SKU: CL.012-4522-75
Un Petit Cafe a Paris is a fun and engaging waltz that captures the atmosphere of a small Parisian cafe through the very recognizable style of the Bal-musette, which can often be heard throughout the streets of Paris. Inspired by the style of music brought to Paris by Auvergnat immigrants, and performed in small dance halls where waltzes were very popular. A refreshing and light-hearted happy piece that makes a fantastic addition to any concert.
SKU: KJ.JB102F
UPC: 8402704758.
Inspired by the clandestine behavior of a 19th century midwestern politician, Roulette's Deception is a wild ride through ever-changing meters and shifting tonalities only to deceive the ear in trying to predict what will come.
About Kjos Concert Band Legacy
The Neil A. Kjos Music Company's legacy of producing superb literature for concert band spans its entire 80 year history. We're proud to honor that legacy by continuing to publish compositions of the utmost quality at all grade levels in the Kjos Concert Band Legacy series. Each composition is carefully selected and edited to provide the best in wind band literature by both celebrated and rising composers of today. Skillful engraving with logical page turns, measure numbers, rehearsal marks, essential cueing, and other useful indications ensure that the rehearsal process runs smoothly, so bands can focus on making great music.
SKU: RU.10281S
9 x 12 inches.
Independentia March was first published in 1895. At least eight of Hall’s other marches were also published in 1895. He was living in Waterville, Maine, at that time, was thirty-seven years old, and had established certain principles in the composition of his marches. As demonstrated by Independentia, Hall’s marches were composed primarily for the typical community bands in the New England area around the turn of the century. If the prestigious military and professional bands in the United States and Europe chose to play his music (and they did), that was fine! His marches are gems of simplicity and understatement, composed of flowing melodies and countermelodies, contrasting dynamics, and occasionally an element of surprise – as in the two beats of silence (or bass drum & cymbal solos) just before the last strain of this march.
SKU: HL.347384
ISBN 9781540095299. UPC: 840126927290. 11.0x17.0x0.43 inches.
“Kenneth Fuchs's fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY® Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda. Versions for orchestra and band are available from the publisher, as well as a piano reduction.â€.
SKU: PR.114412250
UPC: 680160017768.
Brass Quintet No. 1 was composed with great pleasure for the American Brass Quintet during the summer of 2000. It is cast in three movements. The work opens with a series of dramatic annunciatory gestures that serve to set into relief the faster, more angular, occasionally skittish heart of the movement. Both the beginning and the end of this core are framed by a long-held E-flat: two pillars that support and elevate the central part of the movement. The slow and quiet second movement can be viewed as a kind of lens or prism through which the music passes and changes. Pitches, then harmonies, are gradually brought into focus, then refracted - splintering off into more individual phrases (I was thinking here of the way light is split and bent by the prisms in our kitchen window). The end of the movement is characterized by a turn of the lens in the opposite direction as the music gradually blurs, then fades. The final movement begins with a bit of imitative counterpoint. The character of the music is initially unabashed and proud, but is quickly foiled by increasing speed - a frantic kind of stretto! A more playful narrative follows, though; this occasionally studded with sharp, percussive chords. A brief choral-like section provides textural contrast before the recapitulation, and the familiar E-flat pillar from movement one ends the work.
SKU: BT.EMBZ14460
Hungarian-English-German-French.
Miklós Kocsár wrote this work in 1993, it was commissioned by the artists Bea Berényi and her husband Ãkos Dratsay. It was given its premi?re at the end of that year at a concert of works by the composer. As the title indicates, the composer?s intention was to display the tone and colour potential of the two flutes. The overall form of the work is provided by the sequence of eight sharply contrasting movements of differing length. It is characterized by thematic correspondences, variations, formal arcs that gradually reach completion, different styles of playing, alternating slow and fast musical materials, free and fixed rhythms, as well as cantabile and virtuosic sections.
SKU: AP.50743
UPC: 038081580579. English.
PianoTrax 16 contains accompaniment tracks for the following choral publications: Agnus Dei (Gray) * Bloom * Count Your Blessings * Dewdrops * Did You Never Know? * Evening Star * Fall Leaves * Follow the Drinking Gourd (Gilpin) * May-Flower * Mi Gallo * Musetta's Waltz * Music Gives * Northern Lights * Now the Day Is Over * She Walks in Beauty * Skyline * Sweet Silent Night * The Rainbow * The Skies Can't Keep Their Secret * There Will Be Stars * Vox Vibe * You Are Light.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: TV.C24
ISBN 9781894096867.
Songs of Joy contains songs that you might use for performances on graduations, retirements, Thanksgiving, or for any performance in which you want to sing about making the world a better place. Every Day I Will Sing would be an excellent concert opener. It's fast and fun, and with the key changes, builds to an exciting ending. The song Joy says to feel the wind with thankful hands - it's a wonderful song for a Thanksgiving program. It's Never too Late to Follow Your Dream is a thoughtful selection to use at a graduation or retirement. I love the song Joy. It makes me stop and think about everything that brings me joy each day.
SKU: CL.024-5018-01
Summon the King is a bold, powerful and regal opening fanfare and theme that will be a real attention-getter for any concert or festival performance! An impressive opening fanfare commands attention and sets the stage for the memorable lyrical section that follows. Contrasting styles and musical expression provide many valuable teaching opportunities. The melody is featured by all sections of the band keeping interest level high for the students and audiences. Don’t miss this dramatic concert opener!
SKU: CY.CC2835
Composer John Frith has written a new solo virtuosic work for Bass Trombone with Piano accompaniment of about 3 minutes in length. Read below to see what his thoughts are about his composition for Jonathan Warburton. I have written a number of pieces (over many years) for Jonathan Warburton who also commissioned ‘Sons of Thunder' in 2015. Jon's gift for musical ‘acrobatics' gave me the idea of creating a short, high-energy work that would give vent to his exceptional range and flexibility. The central section is muted and relatively calm but it is not long before the music builds and the opening material returns. A solo cadenza creates a welcome calm interlude before the storm gathers once again as the piece builds to a momentous fortissimo before grinding to a thunderous halt!‘Sons of Thunder' is the nickname given by Jesus to the apostles James and John, possibly reflecting their lively characters……I'm guessing that theirs were not too unlike Jonathan's ebullient personality!.
SKU: BR.OB-15143-19
ISBN 9790004342022. 10 x 12.5 inches.
The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).
SKU: GI.G-005304
One of Proulx's last compositions. We are proud to publish this simple, elegant chant setting of the Gloria that is truly an exquisite pastoral work and one that assemblies will sing and pray with enthusiasm.
SKU: AP.45700
UPC: 038081514390. English. Katherine Lee Bates.
A patriotic fantasy for choir and band, this soaring rendition of America, the Beautiful is a crowning jewel for choral or combined concerts. Sturdy and proud, it features many unison and two-part vocal passages with band-friendly keys to ensure good balance between the voices and instruments. Don't have a band? Perform with the stunning SoundTrax CD or the well-crafted piano reduction.
SKU: GI.G-9040
UPC: 785147904007. English. Text Source: Based on Psalm 47. Text by John Gaffney.
This one-rehearsal anthem is a lively selection that can be performed with or without the trumpet parts. The composer describes this piece as an “interpretation of the baroque style†that should be sung with a “light†sound. The organ part may be played by two trumpets.
SKU: CF.SPS80
ISBN 9781491152577. UPC: 680160910076. Key: Bb major.
With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare. Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.
SKU: BA.BA10172-91
ISBN 9790006491513. 27 x 19 cm inches. Key: C major.
Erschallet, ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant, it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch, corresponding to D major in chamber pitch), and the first number was intended to be repeated at the end of the work.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.45608
UPC: 038081513478. English. Russell Robinson.
It's the delicate Lied sensitively set for developing voices. Dr. Robinson has skillfully adapted Mendelssohn's classic and arranged an appropriate Romantic-era piano accompaniment to support 2- and 3-part voices. Optional English lyrics are included as well as a complete IPA guide for the German text---a wonderful way to introduce art song.
SKU: CA.1224031
Language: German.
The basis for the children's musical Israel in Agypten is the Biblical report of the liberation of the Israelites from Egyptian slavery by Moses. The work contains 12 songs with catchy melodies and texts suitable for children. In the arrangements, elements of pop, jazz, and classical music are joined. The scenes are supplied with many staging directions. The musical is fun for children and makes Biblical stories come alive. The music is funny, lively, and very catchy, so that the children bring home a new hit stuck in their ear or on the lips after every rehearsal. (Wurtt. Bl. f. Kirchenmusik 6/00) The children's musical Israel in Agypten is a successful piece of musical theatre ... Thomas Riegler shows that he has a sense for theatrical effect, not only with his music, but also with his text. The dialogs are funny, but never hard to learn. (Musik und Gottesdienst 3/00). Score and part available separately - see item CA.1224000.
SKU: BR.BDV-629
ISBN 9783370003611. 5.5 x 8 inches. German.
With the publication of Volume 11 in November 1999, Werner Breigs fundamentally new scholarly concept of Richard Wagners complete letters begins to make itself felt more strongly. The meticulously annotated volumes are illustrated with facsimiles and little known photos. Further enhancing the value of this edition are a number of letters, which were hitherto practically unavailable and are published here for the first time. The commentaries are based on many previously unpublished documents.
Concerning Volume 10 (published one year later than Volume 11) we have obtained the following fax by the English Wagner expert Stewart Spencer, who wittily praises Werner Breig's fundamental new concept:
There is a general problem of reviewing such magnificent volumes. They are the yardstick by which all other writings on Wagner will be judged. It is like sending someone to inspect the standard metre rule in Paris and asking them to review it. All one can say is that it exists and that it is in a class of its own. I'd like to congratulate you on its publication and thank you most warmly for picking up this edition. (Stewart Spencer, October 11, 2000)
SKU: AP.46413
UPC: 038081527925. English.
In 1993, Maya Angelou recited this poem at the inauguration of President Bill Clinton, making her the first African American and the first female poet to deliver an inaugural recitation. Subsequently, Angelou's audio recording of On the Pulse of Morning won a Grammy Award for Best Spoken Word in 1994. Mark Hayes opens with a resounding See Me Rise choral fanfare before presenting the hope-filled latter half of the poem with rhythmic exuberance. This is the opening movement from the song cycle Like Dust I Rise.
SKU: HL.44010597
UPC: 884088495312. 9x12 inches.
A descriptive delight! Let's all go to the amusement park! Clowns, bumper cars and fun, fun, fun! Young musicians love to interpret music that conveys a visual image. Each delightful section lets your band do exactly that. And, if necessary, the movements can be performed as stand-alone pieces. Directors of young bands will understand the confidence this provides as you program your concert. Better than cotton candy!
SKU: CA.3111705
ISBN 9790007048655. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
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