| Starter Studies (Bass) Double Bass [Sheet music + CD] Anglo Music
Eb or Bb Bass. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published b...(+)
Eb or Bb Bass. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Tuba) Tuba [Sheet music + CD] - Beginner Anglo Music
Tuba. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo M...(+)
Tuba. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Clarinet) Clarinet [Sheet music + CD] - Easy Anglo Music
Starter Studies. (Clarinet). De Haske Play-Along Book. Play Along. 28 pages. Ang...(+)
Starter Studies. (Clarinet). De Haske Play-Along Book. Play Along. 28 pages. Anglo Music Press #AMP080. Published by Anglo Music Press
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flute Methods, Studies and Ensembles: The Ultimate Collection Flute CD Sheet Music
SKU: SU.00220550 Woodwinds, Flute/Piccolo. Solo Flute, Flute Duets/Trios/...(+)
SKU: SU.00220550 Woodwinds, Flute/Piccolo. Solo Flute, Flute Duets/Trios/Quartets. CD (PDF Scores). CD Sheet Music #00220550. Published by CD Sheet Music (SU.00220550). This CD Sheet Music� collection makes available fourteen essential flute methods, studies and exercises, as well as over 150 works for flute duos, trios and quartets by over 30 composers from the 18th and 19th centuries. Methods, Studies and Exercises include: Altès (Method for the Boehm Flute, 26 Selected Studies), J.S. Bach (24 Flute Concert Studies), Andersen (24 Etudes, Op. 33), Gariboldi (20 Studies, Op. 132, 30 Easy and Progressive Studies), Hughes (24 Studies, Op. 32/75); Karg-Elert (30 Studies, Op. 107), Köhler (25 Romantic Etudes, Op. 66, 20 Easy Melodic Progressive Exercises, Op. 93), Reichert (7 Daily Exercises, Op. 5), Wagner (Flute Studies in Old and Modern Styles) Duets, Trios and Quartets include: W.F. Bach (6 Duets), de la Barre (Prelude), Beethoven (Allegro and Mineut), Berbiguier (Six Duets, Op. 59), Boismortier (Two Sonatas), Bordet (Timbourins), Briccaldi (Eight Duos, Op. 132), Chinzer/Bordet (The Hunt), Devienne (6 Duets, Op. 82), Dietter(Romance), Finger Fugue); Fürstenau (6 Duets, Op. 137), Gariboldi (Six Easy Duets), Hotteterre (Les Fargis sur les délices), Hugot/Wunderlich (Four Duets), Koechlin (Sonata for Two Flutes), Köhler (Forty Progressive Duets), Kuhlau (Three Brilliant Duos, Op. 81 and 102, Three Grand Duets, Op. 39, Three Grand Trios, Op. 86), Kummer (Trio, Op. 24)), de Lasso (Two Fantasies), Legoux/Bordet (Musette), Le Loup (Sarabande), Loeillet (Sonata in E minor and Sonata in G minor for two flutes and piano), Mozart (3 Duets, Op. 156 and 157), Müller (Theme with Variations), Naudot (Gavotte), Quantz (Three Duets, Op. 2), Reicha (Sinfonico for Four Flutes), Soussman (Twelve Duets, Op. 53), Stamitz (Three Duets, Op. 27), Sweelinck (Duo), Telemann (Sonata in E major, Sonata in A major for two flutes and piano), Tulou (Three Easy Duets, Op. 102 and 103) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1800 pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Breitkopf & Härtel
Basso (cello/double bass) SKU: BR.OB-5294-26 Book 2. Composed by W...(+)
Basso (cello/double bass) SKU: BR.OB-5294-26 Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library). The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-26. Published by Breitkopf and Haertel (BR.OB-5294-26). ISBN 9790004338032. 9 x 12 inches. The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Breitkopf & Härtel
Violin 1 SKU: BR.OB-5294-15 Book 2. Composed by Wolfgang Amadeus M...(+)
Violin 1 SKU: BR.OB-5294-15 Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library). The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-15. Published by Breitkopf and Haertel (BR.OB-5294-15). ISBN 9790004338018. 9 x 12 inches. The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Viola Breitkopf & Härtel
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Moza...(+)
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library). The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-19. Published by Breitkopf and Haertel (BR.OB-5294-19). ISBN 9790004338025. 9 x 12 inches. The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Henry Purcell: 12 Sonatas Of Three Parts For Violin 2 (Sonatas X-XII) Music Sales
Chamber Group, Violin SKU: HL.14026463 Music Sales America. Baroque. 99 p...(+)
Chamber Group, Violin SKU: HL.14026463 Music Sales America. Baroque. 99 pages. Music Sales #NOV12044702. Published by Music Sales (HL.14026463). The Works of Henry Purcell, Sonatas X-XII. $9.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Musical Sacrifice [Score and Parts] Theodore Presser Co.
For Flute/Piccolo, Oboe, Bassoon, Trombone (Tenor/Bass), Violin, and Contrabass....(+)
For Flute/Piccolo, Oboe, Bassoon, Trombone (Tenor/Bass), Violin, and Contrabass. By PDQ Bach. Edited by Professor Peter Schickele. Text: Professor Peter Schickele. Mixed chamber ensemble. For Piccolo, Trombone. Score and parts. S 50% off. 36 pages. Duration 19:00. Published by Theodore Presser Company.
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lira Orfeo Vol. 15 - Intermediate Music Distribution Services
Orchester of plucked instruments - intermediate to advanced SKU: M7.GHE-915(+)
Orchester of plucked instruments - intermediate to advanced SKU: M7.GHE-915 The Complete Repertoire composed and arranged for Lira Orfeo. Edited by Stefano Grondona. Arranged by Miguel Llobet. This edition: Saddle-wire stitching. Sheet music. 112 pages. MDS (Music Distribution Services) #GHE 915. Published by MDS (Music Distribution Services) (M7.GHE-915). ISBN 9783890449159. English. Miguel Llobet's famous Catalan plucked string orchestra called the 'Lira Orfeo' was active in Barcelona from 1899-1906. Here we present a new engraving of all the surviving original scores, set in the same performing score format in which they were originally used 120 years ago. The Lira Orfeo quickly became an important part of Barcelona's cultural scene; with Tárrega as its honorary president the Lira Orfeo society was founded in 1898 and an official inaugural concert, shared between Manuel Burgés (pno) and Miguel Llobet (gtr) took place in Barcelona in 1898. The aim of the society was to offer a full musical education, both theoretical and instrumental, for guitarists and players of other plucked instrument family, with eventually with a place in its Catalan plucked instrument orchestra of the same name. The teachers for guitar were Miguel Llobet, Pedro Lloret and Domingo Prat. Prominent musicians such as Manuel Burgés and Baldomera Cateura were also on the teaching staff. Classes were given three times a week, and as the players were mainly amateurs with day jobs, these took place in the evening and often went on until 2 o'clock in the morning. The debut of the orchestra took place in 1903 and it gave regular concerts at top venues right up to the society's dissolution in 1907, mainly due to lack of funding. For the instruments used see the list of works below. The repertoire is varied, selected, arranged by Miguel Llobet it was mainly drawn from traditional and impressionist Iberian music, as well as the German classics, it includes a specially commissioned work Triomphe d'Orphée' by the famous Catalán pianist Manuel Burgés. We at Guitar Heritage are proud to present the first publication of this huge cultural contribution to music in its original form and prepared from the source manuscripts which were the work of Miguel Llobet. The edition has many illustrations, rare documents and photographs as well as a comprehensive critical commentary by Stefano Grondona - whose knowledge of Miguel Llobet, as well as of Catalonian culture, has made an edition of this scope possible. These arrangements are superb and presented as they originally were in the same score form. The now relatively rare instruments called for can be replaced by suitable alternatives - this is ideal and interesting material for adapting to guitar orchestra/ensemble or mandolin orchestra, or similar. $53.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Chamber Music for/ Kammermusik für Violoncelli 16 - Easy EMB (Editio Musica Budapest)
3 Cello's - early intermediate SKU: BT.EMBZ14930 By Arpad Pejtsik. EMB Ch...(+)
3 Cello's - early intermediate SKU: BT.EMBZ14930 By Arpad Pejtsik. EMB Chamber Music for Violoncellos. Educational Tool. Book Only. Composed 2014. 40 pages. Editio Musica Budapest #EMBZ14930. Published by Editio Musica Budapest (BT.EMBZ14930). The latest volume of this popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music history's three great Bs. Ãrpád Pejtsik, the editor of the series, has transcribed the Trio Sonata in G Major for Flute, Violin and Basso continuo by Bach (BWV 1038), a witty bagatelle by Beethoven (WoO 56) and two archaizing piano works (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) by Brahms for three cellos. While intermediate instrumental skills are required due to the use of higher positions when in the upper two parts, the lower part can be performed by beginner cellists. Interpretation is helped byfingerings and bowings provided by the editor.
The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Ãrpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande,Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by thefingering and bowing being provided by the editor.
Der neueste Band dieser beliebten Serie verfolgt das Ziel, das Repertoire der Celloschüler der Anfänger- und Mittelstufe mit ausgezeichneten Transkriptionen von Werken der drei großen Bs der Musikgeschichte zu bereichern. Ãrpád Pejtsik, der Herausgeber der Serie, bearbeitete neben Bachs Triosonate in G-Dur für Flöte, Violine und Basso continuo (BWV 1038) eine geistreiche Bagatelle von Beethoven (WoO 56) und zwei archaisierende Klavierstücke von Brahms (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) für drei Celli. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Six Individually Passed Down Instrumental Works Barenreiter
Instruments (Instruments) SKU: BA.BA04036 Three overtures, one sinfoni...(+)
Instruments (Instruments) SKU: BA.BA04036 Three overtures, one sinfonia, one sonata and one concerto. Includes sources and readings. Composed by George Frideric Handel. Edited by Frederik Hudson and Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series IV, Volume 15. Barock (Baroque). Complete edition, Score, anthology. Baerenreiter Verlag #BA04036_00. Published by Baerenreiter Verlag (BA.BA04036). ISBN 9790006443437. 33.1 x 25.6 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$166.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gamba Sonatas W 88 136 137 Vla Urtext Viola da Gamba G. Henle
Edition for Gamba (Viola). Composed by Carl Philipp Emanuel Bach. Edited by Erns...(+)
Edition for Gamba (Viola). Composed by Carl Philipp Emanuel Bach. Edited by Ernst-Gunter Heinemann and Wolfram Ensslin. Strings, Repertoire, Collections. Gamba Sonatas Wq 88, 136, 137. Baroque, Classical. Softcover Book. 104 pages. G. Henle #HN990. Published by G. Henle (HU.HN990).
12.2 x 9.3 x 0.3 inches.
Like his father, Carl Philipp Emanuel Bach wrote three sonatas for violada gamba. They were written during his time at the Berlin court of Fred erick the Great and gave the excellent viola da gamba player in the court orchestra an opportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo, Bach followed his fathersexample as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of the harpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola, a practice that has been verified in the sources of the time. This version is available in our Urtext edition as an alternative part.
$82.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-16 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-16. Published by Breitkopf and Haertel (BR.OB-5329-16). ISBN 9790004333549. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Organ (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(withou...(+)
Organ (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-11 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 16 pages. Duration 20'. Breitkopf and Haertel #OB 5329-11. Published by Breitkopf and Haertel (BR.OB-5329-11). ISBN 9790004333525. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - tim...(+)
Basso (cello/double bass) (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-26 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 8 pages. Duration 20'. Breitkopf and Haertel #OB 5329-26. Published by Breitkopf and Haertel (BR.OB-5329-26). ISBN 9790004333556. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Woodwinds (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wi...(+)
Woodwinds (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-30 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Folder. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Set of parts. Composed 1780. 56 pages. Duration 20'. Breitkopf and Haertel #OB 5329-30. Published by Breitkopf and Haertel (BR.OB-5329-30). ISBN 9790004333563. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $71.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))...(+)
(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.CHB-5289-02 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Chor-Bibliothek (Choral Library). Mass; Classical. Choral score. Composed 1780. 44 pages. Duration 20'. Breitkopf and Haertel #ChB 5289-02. Published by Breitkopf and Haertel (BR.CHB-5289-02). ISBN 9790004412046. 7.5 x 10.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 [Score] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2...(+)
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.PB-5329 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Classical. Full score. Composed 1780. 68 pages. Duration 20'. Breitkopf and Haertel #PB 5329. Published by Breitkopf and Haertel (BR.PB-5329). ISBN 9790004210420. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $51.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-15 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-15. Published by Breitkopf and Haertel (BR.OB-5329-15). ISBN 9790004333532. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| String Festival Solos, Volume II Cello [Sheet music] - Easy Alfred Publishing
Sel., transcr., and ed. Samuel Applebaum. For Cello Solo. String Series. Level: ...(+)
Sel., transcr., and ed. Samuel Applebaum. For Cello Solo. String Series. Level: Easy-Intermediate (grade 2-3). Book. 24 pages. Published by Alfred Publishing.
(1)$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More String Tunes [Sheet music + CD] Carl Fischer
For the Developing Ensemble (Violin). By Doris Gazda; Ludwig Van Beethoven; Samu...(+)
For the Developing Ensemble (Violin). By Doris Gazda; Ludwig Van Beethoven; Samuel A. Ward; Thomas Casey. Arranged by Doris Gazda. For Violin I, Violin II. Student Book. 31 pages. Published by Carl Fischer.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Samtliche Orgelwerke, Band III Organ Barenreiter
Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, ...(+)
Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, (violin). This edition: Urtext edition. Paperback. Gerard Bunk. Samtliche Orgelwerke 3. Performance score, Part(s), Anthology. 110/2 pages. Published by Baerenreiter Verlag
$67.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Trio Sonata BWV 525 EMB (Editio Musica Budapest)
Transcribed for Piano Duet (3 Hands) Piano Three Hands (Piano For 2 Players) ...(+)
Transcribed for Piano Duet (3 Hands) Piano Three Hands (Piano For 2 Players) SKU: HL.50605346 First Movement – Transcribed for Piano Duet (Three Hands). Composed by Johann Sebastian Bach. Arranged by Gyorgy Kurtag. EMB. Classical. Softcover. 8 pages. Editio Musica Budapest #Z15203. Published by Editio Musica Budapest (HL.50605346). ISBN 9781705180242. UPC: 196288106142. This edition continues the series of György Kurtág's Bach transcriptions for piano duet which were published in 'Transcriptions fromMachaut to J. S. Bach' and 'Seven Bach Chorales.' These pieces were originally written for the Kurtágs, György and his wife Márta, for their own use, and they were often played, together with the 'Játékok' [Games] pieces, at the couple's piano duet concerts. This transcription is dedicated to VÃkingur Ólafsson. $14.95 - See more - Buy online | | |
| Saxophone Repertoire 8 Saxophone The Frederick Harris Music Company
Saxophone - Early Advanced SKU: FH.WS8 Saxophone Series, 2013 Edition<...(+)
Saxophone - Early Advanced SKU: FH.WS8 Saxophone Series, 2013 Edition. Composed by The Royal Conservatory. Saxophone Series, 2013 Edition. Book/CD. 88/36 pages. The Frederick Harris Music Company #WS8. Published by The Frederick Harris Music Company (FH.WS8). ISBN 978-1-55440-557-2. Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments. Eb Saxophone:
Mainly Transcriptions: Sonata, BWV 1035 - Johann Sebastian Bach, arr. Kathleen Wood - First Movement - Third Movement: Siciliano - Fourth Movement Sonata, TWV 41:F2 - Georg Philipp Telemann, arr. Christine Donkin - First Movement - Second Movement - Third Movement Mainly Original Repertoire for Saxophone: Sonata - Anton Bilotti - First Movement Sonata - Alec Wilder - First Movement - Third Movement Allegro - Vaclav Nelhybel
Bb Saxophone:
Mainly Transcriptions: Sonata - Johann Friedrich Fasch, arr. Jason Noble - First Movement - Third Movement Sonata Prima - Francesco Maria Veracini, arr. Harold Birston - First Movement - Third Movement - Fourth Movement Mainly Original Repertoire for Saxophone: Sonata - James di Pasquale - Second Movement - Third Movement Three Songs Without Words - Paul Ben-Haim - 1. Arioso - 3. Sephardic Melody
Eb Saxophone or Bb Saxophone:
Unaccompanied Repertoire: Introduction, Dance, and Furioso - Herbert Couf - [Complete] Improvisation (Romani) - Ronald L. Caravan Improvisations on Lines Where Beauty Lingers - M. William Karlins. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphonie 2 Le Double Orchestra Heugel
Orchestra SKU: BT.ALHE31721 Composed by Henri Dutilleux. Classical. Study...(+)
Orchestra SKU: BT.ALHE31721 Composed by Henri Dutilleux. Classical. Study Score. 96 pages. Heugel & Cie #ALHE31721. Published by Heugel & Cie (BT.ALHE31721). French. 2ème Symphonie, “Le Double” is a symphonic piece for Orchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the BostonSymphony Orchestra in 1959.
The piece features three movements, which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato, ma misterioso II. Andantino sostenuto III.Allegro fuocoso — Calmato This is the conductor's score which also includes all parts.
Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medalofthe Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world),the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night). $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata for Piano, Four-Hands Lauren Keiser Music Publishing
SKU: HL.369858 Composed by Stephen Hartke. LKM Music. Softcover. 44 pages...(+)
SKU: HL.369858 Composed by Stephen Hartke. LKM Music. Softcover. 44 pages. Lauren Keiser Music Publishing #X411007. Published by Lauren Keiser Music Publishing (HL.369858). ISBN 9781705144794. UPC: 840126992717. 9.0x12.0x0.194 inches. This three-movement work was written for the piano duet team of Anna Polonsky and Orion Weiss. The work has a rather “symphonic” character with contrasting sonorities spanning the entire range of the instrument. Movement titles: 1. Intrada: Un poco inquieto, 2. Buck and Wing: Allegro vivace, 3. Pastorale: Molto semplice. Duration ca. 14'. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| XII Sonatas in three parts. Opera secunda Anne Fuzeau Productions
(London, Walsh, Ca 1725). By Jean-Baptiste Loeillet (1680-1730). Edited by Frede...(+)
(London, Walsh, Ca 1725). By Jean-Baptiste Loeillet (1680-1730). Edited by Frederique Thouvenot, Suzi Mohlmeier. Sonates en trio - Divers instr. ad libitum dont la flute traversiere - 2 violons et basse continue - 1 ou 2 violons et divers instruments. For Flute, Recorder, Oboe, Violin. Facsimiles. Collection Dominantes. Grade 0. 102 pages
$46.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Purcell, H 12 Sonatas Of Three Parts 1-3 Vln 2 Music Sales
SKU: HL.14026460 Music Sales America. 10 pages. Music Sales #NOV12044402....(+)
SKU: HL.14026460 Music Sales America. 10 pages. Music Sales #NOV12044402. Published by Music Sales (HL.14026460). 8.25x11.75x0.06 inches. $9.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Guitar Solos - Favorite Sonatinas Guitar - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Bo...(+)
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Book. 152 pages. Mel Bay Publications, Inc #30989. Published by Mel Bay Publications, Inc (MB.30989). ISBN 9781513466705. 8.75x11.75 inches. In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students.Â
In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists. Â
Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. . $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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