| The Fencing Master - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Trombone 1 and more. - Grade 3 SKU: CF.CPS275 Concert March. Composed by Joseph Benjamin Earp. Arranged by Joseph Benjamin Earp. Set of Score and Parts. Carl Fischer Music #CPS275. Published by Carl Fischer Music (CF.CPS275). ISBN 9781491163740. UPC: 680160922536. Originally published by Carl Fischer in 1932, The Fencing Master by Captain James C. Harper, former director of the famed Lenoir High School Band (Lenoir, North Carolina), is a rediscovered treasure in the concert march world. A fencing master is defined as an expert in, and teacher of, the art and sport of fencing. This sport uses a sword both in an offensive and defensive stance. This march embodies the idea of fencing and the fencing master.Captain Harper used this march as part of his application to the American Bandmasters Association where he later served as president of this organization in 1955 and was also a lifetime honorary president. Captain Harper was also a strong driving force in the creation of the North Carolina Chapter of the American School Band Directors Association. This chapter of the ASBDA is one of the oldest and largest in the country.The famed Lenoir High School Band was the center of Captain Harper’s dedication for quality music education. The Lenoir High School Band continues to be internationally known for a staggering forty-two-year consecutive streak of Superior Ratings in Grade VI state Concert Band Contests. This streak was from 1935 until the school’s closing in 1977 as part of a school merger in Caldwell County.As a fellow native of Lenoir, North Carolina, the revitalization of this concert march has been a special project for me. May this revived gem serve as a tribute to the legacy of Captain Harper and his famed Lenoir High School Band. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Fencing Master Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Trombone 1 and more. SKU: CF.CPS275F Concert March. Composed by Joseph Benjamin Earp. Arranged by Joseph Benjamin Earp. Full score. 20 pages. Carl Fischer Music #CPS275F. Published by Carl Fischer Music (CF.CPS275F). ISBN 9781491164143. UPC: 680160922932. Originally published by Carl Fischer in 1932, The Fencing Master by Captain James C. Harper, former director of the famed Lenoir High School Band (Lenoir, North Carolina), is a rediscovered treasure in the concert march world. A fencing master is defined as an expert in, and teacher of, the art and sport of fencing. This sport uses a sword both in an offensive and defensive stance. This march embodies the idea of fencing and the fencing master.Captain Harper used this march as part of his application to the American Bandmasters Association where he later served as president of this organization in 1955 and was also a lifetime honorary president. Captain Harper was also a strong driving force in the creation of the North Carolina Chapter of the American School Band Directors Association. This chapter of the ASBDA is one of the oldest and largest in the country.The famed Lenoir High School Band was the center of Captain Harper’s dedication for quality music education. The Lenoir High School Band continues to be internationally known for a staggering forty-two-year consecutive streak of Superior Ratings in Grade VI state Concert Band Contests. This streak was from 1935 until the school’s closing in 1977 as part of a school merger in Caldwell County.As a fellow native of Lenoir, North Carolina, the revitalization of this concert march has been a special project for me. May this revived gem serve as a tribute to the legacy of Captain Harper and his famed Lenoir High School Band. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Country Hits Melody line, Lyrics and Chords [Sheet music] Amsco Wise Publications
The Gig Book. By Adrian Hopkins_Tom Farncombe. The Gig Book. Country. Book Only....(+)
The Gig Book. By Adrian Hopkins_Tom Farncombe. The Gig Book. Country. Book Only. 274 pages. Wise Publications #MUSAM997502. Published by Wise Publications
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Open Tuning Chord Book for Guitar Guitar [Key & Note References] Music Sales
(312 Chords for Open D and Open G Guitar). Music Sales America. Softcover. 48 pa...(+)
(312 Chords for Open D and Open G Guitar). Music Sales America. Softcover. 48 pages. Published by Music Sales
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Led Zeppelin Blues Classics Guitar notes and tablatures Alfred Publishing
Guitar and voice - Difficulty: medium SKU: AP.PG9611 Authentic Guitar ...(+)
Guitar and voice - Difficulty: medium SKU: AP.PG9611 Authentic Guitar TAB. By Led Zeppelin. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guitar TAB. Metal and Hard Rock. Guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar tab glossary. 168 pages. Alfred Music #00-PG9611. Published by Alfred Music (AP.PG9611). ISBN 9781576233467. UPC: 029156206029. 9x12 inches. English. Led Zeppelin. This book focuses on Zeppelin's cover versions of great blues standards as well as their original songs which carry traditional blues influences. Titles include: Bring It on Home * Hats Off to (Roy) Harper * Heartbreaker * How Many More Times * I Can't Quit You Baby * The Lemon Song * Living Loving Maid (She's Just a Woman) and more. $21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carolan: The Life Times And Music Of An Irish Harper Harp [Sheet music] Ossian Publications
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pag...(+)
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.
$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Finale from Piano Concerto N°3 Brass ensemble De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1145600-130 Composed by Sergei Rachmanin...(+)
Brass Band - Grade 6 SKU: BT.DHP-1145600-130 Composed by Sergei Rachmaninoff. Arranged by Philip Harper. Great Classics. Classical. Score Only. Composed 2014. De Haske Publications #DHP 1145600-130. Published by De Haske Publications (BT.DHP-1145600-130). English. Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoff’s Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoff’s musical signature. An outstanding and very spectacular title!
Philip Harper heeft hiermee een magnifieke transcriptie van het energieke derde deel van Rachmaninovs pianoconcert nr. 3 in d-klein gecreëerd. Dit deel bestaat uit variaties op een thema uit het eerste deel van het concert. De laatste noten zouden Rachmaninovs muzikale handtekening worden. Een geweldig, spectaculair stuk!
Philip Harper schuf eine fantastische Bearbeitung des schwungvollen 3. Satzes aus Rachmaninows Klavierkonzert Nr. 3 in d-Moll. Dieser Satz besteht aus Variationen über ein Thema aus dem 1. Satz des Konzertes. Die Schlusstöne sollten Rachmaninows musikalisches Erkennungszeichen werden. Ein außergewöhnlicher, fantastischer Titel!
Philip Harper a créé une transcription formidable de l’énergétique troisième mouvement du Concerto pour piano no.3 en ré mineur de Rachmaninoff. Ce mouvement comprend des variations sur un thème du premier mouvement de ce concerto. Les dernières notes deviendront la signature musicale de Rachmaninoff. Un morceau exceptionnel et très spectaculaire ! $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Finale from Piano Concerto N°3 Brass ensemble De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1145600-030 Composed by Sergei Rachmanin...(+)
Brass Band - Grade 6 SKU: BT.DHP-1145600-030 Composed by Sergei Rachmaninoff. Arranged by Philip Harper. Great Classics. Classical. Set (Score and Parts). Composed 2014. De Haske Publications #DHP 1145600-030. Published by De Haske Publications (BT.DHP-1145600-030). English. Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoffâ??s Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoffâ??s musical signature. An outstanding and very spectacular title!
Philip Harper heeft hiermee een magnifieke transcriptie van het energieke derde deel van Rachmaninovs pianoconcert nr. 3 in d-klein gecreëerd. Dit deel bestaat uit variaties op een thema uit het eerste deel van het concert. De laatste noten zouden Rachmaninovs muzikale handtekening worden. Een geweldig, spectaculair stuk!
Philip Harper schuf eine fantastische Bearbeitung des schwungvollen 3. Satzes aus Rachmaninows Klavierkonzert Nr. 3 in d-Moll. Dieser Satz besteht aus Variationen über ein Thema aus dem 1. Satz des Konzertes. Die Schlusstöne sollten Rachmaninows musikalisches Erkennungszeichen werden. Ein au�ergewöhnlicher, fantastischer Titel!
Philip Harper a créé une transcription formidable de lâ??énergétique troisième mouvement du Concerto pour piano no.3 en ré mineur de Rachmaninoff. Ce mouvement comprend des variations sur un thème du premier mouvement de ce concerto. Les dernières notes deviendront la signature musicale de Rachmaninoff. Un morceau exceptionnel et très spectaculaire ! $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Most Requested Songs of the '60s Piano, Vocal and Guitar Cherry Lane
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 288 ...(+)
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 288 pages. Published by Cherry Lane Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Kubla Khan Choral SATB [Vocal Score] Oxford University Press
By Alan Rawsthorne. Arranged by Edward Harper. For SATB choir, contralto and ten...(+)
By Alan Rawsthorne. Arranged by Edward Harper. For SATB choir, contralto and tenor solo voices, and orchestra ([3(3 piccolo).2.2.2-4.3.2.bass trombone.1], timpani, 3 percussion, harp and strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 48 pages. Duration 16'. Published by Oxford University Press
$18.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Know Your Terms and Symbols [book & CD-ROM] Themes & Variations
Composed by Veronica Harper. Music theory. Book & CD-ROM. Published by Themes & ...(+)
Composed by Veronica Harper. Music theory. Book & CD-ROM. Published by Themes & Variations
$25.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Method for Slide Trombone in B-flat Trombone Cherry Classics
Composed by Otto Langey (1851-1922). Arranged by Ralph Sauer. For trombone. Meth...(+)
Composed by Otto Langey (1851-1922). Arranged by Ralph Sauer. For trombone. Method Book. Beginner to advanced. Coil bound booklet. Published by Cherry Classics
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Quest - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Marimba, Oboe, Percussion 1 and more. - Grade 3 SKU: CF.CPS247 Composed by Patrick Glenn Harper. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+6+4+8+1+1+1+2+8+4+4+24 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #CPS247. Published by Carl Fischer Music (CF.CPS247). ISBN 9781491158364. UPC: 680160916962. 9 x 12 inches. The Quest aims to take the listener on an epic musical journey. Beginning with a sweeping cinematic melody that is restated at the conclusion of the piece, the music transitions into an up-tempo section that features a catchy ostinato bass pattern, and gives your percussion section a chance to shine. The slower middle section features the woodwinds, before expanding the simple chorale into the rest of the band. The final section of the piece sees a restatement of the adventure theme before accelerating into a rousing conclusion that will make for an exciting concert closer. Make sure that all dynamic crescendos and decrescendos are very pronounced in the performance of the piece. Take care not to let the ostinato bass pattern overpower the melody. The slow section beginning at m. 61 may be conducted in a rubato style for maximum musical expression. The tempo at m. 103 may be taken faster or slower than the marked tempo according to the skill level of the band. The Quest aims to take the listener on an epic musical journey. Beginning with a sweeping cinematic melody that is restated at the conclusion of the piece, the music transitions into an up-tempo section that features a catchy ostinato bass pattern, and gives your percussion section a chance to shine. The slower middle section features the woodwinds, before expanding the simple chorale into the rest of the band. The final section of the piece sees a restatement of the adventure theme before accelerating into a rousing conclusion that will make for an exciting concert closer.Make sure that all dynamic crescendos and decrescendos are very pronounced in the performance of the piece. Take care not to let the ostinato bass pattern overpower the melody. The slow section beginning at m. 61 may be conducted in a rubato style for maximum musical expression. The tempo at m. 103 may be taken faster or slower than the marked tempo according to the skill level of the band. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Quest - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Marimba, Oboe and more. - Grade 3 SKU: CF.CPS247F Composed by Patrick Glenn Harper. Sws. Cps. Full score. 24 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #CPS247F. Published by Carl Fischer Music (CF.CPS247F). ISBN 9781491158371. UPC: 680160916979. 9 x 12 inches. The Quest aims to take the listener on an epic musical journey. Beginning with a sweeping cinematic melody that is restated at the conclusion of the piece, the music transitions into an up-tempo section that features a catchy ostinato bass pattern, and gives your percussion section a chance to shine. The slower middle section features the woodwinds, before expanding the simple chorale into the rest of the band. The final section of the piece sees a restatement of the adventure theme before accelerating into a rousing conclusion that will make for an exciting concert closer. Make sure that all dynamic crescendos and decrescendos are very pronounced in the performance of the piece. Take care not to let the ostinato bass pattern overpower the melody. The slow section beginning at m. 61 may be conducted in a rubato style for maximum musical expression. The tempo at m. 103 may be taken faster or slower than the marked tempo according to the skill level of the band. The Quest aims to take the listener on an epic musical journey. Beginning with a sweeping cinematic melody that is restated at the conclusion of the piece, the music transitions into an up-tempo section that features a catchy ostinato bass pattern, and gives your percussion section a chance to shine. The slower middle section features the woodwinds, before expanding the simple chorale into the rest of the band. The final section of the piece sees a restatement of the adventure theme before accelerating into a rousing conclusion that will make for an exciting concert closer.Make sure that all dynamic crescendos and decrescendos are very pronounced in the performance of the piece. Take care not to let the ostinato bass pattern overpower the melody. The slow section beginning at m. 61 may be conducted in a rubato style for maximum musical expression. The tempo at m. 103 may be taken faster or slower than the marked tempo according to the skill level of the band. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Grammy Awards Song of the Year 1958-1969 Piano, Vocal and Guitar Hal Leonard
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 224 ...(+)
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 224 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Country Songs Ever - Second Edition Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Country pop and country. 269 pages. 9x12 inches. Published by Hal Leonard.
(1)$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| E-Z Play Today #202. The Best Country Songs Ever Easy Piano - Easy Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 216 pages. Published by Hal Leonard.
(3)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| As If Carl Fischer
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10F For String...(+)
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10F For String Trio and Recording. Composed by Paul Lansky. Full score. With Standard notation. 32 pages. Duration 19:37. Carl Fischer Music #BE10F. Published by Carl Fischer Music (CF.BE10F). ISBN 9780825891175. UPC: 798408091170. 8.5 x 11 inches. Key: G major. Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violins D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and cello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens. Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violinas D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and acello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens. Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violin's D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and 'cello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens. Commissioned by the Princeton-Columbia Electronic Music Center for SpeculumMusicae in 1981.The first movement, In Preparation, is a study in tuning and intonation and isbased on the open strings in perfectly tuned fifths, with the violin’s D stringtuned 294 hertz. The first moments of the piece provide opportunity to tuneto the tape part. (This tuning probably differs imperceptibly from a temperedtuning since the E string of the violin is only 1/33 of a semitone sharper then ina tempered system and the C strings of the viola and ‘cello 1/33 of a semitoneflatter.) Most subsequent pitches in the movement are either the open stringsor major and minor thirds above and below the open strings. The minor thirdswill be slightly sharp with respect to equal tempered tuning about 15 cents or1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or oneseventh of a semitone. Listen to the tape part as a guide. All harmonics in thismovement are to be played as natural harmonics and open strings are to be usedwhenever possible.In the second movement, At a Distance, the tape part largely doubles selectedpitches in the string parts and should be thought of as a backdrop rather thencounterpart. In this and the remaining movements equal tempered tuning is usedthough it will probably not be necessary to retune the instruments for this reasonalone.The third movement, In Practice, is a study in modes of performance particularlywith respect to rhythmic rigidity and flexibility. While the tape part may seemto bend and sway a great deal, the string parts are to be played with as muchrhythmic precision as possible. At many points it may be necessary to delay oranticipate beats in order to coincide with the arrival of beats in the tape part,though in general the quarter equals 120 is accurate.In the fourth movement, In Distinction, different kinds of musical conceptions arecounter-pointed and counter-posed. Here the beat is quite accurate although thenotation of the synthetic saxophone part is only approximate.All the tape parts are based on computer reprocessed violin except for parts ofthe fourth movement in which synthetic saxophone is used. The tape part wassynthesized on the IBM 3033 and 3081 computers at Princeton University andconverted at the Winham Laboratory. The violin source was performed by CyrusStevens. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Still Life Schott
Brass Quintet (Score & Parts) SKU: HL.49044140 Brass Quintet - Score a...(+)
Brass Quintet (Score & Parts) SKU: HL.49044140 Brass Quintet - Score and Parts. Composed by Joe Duddell. This edition: Saddle stitching. Sheet music. Brass Ensemble. Classical, Contemporary. Softcover. Composed 2001. 56 pages. Duration 9'. Schott Music #ED 13172. Published by Schott Music (HL.49044140). ISBN 9790220129803. UPC: 841886010314. 9.0x12.0x0.25 inches. The title Still Life, whilst being a term borrowed from painting, refers to the two temporal states of the piece, status and motion, which are juxtaposed and superimposed throughout.The static sections often lead into choral-like music, one of the references to Bach in the piece, which was commissioned by the Harper Ensemble for the 250 th anniversary of his death. The other principle reference comes in the trumpet's opening figures which relate to material found in one of Bach's harpsichord concertos.Joe Duddell. $31.00 - See more - Buy online | | |
| Led Zeppelin -- The Complete Studio Recordings Guitar notes and tablatures Alfred Publishing
Authentic Guitar TAB. This edition: Hardcover Authentic Guitar TAB Edition. A...(+)
Authentic Guitar TAB. This
edition: Hardcover Authentic
Guitar TAB Edition.
Artist/Personality; Book;
Guitar Personality; Guitar
TAB. Guitar Songbook. Rock.
856 pages. Published by
Alfred Music
$99.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of the British Isles for Guitar Guitar notes and tablatures [Sheet music] - Easy Mel Bay
By Jerry Silverman. For Guitar (Fingerpicking). SongBook. Archive Edition. Briti...(+)
By Jerry Silverman. For Guitar (Fingerpicking). SongBook. Archive Edition. British Isles. Level: Beginning-Intermediate. Book. 128 pages. Published by Mel Bay Publications, Inc.
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs for the People Choral SATB SATB A Cappella Heritage Music Press
Composed by Peter J. Durow. Choral. Octavo. Heritage Music Press #15/3540H. P...(+)
Composed by Peter J. Durow.
Choral. Octavo. Heritage
Music Press #15/3540H.
Published by Heritage Music
Press
$3.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lullabye (Goodnight, My Angel) Brass ensemble - Intermediate De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1155648-030 Composed by Billy Joel. Arra...(+)
Brass Band - Grade 3 SKU: BT.DHP-1155648-030 Composed by Billy Joel. Arranged by Philip Harper. DHP Pop, Film and Show. Concert Piece. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155648-030. Published by De Haske Publications (BT.DHP-1155648-030). This 1994 song of Billy Joel is probably one of his most beautiful hits ever. It was originally intended as a prelude for another song ‘River of Dreams’ with lyrics in Latin. Philip Harper has created a magnificent arrangement for either two flugelhorns or two cornets.
Dit lied van Billy Joel uit 1994 is waarschijnlijk een van zijn mooiste hits ooit. Het was oorspronkelijk bedoeld als opmaat voor een ander nummer River of Dreams met teksten in het Latijn. Philip Harper maakte er een prachtig arrangement van met solo voor twee bugels of twee cornetten en 3 trombones.
Dieses Lied aus dem Jahre 1994 von Billy Joel gehört sicherlich zu seinen schönsten Hits. Es war ursprünglich als Vorspiel zu dem Lied River of Dreams (Fluss der Träume“) mit einem lateinischen Text vorgesehen. Philip Harpers hat das Stück großartig für zwei Flügelhörner oder für zwei Cornets arrangiert.
Cette chanson de Billy Joel datant de 1994 est probablement l’un de ses plus beaux tubes. Son intention de départ était d’en faire un prélude pour une autre chanson, River of Dreams, avec des paroles en latin. Philip Harper en a fait unsuperbe arrangement pour deux bugles ou cornets. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lullabye (Goodnight, My Angel) Brass ensemble - Intermediate De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1155648-130 Composed by Billy Joel. Arra...(+)
Brass Band - Grade 3 SKU: BT.DHP-1155648-130 Composed by Billy Joel. Arranged by Philip Harper. DHP Pop, Film and Show. Score Only. Composed 2015. De Haske Publications #DHP 1155648-130. Published by De Haske Publications (BT.DHP-1155648-130). This 1994 song of Billy Joel is probably one of his most beautiful hits ever. It was originally intended as a prelude for another song ‘River of Dreams’ with lyrics in Latin. Philip Harper has created a magnificent arrangement for either two flugelhorns or two cornets.
Dit lied van Billy Joel uit 1994 is waarschijnlijk een van zijn mooiste hits ooit. Het was oorspronkelijk bedoeld als opmaat voor een ander nummer River of Dreams met teksten in het Latijn. Philip Harper maakte er een prachtig arrangement van met solo voor twee bugels of twee cornetten en 3 trombones.
Dieses Lied aus dem Jahre 1994 von Billy Joel gehört sicherlich zu seinen schönsten Hits. Es war ursprünglich als Vorspiel zu dem Lied River of Dreams (Fluss der Träume“) mit einem lateinischen Text vorgesehen. Philip Harpers hat das Stück großartig für zwei Flügelhörner oder für zwei Cornets arrangiert.
Cette chanson de Billy Joel datant de 1994 est probablement l’un de ses plus beaux tubes. Son intention de départ était d’en faire un prélude pour une autre chanson, River of Dreams, avec des paroles en latin. Philip Harper en a fait unsuperbe arrangement pour deux bugles ou cornets. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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