| Music for Three, Volume 5, Part 2 - Clarinet |woodwind trio|clarinet| [Part] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 2. Published by Last Resort Music Publishing.
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Three, Volume 5, Part 1 - Clarinet |woodwind trio|clarinet| [Part] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 1. Published by Last Resort Music Publishing.
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Sketches for Clarinet Choir (15 Clarinets) EMB (Editio Musica Budapest)
Chamber Music for Woodwind Ensemble (Score) SKU: HL.50510372 For clari...(+)
Chamber Music for Woodwind Ensemble (Score) SKU: HL.50510372 For clarinet choir. Composed by Frigyes Hidas. 20th Century. EMB. Score. 28 pages. Editio Musica Budapest #Z12882. Published by Editio Musica Budapest (HL.50510372). ISBN 9790080128824. UPC: 073999603774. 9.0x12.0x0.106 inches. English. Frigyes Hidas. Score. $12.95 - See more - Buy online | | |
| Three contrasting sketches for clarinet choir Clarinet Ensemble Golden River Music
By Raymond Decancq. For Clarinet ensemble. Level 6. Published by Golden River Mu...(+)
By Raymond Decancq. For Clarinet ensemble. Level 6. Published by Golden River Music
$32.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Accent on Performance Classical Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). Ar...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Clarinet 2. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Published
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Accent on Performance Classical Collection Concert band Alfred Publishing
Concert Band Alto Clarinet SKU: AP.41293 22 Full Band Arrangements Cor...(+)
Concert Band Alto Clarinet SKU: AP.41293 22 Full Band Arrangements Correlated to Accent on Achievement (Alto Clarinet). Arranged by John O'Reilly and Mark Williams. Band Supplement; Collections; Masterworks; Performance Music Ensemble. Accent on Performance. Masterwork Arrangement. Book. 24 pages. Alfred Music #00-41293. Published by Alfred Music (AP.41293). ISBN 9780739097366. UPC: 038081461861. English. Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.
The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: Elizabethan Dances * Mozart Serenade and Dance * St. Anthony Chorale * Best of Beethoven * Ave Verum Corpus * Saturday at the Symphony * and 16 others. $6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Three Treble Instruments, Collection No. 5 Wedding & Classical Favorites [Set of Parts] Last Resort Music Publishing
(Mix and Match Trios for Three Treble Instruments including Violins, Violas, Flu...(+)
(Mix and Match Trios for Three Treble Instruments including Violins, Violas, Flutes, Oboes and Clarinet). Arranged by Daniel Kelley. For flexible trio (flute, oboe, clarinet, violin, viola, alto flute, English horn, French horn). A wonderful collection of trios arranged for three treble instruments with mixed or flexible instrumentation.. Classical. Intermediate/Advanced. Set of parts. Published by Last Resort Music Publishing
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Accent on Performance Classical Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet))....(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Pub
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Sketches EMB (Editio Musica Budapest)
Chamber Music for Woodwind Ensemble (Parts) SKU: HL.50487342 For clari...(+)
Chamber Music for Woodwind Ensemble (Parts) SKU: HL.50487342 For clarinet choir. Composed by Frigyes Hidas. 20th Century. EMB. Parts. Editio Musica Budapest #Z12883. Published by Editio Musica Budapest (HL.50487342). ISBN 9790080128831. A/4 inches. English. Frigyes Hidas. $41.45 - See more - Buy online | | |
| Light, Line, Shadow - Advanced Schott
Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and pe...(+)
Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and percussion (1 player: vibraphone, crotales) - advanced SKU: HL.49045996 For Flute, Clarinet, Violin, Viola, Cello, Double Bass & Percussion Score and Parts. Composed by Pierre Jalbert. Sheet music. Edition Schott. Softcover. Composed 2018. 37 pages. Duration 15'. Schott Music #ED30283. Published by Schott Music (HL.49045996). ISBN 9781540033901. UPC: 888680786991. 9.25x12.0x0.314 inches. Light, Line, Shadow is a response to Edward Hopper's iconic painting Road and Trees, a painting donated to the Philadelphia Museum of Art by Daniel Dietrich II, and the first Hopper painting acquired by the museum. My piece is in three contrasting movements, each referring to and inspired by an aspect of Hopper's painting.The first movement, Landscape in Motion, refers to the dynamic movement of the landscape when traveling in a car and looking at the landscape passing by in the window. Hopper loved to take road trips, experiencing America by car, and in one of his initial sketches for Road and Trees, there was a car in the painting. The first movement tries to capture that moving landscape as experienced in a car in motion. The second movement, Brush Strokes, focuses on the darker forest in the painting, as the trees become denser and the technique of brush strokes creates deep layers. There is a spiritual aspect to Hopper's paintings, a kind of isolation and emptied out space, and the third movement, Open Road, dwells on that aspect of the painting before reprising material from the dynamic first movement.- Pierre Jalbert. $175.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Mood Sketches Theodore Presser Co.
Woodwind quintet Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.14440211S <...(+)
Woodwind quintet Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.14440211S For woodwind quintet. Composed by George Tsontakis. Contemporary. Full score. With Standard notation. 44 pages. Duration 15 minutes. Theodore Presser Company #144-40211S. Published by Theodore Presser Company (PR.14440211S). UPC: 680160027033. $63.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Septet Wilhelm Hansen
Score SKU: HL.50603836 For Flute, Oboe, 2 Clarinets, 2 Horns and Basso...(+)
Score SKU: HL.50603836 For Flute, Oboe, 2 Clarinets, 2 Horns and Bassoon Score. Composed by Rued Langgaard. Score. Softcover. 32 pages. Duration 780 seconds. Edition Wilhelm Hansen #WH32275. Published by Edition Wilhelm Hansen (HL.50603836). ISBN 9781705149003. UPC: 196288015772. Langgaard sketched out the work at the Tyringe Badesanatorium in Scania (Sweden) in the course of just three summer days in 1915 - 28-30 June. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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