| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Liszt: Collected Works for Piano (Version 2.0)
Piano solo [CD Sheet Music] Subito Music
By Franz Liszt. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file ...(+)
By Franz Liszt. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 3700 pages. Published by Subito Music.
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| The Romantic Flute (Flute) Flute Hal Leonard
10 Favorites Pieces by the Masters. World's Greatest Classical Music. Size 9x12 ...(+)
10 Favorites Pieces by the Masters. World's Greatest Classical Music. Size 9x12 inches. 84 pages. Published by Hal Leonard.
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| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Carl Swanson. Collection - Score. Carl Fischer Music #H84. Published by Carl Fischer Music (CF.H84). ISBN 9781491165539. UPC: 680160924530. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar And Flute Duets Flute and Guitar [Sheet music] - Intermediate/advanced Music Sales
By Peter Draper. For Flute, Guitar. Classical. Sheet Music. 96 pages. Published ...(+)
By Peter Draper. For Flute, Guitar. Classical. Sheet Music. 96 pages. Published by Music Sales.
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| Classical Guitar Music Volume 2
Guitar Classical guitar [CD Sheet Music] Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...(+)
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Clarinet Orchestral Excerpts Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series,...(+)
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book. 48 pages. The Frederick Harris Music Company #WCE1. Published by The Frederick Harris Music Company (FH.WCE1). ISBN 978-1-55440-588-6. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Repertoire 7 Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition...(+)
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 88/36 pages. The Frederick Harris Music Company #WC7. Published by The Frederick Harris Music Company (FH.WC7). ISBN 978-1-55440-583-1. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Repertoire Level 7 Cello - Intermediate The Frederick Harris Music Company
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. ...(+)
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC7. Published by The Frederick Harris Music Company (FH.VC7). ISBN 978-1-55440-543-5. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Level 7: Il barbiere di Siviglia: Overture - Rossini, Gioachino Carmen: Prelude to act 1 - Bizet, Georges Coriolan Overture, op. 62 - Beethoven, Ludwig van Symphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz Joseph Ruslan and Ludmilla: Overture - Glinka, Mikhail Peer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, Edvard Level 8: Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, Felix Symphony No. 8, op. 88: I,IV - Dvorak, Antonin The Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yich Symphony No. 8 (Unfinished), D 759: I,II - Schubert, Franz Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus Level 9: Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van Symphony No. 8, op. 93: III - Beethoven, Ludwig van Serenade for Strings, op. 22: III,IV,V - Dvorak, Antonin Piano Concerto No. 2, op. 83: III - Brahms, Johannes Serenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix Symphony No. 3, op. 90: III,IV - Brahms, Johannes Symphony No. 35 (Haffner), K 385: I,IV - Mozart, Wolfgang Le nozze di Figaro, K 492: Overture - Mozart, Wolfgang Amadeus Level 10: Group 1: Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, Edvard Dichter und Bauer: Overture - Suppe, Franz von Messa da Requiem: III - Verdi, Giuseppe Guillame Tell: Overture - Rossini, Gioachino Group 2: Symphonie fantastique: II,III,V - Berlioz, Hector Symphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 5, op. 67: I,II,III - Beethoven, Ludwig van Symphony No. 4, op. 98: I,II,III,IV - Brahms, Johannes Symphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yich Symphony No. 2, op. 73: I,II,IV - Brahms, Johannes Associate: Group 1: Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, Sergei La mer: I,II - Debussy, Claude The Bartered Bride: Overture - Smetana, Bed_ich Symphony No. 5, op. 47: I,II,III - Shostakovich, Dmitri Group 2: Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann Sebastian Don Juan, op. 20 - Strauss, Richard Ein Heldenleben, op. 40 - Strauss, Richard Verklaerte Nach1, op. 4 - Schoenberg, Arnold. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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