| Three Trumpet Tunes for Organ Organ MorningStar Music Publishers
Composed by Michael Helman. Wedding. MorningStar Music Publishers #10-298. Pub...(+)
Composed by Michael Helman.
Wedding. MorningStar Music
Publishers #10-298. Published
by MorningStar Music
Publishers
$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Credo for Organ and Trumpet: Settings for Festive Occasions Organ, Trumpet (duet) Augsburg Fortress
Composed by Wayne L Wold. Sacred. Solo collection with organ. Published by Augsb...(+)
Composed by Wayne L Wold. Sacred. Solo collection with organ. Published by Augsburg Fortress (AU.9781506413754).
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Celebrated Trumpet Tunes, Vol. 2 |organ|trumpet|piccolo| - Easy GIA Publications
By Jean-Joseph Mouret, Various. Edited by Various. For Trumpet (C or piccolo Bb)...(+)
By Jean-Joseph Mouret, Various. Edited by Various. For Trumpet (C or piccolo Bb) and Organ accompaniment. Instrumental. Sacred. Level: Easy. Published by GIA Publications.
$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Baroque Trumpet Tunes Organ, Trumpet (duet) - Intermediate/advanced MorningStar Music Publishers
By S. Drummond Wolff. For keyboard and trumpet. Chamber Music. Level: Medium/Med...(+)
By S. Drummond Wolff. For keyboard and trumpet. Chamber Music. Level: Medium/Medium-Difficult. Published by MorningStar Music Publishers.
$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Tpt Tunes for Solo Tpt and Org - (Boyce) Organ, Trumpet (duet) MorningStar Music Publishers
By S. Drummond Wolff. For Organ and trumpet. Chamber Music. Level: Medium/Easy-M...(+)
By S. Drummond Wolff. For Organ and trumpet. Chamber Music. Level: Medium/Easy-Medium. Published by MorningStar Music Publishers.
$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Pieces from Ancient Tunes Organ, Trumpet (duet) SATB, Keyboard Zimbel Press
Trumpet & Organ SKU: SU.80101288 For trumpet & Organ. Composed by ...(+)
Trumpet & Organ SKU: SU.80101288 For trumpet & Organ. Composed by Stephen Kemp. Brass, Trumpet. Accompanied by Organ. Score & Parts. Zimbel Press #80101288. Published by Zimbel Press (SU.80101288). Three short pieces for trumpet and organ based on familiar plainchant tunes: Divinum mysterium, Pange lingua, and Te lucis ante terminum. 20 pages Published by: Zimbel Press. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fanfares, Trumpet Tunes, and Toccatas Organ - Intermediate Lorenz Publishing Company
Composed by Craig A. Penfield. Sacred, Concert, General. Lorenz Publishing Co...(+)
Composed by Craig A.
Penfield. Sacred, Concert,
General. Lorenz Publishing
Company #70/2185L. Published
by Lorenz Publishing Company
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Joyous Postludes for Organ Organ - Intermediate/advanced Lorenz Publishing Company
Composed by David Lasky. Sacred. Lorenz Publishing Company #70/2182L. Publishe...(+)
Composed by David Lasky.
Sacred. Lorenz Publishing
Company #70/2182L. Published
by Lorenz Publishing Company
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Preludes On English Hymn-Tunes Organ Hinshaw Music Inc.
Arranged by Graham Farrell. (Organ Solo). Organ and Sacred. Level: Medium Advan...(+)
Arranged by Graham Farrell. (Organ Solo). Organ and Sacred. Level: Medium Advanced Adult. Duration 11 min, 18 sec. Published by Hinshaw Music Inc.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Strife Is O'er: 3 Easter Pieces for Brass Quartet, Timpani, and Organ - Intermediate MorningStar Music Publishers
Brass quartet, timpani, and organ (Trumpet I-II, Trombone I-II, Timpani, Organ) ...(+)
Brass quartet, timpani, and organ (Trumpet I-II, Trombone I-II, Timpani, Organ) - Intermediate SKU: MN.20-461 Composed by Daniel Burton. Easter, 21st Century. Instrument parts. MorningStar Music Publishers #20-461. Published by MorningStar Music Publishers (MN.20-461). UPC: 688670204616. Experienced church musician Daniel Burton brings creativity and practicality to bear in this delightful set of three tunes. The organ parts are of medium difficulty, the brass parts less so, leading to an easy put-together and very satisfying result. $40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Festive Trumpet Tunes [collection] MorningStar Music Publishers
Composed by Jerry Westenkuehler. For organ and optional trumpet. General. Modera...(+)
Composed by Jerry Westenkuehler. For organ and optional trumpet. General. Moderately Easy. Collection. Published by MorningStar Music Publishers
$19.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Chorale Preludes, Volume II Brass ensemble Eighth Note Publications
By Various. Arranged by John McNally. Brass Ensemble - Trio; Trio. Renaissance. ...(+)
By Various. Arranged by John McNally. Brass Ensemble - Trio; Trio. Renaissance. Duration 00:02:33
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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