| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Definitive Paul Simon Songbook Melody line, Lyrics and Chords [Sheet music] Music Sales
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music
(1)$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L). UPC: 680160683215. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestra [Score] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Children's Songs Melody line, Lyrics and Chords [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and leadsheet notation. Children's. Series: Hal Leonard Paperback Songs (Melodies, lyrics, and chords in a convenient format), . 256 pages. 4.2x6.7 inches. Published by Hal Leonard.
(2)$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Very Best Irish Songs and Ballads - Volume 3 Melody line, Lyrics and Chords [Sheet music] Hal Leonard
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons ...(+)
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1321. Published by Hal Leonard
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete 1/2 Case Music Sales | | |
| The Very Best Irish Songs and Ballads - Volume 4 Melody line, Lyrics and Chords [Sheet music] Hal Leonard
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons ...(+)
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1322. Published by Hal Leonard
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 300 Sacred Songs Piano, Vocal and Guitar [Fake Book] - Easy Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Sacred. 182 pages. 9x12 inches. Published by Creative Concepts
(3)$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Very Best Irish Songs and Ballads - Volume 1 Melody line, Lyrics and Chords Hal Leonard
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons ...(+)
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Book only. 64 pages. Hal Leonard #WM1319. Published by Hal Leonard
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Very Best Irish Songs and Ballads - Volume 2 Melody line, Lyrics and Chords [Sheet music] Hal Leonard
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords (Guitar)....(+)
(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords (Guitar). Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1320. Published by Hal Leonard
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Evening News [Score and Parts] - Easy Row-Loff Publications
Composed by Chris Brooks. For concert percussion ensemble (10 players: Xylophone...(+)
Composed by Chris Brooks. For concert percussion ensemble (10 players: Xylophone, Piccolo Snare, Concert Snare, Concert Bass Drum, Crash Cymbals, Suspended Cymbal, Mark Tree, Triangle, Shaker, Chimes, Anvil, (2) Concert Toms, (3) Timpani). Texas State Solo & Ensemble List. Grade 2. Score and parts. Duration 2:49. Published by Row-Loff Publications
$35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best of Sacred Music Piano, Vocal and Guitar Creative Concepts
Volume One - A-L. By Various. Creative Concepts Publishing. Size 9x12 inches. 15...(+)
Volume One - A-L. By Various. Creative Concepts Publishing. Size 9x12 inches. 156 pages. Published by Creative Concepts.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arpalinea Guitar Gehrmans Musikforlag
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464). ISBN 979-0-070-11464-6. A4 inches. Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern $26.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Auffuhrn / Act up [Score] Carus Verlag
12 voices SKU: CA.910500 Composed by Manfred Langer. Choirs in Movement. ...(+)
12 voices SKU: CA.910500 Composed by Manfred Langer. Choirs in Movement. German title: Auffuhrn / Act Up Einzelexemplar. Choirs in movement. Full score. 12 pages. Carus Verlag #CV 09.105/00. Published by Carus Verlag (CA.910500). ISBN 9790007231088. Language: German/English. Uniform choral sound, homogeneous singing with singers in similarly uniform dress. What interest does the audience have in the fates of the individual singers? How good it is that today one may act up again. When else is there time for chatting on the risers, screaming and shouting, articulating one's ignorance concerning contemporary art expressing hopes of getting a solo, for pontificating, expressing displeasure with a neighbour of telling another member of the choir that one is in love? Or at the very least, to glance at the latest evening newspaper? $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| All-American Gospel Piano, Voice Creative Concepts
Creative Concepts Publishing. Size 9x12 inches. 136 pages. Published by Creative...(+)
Creative Concepts Publishing. Size 9x12 inches. 136 pages. Published by Creative Concepts.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| One Small Child Choral SATB SATB Word Music
One Small Child. (A Christmas Musical for Every Choir). By Thomas Fettke. For SA...(+)
One Small Child. (A Christmas Musical for Every Choir). By Thomas Fettke. For SATB choir. Musical. Modern Christian, Christmas. Moderate. Choral Book. Duration 36'00". Published by Word Music
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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