| Sonata (Spirit of the Hudson) Flute and Piano Theodore Presser Co.
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorff. Set of Score and Parts. 24+8 pages. Duration 14 minutes. Theodore Presser Company #114-41890. Published by Theodore Presser Company (PR.114418900). ISBN 9781491129517. UPC: 680160668632. A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits. When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Bassist's Fake Book Bass guitar Hal Leonard
250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published...(+)
250 Songs. By Various. Bass.
Blues, Pop, Rock. Softcover.
500 pages. Published by Hal
Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ultimate-Guitar Bass Bonanza Bass guitar [Sheet music] Hal Leonard
By Various. For Bass guitar. Bass Rec Versions Licensed Art. Softcover. Guitar t...(+)
By Various. For Bass guitar. Bass Rec Versions Licensed Art. Softcover. Guitar tablature. 352 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concert Favorites Vol.2 - Bassoon Bassoon Hal Leonard | | |
| Essential Elements Book 1 - Bassoon Bassoon Hal Leonard Essential Elements Band
Method. Size 9x12 inches.
Published by Hal Leonard.
$6.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Remembering Pearl Harbor - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 4 SKU: CF.SPS95 December 7, 1941. Composed by Christina Huss R. Alan Carter. Sps. Set of Score and Parts. 2+16+4+8+8+8+4+4+4+4+4+4+6+6+6+4+4+4+4+6+6+6+6+4+6+6+2+4+8+2+28 pages. Duration 6 minutes, 45 seconds. Carl Fischer Music #SPS95. Published by Carl Fischer Music (CF.SPS95). ISBN 9781491161302. UPC: 680160919895. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the date which will live in infamy- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath. The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet. Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished. Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People. You may want to consider using portions of Franklin Delano Roosevelt's famous speech to enhance your performance. The following sections are suggested: Measure 46: Yesterday, December 7th, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan. Measure 83: The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. Measure 105: No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the “date which will live in infamyâ€- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath.The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet.  Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished.Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People.You may want to consider using portions of Franklin Delano Roosevelt’s famous speech to enhance your performance. The following sections are suggested:Measure 46: “Yesterday, December 7th, 1941 – a date which will live in infamy – the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan.â€Measure 83: “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.â€Measure 105: “No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.â€. $90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Remembering Pearl Harbor - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 4 SKU: CF.SPS95F December 7, 1941. Composed by Christina Huss R. Alan Carter. Sps. Full score. 28 pages. Duration 6 minutes, 45 seconds. Carl Fischer Music #SPS95F. Published by Carl Fischer Music (CF.SPS95F). ISBN 9781491161845. UPC: 680160920525. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the date which will live in infamy- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath. The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Away, the mood seems to change, foreshadowing the fate of the U.S. fleet. Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished. Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People. You may want to consider using portions of Franklin Delano Roosevelt's famous speech to enhance your performance. The following sections are suggested: Measure 46: Yesterday, December 7th, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan. Measure 83: The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. Measure 105: No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the “date which will live in infamyâ€- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath.The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Away, the mood seems to change, foreshadowing the fate of the U.S. fleet.  Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished.Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People.You may want to consider using portions of Franklin Delano Roosevelt’s famous speech to enhance your performance. The following sections are suggested:Measure 46: “Yesterday, December 7th, 1941 – a date which will live in infamy – the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan.â€Measure 83: “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.â€Measure 105: “No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.â€. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice SKU: CF.CM9743IN Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN). ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Zion Concert band Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more. SKU: PR.16500092L For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L). UPC: 680160039531. 11 x 17 inches. Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743). ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: CF.CM9742 Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742). ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mustangs - The Spirit of the West (full set) Concert band [Score and Parts] Carl Fischer
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, clarinet 2 in Bb, bass clarinet in Bb, bassoon, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombone, euphonium t.c. in Bb, euphonium b.c). Young Performance Series. Score and parts. Duration 4 minutes, 15 seconds. Published by Carl Fischer
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mustangs - The Spirit of the West (score) Concert band Carl Fischer
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, clarinet 2 in Bb, bass clarinet in Bb, bassoon, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombone, euphonium t.c. in Bb, euphonium b.c). Young Performance Series. Full score - large. Duration 4 minutes, 15 seconds. Published by Carl Fischer
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singin' in the Spirit Hope Publishing Company
Choir; rhythm SKU: HP.8425 Arranged by Lloyd Larson. This edition: Comple...(+)
Choir; rhythm SKU: HP.8425 Arranged by Lloyd Larson. This edition: Complete. Collection. School Musicals. Spirituals & Gospel, General Worship, Sacred. Value Pack (10 listening CDs). Hope Publishing Company #8425. Published by Hope Publishing Company (HP.8425). UPC: 763628184254. Sacred Musical for Adult Choirs From arranger, Lloyd Larson, here is an impressive musical celebration of the African American spiritual. The adaptability and endurance of these songs passed down to us from the African American slaves reveals the universality of their themes and their ability to carry forward a message that transcends race, cultural differences and socio-economic classes. Performed in its entirety, this is a dramatic 30-minute musical filled with unforgettable emotion. The narration tells of the stories behind and meanings within the spirituals, and the struggles of the people who created and passed on this whole body of music so essential to our American heritage. Each arrangement can also be performed alone as individual choral anthems suitable for worship and concerts. Separate rhythm chart accompaniments and CD tracks are available. The Rhythm packet contains parts for: Guitar, Bass, Drums & Synthesizer. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Singin' in the Spirit Hope Publishing Company
Choir; rhythm SKU: HP.8423 Arranged by Lloyd Larson. This edition: Comple...(+)
Choir; rhythm SKU: HP.8423 Arranged by Lloyd Larson. This edition: Complete. Collection. School Musicals. Spirituals & Gospel, General Worship, Sacred. Accompaniment CD. Hope Publishing Company #8423. Published by Hope Publishing Company (HP.8423). UPC: 763628184230. Sacred Musical for Adult Choirs From arranger, Lloyd Larson, here is an impressive musical celebration of the African American spiritual. The adaptability and endurance of these songs passed down to us from the African American slaves reveals the universality of their themes and their ability to carry forward a message that transcends race, cultural differences and socio-economic classes. Performed in its entirety, this is a dramatic 30-minute musical filled with unforgettable emotion. The narration tells of the stories behind and meanings within the spirituals, and the struggles of the people who created and passed on this whole body of music so essential to our American heritage. Each arrangement can also be performed alone as individual choral anthems suitable for worship and concerts. Separate rhythm chart accompaniments and CD tracks are available. The Rhythm packet contains parts for: Guitar, Bass, Drums & Synthesizer. $89.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| There's a Hole in the Bucket GIA Publications
SKU: GI.G-1090 Revised Edition - Includes Digital Download. Compos...(+)
SKU: GI.G-1090 Revised Edition - Includes Digital Download. Composed by Jill Trinka and John M. Feierabend. First Steps in Music. Music Education. GIA Publications #1090. Published by GIA Publications (GI.G-1090). UPC: 785147009023. Click here to download the 2020 Supplement to First Steps in Music. Over the past year, a committee formed by the Feierabend Association for Music Education (FAME) developed a set of standards for evaluating repertoire associated with the curriculum. With their guidance, we have removed several songs that were deemed to be harmful, derogatory, or disrespectful in regard to their histories or context. We have also added a number of new songs and rhymes from a variety of world cultures. The above link details these revisions for the curriculum book and the supplemental folk song collections.  The great American folk songs and rhymes on this CD have enthralled young people for generations. This recording embodies the true spirit of these songs, delightfully sung by Jill Trinka and accompanied by a wide variety of acoustic instruments, including guitar, dulcimer, autoharp, piano, percussion, string bass, and violin. The enclosed illustrated booklet includes complete lyrics and song directions. And all of the performances are in step with John M. Feierabend’s philosophy of providing a nurturing environment for musical growth. Children and their families are sure to enjoy this and the other imaginative and engaging CDs drawn from John’s eight collections of folk songs for kids ages three and up. Contents: There's a Hole in the Bucket - The Airplane Ride - In the Woods - In the Woods (sing-a-long) - Peep Squirrel - Wake Up You Lazy Bones - William He Had Seven Sons - The Old Woman and the Pig - Kitty Alone - There Was a Little Turtle - Johnny Works with One Hammer - I Met a Bear - I Met a Bear (sing-a-long) - Au Clair de la Lune/Pierrot (In the Evening Moonlight) - A Pumpkin for the Pie - Do, Do, Pity My Case - Momma, Buy Me a China Doll - Sea Lion - Sea Lion (sing-a-long) - A Tisket, a Tasket - All 'Round the Brickyard - Big Pig - Charlie Over the Ocean - Charlie Over the Ocean (sing-a-long) - I Have Lost My Closet Key - Two Tall Telephone Poles - Did You Ever See a Lassie? - The Crabfish - These Are Mother's Knives and Forks - The Minister's Cat - Tongo (Polynesian) - Tongo (sing-a-long) - Grandma Grunts - The Wise Man - AserrÃn - John the Rabbit - John the Rabbit (sing-a-long) - Old Bald Eagle - Circle 'Round the Zoo - Risseldy Rosseldy. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Passage into Spirit Choral SATB SATB, Piano [Vocal Score] Randol Bass Music
(Passage into Spirit). Composed by Randol Alan Bass. For SATB choir and piano. G...(+)
(Passage into Spirit). Composed by Randol Alan Bass. For SATB choir and piano. General, Choral, Americana. Vocal score. 57 pages. Published by Randol Bass Music
$10.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Angel of Dreamers Theodore Presser Co.
Chamber Music Piano, Trombone, Voice SKU: PR.111402650 A Song Cycle fo...(+)
Chamber Music Piano, Trombone, Voice SKU: PR.111402650 A Song Cycle for Baritone (or Mezzo-soprano), Trombone, and Piano. Composed by Eric Ewazen. Set of Score and Parts. With Standard notation. 52+16 pages. Duration 24 minutes. Theodore Presser Company #111-40265. Published by Theodore Presser Company (PR.111402650). UPC: 680160643516. Text: Lorna Goodison. Lorna Goodison. Angel of Dreamers is a song cycle for bass-baritone (or mezzo-soprano) singer, trombone, and either string orchestra, string quintet, or piano. It is based on the extraordinary poetry of the Jamaican-American poet, Lorna Goodison, whom I have had the great pleasure of getting to know in the course of writing this piece. The work was commissioned by a friend from my undergraduate college years at The Eastman School of Music, Maury Okun, trombonist and director of the Detroit Chamber Winds And Strings. The work was premiered in 2011 by bass-baritone Daniel Washington, trombonist and U. of Michigan faculty member David Jackson, and the string section of the Detroit Chamber Winds and Strings. Daniel and David gave the second performance of the work with Lorna Goodison and Maury Okun in attendance at The Juilliard School the following year. I was approached by Maury Okun and David Jackson to write this piece as a tribute to Maury's father who had recently passed away. They also introduced me to their colleague and friend Lorna Goodison, suggesting her poetry. Reading several volumes of her work, I was absolutely captivated by the vivid imagery and beautiful messages of her words. I chose five of the poems, forming a cycle about life and death and home and parents. Lorna is originally from Jamaica, and the rich, vivid imagery, language and story lines of her poems beautifully reflect her roots. The work, in the tradition of Brahms' songs for voice, viola, and piano, features a singer with an obligato lyric instrumental line, which, in my piece, is the trombone, an instrument that blends so beautifully with the sound of a bass singer. The first song, O Love You So Fear the Dark is hopeful and uplifting, describing enduring love throughout the twists and turns of our lives. The music is strong and declamatory, but also tender. The second song, God A Me actually portrays a fish in Jamaica which is almost amphibious, flying up out of the water onto the land, and somehow, magically, returning to the water! For me this poem depicts the enjoyment of seeing parts of life that are fun and enjoyable and almost magical! The third song, All Souls Day depicts a holiday, somewhat magical, but also full of life and energy. The final two songs are a tribute to our parents -- My Mother's Sea Chanty, recalling a dream of seeing one's mother, with lyrics of tender love and remembrance, and finally, This is my Father's Country which is a tribute to the life of a loving father, recalling his spirit, his love of the music Harry Belafonte, and his enduring spirit. Angel of Dreamers was a special piece for me to write: for and with friends, old and new, collaborating with a poet whose beautiful, meaningful, and touching words were so inspiring, performed by fantastic musicians who poured themselves into the music, and commissioned by a dear friend from years gone by. THIS is why we write and perform music!. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Canticum Honoris Amicorum Theodore Presser Co.
Chamber Music Bass Trombone, Horn 1, Horn 2, Trombone 1, Trombone 2, Trumpet 1, ...(+)
Chamber Music Bass Trombone, Horn 1, Horn 2, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3, Tuba SKU: PR.114417480 A Festive Nonet For Brass Ensemble. Composed by Eric Ewazen. Set of Score and Parts. 20+4+4+4+4+4+4+4+4+4+4+4+4 pages. Duration 6 minutes. Theodore Presser Company #114-41748. Published by Theodore Presser Company (PR.114417480). UPC: 680160634057. Canticum Honoris Americorum, a nonet for brass, is gratefully dedicated to the American Brass Quintet. This legendary ensemble was one of the very first touring brass quintets, and the ensemble for which I wrote three of my brass quintets. Over the years, there have been several legendary players who performed with the ensemble, hence the inclusion of Past, Present, and Future in the dedication. Canticum was premiered at Julliard by the American Brass Quintet, along with four of their graduating students. Hence, a brass quintet with an additional trumpet, horn, trombone, and tuba. The work is entirely celebratory in spirit--full of life and energy; virtuosic, fanfare-like musical gestures; and a feeling of joy throughout. The American Brass Quintet has recorded Canticum Honoris Americorum on their 2017 CD Perspectives, on Summit Records. -Eric Ewazen. $39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Shenandoah Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music.
(2)$150.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Shenandoah Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.
$20.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prairie Spirit - Beginner Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 1.5 SKU: CF.FAS88F Composed by David Hinds. First-Plus String Orchestra. Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS88F. Published by Carl Fischer Music (CF.FAS88F). ISBN 9780825899270. UPC: 798408099275. 9x12 inches. This new composition from composer David Hinds evokes the spirit of the Old West, when early pioneers traveled across the great prairies of the American West. This is a driving new piece that has accented themes with a lyrical contrasting middle section. Prairie Spirit is excellent for contests or festival performances, and it is sure to be a piece your students will want to play over and over again. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Settling Years Choral SATB SATB, Keyboard Schirmer
By Libby Larsen (1950-). For SATB Choir, keyboard, Winds. (Mixed Voices). Secul...(+)
By Libby Larsen (1950-). For SATB Choir, keyboard, Winds. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.
$5.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concert Favorites Vol.2 - Bass Clarinet Clarinet Hal Leonard
Essential Elements Band Folios. Size 9x12 inches. 16 pages. Published by Hal Leo...(+)
Essential Elements Band Folios. Size 9x12 inches. 16 pages. Published by Hal Leonard.
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A More Perfect Union (full set) Concert band [Score and Parts] Carl Fischer
Composed by Mike Forbes. For concert band (piccolo, flute 1, flute 2, oboe, clar...(+)
Composed by Mike Forbes. For concert band (piccolo, flute 1, flute 2, oboe, clarinet 1 in Bb, clarinet 2 in Bb, clarinet 3 in Bb, bass clarinet in Bb, bassoon, alto saxophone 1 in Eb, alto saxophone 2 in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, trumpet). Concert Performance Series. Score and parts. Duration 5 minutes, 55 seconds. Published by Carl Fischer
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blue Ridge Run String Orchestra [Score and Parts] - Easy Carl Fischer
By Alan Lee Silva. For Full Score, Violin I, Violin II, Violin III, Viola, Cello...(+)
By Alan Lee Silva. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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