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| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy
Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Berko's Journey
Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143L Composed by Stacy Garrop. Spiral. Large Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143L. Published by Theodore Presser Company (PR.11642143L). UPC: 680160693320. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $71.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Berko's Journey [Score]
Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143S Composed by Stacy Garrop. Sws. Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143S. Published by Theodore Presser Company (PR.11642143S). UPC: 680160693313. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $40.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| The Easy Gospel Fake Book
Fake Book [Fake Book]
Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 152 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 152 pages. Published by Hal Leonard.
(3)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Gospel Songs Book - Easy Guitar
Melody line, Lyrics and Chords [Sheet music] - Easy
Hal Leonard
For voice and guitar. Format: easy guitar/vocal songbook. With leadsheet notatio...(+)
For voice and guitar. Format: easy guitar/vocal songbook. With leadsheet notation (chords and melody), lyrics, strum and pick patterns and chord names. Gospel. 128 pages. 9x12 inches. Published by Hal Leonard.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Gospel Songs & Hymns – Strum Together
Ukulele
Hal Leonard
Melody/Lyrics/Chords Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: ...(+)
Melody/Lyrics/Chords Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.365041 Composed by Various. Arranged by Mark Phillips. Strum Together. Christian, General Worship, Gospel, Hymns, Sacred. Softcover. 144 pages. Published by Hal Leonard (HL.365041). ISBN 9781705135259. UPC: 840126960624. 9.0x12.0x0.359 inches. The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 gospel/hymn favorites: Amazing Grace • Blessed Be the Name • Down by the Riverside • Great Is Thy Faithfulness • His Eye Is on the Sparrow • In the Garden • Just As I Am • Love Lifted Me • Nothing but the Blood • The Old Rugged Cross • Precious Memories • Rock of Ages • Shall We Gather at the River? • There Is a Balm in Gilead • What a Friend We Have in Jesus • When the Saints Go Marching In • and more. $17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Big Book Of Gospel Songs
Piano, Vocal and Guitar [Sheet music] - Intermediate
Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 272 pages. 9x12 inches. Published by Hal Leonard.
(2)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 113. Country Gospel USA
Easy Piano [Sheet music] - Easy
Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 120 pages. Published by Hal Leonard.
(1)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Gospel Songs
Piano, Vocal and Guitar [Sheet music]
Hal Leonard
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 320 pages. Published by Hal Leonard.
(1)$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Gospel Hymns
Lyrics and Chords [Sheet music]
Hal Leonard
By Various. Guitar Chord Songbook. Softcover. 168 pages. Published by Hal Leonar...(+)
By Various. Guitar Chord Songbook. Softcover. 168 pages. Published by Hal Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Christmas Carols Book
Guitar
Acoustic guitar
Hal Leonard
120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for ...(+)
120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.
(1)$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Gospel Hymns
Piano solo [Sheet music]
Hal Leonard
Composed by Various. Piano Chord Songbook. Softcover. 164 pages. Published by Ha...(+)
Composed by Various. Piano Chord Songbook. Softcover. 164 pages. Published by Hal Leonard (HL.150122).
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Gospel Songs with 3 Chords (E-Z Play Today Volume 307)
Keyboard [Sheet music] - Beginner
Hal Leonard
(E-Z Play Today Volume 307). By Various. E-Z Play Today. Softcover. 48 pages. Pu...(+)
(E-Z Play Today Volume 307). By Various. E-Z Play Today. Softcover. 48 pages. Published by Hal Leonard
$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Country Gospel U.S.A.
Piano, Vocal and Guitar [Sheet music]
Hal Leonard
For voice, piano and guitar. Format: piano/vocal/chords songbook. With four-part...(+)
For voice, piano and guitar. Format: piano/vocal/chords songbook. With four-part vocal score, lyrics and chord names. Gospel. 88 pages. 9x12 inches. Published by Hal Leonard.
(11)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Ryan's Mammoth Collection of Fiddle Tunes
Violin [Sheet music]
Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sweet Assurance (Orchestration)
Choral 3-part
SSA [Score and Parts]
Lillenas Publishing Co.
SSA choir SKU: LP.OR-9088 26 Gospel Arrangements for Ladies' Choir or ...(+)
SSA choir SKU: LP.OR-9088 26 Gospel Arrangements for Ladies' Choir or Ensemble. Arranged by Mosie Lister. Choral. Southern Gospel and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-9088). UPC: 765762128705. 26 arrangements for SSA voices useful for ladies' trios choirs or ensembles. Mosie Lister's arrangements are full and interesting yet practical and in reasonable ranges. A variety of gospel styles are included featuring selections such as: I Go to the Rock; The King of Who I Am; How Long Has It Been?; Holy Spirit Thou Art Welcome; I'd Rather Have Jesus; The Eastern Gate; Jesus Is Coming Soon; 'Til the Storm Passes By; A New Name in Glory; Dwelling in Beulah Land; All Because of God's Amazing Grace; I Won't Turn Back. $350.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| 50 Best-Loved Southern Gospel Favorites - Medium Voice
Medium voice, Piano
Lillenas Publishing Co.
(Easy to Sing, Easy to Play). By Richard Kingsmore. For medium voice solo and pi...(+)
(Easy to Sing, Easy to Play). By Richard Kingsmore. For medium voice solo and piano. Sacred Vocal. Published by Lillenas Publishing Company
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Gates of Jerusalem
Concert fanfare [Score and Parts] - Advanced
Lovebird Music
By David Lovrien. For brass choir, percussion. Chamber music. Middle-eastern ton...(+)
By David Lovrien. For brass choir, percussion. Chamber music. Middle-eastern tonality plus surround sound. Concert fanfare. Full score and set of parts. Duration 3:00. Published by Lovebird Music. (116)
Level: advanced.
$30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Christmas Carols
Fake book [Fake Book]
Hal Leonard
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and guitar chord diagrams. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.
(1)$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Legend of the Water Dragon
Concert band [Score] - Beginner
Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.46651S Composed by Edward Kennedy. Conce...(+)
Concert Band - Grade 1.5 SKU: AP.46651S Composed by Edward Kennedy. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Programmatic. Score. 16 pages. Alfred Music #00-46651S. Published by Alfred Music (AP.46651S). UPC: 038081532929. English. Australian water dragons are fairly large lizards that have been around for 20 million years or so, and they can be seen along the rivers and waterways of Eastern Australia. For some Australian Aborigines, the water dragon is said to bring divine presence and a gateway to the astral world. This programmatic work portrays these mystical primordial creatures playing around in the midday sun. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Legend of the Water Dragon
Concert band - Beginner
Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.46651 Composed by Edward Kennedy. Concer...(+)
Concert Band - Grade 1.5 SKU: AP.46651 Composed by Edward Kennedy. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Programmatic. Score and Part(s). 128 pages. Alfred Music #00-46651. Published by Alfred Music (AP.46651). UPC: 038081532912. English. Australian water dragons are fairly large lizards that have been around for 20 million years or so, and they can be seen along the rivers and waterways of Eastern Australia. For some Australian Aborigines, the water dragon is said to bring divine presence and a gateway to the astral world. This programmatic work portrays these mystical primordial creatures playing around in the midday sun. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Latin Real Book - Eb Edition
Eb Instruments [Fake Book]
Sher Music Company
By Various. Arranged by Chuck Sher. For E§ Instruments, Melody/Lyrics/Chords....(+)
By Various. Arranged by Chuck Sher. For E§ Instruments, Melody/Lyrics/Chords. Latin and Latin Jazz. Difficulty: easy-medium to medium. Fakebook (spiral bound). Melody and chord names. 572 pages. Published by Sher Music Company
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Irish Reel Book
Guitar [Sheet music + CD] - Easy
AMA Verlag
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish....(+)
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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