Piano Accompaniment; Violin (Score and Solo Part) - difficult

SKU: HL.49044450

Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450).

ISBN 9790001198639. 9.0x12.0x0.124 inches.

This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou

Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou.

Know Before You Blow - Jazz Modes for Tenor Sax with CD composed by Chris Tedesco. For tenor sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco. For alto sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Trombone with CD composed by Chris Tedesco. For trombone. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

By Chris Tedesco. This edition: Paperback. Instructional. Jazz Method. Conductor's score with CD. Text Language: English. 104 pages. Published by Santorella Publications

Score and Parts String Orchestra (Parts And Score) - Level 3.5

SKU: HL.35011048

Composed by Ken Baird. Shawnee Press. Shawnee Press #J0175. Published by Shawnee Press (HL.35011048).

UPC: 747510071587.

Invention is an exciting work for high school or college orchestra that features an accented, multi-metered main theme, contrapuntal writing, a fugue, a reflective melodic interlude, and an optional extended violin cadenza. The title refers to the process undertaken by great inventors such as Thomas Edison and Leonardo Da Vinci. In this work, the composer reflects the many emotions and processes an inventor might experience as he is working on his creation: the spark of inspiration, the excitement of a new project, trial and error, frustration and anger, intensity, and, at last, success!

Harmonica - Beginning; Intermediate; Advanced

SKU: MB.93737M

Composed by Phil Duncan. Squareback saddle stitch, Folk, Harmonica: Diatonic, Method. Style. Book and online audio/video. 108 pages. Mel Bay Publications, Inc #93737M. Published by Mel Bay Publications, Inc (MB.93737M).

ISBN 9780786691593. 8.75 x 11.75 inches.

This book/audio/video set is a complete guide to playing the 10-hole diatonic harmonica. Its purpose is to help the beginning student avoid the trial and error method of playing the harmonica through step-by-step technical instruction and an extensive, graded repertoire. Rather than overwhelming the student with the all at once approach, fundamentals of note reading are gradually introduced throughout the books 100-plus pages. This method progresses from very simple melodies and exercises to concepts as complex as inserting harmonica chords within a melody. Guitar chords are provided for most of the well-known tunes in the book. Includes access to online audio and video. Online video is 30 minutes.

Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri Shostakovich (1906-1975). Edited by Mark Rogers. Southern Music. Concert. Softcover. Southern Music Company #S977CB. Published by Southern Music Company

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.11441998S

Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S).

UPC: 680160681730. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.