| Gipsy Baron Vocal Score Schott
Piano Reduction (Vocal Score) SKU: HL.49002176 Comic Opera in 3 Acts(+)
Piano Reduction (Vocal Score) SKU: HL.49002176 Comic Opera in 3 Acts. Composed by Johann Strauss Jr. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. 250 pages. Schott Music #CRZ1016. Published by Schott Music (HL.49002176). ISBN 9783920201092. UPC: 884088107727. 7.5x10.75x0.677 inches. German - English. Boatmen's Chorus * An Orphan from my early days * My second sight has told me so * Exactly four-and-twenty years ago * A suitor seeks a bride * The Moth draws near the flame * Bridal Cake * None braver, none so true * Arsena, Arsena * The morning breaks * Beside the rim of yonder clearing * Wake, wake, for high is the sun * Exit for Chorus * Woh tied the knot? * To trample on Evil of ev'ry sort * Recruiting Song Comrade, dring a glass of wine * Away * Oh, rejoice! * I have no luck at all in love * Now we're going home again * March, march, marching along * Wedding-bells! Hurrah! $61.00 - See more - Buy online | | |
| The Great Clear Twilight Choral SATB SATB, Piano - Easy Walton Music
SATB choir, piano accompaniment - Early intermediate SKU: GI.WW1903 Compo...(+)
SATB choir, piano accompaniment - Early intermediate SKU: GI.WW1903 Composed by Austin Schend. Richard Nance Choral Series. Classical. Octavo. 12 pages. Walton Music #WW1903. Published by Walton Music (GI.WW1903). UPC: 785147034568. English. Text by Sara Teasdale. This work paints a picture of a winter landscape at dusk tied to the thougts of one solemnly reflecting on themes of war, mourning, and the appreciation of motherhood and birth. A new and different take on winter themes. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Krazy Klock Rock Concert band [Score and Parts] - Beginner Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euph...(+)
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Temple Blocks, Timpani, Trombone, Trumpet, Tuba and more. - Grade 1 SKU: CF.BPS32 Composed by Joseph Compello. FS-SWS. Carl Fischer Beginning Performance Series. Classical. Score and Set of Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+2+3+1+2+1+1+20 pages. Carl Fischer Music #BPS32. Published by Carl Fischer Music (CF.BPS32). ISBN 9780825855313. UPC: 798408055318. 9 X 12 inches. Key: Bb major. Krazy Klock Rock is a novelty percussion solo for temple blocks or woodblock(s). As the title suggests, the sound of the solo should give the impression of a ticking clock. This amusing tune incorporates elements of rock and swing, all tied together by the sound of the ticking clock. A fun piece on any program, Krazy Klock Rock is sure to be a winner with your young band. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Emmanuel Has Come (Bulk Cds) Lillenas Publishing Co.
Unison/2-part choir SKU: LP.765762137820 A Christmas Worship Presentat...(+)
Unison/2-part choir SKU: LP.765762137820 A Christmas Worship Presentation in Unison/2-Part. Arranged by Various. This edition: Paperback. Musical. Worship in Unison. Sacred. Bulk CDs (10 pack). Duration 21 minutes. Published by Lillenas Publishing Company (LP.765762137820). UPC: 765762137820. Five songs, arranged for unison or easy two-part harmonies by some of the best arrangers and orchestrators in the business, all tied together with well-placed narration, make for a complete Christmas mini-musical that will fit nicely into any worship service or other Christmas program. This is a great addition to the repertoire of small or inexperienced choirs, senior adults, or choirs with little time to rehearse. Any of the songs can be easily lifted out and effectively used as stand-alone anthems. $59.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concertino (Reduccion) Violin and Piano Editorial de Musica Boileau
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. Instrumental Sets. Duration 12:00. Published by Editorial de Musica Boileau (BO.B.3414). English comments: Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi Cervello
Comentarios del Espanol: Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concertino. Editorial de Musica Boileau
Violin and quintet and string orchestra SKU: BO.B.3059 Composed by Jordi ...(+)
Violin and quintet and string orchestra SKU: BO.B.3059 Composed by Jordi Cervello. Instrumental Sets. Duration 12:00. Published by Editorial de Musica Boileau (BO.B.3059). ISBN 9788480202831. English comments: Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi Cervello
Comentarios del Espanol: Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello. $44.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Piano Treasury of Golden Favorites Piano, Voice [Sheet music + CD] - Intermediate Music Sales
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 ...(+)
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 hits and showstoppers by the master songwriters of yesteryear. 399 pages. Published by Music Sales.
(2)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jazzin' the Blues (Guitar) Guitar notes and tablatures [Sheet music + Audio access] Hal Leonard
A Complete Guide to Learning Jazz-Blues Guitar. Guitar Educational. Book and CD ...(+)
A Complete Guide to Learning Jazz-Blues Guitar. Guitar Educational. Book and CD Package. With notes and tablature. Size 9x12 inches. 104 pages. Published by Hal Leonard.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Star Spangled Banner Concert band [Score and Parts] - Intermediate Willow Blossom Music
Arranged by Damrosch/Sousa/Brion. Sousa Legacy. Score and set of parts. Composed...(+)
Arranged by Damrosch/Sousa/Brion. Sousa Legacy. Score and set of parts. Composed 2013. Duration 1 minute, 25 seconds. Published by Willow Blossom Music
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Grooves Potenza Music
Euphonium duet SKU: P2.80160 Composed by Tom Holtz. Chamber music. Publis...(+)
Euphonium duet SKU: P2.80160 Composed by Tom Holtz. Chamber music. Published by Potenza Music (P2.80160). The idea for these duets came from programming a duet recital with my colleague and dear friend, Dr. Joanna Hersey, Associate Professor of Low Brass at the University of North Carolina at Pembroke. She had several new arrangements for us to perform, and she had set them specifically to be rehearsed and performed by her students. She suggested I write something jazzy for us to play that her students could also work on in lessons. What started out as a quick dose of pseudo-dixieland turned into something quite different. Tango is built on a straight-eighth-note groove. It's meant to be danceable without being too fast or too loud. Players should have fun with the style while being very strict about time and rhythm. Bolero challenges players to provide a steady, rhythmic bass line in the often unwieldy lower registers of the horn, and long, lyrical melodies in the upper register. Jam is all about having fun. It is built around basic harmonic and rhythmic patterns, and is meant to be played aggressively. My hope is that players build necessary skills while preparing these duets, and get a hefty round of applause for their efforts at the performance. Thanks go to Walter Sear (1930-2010), whose books of tuba duets form a cornerstone of low brass chamber repertoire. Thanks also to my colleagues in The President's Own, Chris Tiedeman and Paul Mergen, who often reminded me of how much fun duets can be every time they pulled out their well-loved, dog-eared copy of the Sear book. This work is dedicated to Dr. Joanna Hersey and her studio at the University of North Carolina at Pembroke for their inspiration, dedication, and spirit. My sincere thanks to all of you for making this project a reality. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Groove String ConneXion [Score] Breitkopf & Härtel
String SKU: BR.KM-2300 12 Pieces for String Ensemble. Composed by ...(+)
String SKU: BR.KM-2300 12 Pieces for String Ensemble. Composed by Gunther Tiedemann. Softcover. Kammermusik-Bibliothek (Chamber Music Library). An exiting combination for Strings: The Groove String ConneXion und The Groove Cello ConneXion! Music pedagogy. Score. 56 pages. Breitkopf and Haertel #KM 2300. Published by Breitkopf and Haertel (BR.KM-2300). ISBN 9790004503058. 9 x 12 inches. The Groove String ConneXion and The Groove Cello ConneXion: Breitkopf Pedagogy with popular music for strings.In addition to using it for cello ensemble, string quartet, string trio or string orchestra, the two books can even be combined, giving groups with an uncommon scoring the possibility of ensemble playing. Alternative parts are available on the CD-ROM. Detailed explanations on the pieces and on the used playing techniques together with PDF, audio and video files make this material a method for string instruments that covers a broad spectrum of popular music.Complementary videos showing playing techniques can be found on YouTube.For further audio and video examples see The Groove Cello ConneXion.Discover more rhythm and groove in teaching strings in Groovy Strings.The writing reflects experience and insights gained through years of actively playing and teaching many levels and ages of string players. It has been wonderful for me to hear Gunther playing this material with his students in Cologne. These pieces are exciting to play in real life and in real time. I cannot recommend these books highly enough!(Sera Smolen, Newsletter of the New Directions Cello Association). $53.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: PR.114420410 Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Set of Score and Parts. 30+10+8+10+12+10+10+10 pages. Duration 20 minutes. Theodore Presser Company #114-42041. Published by Theodore Presser Company (PR.114420410). UPC: 680160687015. In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. $50.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: PR.11442041L Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Large Score. 30 pages. Duration 20 minutes. Theodore Presser Company #114-42041L. Published by Theodore Presser Company (PR.11442041L). UPC: 680160687039. In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. $44.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space [Score] Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: PR.11442041S Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Full score. 30 pages. Duration 20 minutes. Theodore Presser Company #114-42041S. Published by Theodore Presser Company (PR.11442041S). UPC: 680160687022. In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hymnus An Die Sonne Score Soloists (tb W/ Piano) And Satb/satb, German Schott
Soloists (TB, with piano accompaniment) and mixed choir (SATB/SATB) SKU: HL.4...(+)
Soloists (TB, with piano accompaniment) and mixed choir (SATB/SATB) SKU: HL.49019926 In Flammen nahet Gott. Composed by Carl Friedrich Zelter. This edition: Saddle stitching. Sheet music. Choral. Softcover. 20 pages. Schott Music #ED21772. Published by Schott Music (HL.49019926). ISBN 9790001196192. German. 'Die Sache war fur den Moment so gelungen, dass ich die Musik selber loben mochte, wenn sie nicht zufallig von mir ware.' So begeistert ausserte sich Carl Friedrich Zelter bereits 1831 uber seinen Hymnus an die Sonne, der nun endlich in der Reihe 'Schatze der Chormusik' einen wurdigen Platz gefunden hat. Das in diesem Hymnus verwendete Gedicht In Flammen nahet Gott stammt aus dem Hauptwerk Urania von Christoph August Tiedge. Die beiden Ecksatze dieses dreiteiligen Werks setzt Zelter fur zwei gemischte Chore (SATB/SATB) und verwendet dabei uber weite Strecken gleiches musikalisches Material. Durchbrochen werden sie von einem klavierbegleiteten Tenor- und Bass-Solo. Ein sehr wirkungsvolles, dabei gut machbares Werk voller Pathos, das sich glanzend eignet fur Chore, die keine Scheu vor Achtstimmigkeit haben. $9.99 - See more - Buy online | | |
| Concerto Capriccioso Flute - Intermediate De Haske Publications
Flute - late intermediate SKU: BT.DHP-1053833-401 For flute and piano<...(+)
Flute - late intermediate SKU: BT.DHP-1053833-401 For flute and piano. Composed by Kees Schoonenbeek. De Haske Instrumental Series. Solo & Concerto. Book Only. Composed 2005. 36 pages. De Haske Publications #DHP 1053833-401. Published by De Haske Publications (BT.DHP-1053833-401). ISBN 9789043122375. English-German-French-Dutch. Concerto Capriccioso begins with a short, fanfare-like introduction, after which the soloist explores the field with a short “solo rubatoâ€. Movement 2 begins in a dreamy 5/4 time, followed by a second theme, which is composed as a dialogue.. The third movement is a broad dialogue between the soloist and the accompaniment. This musical game between the soloist and accompaniment will captivate and delight your audience every time. Also available for flute and concert band.
Het werk begint met een korte fanfareachtige introductie, waarna de solist het terrein verkent met een korte ‘solo rubato’. Hierna begint het echte ‘concertato’. De begeleiding antwoordt en becommentarieert met tussenpozen. De introductieduikt weer op, waarna dezelfde opzet nog eens volgt.Deel twee begint in een dromerige 5/4 maat, gevolgd door een tweede thema, dat als een dialoog wordt uitgewerkt. Het derde deel is een brede dialoog tussen solist en begeleiding.De opnieuw fanfareachtige inleiding komt steeds als een refrein terug tussen de tarantella-achtige solopassages.Concerto Capriccioso is een boeiend muzikaal spel van solist en begeleiding. Ook leverbaar voor fluiten harmonieorkest.
Das Werk beginnt mit einer kurzen, fanfareähnlichen Einleitung. Dann beginnt das eigentliche concertato“. In Intervallen antwortet und kommentiert die Begleitung. Der zweite Satz beginnt in einem verträumten 5/4-Takt, gefolgt von einem zweiten Thema, welches als Dialog komponiert wurde. Der dritte Satz ist ein breiter Dialog zwischen dem Solisten und der Begleitung. Das musikalische Spiel zwischen Solist und Begleitung wird Ihr Publikum immer wieder aufs Neue begeistern. Ebenfalls erhältlich für Flöte und Blasorchester.
La brève introduction prépare l’entrée du soliste qui explore le tissu musical travers un court solo joué rubato. Le deuxième mouvement nous absorbe dans une douce rêverie en 5/4. Le troisième mouvement est écrit sous la forme d’un dialogue entre le soliste et l’accompagnement. Le jeu musical entre le soliste et l’accompagnement est particulièrement plaisant et captivant.
Questo concerto inizia con una breve introduzione simile ad una fanfara. Inizia quindi il vero “concertato†con uno sviluppo di passaggi soli in intervalli diversi tra loro. Il secondo movimento apre in un 5/4 sognante, seguito da un secondo tema, composto come dialogo, e una variazione dell’introduzione. Il terzo movimento è un dialogo più ampio tra l’accompagnamento e l’assolo simile ad una tarantella che non mancher di entusiasmare il pubblico. Disponibile anche per flauto e banda. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Light, Line, Shadow - Advanced Schott
Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and pe...(+)
Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and percussion (1 player: vibraphone, crotales) - advanced SKU: HL.49045996 For Flute, Clarinet, Violin, Viola, Cello, Double Bass & Percussion Score and Parts. Composed by Pierre Jalbert. Sheet music. Edition Schott. Softcover. Composed 2018. 37 pages. Duration 15'. Schott Music #ED30283. Published by Schott Music (HL.49045996). ISBN 9781540033901. UPC: 888680786991. 9.25x12.0x0.314 inches. Light, Line, Shadow is a response to Edward Hopper's iconic painting Road and Trees, a painting donated to the Philadelphia Museum of Art by Daniel Dietrich II, and the first Hopper painting acquired by the museum. My piece is in three contrasting movements, each referring to and inspired by an aspect of Hopper's painting.The first movement, Landscape in Motion, refers to the dynamic movement of the landscape when traveling in a car and looking at the landscape passing by in the window. Hopper loved to take road trips, experiencing America by car, and in one of his initial sketches for Road and Trees, there was a car in the painting. The first movement tries to capture that moving landscape as experienced in a car in motion. The second movement, Brush Strokes, focuses on the darker forest in the painting, as the trees become denser and the technique of brush strokes creates deep layers. There is a spiritual aspect to Hopper's paintings, a kind of isolation and emptied out space, and the third movement, Open Road, dwells on that aspect of the painting before reprising material from the dynamic first movement.- Pierre Jalbert. $175.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Agia Triada Marimba Zimmermann
Marimba SKU: PR.ZM24670 Three impressions. Composed by Hans-Joachi...(+)
Marimba SKU: PR.ZM24670 Three impressions. Composed by Hans-Joachim Tiedemann. Solo fur Percussion. With Standard notation. Zimmermann #ZM24670. Published by Zimmermann (PR.ZM24670). UPC: 680160651511. $10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toe Stopper for CHS-3HY Hal Leonard
SKU: HL.3725016 Canopus Drum Hardware. Hardware Connectors Fasteners. Hal...(+)
SKU: HL.3725016 Canopus Drum Hardware. Hardware Connectors Fasteners. Hal Leonard #CHSP-TS. Published by Hal Leonard (HL.3725016). UPC: 888938029016. 3.0x5.0x1.0 inches. We have great news for drummers who have experienced their favorite shoes becoming damaged or dirtied by use of their hi-hat stand. CHSP-TS has been developed by Canopus based on many customer requests - it not only protects your shoes from damage and dirt, it also improves hi hat playability. CHSP-TS is large and functional. $17.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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