SKU: FZ.5012
ISBN 9790230650120. 24.00 x 33.00 cm inches.
This facsimile of an original and the manuscript by Antonio Vivaldi are part of our Dominantes collection. Sonata per oboe solo del Sr Vivaldi, RV 53. Trio sonata en G. B. oboe primo. Oboe secundo et basso del Singr Vivaldi, RV 81. Suonata a violino, oboe, et organo obligato. Di D. A. V, RV 779. Presentation by Michel Giboureau: hints about the score Details of performance - Restoration of the scores. Two unique old copies, and a signed manuscript. Library of Dresden and Lundo. This volume will be followed by two others collections of Vivaldi's chamber music with oboe. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Sachsische Landesbibliothek of Dresden (Germany). - Library of University of Lund (Sweden). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.49017077
ISBN 9790001148955. UPC: 841886009165. 9.0x12.0x0.137 inches.
Robert Valentine, born in Leicester around 1680, was one of the few English masters of Baroque music who achieved fame and enjoyed a high standing beyond the borders of his home country instead of within. He made his fortune in Italy where he seemed to have spent most of his lifetime. It is assumed that he returned to England in 1731. He died at an unknown place around 1735.Valentine was a talented composer. Apart from some concertos, he mainly wrote and published solo sonatas, trio sonatas and duets, works who clearly show his preference for the flute, he himself being a flutist.
SKU: SU.00220629
This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: The Clarinet Solos & Duos collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages The Clarinet Methods, Studies & Ensembles collection makes available eight essential clarinet methods, studies and exercises, as well as over 30 works for clarinet with instruments including duos, trios and quartets by 20 familiar and lesser-known composers from the 18th, 19th and early 20th centuries. Scores and parts are included for many ensemble works. Methods, Studies & Exercises include: Baermann (Complete Method for Clarinet, Op. 63); Klosé (Conservatory Method, 25 Daily Exercises, 30 Studies after Aument); Langenus (Complete Method for Clarinet); Rose (32 Etudes for Clarinet) Ensembles include: Amberg (Fantasiestücke, Suite for Flute, Oboe, Clarinet & Piano); Beethoven (Quintet for Piano and Winds); Brahms (Quintet for Clarinet & Strings, Trio for Clarinet, Cello & Piano); Bruch (8 Piece for Clarinet, Cello & Piano); Cavallini (Rêverie Russe for Flute, Clarinet, and Piano); d'Indy (Trio for Piano, Clarinet, and Cello); Fibich (Quintet for Clarinet, Violin, Cello, Horn, & Piano); Glinka (Trio Pathétique, for Clarinet, Cello, & Piano); Hummel (Serenade No. 1 for Flute, Clarinet, Viola, & Cello); Liadov (8 Russian Folk Dances); Mozart (Twelve Minuets for 2 Clarinets or Basset Horns, Five Divertimenti for 2 Clarinets & Bassoon), Quintet for Clarinet & Strings, Quintet for Piano & Winds, Trio for Clarinet, Viola & Piano); Ravel (Intruduction & Allegro); Reger (Quintet for Clarinet & Strings); Rimsky-Korsakov (Quintet for Piano & Winds); Saint-Saëns (Tarantella for Flute, Clarinet & Piano); Schubert (Der Hirt auf dem Felsen); Schumann (Märchenerzählungen, for Clarinet, Viola & Piano); Spohr (Fantasy & Variations); Titl (Serenade for Violin, Clarinet & Piano); Zemlinsky (Trio for Clarinet, Violin & Cello) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2100+ pages Published by: CD Sheet Music.
SKU: HL.49030380
ISBN 9790220119200. 9.0x12.0x0.224 inches.
The 6 Trio Sonatas, Op. V, for 2 Violins or Flutes and Basso continuo were originally published in Amsterdam in 1736 under the supervision of the composer. The present edition - edited by Piera Federici with realization of the Basso continuo by Filippo Ravizza - is based on the text of the Critical Edition published in association with the Stichting-Fondazione Pietro Antonio Locatelli, Amsterdam-Cremona, under the direction of Albert Dunning.
SKU: HL.49000150
ISBN 9790001001403. UPC: 073999358933. 9.0x12.0x0.084 inches.
SKU: HL.48025116
ISBN 9781784547325. UPC: 196288074397. 9.0x12.0 inches.
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The pencil manuscript of the Piano Trio in A minor (c1930-40) was discovered in 2019 in the Russian National Museum of Music, Moscow. The work has been edited for performance by Graham Griffiths in close collaboration with members of the Gould Piano Trio, who gave the world première in 2020. A four-movement work of 28 minutes' duration and in full-blooded Romantic idiom, it joins the recently republished Cello Sonatas 1 & 2 in the Kashperova Edition.
SKU: BR.MR-2115A
ISBN 9790004486696. 9 x 12 inches.
Sonata Sancti Mauritii was written in 1666 by Pavel Josef Vejvanovsky (1633?-1693) for the feast day of the patron saint of St. Mauritius Church, Kremsier, which is now Kromeriz, Czech. The date of the composition shows it to be an early work composed about two years after he joined Prince Bishop Karl Liechtenstein-Kastelkorn's orchestra as trumpeter, composer and copyist.The source for this edition is a manuscript in the Castle Archives, Kromeriz, C.S.S.R., call number Breitenbucher IV 9.This sonata contains many features of interest to trumpeters and is an attractive piece in its own right. Two noteworthy points are 1) the use of mutes to raise the pitch of the trumpets from C to D and 2) the unusual key of g minor for the trumpets with a difficult move from the f-sharp to f-natural in the first trumpet part in measures 112-113. In the latter case, a fermata has been inserted editorially for musical as well as practical reasons.This piano reduction was prepared from a modern edition of the work with strings and continue available also from Musica Rara. The string parts are preserved here as much as possible in the sections marked Tutti. The sections marked B. C. (Basso Continuo) appear here as realised in the orchestral edition.(from the Preface: Charles W. Smith, Cape Girardeau, Missouri, U.S.A., 9th March 1985).
SKU: BT.DHP-1023120-010
The Adagio is based on a manuscript that was discovered in the Dresden State Library after the Second World War by Remo Giazotto, a Milanese musicologist who was working on Albinoni’s biography at the time. Only the bass line and six bars of melody were found and they probably belonged to the slow movement of a Trio Sonata. In 1945 Giazotti reconstructed the now famous Adagio which has made Albinoni known to a worldwide audience. Das Adagio, so wie es heute weithin bekannt ist, hat eine interessante Geschichte: Es wurde erst im 20. Jahrhundert von einem Musikwissenschaftler aus einem Manuskript Albinonis, welches lediglich Teile einer Melodie enthielt, rekonstruiert. Dennoch ist es gerade das Adagio, das Albinoni in der heutigen Musikwelt berühmt gemacht hat und dessen Wirkung sich auch in diesem gefühlvollen Arrangement von Jacob de Haan niemand entziehen kann. Tomaso Albinoni (1671-1751) est né Venise. Il est le fils aîné d’un riche marchand. Dès son plus jeune ge, il développe un réel talent pour le chant et surtout pour le violon, et se met rapidement composer. Albinoni a vécu et travaillé toute sa vie durant Venise, mais a également séjourné Florence et Munich.Dans sa jeunesse, Albinoni compose de la musique sacrée mais sans grand succès. En 1694, il attire l’attention du public vénitien lors de la représentation de son premier opéra Zenobia, Regina de Palmireni (Zenobia, reine de Palmireni). Ses premières œuvres de musique instrumentale datent de la même année. Par la suite, Albinoni se consacre surtout lacomposition d’œuvres vocales (opéras et cantates) et instrumentales (sonates et concertos).C’est en travaillant sur la biographie d’Albinoni, au sortir de la Deuxième Guerre mondiale, que le musicologue milanais, Remo Giazotto, découvre la Bibliothèque Nationale de Dresde, un manuscrit inédit, sur lequel est basé le célèbre Adagio. Il semblerait que les six mesures de la mélodie et la ligne de basse retrouvées aient constitué un passage d’un mouvement lent d’une sonate trois. Vers 1945, en partant de ces éléments, Remo Giazotto reconstitue une œuvre, célèbre de nos jours, comme l’Adagio d’Albinoni, alors qu’Albinoni lui-même ne serait probablement plus en mesure de reconnaître sa pièce.
SKU: P2.PZA90187
Concert Duets is a collection of 14 arrangements of works by prominent 18th-century composers, mostly taken from Trio Sonatas. Duet 11 is a Jim Self original work in the Rococo style; and Duets 12, 13 and 14 are arrangements of the three-movements of the Bach Concerto for Two Violins. Included with this edition are play-along recorded tracks by tubist Zach Collins, who also served as editor of the current edition.I created these duets as Christmas gifts for my tuba playing friends, with the first duet being arranged in 1976. All 14 of the duets are challenging and fun to play and are especially effective as concert pieces.As a young musician I had the privilege of playing duets with many of the world’s finest tubists including Harvey Phillips, John Fletcher, Bob Pallansch, Chester, Schmitz, Dan Perantoni, Toby Hanks, Ron Bishop, Winston Morris and Tommy Johnson. I learned more about playing music in these duo sessions than from any other musical activity I have ever experienced. Duets are powerful teaching tools for learning and mastering rhythm, phrasing and intonation and for developing overall musicianship.Jim Self:Self (b. 1943) is a Los Angeles free-lance musician, a veteran of thousands of Hollywood motion pictures, television shows and records, and tuba soloist on many prominent movies. His tuba was the “Voice of the Mothership†in Close Encounters of the Third Kind. He is Principal Tuba/Cimbasso with the Pacific and Pasadena Symphonies and the Los Angeles Opera and Hollywood Bowl Orchestras. Formerly he was in The U.S. Army Band and tuba / euphonium professor at the University of Tennessee. He holds a DMA from the USC Thornton School of Music where he is Adjunct Professor of Tuba and Chamber Music. His compositions and arrangements include works for solo tuba, brass quintet, other brass, string and woodwind chamber music, wind band and orchestra. Jim has produced many solo jazz and classical recordings. His music and recordings are available from Potenza Music and www.jimself.com. Jim Self is a Yamaha Performing Artist.Zach Collins, editor:Zach Collins is professor of Tuba and Euphonium at Indiana University of Pennsylvania. In 2019, he released his first solo album, Chronicle. It was recognized with the 2021 ITEA Roger Bobo Award for Excellence in Recording for the best Solo Tuba Album.His interpretation of William Kraft’s Encounters II for Solo Tuba was released on Cambria Master Recordings. Zach performs with Eastern Standard, a horn, tuba, piano trio he formed with Heidi Lucas and Jacob Ertl. The ensemble has released two commercial albums, Eastern Standard and Wanderlust.Zach regularly performs with the Keystone Chamber Winds, Altoona Symphony Orchestra, and West Virginia Symphony Orchestras. His compositions and arrangements for brass and for tuba and euphonium can be purchased from Cimarron Music and Eighth Note Publications. Zach earned degrees from Texas Christian University and the University of Southern California. His primary teachers have been Richard Murrow, Jim Self, Tommy Johnson, and Norm Pearson. Zach Collins is a Miraphone artist.
SKU: TL.TCL015976
ISBN 9780857365507.
Selected pieces for Trinity College London clarinet exams for 2017-2020, expertly graded and edited by leading music educators. This item contains both the full score and clarinet part.
SKU: TL.TCL016225
ISBN 9780857365750.
SKU: TL.TCL016065
ISBN 9780857365590.
Selected pieces for Trinity College London clarinet exams for 2017-2020, expertly graded and edited by leading music educators. This item contains the clarinet part only.
SKU: CA.3912005
ISBN 9790007055622. Language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.
SKU: CA.3912013
ISBN 9790007055653. Language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and part available separately - see item CA.3912000.
SKU: CA.3912019
ISBN 9790007144296. Text language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and parts available separately - see item CA.3912000.
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