| Dixit Dominus SSA Choral 3-part SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.
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| Two A Cappella Italian Folk Songs for Emerging Treble Choir Choral 3-part SSA A Cappella BriLee Music
I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk So...(+)
I. Farfallina (Butterfly) 2.
Lucciola (Firefly). Composed
by Italian Folk Song and
Tuscan Folk Song. Arranged by
Christi Jones. Fold. Octavo.
8 pages. Duration 2 minutes,
35 seconds. BriLee Music
#BL1123. Published by BriLee
Music
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I'm Working In You Abingdon Press
Choral Unison voices (optional 2-part) and piano SKU: PR.712409190 Gen...(+)
Choral Unison voices (optional 2-part) and piano SKU: PR.712409190 General Anthem for Unison (Optional Two-Part) Voices and Piano. Composed by Becki Slagle Mayo Lynn Shaw Bailey. With Standard notation. Abingdon Press #712-40919. Published by Abingdon Press (PR.712409190). UPC: 843504001155. The introduction sets the tone for this fun to sing anthem. While children will enjoy singing this anthem, they'll also learn that God is faithful and God's love is eternal. Comfortably set within the vocal range of children, the syncopations and melodic interest will have them asking to sing this song every time you meet. Easily sung in unison, the optional second part adds a little pizazz to the ending of the anthem.
This will require an intermediate to advanced pianist to comfortably play the full accompaniment. Consider asking a bass player to play the moving quarter notes in the left hand piano score (that will help less accomplished pianists focus on playing the treble clef only). Ask a high school snare drum player to add a soft-brush swing style, as a fun addition to the anthem. Be careful of the balance between the keyboard, bass, snare, and singers.
Performance options include adding simple movements as are appropriate for your space and setting. If you are performing this in a concert setting, consider adding easy soft-shoe style dance steps. This would be a great concert ender for a nursing home visit by your choir. Churches with projection capabilities may want to show slides of children in hands-on ministries from within your church or community as part of the performance of the anthem.
Appropriate days: General praise, themes of discipleship, Christian personhood, God's love, God's presence. $1.80 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| School Rules Musical course - Solfege Hal Leonard
(Manners and Classroom Procedure Songs). By Brad Green. TEACHER ED. Expressive A...(+)
(Manners and Classroom Procedure Songs). By Brad Green. TEACHER ED. Expressive Art (Choral). 64 pages
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| School Rules Choral SATB SATB [Accompaniment CD] Hal Leonard
(Manners and Classroom Procedure Songs). By Brad Green. Performance/Accompanimen...(+)
(Manners and Classroom Procedure Songs). By Brad Green. Performance/Accompaniment CD. Expressive Art (Choral). CD only
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| School Rules Choral Hal Leonard
(Manners and Classroom Procedure Songs). CLASSRM KIT. Expressive Art (Choral). ...(+)
(Manners and Classroom Procedure Songs). CLASSRM KIT. Expressive Art (Choral). Published by Hal Leonard
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| What You Can Do for the World - Easy Schott
2 mixed choirs (SATB) a cappella - easy to intermediate SKU: HL.49045920 ...(+)
2 mixed choirs (SATB) a cappella - easy to intermediate SKU: HL.49045920 For Double SATB Chorus a Cappella. Composed by Douglas Cuomo. Sheet music. Choral. Octavo. Composed 2018. 15 pages. Duration 5'. Schott Music #ED30185. Published by Schott Music (HL.49045920). ISBN 9781540030931. UPC: 888680755584. 7.0x10.5x0.074 inches. English. What You Can Do for the World is a fun, spirited, light-hearted but meaningful dialog between the two choruses, and between the sections within the choruses. They are sometimes in agreement, sometimes slightly at odds.It is critical that chorus I and chorus II are placed separately on stage so the audience experiences, as much as possible, the sensation of one chorus in their left ear and the other in the right.The hand-offs of parts from chorus to chorus, and from section to section within each chorus, should be seamless, without pauses. The effect should be that of a lively conversation ping-ponging back and forth, keeping the audience guessing where the next line will be coming from. Douglas J. Cuomo, 2018. $2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa in C minor K. 427 Great Mass in C minor Choral SATB Barenreiter
2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg- B-solo,2MixedCh-SATB,Orch ) SKU: BA.B...(+)
2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg-B-solo,2MixedCh-SATB,Orch) SKU: BA.BA09188-90 Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Classical. Vocal Score. KV 427. Baerenreiter Verlag #BA09188_90. Published by Baerenreiter Verlag (BA.BA09188-90). ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger. Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.
Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.
High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself: - TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards. - The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound. - TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.
Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).
The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.
The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Very First Tonechime Arrangements Handbells [Sheet music] Alfred Publishing Choral/Vocal (Music and
Classroom Publications).
Published by Alfred
Publishing.
$24.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. This edition: urtext edition. Stapled. Barenreiter Urtext. Classical. Choral score. KV 427. 44 pages. Baerenreiter Verlag #BA09188_91. Published by Baerenreiter Verlag (BA.BA09188-91). ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.
Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.
High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself: - TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards. - The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound. - TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.
Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).
The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.
The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Requiem Soli, Mixted choir and accompaniment Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) SKU: BA.BA11310-90 Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90). ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin. This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.
When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.
At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.
â?¢ Scholarly-critical edition of the â??Requiemâ? fragment â?¢ With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozartâ??s musical idiom â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ? â?¢ Easy-to-play piano reduction â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique â?¢ Detailed Critical Commentary (Eng), partly available on the Bärenreiter website â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)
You will find a detailed brochure on the new completion of Mozart's Requiem here.
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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