| Shadow Chase Piano solo - Intermediate Alfred Publishing
By Robert D. Vandall. For Piano. Piano Solo; Sheet; Solo. Signature Series. Earl...(+)
By Robert D. Vandall. For Piano. Piano Solo; Sheet; Solo. Signature Series. Early Intermediate. 4 pages. Published by Alfred Music
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Times 3 Bassoon, Piano (duet) Schott
Violin, cello, piano SKU: HL.49045318 Score and Parts. Composed by...(+)
Violin, cello, piano SKU: HL.49045318 Score and Parts. Composed by Fred Lerdahl. This edition: Folder. Sheet music. Edition Schott. Softcover. Composed 2012. 172 pages. Duration 20'. Schott Music #ED31156. Published by Schott Music (HL.49045318). ISBN 9781495082535. UPC: 888680656669. 9.5x12.0x0.515 inches. The title refers to three instruments, three movements, and three ways of treating musical time. The tone of the work is serious yet as playful as the title suggests.The first movement, Ratios, opens with a series of seemingly unrelated ideas in tempo ratios of 3:2 and 4:3. As the movement proceeds, the ideas develop, transform, and superimpose in increasingly wide spirals. The slower second movement, Cycles, is a fantasy built on the strict scaffolding of an omnipresent, diatonic cantus firmus set in symmetrically expanding and contracting cycles. The quick finale, Phases, is a moto perpetuo tarantella in which the instruments move in and out of phase as they chase one another. The flowing eighth notes merge and finally unify ideas from the previous movements. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| They Shall Run and Be Free Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
By Brant Karrick. Concert Band. Concert Band. Alfred Concert Band. Grade 4. Cond...(+)
By Brant Karrick. Concert Band. Concert Band. Alfred Concert Band. Grade 4. Conductor Score and Parts. 292 pages
$90.00 $85.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Simply Silly! (NFMC) Piano solo [Sheet music] - Beginner FJH
By Kevin Olson And Julia Olson. For Piano. Composers In Focus. Simply Silly is a...(+)
By Kevin Olson And Julia Olson. For Piano. Composers In Focus. Simply Silly is an imaginative collection of solo pieces that is sure to get your young students singing and laughing as they learn the piano. The music and lyrics encourage creative performance, and inspire students to become story tellers at the piano. Contents include: A Rhyme for Orange; Mr. Wumpy Zumpy; Ned's Messy Room; My Singing Fish; A Dinosaur in My Backyard; My Own Tongue Twister; Mrs. Boggs Who Chases Dogs; Rolling Peas. Original. Level: Early Elementary. Book. Published by The FJH Music Company, Inc.
$8.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stormchasers Concert band - Intermediate Opus III Wind Orchestra Publications
Grade 3.5 SKU: CL.012-3500-01 Composed by Neeck. Concert Band. Heritage o...(+)
Grade 3.5 SKU: CL.012-3500-01 Composed by Neeck. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR341 & CL.WFR353). Extra full score. Composed 2006. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-3500-01. Published by Opus III Wind Orchestra Publications (CL.012-3500-01). A vigorous composition which is full of exciting melodies and vibrant rhythms. Starting out in a fast 6/8, your students and audiences will feel that they are riding along with fearless Stormchasers who are chasing a tornado or hurricane. The calm at the eye of the storm is depicted with a beautiful yet ominous sounding section that gives your flute section and flute soloist a chance to shine. An outstanding choice for concert or festival performances, this unique selection will challenge mid-level bands. Outstanding! About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Larry Neeck: Stormchasers Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Larry Neeck. Concert Band. Level: Grade 3.5. Score and set of parts. Composed...(+)
By Larry Neeck. Concert Band. Level: Grade 3.5. Score and set of parts. Composed 2006. Duration 0:04:32. Published by C.L. Barnhouse.
(5)$76.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chasing Mercury - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS234 Composed by Travis Weller. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+8+4+4+8+8+8+8+6+6+6+4+8+6+2+4+4+6+32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234. Published by Carl Fischer Music (CF.CPS234). ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches. Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!. Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury! $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chasing Mercury - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS234F Composed by Travis Weller. Sws. Cps. Full score. 32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234F. Published by Carl Fischer Music (CF.CPS234F). ISBN 9781491156353. UPC: 680160914890. 9 x 12 inches. Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!. Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury! $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Play-Along Jazz With a Jazz Trio Clarinet [Sheet music + CD] - Intermediate
Clarinet - intermediate SKU: BT.MUSAM991870 By Fiona Bolton. Arranged by ...(+)
Clarinet - intermediate SKU: BT.MUSAM991870 By Fiona Bolton. Arranged by Paul Honey. Jazz. Book with CD. Wise Publications #MUSAM991870. Published by Wise Publications (BT.MUSAM991870). ISBN 9781847722850. English. Take the centre stage and play along with a live jazz trio. The authentic CD backing tracks will help you achieve a more professional performance. With this great three-part hybrid book you get printed music with ten piecesinmelody line arrangements. The audio CD contains professional 'live' performances of every piece featuring a three-piece band, plus backing tracks to play along with. The book includes: - Ten toplinearrangements of jazz tunes of an intermediate standard (a step up from the Guest Spot series).
- A CD of demo and backing tracks performed by a live jazz trio.
- Background song notes for each tune at the front of thebook.
- A hybrid code enabled the user to download parts and scores for the backing band (Piano, Bass, Drums) so they can play with friends as well as with the backing CD.
$23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Secret Mission - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1 SKU: CF.BPS132 Composed by Jason Taurins. Folio. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+3+3+2+3+1+1+2+4+12 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #BPS132. Published by Carl Fischer Music (CF.BPS132). ISBN 9781491158463. UPC: 680160917068. 9 x 12 inches. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music! $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Secret Mission - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1 SKU: CF.BPS132F Composed by Jason Taurins. Sws. Bps. Full score. 12 pages. Carl Fischer Music #BPS132F. Published by Carl Fischer Music (CF.BPS132F). ISBN 9781491158470. UPC: 680160917075. 9 x 12 inches. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music! $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Gates of Horn Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Crash Cy...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine and more. - Grade 2 SKU: CF.YPS187F Composed by Peter Terry. SWS. Carl Fischer Young Performance Series. Full score. With Standard notation. 20 pages. Duration 3 minutes. Carl Fischer Music #YPS187F. Published by Carl Fischer Music (CF.YPS187F). ISBN 9781491148099. UPC: 680160905591. 9 x 12 inches. In the Odyssey, dreams come into the world through one of two gates. If they come through the gates of ivory they are false dreams. However, if they come into the world through the gates of horn they are true dreams that tell the user of things to be, or illuminate truth. The Gates of Horn is a dramatic piece for band that alternates a syncopated fanfare with a bold, yet lyrical theme. These contrasting ideas chase each other throughout the piece. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Gates of Horn Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS187 Composed by Peter Terry. SWS F...(+)
Band Concert Band - Grade 2 SKU: CF.YPS187 Composed by Peter Terry. SWS FS. Carl Fischer Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8+12+6+4+6+2+2+4+10+20 pages. Duration 3 minutes. Carl Fischer Music #YPS187. Published by Carl Fischer Music (CF.YPS187). ISBN 9781491147399. UPC: 680160904891. 9 x 12 inches. Key: D minor. In the Odyssey, dreams come into the world through one of two gates. If they come through the gates of ivory they are false dreams. However, if they come into the world through the gates of horn they are true dreams that tell the user of things to be, or illuminate truth. The Gates of Horn is a dramatic piece for band that alternates a syncopated fanfare with a bold, yet lyrical theme. These contrasting ideas chase each other throughout the piece. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Fugitive - Advanced Schott
Recorder Quartet (Score & Parts) - advanced SKU: HL.49018051 Jazzy Fug...(+)
Recorder Quartet (Score & Parts) - advanced SKU: HL.49018051 Jazzy Fugue Recorder Quartet. Composed by Karel van Steenhoven. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Classical. Softcover. 28 pages. Duration 6'. Schott Music #ED20600. Published by Schott Music (HL.49018051). ISBN 9790001158138. UPC: 841886013520. 9.25x12.0x0.084 inches. The Fugitive is a three-part jazz fugue in bebop style on a walking bass. The renowned Amsterdam Loeki Stardust Quartet performed the world premiere of the work, created in 2002 by the Dutch recorder player and composer Karel van Steenhoven, founder member of the ensemble. The title is a play on the word 'fugue' and its old meaning of flight or chase. The parts chase after each other with fast solos and licks, flee from each other, until they reach a chaotic climax - after a short quote from the James Bond theme. A striking title by the recorder expert who brilliantly mixes traditional and modern forms, styles and stylistic techniques. $28.99 - See more - Buy online | | |
| The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack) Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.44921S Featuring: The Vinciguerra Aff...(+)
Concert Band - Grade 2.5 SKU: AP.44921S Featuring: The Vinciguerra Affair / Bugs, Beats, and Bowties / We Have Location. Composed by Daniel Pemberton. Arranged by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Form: Medley. Movie. Score. 28 pages. Duration 4:00. Alfred Music #00-44921S. Published by Alfred Music (AP.44921S). UPC: 038081515861. English. This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Merle Haggard: E-Z Play Today #184 - Merle Haggard Anthology Piano, Vocal and Guitar [Sheet music] - Easy Hal Leonard
Performed by Merle Haggard. For voice and keyboard (right hand only). Format: ea...(+)
Performed by Merle Haggard. For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names and big note notation. Honky tonk and traditional country. Series: Hal Leonard E-Z Play Today. 144 pages. 9x12 inches. Published by Hal Leonard.
(3)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Managing Your Band - Sixth Edition Hal Leonard
SKU: HL.200476 Artist Management: The Ultimate Responsibility. Boo...(+)
SKU: HL.200476 Artist Management: The Ultimate Responsibility. Book. Instruction, Music Business. Softcover. 304 pages. Published by Hal Leonard (HL.200476). ISBN 9780965125079. UPC: 888680650773. 8.5x11.0x0.616 inches. Stephen Marcone with David Philp. Making it in music has never been easy, but today it's harder than ever before. The digital age has dawned and, with it, the music biz has wholly merged with the entertainment industry. Up-and-comers are immediately faced with a dire choice: alter your art to appease the powers that be or learn to navigate the notoriously grimy underside of the most glamorous profession in the world. Whether you're a self-reliant DIY musician or an aspiring personal manager, Stephen Marcone and David Philp's Managing Your Band -Artist Management: The Ultimate Responsibility can help you keep your shirt and maybe - just maybe - make a buck, all for less than the price of a decent dinner. Now in its sixth edition, Managing Your Band has long since been the standard bearer for aspirants and hardened vets alike. From dive bars to festivals, from branding and merchandising to marketing and publicity, from publishing and licensing to rights and contracts, Marcone and Philp leave no stone unturned in this comprehensive guide to artist management. A lofty claim, eh? No need to take our word for it - luminaries in every corner of the industry are willing to testify. To put it mildly, the book has a reputation with record labels. John Butler, Vice President of Promotion at Curb, believes that Marcone and Philp take on our ever-changing business with a fresh and complete approach. The breadth of information here is as important to veterans as it is to the new entrepreneurs that will power the current and next versions of the music industry. Paul Sinclair, the EVP of Digital Strategy & Innovation at Atlantic, attests that the 6th edition of Managing Your Band provides an excellent blueprint to follow paths of flexibility and specificity toward a successful career in music. In this book, you find the framework. Implement it well and you have a better shot of finding success with your musical art. Joe Riccitelli, the EVP/GM of RCA, considers the book a must for new and established managers who may need a brush-up on topics they have forgotten, as Stephen's & David's vast experience pays off in the 6th edition. Hell, this is the only book music mogul Harvey Leeds took to Israel to teach the Israelis about the international music and entertainment business! In the end, we think Doc McGhee, the man who whisked Bon Jovi and Motley Crue to superstardom, says it best: I wish I had something like this when I was starting out! What more can we say? Pick up the latest edition of Managing Your Band and chase that wild dream! $34.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In the Hall of the Mountain King (from Peer Gynt Suite) Wind ensemble [Score and Parts] Eighth Note Publications
(For Interchangeable Woodwind Ensemble). By Edvard Grieg (1843-1907). Arranged b...(+)
(For Interchangeable Woodwind Ensemble). By Edvard Grieg (1843-1907). Arranged by David Marlatt. For Interchangeable Woodwind Ensemble. Masterworks; Part(s); Score; Woodwind - Mixed Ensemble. Eighth Note Publications. Masterwork Arrangement; Romantic. 60 pages. Published by Eighth Note Publications
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Widmann Hunting Quart;str.quar String Quartet: 2 violins, viola, cello Schott
String quartet (P/ST) - difficult SKU: HL.49033270 3rd string quartet<...(+)
String quartet (P/ST) - difficult SKU: HL.49033270 3rd string quartet. Composed by Joerg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Score and parts. Composed 2003. 112 pages. Duration 12'. Schott Music #ED9749. Published by Schott Music (HL.49033270). ISBN 9790001136860. 9.25x12.0x0.3 inches. The Jagdquartett (Hunt Quartet), which Jorg Widmann wrote as his third string quartet in 2003, following the Choralquartett, also begins with a visible gesture. After a short signal cry from the performers, the piece starts by quoting Robert Schumann's Papillons op. 2, and for its full duration retains this gesture, these starting sounds. The degrees of recognizability do change continuously, to be sure, in the furious, racing organism of the score. The contours change into forms on another level, yet now and then the begining material returns clearly to the fore, initiated anew by a cry from the performers, and is then digested or mutated as a rhythmic study into a field of harmonic experimentation. On rare occasions, there are moments of pause - as though the musicians were testing the atmosphere, as though they were sensing the weather, so as ultimately to continue playing the quartet across the fields an forests of notes. A hunt after joyful performance, a chase, the whip cracking, after the thing to be shot, the sound, its performer, perhaps the composer himself? - A last shout, morendo, dal niente... - The victim is not the audience, at any rate.When comparing the output of string quartets from the 18th century to thetime of Schumann, it appears to have dropped considerably. Schumann composed only three complete quartets, all of them in the so-called 'chamber music year' 1842. Jorg Widmann, who counts Robert Schumann among his greatest inspirations, finished a series of five string quartets in 2005, at the same age as Schumann. The quartets in the cycle form in themselves the characters of the movements of the classical quartet. Jagdquartett represents the fast middle movement, the scherzo. Widmann's work appears rough and wild in the style of Schumann's alter ego Florestan. His hunt begins in the tempo of 'allegro vivace assai' with the final theme of Schumann's Papillons which often appears or is cited in many of Schumann's compositions. Widmann eventually dismantles the thematic material of his fierce quartet, thus skeletonising his prey. $79.00 - See more - Buy online | | |
| The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack) Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.44921 Featuring: The Vinciguerra Affa...(+)
Concert Band - Grade 2.5 SKU: AP.44921 Featuring: The Vinciguerra Affair / Bugs, Beats, and Bowties / We Have Location. Composed by Daniel Pemberton. Arranged by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Form: Medley. Movie. Score and Part(s). 284 pages. Duration 4:00. Alfred Music #00-44921. Published by Alfred Music (AP.44921). UPC: 038081515854. English. This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00). $67.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Brass Grooves - Intermediate - Easy C.L. Barnhouse
Conductor book - Grade 2 SKU: CL.DBI-BG2002-01 Composed by Schuberg Wasso...(+)
Conductor book - Grade 2 SKU: CL.DBI-BG2002-01 Composed by Schuberg Wasson. Ensemble. C.L. Barnhouse #DBI-BG2002-01. Published by C.L. Barnhouse (CL.DBI-BG2002-01). A collection of 10 original compositions by Dallas Brass arrangers/composers, John Wasson and John Schuberg. The pieces are written in a variety of music styles from swing to rock. They are scored for brass quintet and drums, but will also work for brass alone. This is the second volume of Brass Grooves and contain pieces that are less complex technically, and can be tackled by accomplished middle school players. These charts are appealing and fun to play - and listen to - for all ages! The COMPLETE SET includes books for: Director, Trumpet I, Trumpet II, Horn, Trombone, Tuba, Drums, and Trombone/Baritone/ Trumpet III substitute for Horn. Plus a full performance CD recorded by the Dallas Brass CONTENTS: Victory March, Lazy Day, First Dance, Fly With Me, Movin' On, The Matador, Boogie Blues, Chillin' Out, Shake It Up, The Chase. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go For It! Jazz Ensemble [Score and Parts] - Easy C.L. Barnhouse
Grade 2 SKU: CL.032-4709-00 Composed by P. Clark. Jazz Ensemble. Score an...(+)
Grade 2 SKU: CL.032-4709-00 Composed by P. Clark. Jazz Ensemble. Score and set of parts. C.L. Barnhouse #032-4709-00. Published by C.L. Barnhouse (CL.032-4709-00). Let the trumpets show off (like they always want to do) with Go For It, a hard-driving jazz-rock chart in the style of Chase. All sections get their time in the spotlight, with some great interplay between the saxes and bones, and the drummer even gets to do some hard-rock licks after the solo section. But it's the trumpets who take command! If you want some flashy excitement at your next jazz concert, you just gotta Go For It!. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Brass Grooves - Intermediate - Easy C.L. Barnhouse
COMPLETE SET - Grade 2 SKU: CL.DBI-BG2001-00 Composed by Schuberg Wasson....(+)
COMPLETE SET - Grade 2 SKU: CL.DBI-BG2001-00 Composed by Schuberg Wasson. Ensemble. C.L. Barnhouse #DBI-BG2001-00. Published by C.L. Barnhouse (CL.DBI-BG2001-00). A collection of 10 original compositions by Dallas Brass arrangers/composers, John Wasson and John Schuberg. The pieces are written in a variety of music styles from swing to rock. They are scored for brass quintet and drums, but will also work for brass alone. This is the second volume of Brass Grooves and contain pieces that are less complex technically, and can be tackled by accomplished middle school players. These charts are appealing and fun to play - and listen to - for all ages! The COMPLETE SET includes books for: Director, Trumpet I, Trumpet II, Horn, Trombone, Tuba, Drums, and Trombone/Baritone/ Trumpet III substitute for Horn. Plus a full performance CD recorded by the Dallas Brass CONTENTS: Victory March, Lazy Day, First Dance, Fly With Me, Movin' On, The Matador, Boogie Blues, Chillin' Out, Shake It Up, The Chase. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go For It! Jazz Ensemble [Score] - Easy C.L. Barnhouse
Grade 2 SKU: CL.032-4709-01 Composed by P. Clark. Jazz Ensemble. Extra fu...(+)
Grade 2 SKU: CL.032-4709-01 Composed by P. Clark. Jazz Ensemble. Extra full score. C.L. Barnhouse #032-4709-01. Published by C.L. Barnhouse (CL.032-4709-01). Let the trumpets show off (like they always want to do) with Go For It, a hard-driving jazz-rock chart in the style of Chase. All sections get their time in the spotlight, with some great interplay between the saxes and bones, and the drummer even gets to do some hard-rock licks after the solo section. But it's the trumpets who take command! If you want some flashy excitement at your next jazz concert, you just gotta Go For It!. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Winter Rhapsody Piano solo [Singles] - Intermediate Alfred Publishing
By Dennis Alexander. For Piano. Piano Solo. Signature Series. Level: Late Interm...(+)
By Dennis Alexander. For Piano. Piano Solo. Signature Series. Level: Late Intermediate. Sheet. 8 pages. Published by Alfred Publishing.
$4.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Merle Haggard: The New Merle Haggard Anthology Piano, Vocal and Guitar [Sheet music] Hal Leonard
Performed by Merle Haggard. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Merle Haggard. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Honky tonk and traditional country. 184 pages. 9x12 inches. Published by Hal Leonard.
(4)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For Noami - The Anthology (piano) Piano solo Leduc, Alphonse
Piano (Piano) SKU: HL.48181241 Composed by Marcel Bitsch. Leduc. Classica...(+)
Piano (Piano) SKU: HL.48181241 Composed by Marcel Bitsch. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20583. Published by Alphonse Leduc (HL.48181241). UPC: 888680868239. 9.0x12.0x0.096 inches. For Noami - The anthology is a set of ten easy studies for Piano two-hand by Marcel Bitsch. Great for beginner pianists, each study focuses on a specific aspect. These ten lovely studies and the aspects they highlight are: 1. Duet ? Legato 2. The little railway ? Staccato 3. When there were coaches ? Loure 4. On the water ? Passage of the thumb 5. Invention ? Scale 6. In the meadow ? Arpeggios 7. Lullaby ? Sustained notes 8. Chase ? Chromatic scale 9. Fanfare ? Chords 10. Ring for Matins ? The double notes with the wrist Marcel Bitsch is a French musician who specialised in teaching the counterpoint and the fugue. He composed many orchestral pieces and some chamber music. He also wrote the analysis of some works by J. S. Bach.. $28.60 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A New Approach to Altissimo Trumpet Playing Trumpet C.L. Barnhouse
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet....(+)
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet. Method/Study book. Method/study book. Composed 1984. Published by C.L. Barnhouse
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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