| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Soundpower's Greatest Hits - Bill Moffit - 2nd Trombone Individual Part Hal Leonard
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leonard.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Wedding Gig Book, Volume 1 Brass Quintet: 2 trumpets, horn, trombone, tuba [Set of Parts] Eighth Note Publications
Arranged by David Marlatt. For 2nd Trumpet. Brass Ensemble - Quintet. Eighth Not...(+)
Arranged by David Marlatt. For 2nd Trumpet. Brass Ensemble - Quintet. Eighth Note Publications. Love; Wedding. Part(s). 16 pages. Published by Eighth Note Publications
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alle Jahre wieder - Trombone - Beginner Edition Dux Verlag
1-2 trombones - very easy to easy SKU: M7.DUX-6016-96 Very easy to eas...(+)
1-2 trombones - very easy to easy SKU: M7.DUX-6016-96 Very easy to easy Christmas carols for one or two trombones. Arranged by Uwe Sieblitz. Sheet music with Online material. Performance book. 40 pages. Edition Dux Verlag #DUX 6016-96. Published by Edition Dux Verlag (M7.DUX-6016-96). ISBN 9783868493658. 35 Christmas carols for the first years on the trombone. Ideal for beginners, with the first carols kept within a range of five notes and the level of difficulty gradually increasing. A second part and chords are included so that the carols can also be played by a duo or trio. Audio download included: the files with interesting audio and playalong versions in keeping with the particular style can be downloaded with the code printed in the edition. The edition is ideal for making music with other instruments from the series 'Alle Jahre wieder'. The transposed 2nd part can be downloaded for free for playing together with tenor saxophone or horn. The volume is also available without audio download (D 6016). A separate piano volume (D 6017) provides an accompaniment for the carols. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Your First Fake Book - 2nd Edition C Instruments [Fake Book] Hal Leonard
Featuring Large Music Notation, Lyrics, and Simplified Harmonies C Edition. C...(+)
Featuring Large Music
Notation, Lyrics, and
Simplified Harmonies C
Edition. Composed by
Various. Easy Fake Book.
Broadway, Pop, Standards.
Softcover. 176 pages.
Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music of Christmas Eve Concert band [Score and Parts] - Intermediate Alfred Publishing
(Based On "It Came Upon the Midnight Clear," "Silent Night," and "Angels We Have...(+)
(Based On "It Came Upon the Midnight Clear," "Silent Night," and "Angels We Have Heard On High") Arranged by James D. Ployhar. Conductor's score and set of performance parts for concert band (3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 4 - 1st clarinet, 4 - 2nd clarinet, 2 - bass clarinet, 5 - alto saxophone, 2 - tenor saxophone, 2 - baritone saxophone, 4 - 1st trumpet, 4 - 2nd trumpet, 4 - horn in F, 4 - trombone, 2 - baritone, 2 - baritone (treble clef), 4 - tuba, 2 - mallet percussion, 1 - timpani, 2 - percussion). With performance notes. Series: Belwin Young Band. Published by Alfred Publishing.
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Südwind Overture Concert band [Score] - Intermediate Ibermusica
Overture for Symphonic Band. Composed by Ferrer Ferran (1966-). IberMusica Conce...(+)
Overture for Symphonic Band. Composed by Ferrer Ferran (1966-). IberMusica Concert Band. Symphonic. Score Only. Composed 2007. 36 pages. Ibermusica #IB020. Published by Ibermusica
$117.00 $111.15 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto Violin Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more. SKU: PR.41641366L For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L). UPC: 680160585755. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $180.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Easy Broadway Fake Book - 2nd Edition C Instruments [Fake Book] Hal Leonard
Over 100 Songs in the Key of C. Composed by Various. Easy Fake Book. Broadway....(+)
Over 100 Songs in the Key of
C. Composed by Various. Easy
Fake Book. Broadway.
Softcover. 218 pages.
Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rio Grande Concert band [Score and Parts] - Intermediate Hal Leonard
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daughe...(+)
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 96 pages. Published by Hal Leonard (HL.4004651).
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sigla for harp and orchestra - Solo part Harp Fennica Gehrman
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, cont...(+)
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, contemporary. Part. Fennica Gehrman #55011-885-0. Published by Fennica Gehrman (FG.55011-885-0). Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.
The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.
This product is the solo part.
The orchestral material is available for hire from the publisher.
Duration: 19' Instrumentation: Harp solo – equipped with paint brush, tuning key and a plastic hair clip 2 Flutes (2nd doubling piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in C – trumpets and trombone doubling an egg slicer Bass trombone attached to a piece of wood or a flat cardboard box Percussion (2 players) Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushes Percussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stick Piano – equipped with a plectrum, wire brushes and 2 soft percussion beaters Strings. $43.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165212 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165212. Published by Carus Verlag (CA.5165212). ISBN 9790007313852. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?†you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pun Intended (Full Score) Jazz Ensemble - Easy Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with opt. flute (2nd Trumpet doubles on flu...(+)
Jazz Ensemble standard jazz ensemble with opt. flute (2nd Trumpet doubles on flugelhorn) - Grade 3 SKU: KN.42787S Composed by Allan Horney. Threshold Series. Kendor Music Inc #42787S. Published by Kendor Music Inc (KN.42787S). UPC: 822795427875. Here's the perfect combination of a catchy melody, great scoring and all the essential swing figures that medium level groups need to know. A written or ad lib solo section is included for alto and trombone. 2nd Trumpet doubles on flugelhorn, and an optional flute part is included. Duration 4:20. Available in SmartMusic. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pun Intended Jazz Ensemble [Score and Parts] - Easy Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with opt. flute; 2nd Trumpet doubles on flu...(+)
Jazz Ensemble standard jazz ensemble with opt. flute; 2nd Trumpet doubles on flugelhorn - Grade 3 SKU: KN.42787 Composed by Allan Horney. Threshold Series. Medium Swing. Score and set of parts. Duration 4 minutes, 20 seconds. Kendor Music Inc #42787. Published by Kendor Music Inc (KN.42787). UPC: 822795427875. Here's the perfect combination of a catchy melody, great scoring and all the essential swing figures that medium level groups need to know. A written or ad lib solo section is included for alto and trombone. 2nd Trumpet doubles on flugelhorn, and an optional flute part is included. Duration 4:20. Available in SmartMusic. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reflections on the Mississippi Concert band [Score] - Intermediate/advanced Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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