SKU: HL.48182297

Composed by Henri Tomasi. Leduc. Classical. 9 pages. Alphonse Leduc #AL23411. Published by Alphonse Leduc (HL.48182297).

UPC: 888680839994. 9.0x12.0x0.183 inches.

â??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.â?.

Piano 4 hands - Level 1

SKU: LM.GD1111

Composed by Jean Antiga. Classical. Score. Edition Delrieu #GD1111. Published by Edition Delrieu (LM.GD1111).

ISBN 9790231706642.

Adeste fideles - Les Anges dans nos campagnes - Marche des rois - O vert sapin - Calme nuit, Sainte nuit - Il est ne le divin enfant.

Saxophone Eb (or 2 saxophones) and piano - Level 2

SKU: LM.26249

Composed by Russell Stokes. Classical. Score. Editions Henry Lemoine #26249. Published by Editions Henry Lemoine (LM.26249).

ISBN 3327850262493.

La Ruee vers l'or - Tapis vert - Feuilles d'automne - Ombres jaunes.

2 Soprano Recorderss or Divers Autres Instr.

SKU: HL.48188543

Composed by Georges Aubanel. Leduc. Softcover. 10 pages. Heugel & Cie #HE32730. Published by Heugel & Cie (HL.48188543).

UPC: 888680883614. 9.75x6.5x0.088 inches.

Aubanel Georges 7 Divertissements 2 Descant Recorders Book.

(Voice and Piano)

SKU: HL.50582300

Salabert. Hal Leonard #SLB355. Published by Hal Leonard (HL.50582300).

Composed by James Oswald. Arranged by John Goodin. For solo mandolin. Saddle-stitched. Beginning-Intermediate. Book. Published by Mel Bay Publications, Inc

Piano Solo (Piano)

SKU: HL.14011257

Music Sales America. 60 pages. Editions Musicales Francaises #EMF100038. Published by Editions Musicales Francaises (HL.14011257).

9.0x12.0x0.373 inches.

Methode de piano pour enfants du plus petit au plus grand. Une vrai methode de piano qui debute comme une histoire, pour les jeunes debutants. Un repertoire de chansons enfantines, classees par nivaux de difficultes, pour faire passer en douceur la progression technique. A vous de jouer...

Trio

SKU: BR.EB-5362

Composed by Wolfgang Amadeus Mozart. Edited by Paul Klengel. Chamber music; Softcover. Edition Breitkopf.

The Trio di Clarone's new edition of the five Mozart Divertimenti K. 229(439B) offers alternative performance possibilities:- original version: 3 Basset Horns- traditional, standard version: 2 Clarinets and Bassoon- new version, for group t. Serenade/divertimento; Classical. Score. 10 pages. Breitkopf and Haertel #EB 5362. Published by Breitkopf and Haertel (BR.EB-5362).

ISBN 9790004163993. 9 x 12 inches.

Mozart's Five Divertimenti KV 439b (App. 229) were presumably composed between 1783 and 1785. They are widely prevalent in various scorings. Originally, the works were written for 3 basset horns (2 basset horns or 2 clarinets and bassoon) - early printings shortly after Mozart's death are known as sources.The arrangement and setting by the composer and conductor Paul Klengel not only opens up a different instrumental genre for the pieces. The usage of string instruments with different pitch ranges results also in a change of register that decisively alters the sound character.

Paul Klengel arranged only four of the Five Divertimentos for strings.

SKU: HL.49018756

Unterrichtswerk zur Fruherziehung. Composed by Christine Perchermeier, Jutta Funk, Manuela Widmer, Micaela Gruener, Rainer Kotzian, Rudolf Nykrin, and Ulrike Schrott. Edited by Manuela Widmer, Micaela Gruener, and Rudolf Nykrin. This edition: Ring/Spiral binding. Book. Edition Schott. Der Lehrerkommentar 1 (1. Unterrichtsjahr) enthalt nach einer kompakten Einfuhrung Unterrichtsentwurfe fur ein Schuljahr in Form von 18 Themen, mit jeweils einer ausgearbeiteten Basis- und einer Vertiefungsstunde sowie reichhaltigem Zusatzmaterial. Teacher's book. 424 pages. Schott Music #ED20053. Published by Schott Music (HL.49018756).

ISBN 9783795758127. UPC: 884088907099. German.

Musik und Tanz fur Kinder - das Unterrichtswerk zur Musikalischen Fruherziehung - entstand aus der Praxis mit Vorschulkindern. Die Erstfassung erschien in den Jahren 1984 und 1985 und gab vor allem die Lehrpraxis wieder, die im Orff-Institut in Salzburg uber Jahrzehnte hinweg entwickelt worden war. Die aktuelle Ausgabe ist eine umfassende Neubearbeitung. Die Inhalte wurden durch langjahrige Erfahrungen der Autorinnen und Autoren mit Musik und Tanz fur Kinder geprat. Immer wieder erprobte man methodische Varianten und neue Arbeitsmoglichkeiten. Auch die kritisch-konstruktiven Meinungen zahlreicher Kolleginnen und Kollegen, die in einer ausfuhrlichen Umfrage erhoben und ausgewertet wurden, gaben wesentliche Impule fur den Kommentar, die Kinderhefte, die Elterninfos und die Tonbeispiele. Wer die Erstfassung von Musik und Tanz fur Kinder kennt, wird das sorgsam abgestimmte Verhaltnis von Bewahrtem und Neuem in dieser Neuausgabe rasch erkennen und nutzen lernen. Das neue Musik und Tanz fur Kinder bietet eine moderne Grundlage fur die Arbeit in der Musikalischen Fruherziehung und verbindet eine kindgemasse Padagogik mit fachlichen und kunstlerischen Anspruchen, wie sie auch schon im Vorschulalter Gultigkeit haben.

Accordion

SKU: M7.VHR-1768

Lehrerhandbuch (Ordner). Composed by Sabine Kolz. Sheet music. 262 pages. Holzschuh Musikverlag #VHR 1768. Published by Holzschuh Musikverlag (M7.VHR-1768).

ISBN 9783940069610.

AkkordiKids ist ein Schulwerk, das im Unterricht mit Gruppen eingesetzt werden kann. Der Band 2 ist wiederum in 30 Stundenbilder aufgeteilt und für ein Schuljahr gedacht. Ergänzt und vertieft werden die Lerninhalte durch Rhythmustrainings, Spiele und MiniMusicals, Tipps zur Unterrichtsgestaltung u. v. m.

SKU: HL.1158247

Vertex Effects. Guitar Pedal. Duration 162 seconds. Vertex Effects #BI. Published by Vertex Effects (HL.1158247).

UPC: 749350578400. 6.25x4.0x3.0 inches.

VERTEX BUFFERS NOW AVAILABLE TO THE MASSES! For over a decade, every buffer that's come out of Vertex Effects has been custom made, bespoke, for the pedalboard it was designed for or the customer that ordered it. Needless to say, our buffers were very limited, with only a few hundred made over the last ten years. Over that time, and through hundreds of custom buffer interfaces being made, several common applications for buffer combinations and routing emerged as the most common uses as it comes to placing buffers on a pedalboard for the most optimal results. Routing schemes such as mono, stereo, audition loops (inserts), four-cable method, five-cable method, and wet/dry/wet were all common requests from our customers, but there was never an all-in-one solution that provided all of these options for buffering and routing your pedalboard in a pedalboard-friendly enclosure – until now. Introducing the Vertex Buffer Interfaces and Buffer Modules. The first all-in-one solution that covers 99% of all pedalboard routing options, whether you have multiple amps, amps with effects loop, a wet/dry/wet rig, an impedence sensitive fuzz, or want to side-chain pedals off the board in the middle of your signal path with an insert loop, these boxes have a solution for you that won't compromise on tone. WHY ARE OUR BUFFERS BETTER? Firstly, our buffers are designed to have no sound of their own – totally transparent, no color, no EQ, no distortion – just your tone as though you plugged your guitar directly into your amp with a 10ft cable (even if you're running a dozen or more pedals between the guitar and amp with over 100 ft. of cable). So often buffers in our industry will be described by the manufacturers with words like “warm” or “fat” when really the buffer should NOT be imparting anything to the sound other than 1) loading the guitar pickups properly with the same loading as your guitar would see if plugged into a tube amp and 2) converting the signle to low impedence, driving the line so it is the least susceptible to environmental factors that might alter the tone. Unfortunately, 99% of the buffers available on the market don't do this – they add a color to the signal and lack the proper specifications to dive even 20 feet of cable without introducing artifacts into the sound.

Solo voice, guitar

SKU: GH.GE-12161

Composed by Ralf Sandberg / Torhild Winnberg. Educational. With Language: Swedish. Gehrmans Musikforlag #GE 12161. Published by Gehrmans Musikforlag (GH.GE-12161).

ISBN 978-91-7748-338-0. A4 inches.

Ny repertoarsamling i tre volymer av Evert Taubes allra finaste visor med ackordanalys (enklare och mer avancerad) och gitarrarrangemang noterade i bade tabulatur och noter. Till manga av visorna finns aven separata soloarrangemang. I textkommentarer finns nagot om visornas tillkomsthistoria hamtat ur den senare Taubeforskningen samt tips om hur ackompanjemangen kan gestaltas pa gitarr.

Nar Evert Taube debuterade pa 1920-talet var anvandandet av den s.k. svenska vis-lutan mycket vanligt och Taube trakterade den med bravur. Han hade god kanne-dom om den medeltida trubadurkonsten, vilket 1966 gav honom ett filo-so-fie hedersdoktorat vid Goteborgs universitet. For Evert Taube var den pro-ven-calska trubadurtraditionen hogst levande, en tradition som alla borde fa ta del av. Evert Taube hade ocksa en sallsynt kansla for textens poesi och att fa denna att ater-klinga i melodi och harmonik. I hans vispoesi ar varje versrad uppbyggd likt ett drama dar varje strof ar viktig och leder vidare till nagon form av poang. Likasa inbjuder visorna till nya harmoniska och speltekniska losningar i ackom-panjemangen genom baslinjer, ackord i olika omvandningar - terslage, kvintlage, och septimlage - liksom klangfarger och rytmer. Denna repertoarsamling syftar till att ateruppratta tidigare ackompanjemangs-traditioner och vidareutveckla dessa genom att utnyttja generalbas och kontra-punktiskt gitarrspel. Det innebar ett utvecklat spel efter ackordanalys, som ocksa utnyttjar modernare harmonier, rytmiseringar och improvisationer.

Dessa nya frascha gitarrarrangemang riktar sig till alla Evert Taube-alskare, men ocksa till dem som annu inte upptackt hans stora visskatt.

ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo

SKU: CA.2100805

Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Choral Score. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.008/05. Published by Carus Verlag (CA.2100805).

ISBN 9790007161439. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100800.

Quintet (fl(picc).clar[Bb].vl.vc.pno(perc))

SKU: BR.KM-2197

Composed by Nicolaus A. Huber. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Nice, February 6, 1986

Music post-1945; New music (post-2000). Performance score. Composed 1985. 54 pages. Duration 16'. Breitkopf and Haertel #KM 2197. Published by Breitkopf and Haertel (BR.KM-2197).

ISBN 9790004501047. 9 x 12 inches.

Vertigo is a remarkable confrontation with oneself, and with ones own capacities. Sartre defines it not so much as the fear of falling into an abyss as the fear of throwing oneself into it. Similarly, A. Glucksmann defines it as the fear of that other Self, the self one would be a moment later. Moving from ones potential to other potential selves, plunging into the unknown, this was the experimental phase of my state of mind during the composition, and is reflected in the writing of diverse textures, the ordering of the dynamics and the frequent microtonal changes of intervals. This is perhaps made particularly clear in the structure of the works first half, called Successive Figures, from which I could not free myself, psychologically, until the composition was finished. In the thrill of vertigo, and in opposition to Glucksmanns reactionary book of the same name, this is an about-turn towards the following radical principle: action rather than vertigo!... (Nicolaus A. Huber)CDs: Ensemble Kaleidocollage CD ADDA 590 049 AD 184 Ensemble Aventure CD ars musici FMF AM 1224-2 ensemble avance, Andras Hamary (piano) CD Telos Music TLS 018 Ensemble EstEstEst! CD perc.pro 10052004Bibliography:Frick, Paul Friedrich: Nicolaus A. Huber: La Force du Vertige (1985). Analyse, Universitat der Kunste Berlin, Diplomarbeit 2006.

World premiere: Nice, February 6, 1986.