| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(8)$49.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Yee-Haw! [Sheet music + Audio access] Hal Leonard
Performance Kit/Audio (Teacher w/SGR PDF Access, Audio Access) (Perf Kit with Au...(+)
Performance Kit/Audio (Teacher w/SGR PDF Access, Audio Access) (Perf Kit with Audio Download) SKU: HL.266465 A Rollicking Western Adventure. Composed by Cristi Cary Miller and Jay Michael Ferguson. ExpressiveArts. Elementary, Musicals. Softcover Audio Online. Published by Hal Leonard (HL.266465). ISBN 9781540022752. UPC: 888680732974. 8.5x11.0x0.199 inches. By Cristi Cary Miller and Jay Michael Ferguson. Come on, dudes and dudettes! Join us for a rollicking western adventure – ride the open range, have a rough 'n' tumble hootenanny, share a tale and a song or two, and sleep under the stars. This 35-minute musical adventure features seven songs with rhyming narration and 39 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, script, helpful production guide and digital access to PDFs of singer songsheets, lyric sheets and narrations. To perform with recordings, there are 2 options. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition w/singer PDFs and digital access to performance/accompaniment audio recordings. The dialog is not recorded. Songs include: Yee-Haw, Home on the Range in Montana, Giddy-Up, The Cowboy Code, Billy the Bad, Under the Stars, Until We Meet Again. Approx. 35 minutes. Suggested for grades 1-5 (with opportunities for all grade levels). $79.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Yee-Haw! Hal Leonard
(Performance/Accompanimen t CD) SKU: HL.266464 A Rollicking Western Ad...(+)
(Performance/Accompaniment CD) SKU: HL.266464 A Rollicking Western Adventure. Composed by Cristi Cary Miller and Jay Michael Ferguson. ExpressiveArts. Elementary, Musicals. CD. Published by Hal Leonard (HL.266464). ISBN 9781540022745. UPC: 888680732967. 5.0x5.0x0.15 inches. By Cristi Cary Miller and Jay Michael Ferguson. Come on, dudes and dudettes! Join us for a rollicking western adventure - ride the open range, have a rough 'n' tumble hootenanny, share a tale and a song or two, and sleep under the stars. This 35-minute musical adventure features seven songs with rhyming narration and 39 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, script, helpful production guide and digital access to PDFs of singer songsheets, lyric sheets and narrations. To perform with recordings, there are 2 options. A Performance/Accompaniment CD is available separately. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition w/singer PDFs and digital access to performance/accompaniment audio recordings. The dialog is not recorded. Songs include: Yee-Haw, Home on the Range in Montana, Giddy-Up, The Cowboy Code, Billy the Bad, Under the Stars, Until We Meet Again. Approx. 35 minutes. Suggested for grades 1-5 (with opportunities for all grade levels). $49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gospel's Greatest
Melody line, Lyrics and Chords [Fake Book] - Intermediate Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.
(26)$37.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Until We Meet Again Choral SATB SATB Hal Leonard | | |
| Sheila Wilson: Seasons, Psalms And Celebrations (Teacher's Book/CD) Piano, Vocal and Guitar - Easy Golden Apple Productions
Piano, Vocal and Guitar - Grade 2 SKU: HL.14029542 By Alison Hedger. By S...(+)
Piano, Vocal and Guitar - Grade 2 SKU: HL.14029542 By Alison Hedger. By Sheila Wilson. Music Sales America. Musical Education. Book and CD. Composed 2015. 56 pages. Golden Apple Productions #GA11095. Published by Golden Apple Productions (HL.14029542). ISBN 9780711978140. English. An essential resource collection of twelve new songs for assemblies, choirs, class singing and Sunday schools. Includes songs for each season and the main Christian festivals such as Harvest and a setting of Psalm 23. The teachers part contains piano part, lyrics, guitar chord symbols and a matching CD containing all the songs, plus great backing tracks to sing along to. $21.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Barrage Volume 2 Violin [Sheet music + CD] - Intermediate/advanced Mel Bay
by Dean Marshall. For Fiddle. ensemble. Swath Publishing. Fiddle Tunes. Level: I...(+)
by Dean Marshall. For Fiddle. ensemble. Swath Publishing. Fiddle Tunes. Level: Intermediate-Advanced. Book/CD Set. Size 8.75x11.75. 72 pages. Published by Mel Bay Publications, Inc.
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yee-Haw! Hal Leonard
(teacher with SGR PDF access) SKU: HL.266459 A Rollicking Western Adve...(+)
(teacher with SGR PDF access) SKU: HL.266459 A Rollicking Western Adventure. Composed by Cristi Cary Miller and Jay Michael Ferguson. ExpressiveArts. Elementary, Musicals. Softcover Media Online. 56 pages. Published by Hal Leonard (HL.266459). ISBN 9781540022738. UPC: 888680732950. 8.5x11 inches. By Cristi Cary Miller and Jay Michael Ferguson. Come on, dudes and dudettes! Join us for a rollicking western adventure – ride the open range, have a rough 'n' tumble hootenanny, share a tale and a song or two, and sleep under the stars. This 35-minute musical adventure features seven songs with rhyming narration and 39 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, script, helpful production guide and digital access to PDFs of singer songsheets, lyric sheets and narrations. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition w/singer PDFs and digital access to performance/accompaniment audio recordings. The dialog is not recorded. Songs include: Yee-Haw, Home on the Range in Montana, Giddy-Up, The Cowboy Code, Billy the Bad, Under the Stars, Until We Meet Again. Approx. 35 minutes. Suggested for grades 1-5 (with opportunities for all grade levels). $39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Septet [Score] Merion Music
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.1444075...(+)
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.14440757S Composed by Ellen Taaffe Zwilich. Full score. 64 pages. Duration 24 minutes. Merion Music #144-40757S. Published by Merion Music (PR.14440757S). ISBN 9781491136539. UPC: 680160689347. Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.†Septet was written for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’. Writing music is a labor of love for me. My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes. To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me. So I approached the writing of my Septet for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration. I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset. The first movement, “Introductions,†(note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations. The second movement, “Quasi una Passacaglia,†is based on a repeated phrase pattern. Part of the formal design is a contrast between “Baroque†style performance and modern, more romantic ways of playing. “Games,†the third movement, involves much playful interplay and the fourth movement, “Au revoir,†offers both reminiscence and farewell – not “good-bye,†but “until we meet again.â€Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music. While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles. $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Septet Merion Music
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.1444075...(+)
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.144407570 Composed by Ellen Taaffe Zwilich. Set of Score and Parts. 64+12+12+12+12+12+12 pages. Duration 24 minutes. Merion Music #144-40757. Published by Merion Music (PR.144407570). ISBN 9781491136522. UPC: 680160689330. Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.†Septet was written for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’. Writing music is a labor of love for me. My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes. To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me. So I approached the writing of my Septet for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration. I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset. The first movement, “Introductions,†(note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations. The second movement, “Quasi una Passacaglia,†is based on a repeated phrase pattern. Part of the formal design is a contrast between “Baroque†style performance and modern, more romantic ways of playing. “Games,†the third movement, involves much playful interplay and the fourth movement, “Au revoir,†offers both reminiscence and farewell – not “good-bye,†but “until we meet again.â€Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music. While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wakati wa Amani (A Time of Peace - Swahili) Choral 2-part 2-part, Piano [Octavo] Alfred Publishing
By Sally K. Albrecht. For Choir. (2-Part). Choral Octavo. Choral Designs. Multi...(+)
By Sally K. Albrecht. For Choir. (2-Part). Choral Octavo. Choral Designs. Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wakati wa Amani (A Time of Peace - Swahili) Choral SATB SATB [Octavo] Alfred Publishing
By Sally K. Albrecht. For Choir. (SATB). Choral Octavo. Choral Designs. Multicu...(+)
By Sally K. Albrecht. For Choir. (SATB). Choral Octavo. Choral Designs. Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish Blessing A Cappella Version Choral SATB - Intermediate Hampton Roads Music Group
SATB chorus - intermediate SKU: XC.HRMG1741 Composed by Michael John Trot...(+)
SATB chorus - intermediate SKU: XC.HRMG1741 Composed by Michael John Trotta. Graduation, Funeral. Michael John Trotta. Sacred. Octavo. 8 pages. Hampton Roads Music Group LLC #HRMG1741. Published by Hampton Roads Music Group LLC (XC.HRMG1741). UPC: 785147101857. Text source: Traditional. May the roads rise up to meet you, may the winds be always at your back... until we meet again. A lovely a cappella texture with straightforward rhythms and close harmonies. Whether chosen for its moving text, its educational value, or soaring optional descant, this piece is a wonderful choice for both worship and concert settings. Â . $2.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mahalo Piha Choral SATB Pavane Publishing
Composed by Queen Lili'uokalani. Arranged by Justin Ka'upu. Pavane...(+)
Composed by Queen
Lili'uokalani. Arranged by
Justin Ka'upu. Pavane Choral.
Octavo. 12 pages. Duration 235
seconds. Pavane Publishing
#P1739. Published by Pavane
Publishing
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Until We Meet Again Choral SATB Gentry Publications
Choral (SATB) SKU: HL.1197767 Composed by Reginal Wright. Gentry Publicat...(+)
Choral (SATB) SKU: HL.1197767 Composed by Reginal Wright. Gentry Publications. Octavo. 12 pages. Duration 250 seconds. Gentry Publications #JG2626. Published by Gentry Publications (HL.1197767). UPC: 196288135005. 6.75x10.5x0.029 inches. The familiar hymn's melody is embraced by a rich choral tapestry and stunning piano accompaniment in this setting by Reginal Wright. The piece was commissioned by the Bridgeland High School Choirs in honor of their first senior class, by directors Christopher Fiorini and Dolores Noel. Truly stunning! $2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Until We Meet Again Choral SATB SATB, Piano [Octavo] Alfred Publishing
Choir Secular. SATB choir. Choral Octavo. Choral Designs. Graduation. Choral Oct...(+)
Choir Secular. SATB choir. Choral Octavo. Choral Designs. Graduation. Choral Octavo. 12 pages
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| until we meet again Choral 3-part SSA Earthsongs
Choral SSA chorus SKU: ES.S-487 Composed by ka'upu. Secular. Octavo. Eart...(+)
Choral SSA chorus SKU: ES.S-487 Composed by ka'upu. Secular. Octavo. Earthsongs #S-487. Published by Earthsongs (ES.S-487). With piano. $2.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Choral Responses Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano accompaniment - Late intermediate SKU: GI.G-9161 Unt...(+)
SATB choir, piano accompaniment - Late intermediate SKU: GI.G-9161 Until We Meet Again / He Is Lord / The Lord Bless You and Keep You. Composed by Theodore Thorpe, III. Arranged by Theodore Thorpe, III. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #9161. Published by GIA Publications (GI.G-9161). UPC: 785147916109. English. Text Source: 2. Based on Philippians 2:10-11, 3. Numbers 6:24-26, alt. $2.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Until We Meet Again Choral SATB SATB Pavane Publishing
By Ronald M. Kean. (SATB). Sacred Choral. Sacred. Size 6.75x10.5 inches. 6 page...(+)
By Ronald M. Kean. (SATB). Sacred Choral. Sacred. Size 6.75x10.5 inches. 6 pages. Published by Pavane Publishing.
$1.99 $1.8905 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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