| Pousse-Tire Lemoine, Henry
2 or 3 violins SKU: LM.28102 Composed by Marie Chastang and Yasmine Hamma...(+)
2 or 3 violins SKU: LM.28102 Composed by Marie Chastang and Yasmine Hammani. Classical. Score and CD. Editions Henry Lemoine #28102. Published by Editions Henry Lemoine (LM.28102). ISBN 9790230981026. Une poule sur un mur - Pic-nic douille - C'est demain dimanche - Prom'nons-nous dans les bois - La Barbichette - Dansons la capucine - Un, deux, trois - Au clair de la lune - A la claire fontaine - Au feu les pompiers - Pomme de reinette - Arlequin dans sa boutique - Mon ane - Bateau sur l'eau - Alouette - Trois poules - Gentil coquelicot - Nous n'irons plus au bois - Jean de la lune - Dans la foret lointaine - V'la l'bon vent - Ah ! les crocodiles - Ainsi font font font - Aux marches du palais - Fais dodo - Un canard - Savez-vous plantez les choux ? - Sur le pont d'Avignon - J'ai vu le loup - Il etait un petit homme - Il etait un petit navire - J'aime la galette - Trois jeunes tambours - Un elephant - La Bonne Aventure. $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pousse-Tire Lemoine, Henry
2 or 3 violas SKU: LM.28103 Composed by Marie Chastang and Yasmine Hamman...(+)
2 or 3 violas SKU: LM.28103 Composed by Marie Chastang and Yasmine Hammani. Classical. Score and CD. Editions Henry Lemoine #28103. Published by Editions Henry Lemoine (LM.28103). ISBN 9790230981033. Une poule sur un mur - Pic-nic douille - C'est demain dimanche - Prom'nons nous dans les bois - La Barbichette - Dansons la capucine - Un, deux, trois - Au clair de la lune - A la claire fontaine - Au feu les pompiers - Pomme de reinette - Arlequin dans sa boutique - Mon ane - Bateau sur l'eau - Alouette - Trois poules - Gentil coquelicot - Nous n'irons plus au bois - Jean de la lune - Dans la foret lointaine - V'la l'bon vent - Ah ! les crocodiles - Ainsi font font font - Aux marches du palais - Fais dodo - Un canard - Savez-vous planter les choux ? - Sur le pont d'Avignon - J'ai vu le loup - Il etait un petit homme - Il etait un petit navire - J'aime la galette - Trois jeunes tambours - Un elephant - La Bonne Aventure. $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Aubanel Georges V'la L'bon Vent 1 Or 3 Voices & Piano Book Heugel
Voice (Music For Voice) SKU: HL.48187515 Composed by Georges Aubanel. Led...(+)
Voice (Music For Voice) SKU: HL.48187515 Composed by Georges Aubanel. Leduc. Softcover. Heugel & Cie #HE31183. Published by Heugel & Cie (HL.48187515). Aubanel Georges V'la L'bon Vent 1 Or 3 Voices & Piano Book. $1.70 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Etudes De Styles (36) - Volume B Guitar Classical guitar [Score] - Easy Lemoine, Henry
By Arnaud Dumond (1950-). For guitar. Classical. Grade 2. Score. 14 pages. Publi...(+)
By Arnaud Dumond (1950-). For guitar. Classical. Grade 2. Score. 14 pages. Published by Editions Henry Lemoine
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| V'la l'Bon Vent (Go, Good Wind) Choral 2-part 2-part [Octavo] Alfred Publishing
Arranged by with additional words and music by Lois Brownsey and Marti Lunn Lant...(+)
Arranged by with additional words and music by Lois Brownsey and Marti Lunn Lantz. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Folk; Multicultural. Choral Octavo. 12 pages
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| V'la l'Bon Vent (Go, Good Wind) Choral CD [Accompaniment CD] Alfred Publishing
Arranged by with additional words and music by Lois Brownsey and Marti Lunn Lant...(+)
Arranged by with additional words and music by Lois Brownsey and Marti Lunn Lantz. Choir Secular. This edition: SoundTrax CD. Choral Octavo. Choral Designs. Folk; Multicultural. Accompaniment and performance CD
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| V'la L'Bon Vent Choral SSAA SSAA A Cappella [Octavo] Cypress Choral Music
Arranged by Allison Girvan. For SSAA choir, a cappella. Octavo. Published by Cyp...(+)
Arranged by Allison Girvan. For SSAA choir, a cappella. Octavo. Published by Cypress Choral Music
$3.10 $2.945 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| V'la l'bon vent ou Troix Beaux canards [choral part] Earthsongs
(There's the good wind). Arranged by Donald Patriquin. For SATB choir and piano ...(+)
(There's the good wind). Arranged by Donald Patriquin. For SATB choir and piano accompaniment. Chanson traditionelle du Quebec et de la France. Choral part. Text language: French-Canadian. 15 pages. Published by Earthsongs
$2.70 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| V'La L'Bon Vent Choral SATB Heugel
SATB Choir SKU: BT.ALHE31107 Composed by Georges Aubanel. Classical. Chor...(+)
SATB Choir SKU: BT.ALHE31107 Composed by Georges Aubanel. Classical. Choral Score. 96 pages. Heugel & Cie #ALHE31107. Published by Heugel & Cie (BT.ALHE31107). French. SATB chorus $3.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| V'la L'Bon Vent Choral SATB SATB A Cappella [Octavo] Cypress Choral Music
Composed by Allison Girvan. For SATB choir, a cappella. Canadian Folk Song. Octa...(+)
Composed by Allison Girvan. For SATB choir, a cappella. Canadian Folk Song. Octavo. Published by Cypress Choral Music
$3.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| V'La L'Bon Vent Piano, Voice Heugel
1 or 3 Equal Voices and Piano SKU: BT.ALHE31183 Composed by Georges Auban...(+)
1 or 3 Equal Voices and Piano SKU: BT.ALHE31183 Composed by Georges Aubanel. Book Only. 96 pages. Heugel & Cie #ALHE31183. Published by Heugel & Cie (BT.ALHE31183). French. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| V'la L'bon Vent (choral-mixed A Cappella) Choral SATB Heugel
SATB Choir SKU: HL.48187483 Composed by Georges Aubanel. Leduc. Classical...(+)
SATB Choir SKU: HL.48187483 Composed by Georges Aubanel. Leduc. Classical. Softcover. Heugel & Cie #HE31107. Published by Heugel & Cie (HL.48187483). SATB chorus. $2.60 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| V'la L'bon Vent... 4 Vx Mixtes (chants Franco/canadiens Choral [Score] Durand
Choir (Highlights) SKU: HL.50575235 Composed by Joseph Canteloube. Editio...(+)
Choir (Highlights) SKU: HL.50575235 Composed by Joseph Canteloube. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF13634. Published by Editions Durand (HL.50575235). $7.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sing Canada's History Themes & Variations
Tell the story of Canada through our folk songs! This collection of 14 tradition...(+)
Tell the story of Canada through our folk songs! This collection of 14 traditional folk songs and one composed song can be used by music teachers, social studies teachers or classroom teachers! The orchestrated musical arrangements and vocal recordings are beautiful, and include both performance and accompaniment tracks. The collection includes reproducible lyrics pages, a script telling the history of Canada and piano/vocal music. You can use the script and stage a complete production, or you can teach the songs as part of music or social studies classes. A pdf file of all the vocal scores for projection is included with attached audio for teachers who have computer/projectors, SMART Boards or an IWB $30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Un siecle de chansons francaises 1969-1979 Piano, Vocal and Guitar [Score] Beuscher | | |
| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Élégie Guitar Classical guitar [Score] - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Florilege de l'Operette Classique: Baryton, Volume I Baritone voice [Sheet music] Prima Voce Editions
(Anthology of Classic Operetta). By Various. For Baritone Voice. Operetta. Colle...(+)
(Anthology of Classic Operetta). By Various. For Baritone Voice. Operetta. Collection
$28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lua para o Epilogo de Verão (Août) [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4088 Composed by Louis Trépanier. Scor...(+)
Guitar solo - Advanced SKU: DZ.DZ-4088 Composed by Louis Trépanier. Score. Les Productions d'OZ #DZ 4088. Published by Les Productions d'OZ (DZ.DZ-4088). ISBN 9782898522055. August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians’ term ‘saudade’; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil – from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration. This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.
Les nuits du mois d’août peuvent contenir une douce mélancolie, à savoir que la fin de l’été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d’un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu’à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration. Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d’où l’indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu’il n’est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l’écriture et l’exécution sont courantes dans ce style de musique. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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