SKU: HL.50606645
ISBN 9781705199770. UPC: 196288153528.
This book is to some extent a continuation of Dr. Kiss's 2015 textbook A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era. The aim of this book is to support conservatory students (aged 14-22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony. The target era is the Viennese Classical period, which spans just under one hundred years between around 1730 and 1830. The focus ison the greatest representatives of their time: Haydn, Mozart, and Beethoven. The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on). The book consists of ten units grouped into three levels of difficulty: Basic (units 1 to 5), Intermediate (units 6 to 8), and Advanced (units 9 and 10). The structure of each unit is identical: 1. Listening and Analysis Analysis of selected compositions based on the following considerations: the structure of melody, rhythm, harmony, tonality, instrumentation, and form. 2. Theory and Practice Learning theoretical concepts from masterpieces, and applying them to singing, playing, transposing, piano reduction writing, improvising, composing, and analyzing. 3. Keyboard Harmony Creative activities such as: writing and realizing figured basses; harmonizing melodies; and playing, composing, and transposing chord progressions. 4. Ear Training Harmonic singing exercises and notating chords and complex musical excerpts after listening to them. 5. Appendix The Appendix of each unit contains the solutions to the tasks in that unit.
SKU: HL.50600281
ISBN 9781495027062. UPC: 888680074166. 6.75x10.5 inches.
Nineteenth century cantor and composer Solomon Sulzer combined the Viennese romantic compositional style with traditional Hebrew melodies to create a new form of Jewish liturgical music. Along with his own compositions, he worked with some of his musical colleagues of the time including Franz Schubert. Combined, these make a beautiful concert setting or service music for both Jewish and Christian worship. Includes Segen (Sulzer) and Tov L'Hodot (Schubert).
SKU: BT.EMBZ7888
English-German-Hungarian.
The present collection has been compiled for descant recorder. This instrument was ousted from use in the age of the Viennese Classics, and it has regained its rights only in the present century. This explains why the collection comprises-in addition to new Hungarian music-almost exclusively Renaissance and Baroque works. As it is well known, the masters of old times put down their works only in outline, and the music has to be reconstructed by a practised performer. This collection is intended to help in assimilating the spirit of these old styles. All the old works are given here in both their original and ornamented variants. The ornamentations have been taken over fromcontemporaneous arrangements, and where none were available, we worked them out on the basis of contemporaneous performing practice. All the solutions serve only as suggestions with his expanding stylistic knowledge the student himself should also boldly invent and extemporize ornamentation! Die vorliegende Sammlung ist für Sopran-Blockflöte zusammengestellt. Dieses Instrument wurde zur Zeit der Wiener Klassiker aus der Praxis verdrängt und erlangte erst in diesem Jahrhundert wieder seine Rechte. Dies erklärt die Zusammensetzung unserer Sammlung, die außer der neuen ungarischen Musik fast ausschließlich Werke der Renaissance und des Barocks enthält. Es ist allgemein bekannt, daß die alten Meister ihre Musik nur skizzenhaft notierten, und die berufenen Interpreten sollen ihre Werke rekonstruieren. Der Zweck der Sammlung ist: hilfreich die Aneignung des Geistes der alten Stile zu fördern. Wir bringen alle alten Werke in der ursprünglichen und verzierten Variante.Die Ornamente wurden aus zeitgenössischen Bearbeitungen genommen, und wo solche uns nicht zur Verfügung standen, wurden die Ornamente aufgrund der zeitgenössischen Vortragspraxis ausgearbeitet. Diese Lösungen sind lediglich Vorschläge.
SKU: HL.50511788
ISBN 9790080145630. Bach (23 x 30,2 cm) inches. Hungarian, English, German, French. Laszlo Zempleni; Andras Soos.
The volumes in the Leggierissimo series, each containing works by a different composer, are now followed by albums presenting easily playable music from the various historical periods: renaissance, baroque, Viennese classicism and romanticism. The selection of renaissance music includes not only instrumental dances but also transcriptions of what were originally vocal pieces (well-known chansons). The volume also contains dance movements that can be paired together, and for individual performances cycles of several movements can be assembled from pieces taken from the same collection.
SKU: HL.50510493
ISBN 9790080139745. UPC: 073999845334. 8.25x11.75x0.095 inches. B. Larsen,; J. Sommer.
SKU: PR.510069970
UPC: 680160532377.
SKU: IS.GOR14022AEM
ISBN 9790365003464.
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro, Andante molto, and Tempo di Minuetto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.
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