| D.R.U.M. Percussion [Classroom Materials] Alfred Publishing
Other Percussion SKU: AP.BMR08009 Discipline, Respect, and Unity Throu...(+)
Other Percussion SKU: AP.BMR08009 Discipline, Respect, and Unity Through Music. Composed by Jim Solomon. Classroom/Pre-School; Orff; Orff School Orchestra. Book. 56 pages. Alfred Music #00-BMR08009. Published by Alfred Music (AP.BMR08009). ISBN 9780769268385. UPC: 029156954913. English. Kids love drums! The sight, sound, power, and feel are tremendous motivators for many students. D.R.U.M. is an acronym for Discipline, Respect and Unity Through Music. The original D.R.U.M. group was formed at author Jim Solomon's elementary school in 1995 to provide an ensemble experience for students not involved in any of the regular music groups. The group concept is designed to stress teamwork and self-discipline while learning these intensive percussion ensembles built on music from the United States, Brazil, Africa, and China. Useful for general music classes and special groups, this book is a terrific learning tool with unlimited potential! $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Codex V United Music Publishers
12 or more players of any instruments, with conductor SKU: UM.93791 Gr...(+)
12 or more players of any instruments, with conductor SKU: UM.93791 Group 1 Part. Composed by Richard Barrett. Part. United Music Publishing #93791. Published by United Music Publishing (UM.93791). ISBN 9790224406238. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89546 W/Group 2 in Eb Each Pt. ...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89546 W/Group 2 in Eb Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89546. Published by United Music Publishing (UM.89546). ISBN 9790224405415. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lights and Shadows United Music Publishers
Children's unison choir, SATB chorus, recorder group, brass (2322), 2 percussion...(+)
Children's unison choir, SATB chorus, recorder group, brass (2322), 2 percussion, strings (violas, cellos) SKU: UM.16652 Composed by Diana Burrell. Facsimile score. United Music Publishing #16652. Published by United Music Publishing (UM.16652). A3 inches. $87.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Codex V United Music Publishers
12 or more players of any instruments, with conductor SKU: UM.93792 Gr...(+)
12 or more players of any instruments, with conductor SKU: UM.93792 Group 2 Part. Composed by Richard Barrett. Part. United Music Publishing #93792. Published by United Music Publishing (UM.93792). ISBN 9790224406245. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lights and Shadows United Music Publishers
Children's unison choir, SATB chorus, recorder group, brass (2322), 2 percussion...(+)
Children's unison choir, SATB chorus, recorder group, brass (2322), 2 percussion, strings (violas, cellos) SKU: UM.33806 Composed by Diana Burrell. Facsimile vocal score. United Music Publishing #33806. Published by United Music Publishing (UM.33806). A4 inches. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89541 W/Group 1 in C Each Pt. C...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89541 W/Group 1 in C Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89541. Published by United Music Publishing (UM.89541). ISBN 9790224405361. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Codex V United Music Publishers
12 or more players of any instruments, with conductor SKU: UM.93793 Gr...(+)
12 or more players of any instruments, with conductor SKU: UM.93793 Group 3 Part. Composed by Richard Barrett. Part. United Music Publishing #93793. Published by United Music Publishing (UM.93793). ISBN 9790224406252. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89544 W/Group 2 in Bb Each Pt. ...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89544 W/Group 2 in Bb Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89544. Published by United Music Publishing (UM.89544). ISBN 9790224405408. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Archangel United Music Publishers
Concertante group: 2Ob, Ca, 3Tpt; & Wind 3033/4031 SKU: UM.13171A3 Compos...(+)
Concertante group: 2Ob, Ca, 3Tpt; & Wind 3033/4031 SKU: UM.13171A3 Composed by Diana Burrell. Full score. United Music Publishing #13171A3. Published by United Music Publishing (UM.13171A3). ISBN 9790224412819. $140.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Archangel United Music Publishers
Concertante group: 2Ob, Ca, 3Tpt; & Wind 3033/4031 SKU: UM.13171A4 Compos...(+)
Concertante group: 2Ob, Ca, 3Tpt; & Wind 3033/4031 SKU: UM.13171A4 Composed by Diana Burrell. Full score. United Music Publishing #13171A4. Published by United Music Publishing (UM.13171A4). A4 inches. $70.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89542 W/Group 1 in Eb Each Pt. ...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89542 W/Group 1 in Eb Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89542. Published by United Music Publishing (UM.89542). ISBN 9790224405385. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89543 W/Group 1 in Bb Each Pt. ...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89543 W/Group 1 in Bb Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89543. Published by United Music Publishing (UM.89543). ISBN 9790224405378. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| After Ives United Music Publishers
Piano & Tape (+ Opt.Instr) SKU: UM.89545 W/Group 2 in C Each Pt. C...(+)
Piano & Tape (+ Opt.Instr) SKU: UM.89545 W/Group 2 in C Each Pt. Composed by Stephen Montague. Part. United Music Publishing #89545. Published by United Music Publishing (UM.89545). ISBN 9790224405392. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem United Music Publishers
Mezzo-soprano voice solo, SSAATB choir, orchestra (2222/4231/hp.org.timp.3 off-s...(+)
Mezzo-soprano voice solo, SSAATB choir, orchestra (2222/4231/hp.org.timp.3 off-stage perc groups.4 fog horns/strings) SKU: UM.97688 Composed by Stephen Montague. Vocal score. United Music Publishing #97688. Published by United Music Publishing (UM.97688). ISBN 9790224408003. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 2015 Modern Worship Hits Piano, Vocal and Guitar Alfred Publishing
(Piano/Vocal/Guitar). Composed by various artists and composers. For Guitar;...(+)
(Piano/Vocal/Guitar).
Composed by various artists
and composers. For Guitar;
Keyboard; Piano; Voice. This
edition: Piano/Vocal/Guitar.
Book; P/V/C Mixed Folio;
Piano/Vocal/Chords; Worship
Resources. Contemporary
Christian; Pop/Rock; Sacred.
120 pages. Published by
Alfred Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Caritas Abundat Hildegard
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU...(+)
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9563 Great and Fiery Force. Composed by Michael John Trotta. Hidegard Von Bingen transcribed by Michael John Trotta. Mjts. With Standard notation. 24 pages. Duration 4 minutes, 41 seconds. Carl Fischer Music #CM9563. Published by Carl Fischer Music (CF.CM9563). ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta. Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2]. $3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fighting Over What We Believe Choral 3-part Seafarer Press
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on conflict, communication and compromise). Composed by Elizabeth Alexander. For SSA, SAB (youth choir), piano. Anthems, Sacred, Secular, Jazz / Blues / Rock. Medium. Choral Score. Duration 4 minutes. Published by Seafarer Press
$3.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tricky Sticks Jazz Ensemble Kendor Music Inc.
Composed by Greg Yasinitsky. For jazz ensemble (9-17 players) with optional flut...(+)
Composed by Greg Yasinitsky. For jazz ensemble (9-17 players) with optional flute, clarinet, F horn, tuba and vibes. Kendor Konvertible. Jazz Gateway Series. Swing. Easy. Score and set of parts. Duration 4 minutes, 50 seconds. Published by Kendor Music Inc
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cantabile Voice Class Choral Pavane Publishing
Composed by Katharin Rundus. For Choral. Pavane Publications. 48 pages. Pavane P...(+)
Composed by Katharin Rundus. For Choral. Pavane Publications. 48 pages. Pavane Publishing #P5026. Published by Pavane Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Concert Openers Concert band [Score and Parts] Belwin
Composed by Jack Bullock. Concert Band; SmartMusic, Opener. Belwin Concert Band....(+)
Composed by Jack Bullock. Concert Band; SmartMusic, Opener. Belwin Concert Band. Form: Fanfare. Part(s); Score. 244 pages. Belwin Music #00-29588. Published by Belwin Music (AP.29588).
$73.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Teaching Music through Performance in Contemporary A cappella GIA Publications
SKU: GI.G-10098 Composed by Deke Sharon, J.D. Frizzell, and Marc Silverbe...(+)
SKU: GI.G-10098 Composed by Deke Sharon, J.D. Frizzell, and Marc Silverberg. Teaching Music Through Performance. Music Education. 342 pages. GIA Publications #10098. Published by GIA Publications (GI.G-10098). ISBN 9781622774876. Teaching Music through Performance in Contemporary A cappella is the essential book for a cappella repertoire and rehearsal techniques, compiled and edited by educators and leaders committed to demystifying the genre and providing teachers with access to the best repertoire and pedagogy possible. Built on the model of the best-selling Teaching Music through Performance series, this volume includes chapters on the most important issues in teaching and learning contemporary a cappella, and analysis and insights for 82 works across genres: Barbershop, Contemporary A cappella, Doo-wop, Folk/Classical, Vocal Jazz. The list of composers and arrangers is diverse, the repertoire includes both arrangements and original compositions. Each selection is representative of a major a cappella trend or historical event, such as repertoire from The Sing-Off, Pitch Perfect, The Real Group, Sweet Adelines, or Pentatonix. Of course, every selection—regardless of musical style—is performed a cappella. The authors also develop a five-point difficulty scale for evaluating literature, and each guide contains detailed information about the arrangement or composition, including where the arrangement was first performed, the history of the original song, and the styles it represents. In creating the Teacher Resource Guides, the authors enlist the help of a cappella educators, arrangers, engineers, performers, and well-established experts. Each Guide also includes a new section called “Educational Extensions,†which provides suggestions on how to utilize the repertoire for extended classroom lessons, both as part of the rehearsal and part of a general music classroom. Chapter topics include “A Cappella: An Overview†by Marc Silverberg, “Emotional Expression in Group Singing†by Deke Sharon and J.D. Frizzell, “Teaching Singers to Sing in All Styles: The Spectrum Method†by Erin Hackel, and “Lessons You Can Learn from Competing,†by Ben Spalding. There is simply no better way to find and prepare the best contemporary a cappella literature available for achieving excellence in music education at all levels. Teaching Music through Performance in Contempory A cappella is a groundbreaking volume destined to make a significant contribution. Deke Sharon is heralded as “The Father of Contemporary A cappella.†He produced The Sing-Off on NBC and served as arranger, on-site music director, and vocal producer for Universal’s Pitch Perfect 1, 2, and 3, starring Anna Kendrick and Rebel Wilson. J.D. Frizzell is a composer, conductor, and baritone. He serves as Director of Fine Arts and Director of Vocal Music at Briarcrest Christian School in Memphis, TN. Marc Silverberg is Director of Vocal Music at Five Towns College (NY) and one of the leaders in contemporary a cappella education today. Erin Hackel is Assistant Professor at the University of Colorado-Denver. Her award-winning a cappella groups, MIX and Lark, have competed and performed throughout the United States and Europe. Ben Spalding is head Choral Director at Centerville High School (OH). His a cappella group, Forte, is an ICHSA champion. $29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music Money Piano solo [Sheet music] - Beginner Kjos Music Company
For piano. Piano. Method. Level: Primer. Music Book. Published by Neil A. Kjos M...(+)
For piano. Piano. Method. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.
(1)$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Subject String Quartet: 2 violins, viola, cello Carl Fischer
Chamber Music String Quartet SKU: CF.BE11F Composed by Jason Eckardt. Ful...(+)
Chamber Music String Quartet SKU: CF.BE11F Composed by Jason Eckardt. Full score. 78 pages. Duration 16 minutes. Carl Fischer Music #BE11F. Published by Carl Fischer Music (CF.BE11F). ISBN 9780825888595. UPC: 798408088590. 8.5 x 11 inches. Beginning in the 1950s, the CIA became very interested in psychological research beingconducted on the effects of sensory deprivation on humans. The research, that suggestedrapid regression in those tested, provided a framework for sections of what would later beknown as the KUBARK manual, the first a series of US-government documents thatprovided techniques for interrogating detainees. These methods involved radicallyaltering a detainee’s sense of time and environment.Among these techniques, some developed independently of the manuals by interrogators,were the manipulation of light and sound. In order to weaken the resolve of a detaineeand prolong “capture shock,†complete sensory deprivation followed by blasts of light ornoise, or very loud music, proved effective. So much so that variations and combinationsof these techniques were widely used by the United States as well as both its allies andenemies in Vietnam, Latin America, Northern Ireland, and the Middle East.Though the idea of sound as a weapon is at least as old as the account of Joshua’s siegeof Jericho, it was only recently deemed “inhuman and degrading†for the purposes ofinterrogation by the European Court of Human Rights in the 1978 case “Ireland v. theUnited Kingdom.â€. Accidentals apply only to the notes they precede with the exception of tied or consecutively repeated notes.Tempi are consistent throughout the meter changes (Le., ~'=),)=)l, etc.).Grace notes are always to be played as fast as possible. Each grace note in a group should be of the same duration. Gracenotes curtail the previous measured note's duration with the exception noted below.Approximate duration: 16 minutes. $41.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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