus One
Book/Online Audio Oboe - Difficulty: medium SKU: HL.400679 Music Minus...(+)
Book/Online Audio Oboe - Difficulty: medium SKU: HL.400679 Music Minus One Oboe. Composed by Various. Sheet music with online audio. Music Minus One. Classical and Play Along. Softcover sheet music and online audio. With solo part, standard notation and introductory text. 26 pages. Music Minus One #MMO3412. Published by Music Minus One (HL.400679). ISBN 9781596153592. UPC: 077712334129. 9x12 inches. Joseph Robinson of The Double Reed says of Elaine Douvas in this recording: Eschewing overt expression in favor of implication and subtlety, she offers performances that are stylish and full of passion and conviction to be sure, but which, like all great art, withstand and reward the most careful scrutiny. Expert phrasing and articulation by Elaine Douvas in this album demonstrate persuasively that the pieces she has chosen are sufficient to challenge the finest player's imagination, discipline and instrumental skill. This album is a delight for any oboist and again contains a rich collection of music from many periods, from Telemann to Hindemith. Includes sheet music printed on high-quality ivory paper, annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Soloist: Elaine Douvas, oboe. Ensemble: Erik Nielsen, piano. (7)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatina String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Piano Bench Of Easy Classical Music Piano solo [Sheet music] - Easy Music Sales
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo. Music Sales America. Classical. Softcover. 400 pages. Music Sales #AM967549. Published by Music Sales
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Violin Collection - Easy to Intermediate Level Violin [Sheet music + Audio access] - Easy Schirmer
Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almo...(+)
Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almond. By Various. String Solo. Classical. Softcover Audio Online. 48 pages. Published by G. Schirmer
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| Sonaten und Spielstucke aus Der getreue Musikmeister fur Melodiein- strument (Flote, Oboe, Violine) und Basso continuo - Sonatas and Pieces from Der getreue Musikmeister for Melodie Instruments (Flute, Oboe, Violin) and Basso continuo [Score and Parts] Hortus Musicus
Sonate a-moll TWV 41:a3, Sonate g-moll TWV 41:g5, Lhiver TWV 41:d1, Air Trompett...(+)
Sonate a-moll TWV 41:a3, Sonate g-moll TWV 41:g5, Lhiver TWV 41:d1, Air Trompette TWV 41:C1, Niaise TWV 41:E2, Napolitana TWV 41:B4 - Sonata in A minor TWV 41:a3, Sonata in G minor TWV 41:g5, Lhiver TWV 41:d1, Air Trompette TWV 41:C1, Niaise TWV 41:E2, Napolitana TWV 41:B4. By Georg Philipp Telemann. Edited by Degen, Dietz. For Flute/Oboe/Violin, Basso Continuo. Hortus Musicus. Playing Score; Single Part. Published by Hortus Musicus (German import).
$21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Giant Book of Violin Classics Violin and Piano Schirmer
Violin and Piano. Composed by Various. String. Classical. Softcover. 256 page...(+)
Violin and Piano. Composed
by Various. String.
Classical. Softcover. 256
pages. G. Schirmer #LIB
2152. Published by G.
Schirmer
$36.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Telemann: Biblische Spruche 2 Choral SATB SATB [Score] Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. This edition: pa...(+)
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. This edition: paperbound. Sacred, Motets, Psalms, German; Choral Collections, SAM Choir, Choral Collections, Women's Choir, Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Special Days, End of the church year, Easter and Eastertide. Score. 104 pages
(1)$30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Telemann: Sechs Arien aus dem Harmonischen Gottesdienst [Score] Carus Verlag
By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. C...(+)
By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. Cantatas; Stuttgart Urtext editions. Score. 28 pages. Published by Carus Verlag (German import).
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Telemann: Biblische Spruche 1 Choral SATB SATB [Score] Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klau...(+)
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: paperbound. Sacred, Motets, Psalms, German; Choral Collections, SAM Choir, Choral Collections, Women's Choir, Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Special Days, Holy Week, Easter and Eastertide, Ascension, Reformati. Score. 112 pages
$31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Anthology of Easier Classical Piano Piano solo Hal Leonard
(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo...(+)
(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard
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| TELEMANN Suite A minor; GLUCK 'Orpheus' scene; PERGOLESI Concerto G major (2 CD Set) Flute [Sheet music + CD] Music Minus One
For Flute. Includes a newly engraved printed music score printed on high-quality...(+)
For Flute. Includes a newly engraved printed music score printed on high-quality ivory paper; and two compact discs containing a complete performance in digitally remastered stereo, and a second performance minus the soloist. Published by Music Minus One.
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| HANDEL Three Sonatas for Flute and Piano; TELEMANN Three Duet Sonatas for Two Flutes (2 CD Set) Flute [Sheet music + CD] Music Minus One
For Flute. Classical (chamber). Includes a high-quality printed music score and ...(+)
For Flute. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the accompaniment, minus the soloist. Published by Music Minus One
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| Early Violin Sonatas: (WFS 104) Violin and Piano - Easy Music Sales
By Robert Kail (Editor). For Violin. Classical. 176 pages. Published by Music Sa...(+)
By Robert Kail (Editor). For Violin. Classical. 176 pages. Published by Music Sales. 14 sonatas for violin and piano, including works by Paganini, Mozart, Handel, Purcell, Bach, Weber, Telemann, and Tartini.
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| Collected String Quartets v. 2 - Intermediate Latham Music Enterprises
Orchestra Violin 1, Violin 2, Viola, Cello - Grade 3.5 SKU: AP.36-52703203(+)
Orchestra Violin 1, Violin 2, Viola, Cello - Grade 3.5 SKU: AP.36-52703203 Composed by Carole Neuen-Rabinowitz. Performance Music Ensemble; String Quartet. Ludwig Masters. Score. Latham Music Enterprises #36-52703203. Published by Latham Music Enterprises (AP.36-52703203). ISBN 9781628761566. UPC: 746241213853. English. Collected Quartets Vol. 2 is perfect for weddings, receptions, or any chamber setting. Titles include selections from Bach Orchestral Suite No. 1; Corelli Sonata de Chiesa (Op. 3 No. 2); Couperin Les Rozeaux and Allemande; Genimiani Concerto Grosso in G minor; Handel Sonata in G minor; Scarlatti Quartetto in F Major; Tartini Sonata in D Major; and Telemann Sonata in C minor. Intermediate Level. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $34.99 - See more - Buy online | | |
| Lasso: Agnus Dei; Desprez: Et incarnatus est Choral SATB SATB [Sheet music] Carus Verlag
By Orlande De Lassus (1532-1594). Edited by Budde, Rudolf. This edition: paperbo...(+)
By Orlande De Lassus (1532-1594). Edited by Budde, Rudolf. This edition: paperbound. Sacred, Motets, Psalms, Latin; Choral Collections, Mixed Choir; Occasions: Peace and Justice, Prayer, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Mourning, Death; Use during church year: Advent, Specia. Collection. 52 pages
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Georg Philipp Telemann: 3 Concertos For Violin Violin and Piano [Set of Parts] Barenreiter
Composed by Georg Philipp Telemann (1681-1767), edited by Siegfried Kross. Set o...(+)
Composed by Georg Philipp Telemann (1681-1767), edited by Siegfried Kross. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the Telemann Edition. With solo part, piano reduction and introductory text. 55 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006503636.
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Six Canonic Sonatas Flute - Intermediate Kevin Mayhew
Flute - Intermediate SKU: KV.3611773 For Two Flutes. Composed by G...(+)
Flute - Intermediate SKU: KV.3611773 For Two Flutes. Composed by Georg Philipp Telemann. Arranged by Paul Edmund-Davies (editor). Flute. Classic. Book/CD Set. Published by Kevin Mayhew Publishers (KV.3611773). Paul Edmund-Davies, the editor of this performing edition of Telemann!s Six Canonic Sonatas for two flutes (or violins), Op. 5, is one of the world!s leading flautists. He has appeared as a soloist with many of the greatest orchestras under such conductors as Bernstein, Rostropovich, Boulez, Michael Tilson Thomas, Daniele Gatti, Kent Nagano and Ion Marin and has partnered Andre Previn in chamber music. The Six Canonic Sonatas for two flutes (or violins), Opus 5, were composed in 1738. All contain three movements, the slow and often highly moving middle movements being sandwiched by two brisk and lively outer movements. Contains Sonata in G major, Sonata in G minor, Sonata in D Major, Sonata in D minor, Sonata in A major and Sonata in A minor. Intermediate in difficulty. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Guitar And Flute Duets Flute and Guitar [Sheet music] - Intermediate/advanced Music Sales
By Peter Draper. For Flute, Guitar. Classical. Sheet Music. 96 pages. Published ...(+)
By Peter Draper. For Flute, Guitar. Classical. Sheet Music. 96 pages. Published by Music Sales.
(5)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Baroque Era Piano solo [Sheet music + Audio access] - Intermediate Schirmer
(Book with Online Audio Access Intermediate Level). By Various. Edited by Richar...(+)
(Book with Online Audio Access Intermediate Level). By Various. Edited by Richard Walters. For Piano. Schirmer Performance Editions. Softcover Audio Online. 66 pages. Published by G. Schirmer
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| Ouverture for three Oboes, Bassoon, Strings and Basso continuo g minor TWV 55:g4 Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA02984-75 Composed by Georg Philipp Te...(+)
Second violin (2. Violin) SKU: BA.BA02984-75 Composed by Georg Philipp Telemann. Edited by Friedrich Noack. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. TWV 55. 5 pages. Baerenreiter Verlag #BA02984_75. Published by Baerenreiter Verlag (BA.BA02984-75). ISBN 9790006428465. 32.5 x 25.5 cm inches. Key: G minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ouverture for three Oboes, Bassoon, Strings and Basso continuo g minor TWV 55:g4 Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA02984-74 Composed by Georg Philipp Tel...(+)
First violin (1. Violin) SKU: BA.BA02984-74 Composed by Georg Philipp Telemann. Edited by Friedrich Noack. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. TWV 55. 5 pages. Baerenreiter Verlag #BA02984_74. Published by Baerenreiter Verlag (BA.BA02984-74). ISBN 9790006428458. 32.5 x 25.5 cm inches. Key: G minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910811(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910811 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Violin 1. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/11. Published by Carus Verlag (CA.3910811). ISBN 9790007055424. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910812(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910812 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Violin 2. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/12. Published by Carus Verlag (CA.3910812). ISBN 9790007055431. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910814(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910814 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Cello/Double Bass. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/14. Published by Carus Verlag (CA.3910814). ISBN 9790007055455. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910813(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910813 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Viola. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/13. Published by Carus Verlag (CA.3910813). ISBN 9790007055448. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Trio in G minor Recorder, Violin, Basso continuo Schott
For Treble Recorder (Flute), Violin (Tenor Recorder/Oboe), and Basso Continuo. B...(+)
For Treble Recorder (Flute), Violin (Tenor Recorder/Oboe), and Basso Continuo. By Georg Philipp Telemann. Schott. 24 pages. Published by Schott.
$20.99 - See more - Buy online | | |
| Piano Pieces For Young Children Piano solo [Sheet music] - Beginner Amsco Wise Publications
By Amy Appleby. For Piano. Classical, Folk, Children's. Sheet Music. 146 pages. ...(+)
By Amy Appleby. For Piano. Classical, Folk, Children's. Sheet Music. 146 pages. Published by Wise Publications.
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata in G minor Tuba and Piano Editions Marc Reift (Swiss import)
Composed by Georg Philipp Telemann (1681-1767). Set of parts. Duration 6'45. Pub...(+)
Composed by Georg Philipp Telemann (1681-1767). Set of parts. Duration 6'45. Published by Editions Marc Reift (MA.EMR-33369).
$9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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