SKU: GI.G-10368

ISBN 9781622776276.

This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell     The Wind Music Research Quarterly: Mitteilungsblatt der IGEB     (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor     Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis     The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner     Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist” Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)   Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.

SKU: HL.14011399

English.

A fun space adventure musical full of information on technology, the solar system and travel. Ideal as an end of term production at any time of th year. Duration: 45 mins. If you need to license a school/youth theatre performance of this product, please use the online application form.

SKU: GI.G-10552

English. Text Source: Alas! and Did My Savior Bleed?, Isaac Watts, 1674-1748, alt., At the Cross, Ralph E. Hudson, 1843-1901, alt. Text by Isaac Watts.

“At the Cross” contains the very rich texts of Isaac Watts and Ralph Hudson. My desire is to treat each verse with utmost respect by highlighting—through music—the suffering, shame, hope, beauty, and glory of the cross. The cross embodies all of these attributes. You will notice there is a somberness that begins at m. 84, mirroring the darkness that ensued while Christ hung on the cross (Mark 15:33). A “darker” sound from the altos is encouraged. This is the turning point in the song, preparing the singers for the response to such a sacrifice. Although the text speaks of grief and debt (starting at m. 93), one can see the hope that builds, with the realization that complete surrender is the only response to such a sacrifice. Much thought and energy (under control) should be expended to aid this verse in building to the climactic point of the song, when hope is found in the cross and the burden has been lifted.

SKU: HL.1105208

UPC: 663961058666. 17.5x18.5x30.0 inches.

SRT212 - 12″ 1600W Professional Powered Loudspeaker SRT™ Professional Powered Loudspeakers are designed for real-world working musicians, DJs, events, venues, and beyond. The latest acoustic processing technology, powerful amplifiers, and the ultra-versatile SRT Mix Control™ means easy setup, incredible sound, and unbeatable reliability. Built-Like-A-Tank™ construction features rugged molded cabinets and tough steel grilles that are built to last. As the larger gigs come rolling in, your audience gets bigger, and your needs demand better sound and flexibility, SRT is YOUR Next Big Thing. • A True Workhorse for Gigging Professionals • Powerful 1600W Class-D amplifiers designed for ultra-reliable, consistent performance • Custom high-efficiency transducers ensure maximum clarity and accuracy • Built-Like-A-Tank™ to conquer every gig while lightweight for easy loading • Universal Power Supply (100-240VAC) with Power Factor Correction for stable operation even with unstable AC power • Advanced Impulse™ DSP - Proprietary Acoustic Tuning • Crystal clear sound across the entire dispersion zone means the whole room is the sweet spot • Custom Sym-X™ Horn • Allows for total efficiency from the HF transducer minimizing distortion and increasing output • Creates a perfectly symmetrical, flat response at the crossover point for exceptionally smooth midrange • The horn-loading frequency is set below the HF drivers' LF capability allowing for maximum efficiency and optimal performance at the crossover point • Transparent System Limiting and Protection • Dedicated processing module monitors and protects the amplifier in real time • Sound quality and tonal balance is maintained even under heavy limiting • Utilizing powerful multi-band compression, the amplifier can target specific frequency ranges to prevent the system from being overloaded rather than turn everything down at the expense of overall output • Input limiting keeps your source signal in check so if you're sending audio that's a bit too hot, the speaker will cool it down • SRT Mix Control™ Built-in 4-Channel Digital Mixer with Bluetooth® • Dual independent channels that support mic, line, and instrument signals • Dedicated 1/8″ stereo aux channel • Stream music from any Bluetooth® enabled device • Complete Wireless Control via the SRT Connect™ App • Wirelessly link SRT speakers together for music streaming applications plus complete control over both speakers • Versatile configuration options • Step up your low-end with the SR18S Powered Subwoofer.

SKU: HL.1122892

UPC: 750795011469. 13.25x13.25x1.513 inches.

Drummers need to be able to practice, but many times it needs to happen away from the kit, either at low volume or while on the go. Vic Firth's Single-sided Practice Pads set the standard high for drumming practice with a portable, soft rubber pad that helps keep your chops sharp, whether you're perfecting a new piece of music, or working on stick control. Even when played with full force at the loudest dynamic, this pad absorbs the blows and controls the volume for longer and later practice, giving your wrists a complete workout. The natural playing surface provides the realistic feel and response of a drumhead with excellent rebound. Play on any surface, drum or right in your lap. The durable wooden base and underside grip keep this pad in place. The 12″ size also fits most snare stands for convenient practice. The trademark Vic Firth logo is printed on top, showing the world you're playing with the right feel. Made in the USA.