| Theme from First Symphony Orchestra [Score and Parts] Hal Leonard
By Johannes Brahms. Arranged by Harvey Whistler, Herman Hummel. (Score and Part...(+)
By Johannes Brahms. Arranged by Harvey Whistler, Herman Hummel. (Score and Parts). Essential Elements String Orchestra Series - Expert Level. Published by Hal Leonard.
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| First Lessons Violin (Book/CD) Violin [Sheet music + CD] - Beginner Mel Bay
by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. ...(+)
by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.
(4)$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 1 The Lord of the Rings (Revised Edition 2023) Orchestra [Score and Parts] - Intermediate Amstel Music
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score and
Parts. Composed by Johan De
Meij. Amstel Music. Concert.
Softcover. Duration 2580
seconds. Amstel Music #AM200-
010. Published by Amstel Music
$700.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| First 50 Songs You Should Play on the Horn French horn - Easy Hal Leonard
A Must-Have Collection of Well-Known Songs, Including Many Horn Features!. Com...(+)
A Must-Have Collection of
Well-Known Songs, Including
Many Horn Features!. Composed
by Various. Instrumental
Folio. Pop, Standards.
Softcover. Published by Hal
Leonard
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Above The First Position Violin Carl Fischer | | |
| Largo (from Symphony from the New World) Brass Quintet: 2 trumpets, horn, trombone, tuba - Easy Eighth Note Publications
By Antonin Dvorak (1841 - 1904). Arranged by David Marlatt. For Double Brass Qui...(+)
By Antonin Dvorak (1841 - 1904). Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet. Romantic. Level: Easy-Medium. Duration 00:04:00. Published by Eighth Note Publications.
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 6 [Score] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| First 50 Songs You Should Play on Oboe Oboe Hal Leonard
A Must-Have Collection of Well-Known Songs, Including Oboe Features!. Composed...(+)
A Must-Have Collection of
Well-Known Songs, Including
Oboe Features!. Composed by
Various. Instrumental Folio.
Pop, Standards. Softcover.
Published by Hal Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Themes for Banjo Banjo Hal Leonard
20 Pieces Arranged for 5- String Banjo. Composed by Various. Banjo. Softcover...(+)
20 Pieces Arranged for 5-
String Banjo. Composed by
Various. Banjo. Softcover.
With guitar tablature. 40
pages. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Largo from New World Symphony Concert band [Score and Parts] - Beginner Alfred Publishing
By Antonin Dvorak. Arranged by Mark Williams. For Concert Band. Concert Band. Ch...(+)
By Antonin Dvorak. Arranged by Mark Williams. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score and Parts. 62 pages. Published by Alfred Publishing.
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Super Mom Symphony Concert band [Score] - Beginner C.L. Barnhouse
By Ed Huckeby. Concert band. Young Concert Band. Elementary Series. Audio record...(+)
By Ed Huckeby. Concert band. Young Concert Band. Elementary Series. Audio recording available separately (item CL.WFR333). Grade 1.5. Extra full score. Composed 2004. Duration 2 minutes, 22 seconds. Published by C.L. Barnhouse
$5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| First 50 Classical Pieces You Should Play on the Clarinet Clarinet - Beginner Hal Leonard
Composed by Various. Classical. Softcover. 120 pages. Published by Hal Leonar...(+)
Composed by Various.
Classical. Softcover. 120
pages. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| First Things First-Cello Cello [Sheet music] - Beginner Kjos Music Company
By Robert Frost. Orchestral Collection/Ensemble. String Collection/Study. Level:...(+)
By Robert Frost. Orchestral Collection/Ensemble. String Collection/Study. Level: Elementary. Music Book. Published by Neil A. Kjos Music Company.
$6.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| First Things First - String Bass Double Bass [Sheet music] Kjos Music Company
By Robert Frost. Orchestral Collection/Ensemble. Level: Elementary. Music Book. ...(+)
By Robert Frost. Orchestral Collection/Ensemble. Level: Elementary. Music Book. Published by Neil A. Kjos Music Company.
$6.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles For Strings - First Violin String Quartet: 2 violins, viola, cello [Part] Hal Leonard | | |
| The Easy Classical Fake Book Fake Book [Fake Book] Hal Leonard
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Inclu...(+)
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x12 inches. 200 pages. Published by Hal Leonard.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| First 50 Classical Pieces You Should Play on the Violin Violin Hal Leonard
Composed by Various. Edited by Richard Walters. Misc. Classical. Softcover. 13...(+)
Composed by Various. Edited
by Richard Walters. Misc.
Classical. Softcover. 130
pages. Published by Hal
Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 3 Urban Landscapes Concert band Hal Leonard
Concert Band (Study Score) SKU: HL.4008056 Op. 55 Wind Orchestra, Grad...(+)
Concert Band (Study Score) SKU: HL.4008056 Op. 55 Wind Orchestra, Grade 6 27:00 Study Score. Composed by Franco Cesarini. De Haske Concert Band. Concert, Fanfare, Jazz. Softcover. Duration 1620 seconds. Hal Leonard #EFC001-SSC. Published by Hal Leonard (HL.4008056). ISBN 9781705184523. UPC: 196288115953. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes†Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”. $26.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 3 Urban Landscapes Concert band - Intermediate/advanced Hal Leonard
Score Concert Band (Full Score) - Grade 6 SKU: HL.4007482 Op. 55 Wind ...(+)
Score Concert Band (Full Score) - Grade 6 SKU: HL.4007482 Op. 55 Wind Orchestra, Grade 6 27:00 Full Score. Composed by Franco Cesarini. De Haske Concert Band. Concert, Fanfare, Jazz. Softcover. Duration 1620 seconds. Hal Leonard #EFC001-SC. Published by Hal Leonard (HL.4007482). UPC: 196288058069. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes†Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”. $93.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 2 "Romantic" [Score] - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2 - Grade 5 SKU: C...(+)
Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2 - Grade 5 SKU: CF.AS66F 1st Movement. Composed by Howard Hanson. Arranged by Todd Parrish. Sws. Full score. 12 pages. Duration 4 minutes, 47 seconds. Carl Fischer Music #AS66F. Published by Carl Fischer Music (CF.AS66F). ISBN 9781491154649. UPC: 680160913190. 9 x 12 inches. Key: Eb major. The new Masterworks Series by Carl Fischer Music will showcase arrangements of 20th Century American composers. Symphony No. 2 by Howard Hanson is one of the most popular American Symphonies ever written, and is played regularly by major symphony orchestras around the world. It was originally commissioned by the Boston Symphony Orchestra to celebrate their 50th anniversary in 1930, where it was given its first performance. The work was most famously used in the end credits of the movie Alien in 1979. This arrangement focuses on the hauntingly beautiful second theme of the first movement. After being stated in the key of E-flat Major, it provides a contrasting section before returning in the key of D-flat Major. Cellos are featured prominently in tenor clef, and often cover the soaring horn solos from the original. Musicians will experience true symphonic beauty in this exquisite arrangement for strings and harp. The new Masterworks Series by Carl Fischer Music will showcase arrangements of 20th Century American composers. Symphony No. 2 by Howard Hanson is one of the most popular American Symphonies ever written, and is played regularly by major symphony orchestras around the world. It was originally commissioned by the Boston Symphony Orchestra to celebrate their 50th anniversary in 1930, where it was given its first performance. The work was most famously used in the end credits of the movie Alien in 1979. This arrangement focuses on the hauntingly beautiful second theme of the first movement. After being stated in the key of E-flat Major, it provides a contrasting section before returning in the key of D-flat Major. Cellos are featured prominently in tenor clef, and often cover the soaring horn solos from the original. Musicians will experience true symphonic beauty in this exquisite arrangement for strings and harp. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony AD 78 Concert band [Score] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1) - grade 5 SKU: CN.S11158 Composed by Gordon Jacob. Band Music. Score only. Duration 15:30. Published by G & M Brand Music Publishers (CN.S11158). A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the AD in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda. $30.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Conversational Solfege, Level 2 CD Choral SATB SATB, Keyboard GIA Publications
SATB choir, keyboard accompaniment SKU: GI.G-527 Level 2. Composed...(+)
SATB choir, keyboard accompaniment SKU: GI.G-527 Level 2. Composed by John M. Feierabend. Choral. Conversational Solfege. Music Education. Octavo. GIA Publications #527. Published by GIA Publications (GI.G-527). Text by Noel Goemanne. Conversational Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5 John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut. $15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Method for Modern Guitar Guitar [Sheet music] Mel Bay
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Huge Book of Really Easy Melodies for Guitar in TAB Guitar notes and tablatures Classical guitar - Easy Alfred Publishing
(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. Thi...(+)
(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. This edition: Easy Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB; Solo Guitar TAB (EZ/Int). 288 pages. Published by Alfred Music Publishing
$25.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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