SKU: FZ.5935
ISBN 9790230659352. 23.50 x 31.50 cm inches.
This facsimile of an original by Francesco Maria Veracini is part of our Dominantes collection. A facsimile of the first Dresden edition. Presentation by Nicolas Fromageot: Bibliography of the work - Appreciations - Hints about the score - Summary bibliography. The first work by one of the most remarkable violinists of his time. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: AP.48296
UPC: 038081551197. English.
By turns stirring, sentimental, and hilarious, this dynamic 4-minute medley lets your changed-voice singers explore the many emotional and musical sides of Hamilton: launching a revolutionary movement, navigating political hazards, discovering fatherhood, and figuring out how to say goodbye. A robust feature for guys.
SKU: AP.48208
UPC: 038081558974. English.
This Panic! At the Disco anthem has spent time at the top of both the Billboard Pop and Dance/Mix Show charts, and now your band can bring this iconic tune to the concert stage. Powerful, familiar to all, and sure to be a crowd pleaser! (3:15).
SKU: M7.SMP-1047
English.
Here is another one of Johnny Richards' great latin tunes as written for the Stan Kenton Orchestra. This lilting 5/4 chart has a great groove and amazing ensemble writing, with solo space for alto, trumpet, and trombone. This new arrangement makes the piece much easier to play and can be played with traditional instrumentation. Quintile is a part of the Adventures in Time CD.
SKU: CA.2718719
ISBN 9790007302207. Latin.
As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamusâ€, to the skillful choral fugue of “Fiat misericordia tuaâ€, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s Å“uvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.
SKU: HL.357343
UPC: 840126943252. 6.75x10.5x0.029 inches. Proverbs 16:9, Psalm 33:9-11, Romans 8:28.
The journey of faith is beautifully presented in this classic hymn text, reimagined with expressive new music. Hopeful and filled with teachable moments, this anthem is well-suited for Lent's 40 days of purpose or at any time spiritual and physical wellness are a part of your church's sacred dialogue.
SKU: BR.OB-5380-16
Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.
ISBN 9790004341834. 10 x 12.5 inches.
The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.
SKU: HL.44013196
UPC: 888680793456.
Once upon a time in North America, there lived a mother and her small daughter who were part of a community of Ojibwa people. The girl suffered from severe nightmares. The mother sought help from Spider Woman also known as asibikaashi, who protected people by weaving a magical web. This dreamcatcher. decorated with sacred feathers, only let good dreams through, and the bad dreams were burnt by the morning sunbeams. During this fascinating programmatic work, one can follow the story meticulously, making it a true phantasmal concert experience! (Grade 2.5) Dur: 8:10 (Mitropa).
SKU: AP.35978
UPC: 038081414843. English.
Enjoy this lovely transcription from the time of the late Renaissance and early Baroque eras. Sure to delight audiences while bringing an English piece that is heard less frequently to your students. This title is available in MakeMusic Cloud.
SKU: OU.9780193381544
ISBN 9780193381544. 12 x 8 inches.
For 2 descant, 2 treble, 2 tenor, bass, great bass and contrabass recorders. Written for the Birmingham Schools Recorder Sinfonia, this engaging work is suitable for amateur performers. The mixed compound time signatures introduce some learning opportunities, while the melodic lines remain accessible. The contrabass recorder part is optional, making this a versatile work. All players read from the performing score, so a number of copies would be needed for performance.
SKU: CA.2718724
Latin.
SKU: CA.743100
ISBN 9790007181741. Language: German.
For the 500th anniversary of the Reformation a collection of all 35 hymns by Luther is being released on a double CD for the first time (Carus 83.469). The recorded choral pieces, chorale cantatas and chorale settings come from six centuries and cover a wide stylistic range. This piece was specially written for this collection.
SKU: BP.2064A
A sparkling setting of Psalm 95 scored for SSAA with a challenging four-hand accompaniment. Suitable for any time of worship, praise and celebration. This will soon become a favorite of choir, congregation and the accompanists! Please note - this is an archive only edition and is printed on 8.5 x 11 paper, not the traditional choral sized format.Also available as a digital download:Also available in SATB voicing:.
SKU: P2.80088
Puccini's final masterpiece Turandot gave the world this wonderful tenor aria. In this arrangement, it's time for the third part player to unleash their white handkerchief and thrill the audience with their amazing tone and range.
SKU: AP.46000S
UPC: 038081523583. English.
The title of this piece translates from German to The Master Teacher. Commissioned by the Florida Bandmasters Association in memory of Jack Crew, this piece serves to honor the memory of one of the all-time great teachers and musicians in our world of band music. The piece is written in a style reminiscent of Richard Strauss, one of Jack's favorite composers. (5:10).
SKU: TM.01751SC
Sandra Dackow Little Known Gem - Grade IV+. Ed. by Hoffmann. This delightful set of works in the keys of G, A, and B-flat major takes full advantage of multiple stops, chords, and fiddle writing that lays easily under the hand and is fun to play. The fast movements are vigorous and the contrasting slow movements are not particularly fussy or florid, though they include some ornamentation. In the Allegro sections, musicians should approach the playing as they would a work by Haydn or Mozart: eighth and quarter notes off the string and at the frog, and sixteenth notes on the string. Stamitz's players would have followed the general rule of the down bow, where the strong beat would begin with a down bow. In Concerto No. 1 in G, the Violin I parts reach to sixth position, requiring high G's. Unusual writing for its time, these passages are both logical and easy for players to find and hear. Cello and bass parts reach high F's on occasion and require third, fourth and fifth positions. The second violin and viola parts do not require extended ranges, making this work practical for an upper intermediate orchestra. The slow movements transition between different keys and requires the low strings to use extension notes such as G-sharp and A-sharp.
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