By Megadeth. Guitar Recorded Version. Rock, Heavy Metal. Softcover. With guitar tablature. 184 pages. Published by Hal Leonard

(Guitar Play-Along Volume 129). By Megadeth. Guitar Play-Along. Softcover with CD. Guitar tablature. 94 pages. Published by Hal Leonard

Performed by Megadeth. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Metal. Series: Hal Leonard Guitar Recorded Versions. 80 pages. 9x12 inches. Published by Hal Leonard.

(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Boot Camp. 160 pages. Published by Alfred Music

(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications

By E. L. Lancaster and Gayle Kowalchyk. David Carr Glover. For Piano. Piano method/supplement. Book. 56 pages. Published by Alfred Publishing.

By E. L. Lancaster and Gayle Kowalchyk. David Carr Glover. For Piano. Piano method/supplement. Level: Early Elementary, Level 1. Book. 52 pages. Published by Alfred Publishing.

Choral (SAB Choir) - intermediate

SKU: HL.49018904

Composed by Paul Hindemith. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1912-1914. 12 pages. Schott Music #C53442. Published by Schott Music (HL.49018904).

ISBN 9790001168281. 7.5x11.0x0.048 inches. German.

Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.

Books and Journals

SKU: UT.APS-7

Edited by Simone Ciolfi. Paperback (Soft Cover). Ad Parnassum Studies. Essays by Mathias Auclair, Jean-Christophe Branger, Simone Ciolfi, Matthew Franke, Vincent Giroud, Stephanie Klauk, Hugh Macdonald, Jurgen Maehder, Claire Paolacci, Jann Pasler, Marco Pollaci, Alban Ramaut, Manuela Rita, Tommaso Sabbatini, Sabine Teulon L. Classical. Books and Journals. Ut Orpheus #APS 7. Published by Ut Orpheus (UT.APS-7).

ISBN 9788881094912. 6.5 x 9.5 inches.

Saggi di Mathias Auclair, Jean-Christophe Branger, Simone Ciolfi, Matthew Franke, Vincent Giroud, Stephanie Klauk, Hugh Macdonald, Jürgen Maehder, Claire Paolacci, Jann Pasler, Marco Pollaci, Alban Ramaut, Manuela Rita, Tommaso Sabbatini, Sabine Teulon Lardic


The Mediterranean world represented an inspiring cultural and social environment Jules Massenet. It provided him, in his operas and instrumental music, with characters and scenes that enabled him to interpret the spiritual and psychological tensions of the late Romantic period.
For Massenet the Mediterranean world had broad boundaries in both time and place; it included Roman history, the antique Orient, and also the South of Spain, Italy and France, with their magical, sometimes sinful, nuances. Consequently, Massenet’s engagement with Mediterranean culture is dual-faceted, encompassing antique Roman and Oriental societies, with their mysterious, sensual suggestions useful for passionate opera plots, and contemporary Mediterranean societies, suitable for a more picturesque approach.
This book reflects these two tendencies. The essays analyse the basic duality, but also introduce an additional viewpoint: the reception of Massenet’s music in his contemporary Mediterranean world. The analytical approaches represent an enquiry into the reception of Mediterranean compositional theory in Massenet’s training.
The figure of Massenet and his music has been neglected by scholarship over the last two decades. This book aims to fill this gap with a subject not tied exclusively to music but encompassing the impact of a specific cultural dimension on the composer and his music. This dimension is broad in time and place, but no less specific for this breadth. This novel approach is one we have tried to maintain throughout the contributions. Although the enquiry is never-ending, the contributors hope that their combined effort as embodied in this book might provide a basis for further research.