| Nobody Know Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Violoncello, baritone voice, Viola SKU: PR....(+)
Chamber Music Violin 1, Violin 2, Violoncello, baritone voice, Viola SKU: PR.111402800 For Baritone Voice and String Quartet. Composed by Adolphus Hailstork. Sws. Set of Score and Parts. 64+16+16+16+20 pages. Duration 15 minutes. Theodore Presser Company #111-40280. Published by Theodore Presser Company (PR.111402800). UPC: 680160681334. 9 x 12 inches. Herbert Martin. Herbert Martin. NOBODY KNOW is a concert aria based on a text by Herbert Martin, an American poet based in Dayton, Ohio. The work depicts a song from the other cross, a viewpoint of one of the thieves crucified with Christ on Good Friday, the thief who pleaded to be remembered by Christ. $58.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nobody Know Baritone voice, Piano Theodore Presser Co.
Chamber Music Baritone Voice, Piano SKU: PR.111402790 For Baritone Voi...(+)
Chamber Music Baritone Voice, Piano SKU: PR.111402790 For Baritone Voice and Piano. Composed by Adolphus Hailstork. Sws. Performance Score. 44 pages. Duration 15 minutes. Theodore Presser Company #111-40279. Published by Theodore Presser Company (PR.111402790). UPC: 680160681327. 9 x 12 inches. Herbert Martin. Herbert Martin. NOBODY KNOW is a concert aria based on a text by Herbert Martin, an American poet based in Dayton, Ohio. The work depicts a song from the other cross, a viewpoint of one of the thieves crucified with Christ on Good Friday, the thief who pleaded to be remembered by Christ. $32.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nobody Know [Score] Theodore Presser Co.
Chamber Music Viola, Violin 1, Violin 2, Violoncello, baritone voice SKU: PR....(+)
Chamber Music Viola, Violin 1, Violin 2, Violoncello, baritone voice SKU: PR.11140280S For Baritone Voice and String Quartet. Composed by Adolphus Hailstork. Sws. Full score. 64 pages. Duration 15 minutes. Theodore Presser Company #111-40280S. Published by Theodore Presser Company (PR.11140280S). UPC: 680160681341. 9 x 12 inches. Herbert Martin. NOBODY KNOW is a concert aria based on a text by Herbert Martin, an American poet based in Dayton, Ohio. The work depicts a song from the other cross, a viewpoint of one of the thieves crucified with Christ on Good Friday, the thief who pleaded to be remembered by Christ. $45.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Haiku Set [Score] Theodore Presser Co.
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viol...(+)
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viola and cello. Composed by Herbert Haslam. Peter Pauper Press, Shoha, Basho, Gonsui, Anonymous, Basko, Shushiko, Joso, Roka. Score. With Standard notation. 12 pages. Theodore Presser Company #114-40084. Published by Theodore Presser Company (PR.114400840). UPC: 680160004225. Peter Pauper Press, Basko, Joso, Roka, Gonsui, Basho, Shoha, Anonymous, Shushiko. $19.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Take Him, Earth Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402020 In Memoriam John F. Kennedy...(+)
Choral SATB choir, piano SKU: PR.342402020 In Memoriam John F. Kennedy, 1917-1963. Composed by Steven Stucky. Sws. Premiered by ACDA National Conference, Craig Jessop, cond.; Meyerson Symphony Center, Dallas, TX. Secular choral. Performance Score. With Standard notation. Composed November 3 2012. 24 pages. Duration 13 minutes. Theodore Presser Company #342-40202. Published by Theodore Presser Company (PR.342402020). ISBN 9781598064995. UPC: 680160616084. 8.5 x 11 inches. English. Text: William Shakespeare; Aurelius Prudentius Clemens; Aeschylus. Aurelius Clemens, William Shakespeare, Aeschylus. Texts from Aurelius Prudentius Clemens, Aeschylus, and William Shakespeare. When Tim Sharp, Executive Director of the ACDA, offered Stucky the Brock Memorial Commission, it was decided that the text would commemorate the 50th anniversary of the assassination of John F. Kennedy, since the annual convention would take place in Dallas of that year. To that end, Stucky chose four different but pertinent texts to honor the occasion, although never referencing JFK by name. Take Him, Earth was premiered at the ACDA convention in March, 2013. Originally scored for chorus and chamber ensemble of nine instruments (available on a rental basis), Take Him, Earth is presented here in piano reduction. For advanced choirs. Duration: 13'. When Tim Sharp, Executive Director of the American Choral Directors Association, very kindlyoffered me the Raymond W. Brock Memorial Commission for 2013, he suggested that because thepremiere would take place at the national conference in Dallas in the 50th year since the assassinationof John F. Kennedy in that city, the text might refer in some way to that grim anniversary. Hesuggested, too, that I consider using a chamber ensemble or chamber orchestra to accompany thechorus.I took these suggestions to heart, but at the same time I wanted to write something universal enoughto be appropriate on other occasions, in other settings. Thus the score is dedicated to PresidentKennedy’s memory, but otherwise he is never referred to by name. Instead, I assembled a group oftexts that are associated with him in some way, but that also stand alone as a more general eulogy.As a refrain, there are a few lines from the early Christian burial hymn that begins “Take him,Earth, for cherishing†— lines that were earlier set to music by Herbert Howells in his classic motetcommissioned for Kennedy’s memorial service in 1963. The lines of Aeschylus “Drop, drop — inour sleep, upon the heart sorrow falls†from Agamemnon were quoted by Robert F. Kennedy uponthe death of Martin Luther King in April 1968. The celebrated “When he shall die, cut him out inlittle stars†from Act III of Shakespeare’s Romeo and Juliet was cited by RFK a few months after hisbrother’s murder. $4.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The President's March Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Cornet 1, Cornet 2, Cornet 3, Cornet 4, Crash Cymbals, Euphonium, Euphonium T.C., Field Drum, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1 and more. SKU: PR.11540191C Composed by Victor Herbert. Arranged by Ronald Dieker. Condensed score. With Standard notation. 12 pages. Theodore Presser Company #115-40191C. Published by Theodore Presser Company (PR.11540191C). ISBN 9781491129630. UPC: 680160020294. 9 x 12 inches. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| May Night Piano solo [Score] Theodore Presser Co.
Nocture for The Pianoforte. Composed by Herbert R. Ward. Romantic. Perfor...(+)
Nocture for The Pianoforte. Composed by Herbert R. Ward. Romantic. Performance score. With Standard notation. 4 pages. Theodore Presser Company #110-15975. Published by Theodore Presser Company (PR.110159750).
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Piano Music Piano solo [Solo Part] - Intermediate Theodore Presser Co.
Graded Solos in Their Original Form - Classic to Modern - Volume Three - Interme...(+)
Graded Solos in Their Original Form - Classic to Modern - Volume Three - Intermediate. By Ada Richter; Anton Diabelli; Bela Bartok; Cesar Franck; Domenico Scarlatti; Edvard Grieg; Franz Joseph Haydn; Franz Schubert; Frederic Chopin; George Frideric Handel; Geza Horvath; Herbert Elwell; Isadore Freed; Paul Nordoff; Reinhold Gliere. Edited by Ada Richter, Isadore Freed. Text: Ada Richter. Solo piano. For Piano Solo. Theodore Presser Company Distinguished Collection Series. Solo part. 40 pages. Published by Theodore Presser Company.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L). UPC: 680160683215. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata For Piano Piano solo [Part] Theodore Presser Co.
Composed by Steven Stucky (1949-2016). Premiered by Gloria Cheng, Piano, at Herb...(+)
Composed by Steven Stucky (1949-2016). Premiered by Gloria Cheng, Piano, at Herbert Zipper Auditorium, The Colburn School, Los Angeles, CA. Contemporary. Solo part. With Standard notation. Composed 2014. 24 pages. Duration 14 minutes. Theodore Presser Company #140-40118. Published by Theodore Presser Company (PR.140401180).
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestra [Score] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto No. 2 for Timpani and Orchestra Concert band [Score] Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413740 THE GRAND ENCOUNTER. Comp...(+)
Orchestra Concert Band SKU: PR.416413740 THE GRAND ENCOUNTER. Composed by William Kraft. Premiere: David Herbert, solo Timpani, San Francisco Symphony Orchestra, conducted by Michael Tilson Thomas, Davies Symphony Hall, San Francisco, California. Contemporary. Full score. With Standard notation. Composed 2005, rev. 2006. Duration 30 minutes. Theodore Presser Company #416-41374. Published by Theodore Presser Company (PR.416413740). UPC: 680160587582. 8.5 x 11 inches. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introduction and Allegro Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4 Horns, Bass Trombone, Harp, Piccolo, Strings, Timpani, Tuba SKU: PR.47600138L For Orchestra. Composed by Herbert Elwell. This edition: Large Score. Contemporary. Large Score. With Standard notation. Duration 11 minutes, 30 seconds. Theodore Presser Company #476-00138L. Published by Theodore Presser Company (PR.47600138L). UPC: 680160637133. 11x17 inches. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introduction and Allegro [Score] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4 Horns, Bass Trombone, Harp, Piccolo, Strings, Timpani, Tuba SKU: PR.476001380 For Orchestra. Composed by Herbert Elwell. This edition: Small Score. Contemporary. Full score. With Standard notation. Duration 11 minutes, 30 seconds. Theodore Presser Company #476-00138. Published by Theodore Presser Company (PR.476001380). UPC: 680160099658. 9x12 inches. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Universal Praise Theodore Presser Co.
Choral Bass 1, Bass 2, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3, ...(+)
Choral Bass 1, Bass 2, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3, Tuba, alto voice, soprano 1, soprano 2, tenor 1, tenor 2 SKU: PR.362032870 For SSATTBB, a cappella, or with Brass Quintet ad lib.. Composed by William Billings. Edited by Herbert Colvin. Sacred Choruses. Choral. Part. With Standard notation. Duration 3 minutes, 50 seconds. Theodore Presser Company #362-03287. Published by Theodore Presser Company (PR.362032870). UPC: 680160059003. Key: C major. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing To The Lord A New Made Song Theodore Presser Co.
Choral Piano, Trumpet, alto voice, bass Trombone, bass voice, soprano voice, ten...(+)
Choral Piano, Trumpet, alto voice, bass Trombone, bass voice, soprano voice, tenor SKU: PR.362031860 Composed by William Billings. Arranged by Herbert Colvin. With Standard notation. Theodore Presser Company #362-03186. Published by Theodore Presser Company (PR.362031860). UPC: 680160058341. $1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Garden of Bell Flowers [Score] Theodore Presser Co.
By Gail Levin. Arranged by Herbert Levin. Published by Theodore Presser Company....(+)
By Gail Levin. Arranged by Herbert Levin. Published by Theodore Presser Company.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Greetings And Goodbyes [Sheet music] Theodore Presser Co.
A Nordoff-Robbins Collection for Classroom Use. By Carol Robbins; Herbert Levin;...(+)
A Nordoff-Robbins Collection for Classroom Use. By Carol Robbins; Herbert Levin; Joanne Heyde; Paul Nordoff; Suzanne Nowikas. Arranged by Carol Robbins; Clive Robbins. Text: Clive Robbins. For Percussion, Piano, Voice. Soft Cover. 20 pages. Published by Theodore Presser Company.
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prophet Unwilling Theodore Presser Co.
By David A Wehr. Arranged by Herbert E. Richards. Standard notation. Published b...(+)
By David A Wehr. Arranged by Herbert E. Richards. Standard notation. Published by Theodore Presser Company
$14.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quartet for Woodwinds Flute, Oboe, Clarinet, Bassoon Theodore Presser Co.
(On Old Tunes). By Herbert Sontag. Woodwind quartet. For Flute, Oboe, Bb Clarine...(+)
(On Old Tunes). By Herbert Sontag. Woodwind quartet. For Flute, Oboe, Bb Clarinet, Bassoon. Contemporary. Score and part(s). Standard notation. 7 8 pages. Published by Theodore Presser Company score and part(s) contemporary
$29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Is Any Afflicted, Let Him Pray Choral SATB SATB A Cappella [Octavo] Theodore Presser Co.
(Is Any Afflicted, Let Him Pray). By William Billings (1746-1800). Edited by Her...(+)
(Is Any Afflicted, Let Him Pray). By William Billings (1746-1800). Edited by Herbert Colvin. SATB chorus. For SATB, Piano Rehearsal. The Singing Master's Assistant Four Sacred Choruses. Choral. Piano reduction/vocal score. Standard notation. 7 pages. Published by Theodore Presser Company
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 28 American Art Songs Low voice, Piano Schirmer
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. Vocal. Softcover. 96 pages. G. Schirmer #ED4600. Published by G. Schirmer
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spielt Zum Lied Prep Playing Scor Low voice, Piano Schott
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung fur die Schule. Arranged by Cesar Bresgen, Friedrich Zipp, Paul Nitsche, and Werner Fussan. Edition Schott. Classical. Score for Voice and/or Instruments. 60 pages. Schott Music #HL50499823. Published by Schott Music (HL.49005024). ISBN 9781495000713. UPC: 888680028183. Selected Art Songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others. Selected art songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others. Includes worksfrom Ernst Bacon: It's all I have to bring * Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother, I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight * Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane * Theodore Chanler: The Lamb * Ernest Charles: When I Have Sung My Songs * John Duke: Loveliest of Trees; Richard Hageman: Do not go, mylove * Lee Hoiby: Where the Music Comes From * Carles Ives: In the mornin'; Serenity * Herbert Kingsley: The Green Dog * Charles Naginski: The Pasture * John Jacob Niles: Black is thecolor of my true love's hair; Go 'way from my window; The Lass from the Low Countree * Gladys Rich: American Lullaby * William Roy: This Little Rose * John Sacco: Brother Will, Brother John *William Schuman: Holiday Song; Orpheus with his lute. Selected Art Songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others. Selected Art Songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others. Selected Art Songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others. $20.99 - See more - Buy online | | |
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