| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gabel. Sws. Performance Score. 20 pages. Duration 4 minutes, 9 seconds. Carl Fischer Music #CM9583. Published by Carl Fischer Music (CF.CM9583). ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852). Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of a Rainbow Nation Choral 3-part SAB, Piano Faber Music Limited
(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular....(+)
(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Multicultural; World. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| The Fire's Fury Concert band - Beginner FJH
Composed by Brian Balmages. MOS Performance. MOS Performance Series. Score and...(+)
Composed by Brian Balmages.
MOS Performance. MOS
Performance Series. Score and
Part(s). The FJH Music Company
Inc #98-B1879. Published by
The FJH Music Company Inc
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso conti...(+)
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118105 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1724. BWV 181. 8 pages. Duration 14 minutes. Carus Verlag #CV 31.181/05. Published by Carus Verlag (CA.3118105). ISBN 9790007050160. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Thoughtless and unstable people Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Carus Verlag
(Cantata for the Sunday Sexagesima). Composed by Johann Sebastian Bach (1685-175...(+)
(Cantata for the Sunday Sexagesima). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo. This edition: Paperbound. German title: Leichtgesinnte Flattergeister. Cantatas, Special days. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 181. 28 pages. Duration 14 minutes. Published by Carus Verlag
$8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso conti...(+)
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118113 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1724. BWV 181. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.181/13. Published by Carus Verlag (CA.3118113). ISBN 9790007050214. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classic Pop Ballads Choral 3-part SAB, Piano Faber Music Limited
Arranged by Gwyn Arch. Choir Secular. For with Piano (3-Part Mixed Choir (SAB))....(+)
Arranged by Gwyn Arch. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Faber Young Voices. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, b...(+)
Orchestra SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118107 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Study score. Composed 1724. BWV 181. 52 pages. Duration 14 minutes. Carus Verlag #CV 31.181/07. Published by Carus Verlag (CA.3118107). ISBN 9790007050177. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Justin Bieber - Justice Piano, Vocal and Guitar Hal Leonard
By Justin Bieber. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 96 page...(+)
By Justin Bieber.
Piano/Vocal/Guitar Artist
Songbook. Pop. Softcover. 96
pages. Published by Hal
Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso conti...(+)
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118112 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1724. BWV 181. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.181/12. Published by Carus Verlag (CA.3118112). ISBN 9790007050207. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lessons in Love and Violence Concert band Faber Music Limited
Orchestra SKU: AP.12-0571541097 Opera in Two Parts. Composed by Ge...(+)
Orchestra SKU: AP.12-0571541097 Opera in Two Parts. Composed by George Benjamin and text by Martin Crimp. Full Orchestra (Full Score); Larger Works; Performance Music Ensemble. Faber Edition. Form: Opera. 20th Century. Score. Faber Music #12-0571541097. Published by Faber Music (AP.12-0571541097). ISBN 9780571541096. English. Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. The opera unfolds as a taut slow-burning arch of seven tableaux. This work boasts particularly rich string textures and spectacular ensemble writing. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text. $150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exercises for the Cello in Various Combinations of Double-Stops Carl Fischer
Chamber Music Cello SKU: CF.BF126 Composed by Roland Vamos. Edited by Hor...(+)
Chamber Music Cello SKU: CF.BF126 Composed by Roland Vamos. Edited by Horacio Contreras. SWS. Book. With Standard notation. 64 pages. Carl Fischer Music #BF126. Published by Carl Fischer Music (CF.BF126). ISBN 9781491150009. UPC: 680160907502. 9x12 inches. Written by world renown pedagogue, Roland Vamos, this collection of double-stop exercises fill a void in the literature of technical exercises for cellists. These etudes feature a systematic series of fixed double-stops that enables the player to practice and master every possible combination of finger patterns across two strings without shifting. Mr. Vamos says of the book, The most important accomplishment is the development of a strong left handà These exercises, when practiced slowly and carefully, will help to develop a keen sense of pitch and intonation. Adapted for cello by Horacio Contreras, teacher, chamber musician, and recitalist. When I first became familiar with Roland Vamos’ Exercises, I was impressed with itsclarity and effectiveness. The book focuses on a few important fundamentals of string playing,and it is accessible to students of every age. Moreover, its tonal organization in C major makesit simple and easy to understand. I recognized the potential this book could have for cellists,and after spending several months working on an adaptation, I witnessed its results in buildingand maintaining important fundamentals of technique.Mr. Vamos’ Exercises is comprised of simple patterns of double-stops in sevenpositions. There are two basic groups of variations: seven double-stop variations in differentcombined rhythms that develop finger coordination and independence of the left hand, andnine bowing variations that use détaché at the frog, middle and tip of the bow to work onstring crossings, coordination, and balance of the bow. The whole work provides training thatimproves intonation, sound, and ease of playing in all positions and all parts of the bow.In order to adapt Mr. Vamos’ book for cello, I needed to make some modifications tothe original. To address the different needs of the neck and the thumb positions, I chose to writetwo separate books. I kept the original ascending stepwise motion for subsequent variationsin Book I by following a diatonic scale on the top line of the patterns. However, I modifiedthe tonal framework to adjust to the more limited range of the cello. Therefore, unlike in Mr.Vamos’ book, variations in Book I do not ascend through the positions in a uniform pattern.I also switched the order of patterns to create a gradual increase in difficulty. In Book II, Iadded options that work on the fourth finger and an extended left hand frame, and at the end, Iincluded five sets of variations with different bowing alternatives.Mr. Vamos provides a number of specific instructions regarding left hand techniquein his exercises. For his original version, two fingers must remain down for almost the entireset of variations, providing a solid reference for the frame of the hand. In variations H and I,he instructs students to lift these fingers when they are not being used. In the case of thumbposition on cello, lifting the thumb could make the hand unstable; therefore, I suggested thatthe thumb remains down while the other fingers are lifted alternately in H and I. I have foundthis exercise quite useful to work on thumb independence and relaxing the thumb while usingother fingers.Mr. Vamos gives precise instructions for the bowing exercises as well. Following hisdirections, the exercises should be performed with a relaxed hand and flexible fingers. Thenotes should be consistently connected even when crossing strings. The bowing patterns shouldbe performed at the frog, the middle and the tip of the bow in every position. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danny Boy and Other Classic Irish Melodies Choral 3-part SAB, Piano Faber Music Limited
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Ch...(+)
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No.9 String Quartet: 2 violins, viola, cello Music Sales
String Quartet SKU: HL.14031827 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet SKU: HL.14031827 Composed by Per Norgard. Music Sales America. Classical. Score. 48 pages. Music Sales #KP01084. Published by Music Sales (HL.14031827). ISBN 9788759871089. Danish-English. Preface The three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts: it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods. The final way out is a retrograde one, (back) into the source: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The into the source of the titlemay be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ... The musical motifs are varied: there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies. INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fe in 2002 and in Oslo in 2003. Per Norgard. $53.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso conti...(+)
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118114 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed 1724. BWV 181. 8 pages. Duration 14 minutes. Carus Verlag #CV 31.181/14. Published by Carus Verlag (CA.3118114). ISBN 9790007050221. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Duo Leat (Slow Duo) Schott
Performance Score Bass Clarinet; Clarinet Duet - difficult SKU: HL.49045068(+)
Performance Score Bass Clarinet; Clarinet Duet - difficult SKU: HL.49045068 For Two Bass Clarinets in B-flat - Performance Score. Composed by Chaya Czernowin. This edition: Saddle stitching. Sheet music. Woodwind. Classical, Contemporary. Softcover. Composed 2009-2010. 8 pages. Duration 2' 30''. Schott Music #KLB80. Published by Schott Music (HL.49045068). ISBN 9790001174336. UPC: 888680724207. 9.0x12.0x0.058 inches. This demanding slow duet for two bass clarinets in B-flat combines expressive melody, abrupt rhythm changes and extreme dynamics, giving this short composition a turbulent and unstable character. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| SRT212 Hal Leonard
SKU: HL.1105208 12″ 1600W Professional Powered Loudspeaker. ...(+)
SKU: HL.1105208 12″ 1600W Professional Powered Loudspeaker. Mackie. Live Sound. Hal Leonard #2051848-00. Published by Hal Leonard (HL.1105208). UPC: 663961058666. 17.5x18.5x30.0 inches. SRT212 - 12″ 1600W Professional Powered Loudspeaker SRT™ Professional Powered Loudspeakers are designed for real-world working musicians, DJs, events, venues, and beyond. The latest acoustic processing technology, powerful amplifiers, and the ultra-versatile SRT Mix Control™ means easy setup, incredible sound, and unbeatable reliability. Built-Like-A-Tank™ construction features rugged molded cabinets and tough steel grilles that are built to last. As the larger gigs come rolling in, your audience gets bigger, and your needs demand better sound and flexibility, SRT is YOUR Next Big Thing. • A True Workhorse for Gigging Professionals • Powerful 1600W Class-D amplifiers designed for ultra-reliable, consistent performance • Custom high-efficiency transducers ensure maximum clarity and accuracy • Built-Like-A-Tank™ to conquer every gig while lightweight for easy loading • Universal Power Supply (100-240VAC) with Power Factor Correction for stable operation even with unstable AC power • Advanced Impulse™ DSP - Proprietary Acoustic Tuning • Crystal clear sound across the entire dispersion zone means the whole room is the sweet spot • Custom Sym-X™ Horn • Allows for total efficiency from the HF transducer minimizing distortion and increasing output • Creates a perfectly symmetrical, flat response at the crossover point for exceptionally smooth midrange • The horn-loading frequency is set below the HF drivers' LF capability allowing for maximum efficiency and optimal performance at the crossover point • Transparent System Limiting and Protection • Dedicated processing module monitors and protects the amplifier in real time • Sound quality and tonal balance is maintained even under heavy limiting • Utilizing powerful multi-band compression, the amplifier can target specific frequency ranges to prevent the system from being overloaded rather than turn everything down at the expense of overall output • Input limiting keeps your source signal in check so if you're sending audio that's a bit too hot, the speaker will cool it down • SRT Mix Control™ Built-in 4-Channel Digital Mixer with Bluetooth® • Dual independent channels that support mic, line, and instrument signals • Dedicated 1/8″ stereo aux channel • Stream music from any Bluetooth® enabled device • Complete Wireless Control via the SRT Connect™ App • Wirelessly link SRT speakers together for music streaming applications plus complete control over both speakers • Versatile configuration options • Step up your low-end with the SR18S Powered Subwoofer. $679.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Gospel Train Choral 3-part SAB Faber Music Limited
The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander ...(+)
The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Howard Goodall's Great Big Tunes Choral 3-part SAB, Piano Faber Music Limited
By Howard Goodall. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Boo...(+)
By Howard Goodall. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thoughtless and unstable people Choral SATB Carus Verlag
(Cantata for the Sunday Sexagesima). Composed by Johann Sebastian Bach (1685-175...(+)
(Cantata for the Sunday Sexagesima). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo. German title: Leichtgesinnte Flattergeister. Cantatas, Special days. Level 3. Complete orchestral parts. Language: German/English. Composed 1724. BWV 181. Duration 14 minutes. Published by Carus Verlag
$86.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs of a Rainbow Nation Choral 2-part Faber Music Limited
(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular....(+)
(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (2-Part Choir). Book; Choral Collection. Faber Edition: Choral Basics. Multicultural; World. Published by Faber Music
$3.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Per Norgard String 4tet No9 Pts Copy Cham Book String Quartet: 2 violins, viola, cello Music Sales
String Quartet SKU: HL.14025352 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet SKU: HL.14025352 Composed by Per Norgard. Music Sales America. Classical. Set of Parts. 104 pages. Music Sales #KP01337. Published by Music Sales (HL.14025352). ISBN 9788759885420. English-Danish. Preface The three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts: it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods. The final way out is a retrograde one, (back) into the source: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The into the source of the titlemay be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ... The musical motifs are varied: there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies. INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fe in 2002 and in Oslo in 2003. Per Norgard. $73.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Thoughtless and unstable people (Leichtgesinnte Flattergeister) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso conti...(+)
SATB vocal soli, SATB choir, flute, oboe, trumpet, 2 violins, viola, basso continuo - Level 3 SKU: CA.3118111 Cantata for Sexagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Leichtgesinnte Flattergeister. Sacred vocal music, Cantatas, Special days. Single Part, Violin solo + Vio. Composed 1724. BWV 181. 8 pages. Duration 14 minutes. Carus Verlag #CV 31.181/11. Published by Carus Verlag (CA.3118111). ISBN 9790007050191. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3118100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Borealis Subito Music
Flute, Viola & Double Bass SKU: SU.27170030 For Flute, Viola & Double ...(+)
Flute, Viola & Double Bass SKU: SU.27170030 For Flute, Viola & Double Bass. Composed by Chelsea Komschlies. Score & Parts. Subito Music Corporation #27170030. Published by Subito Music Corporation (SU.27170030). Draws on the natural harmonic series to evoke the mystery and beauty of the northern night sky. Special effects such as rubbing a superball mallet on the double bass, unstable bass harmonics, and singing while playing and using unusual fingerings in the flute create an eerily beautiful, howling sound like wind throug the mountains.Flute, Viola & Double Bass Duration: 9' Composed: 2018 Published by: Nauticus Publishing. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Monodrama, Kopi Wilhelm Hansen
Chamber Ensemble SKU: HL.14021749 For Percussion and Orchestra. Co...(+)
Chamber Ensemble SKU: HL.14021749 For Percussion and Orchestra. Composed by Poul Ruders. Music Sales America. Classical. Score. Edition Wilhelm Hansen #KP00076. Published by Edition Wilhelm Hansen (HL.14021749). ISBN 9788759889817. Danish. Poul Ruders' MONODRAMA, dedicated to percussion virtuoso Gert Sorensen and commissioned by The Danish Radio, was written in New York in the early winter 1988 and makes the centre as well as the middle of the tri-part opus called The Drama Trilogy. All three works employ the word Drama in their title, Drama in the original meaning of the word: event. No specified event, but a premonition or omen rather, that something is afoot, a free Drama-offer from which anyone may populate the stage of his private, inner theatre.The first piece of the series DRAMAPHONIA for piano and chamber ensemble was premiered in London in the spring of 1988 by Lontano and Poul Rosenbaum. This piece is emotionally and rhythmically unstable as opposed to MONODRAMA (single-event) which is modelled from the archetypal idea of obtaining accomplishment from nothingness. The 31 instruments of the orchestra (no flutes and no violins or violas) are more or less wrapped around the solo-part to become one with that and thus emerge as one, gigantic percussion instrument. The rhythmical patterns of the orchestral part more or less follow those of the percussionpart, a single-event also on the rhythmical level.After 20 minutes climbing toward the peak of rage, the composition casts its slough and is reborn into a chorale-like march and the struggle between totally depopulated sound-scapes and ferociously roaring sub-oceanic storms begin and the piece paces toward the abyss; rage becomes despondency, New Rage as opposed to New Age, the spineless worshipper of beauty without pain.The third instalment of the DRAMA TRILOGY, the cello concerto POLYDRAMA will be premiered in Stockholm May 1990.MONODRAMA lasts aprox. 32 minutes.Poul Ruders. $125.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circe Invidiosa -- Sonata No. 1 for the Piano Piano solo [Sheet music + CD] - Advanced Alfred Publishing
Composed by Tom Gerou. For Piano. Book; CD; Piano Solo; Solo. Form: Sonata. Re...(+)
Composed by Tom Gerou. For
Piano. Book; CD; Piano Solo;
Solo. Form: Sonata. Recital.
Advanced. 20 pages.
Published by Alfred Music
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 61 |