Cris de percussions sounds, des rythmes latins Vocalising comme samba, bossa nova, cha cha, mambo et calypso, brésilien et cubain ' corps ' ne voix ' rythmique workshopSing AlongsVocal Percussion est un concept totalement innovant. Avec thevocalisation de sons tambour-set, Richard Filz a créé acomprehensive atelier, où la rythmes produits imputable à la voix peut servir d'accompagnement de chanteurs andinstrumentalists. L'atelier de Percussion vocale est un great'rhythm work-out' pour tous les autres musiciens et de chanteurs! - comme accompagnement a cappella pièces-comme accompagnement pour ensembles instrumentaux-pour percussions / enseignement-rythmique instrumental de formation pour tous les musiciens-chanteurs, ensembles vocaux, choirsVocalisation (école) de tambour ensemble sons : Bass Drum, caisse claire, Hi-hat, Toms, cymbales / Divers

Using themes of Mozart's Symphony No. 40, Earlene has arranged a choral that celebrates Mozart's life and creative works in a fun and humorous way. Many facts are contained in the piece making this an outstanding way for studentsto musically remember key information about the composer. True music education! / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / SHAWNEE PRESS

This title presents Carole King's classic song: You've Got A Friend arranged for Piano Vocals and Guitar. Famously performed by James Taylor this song is one of King's most successful works and is often cited as the backbone of her album Tapestry; one of the best selling albums of all time.

A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella arrangements are used by youth and community choirs around the world.Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be!Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged.One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely.She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the text of Psalm 118: 6-7 and is scored for mixed chorus (SATB) strings and continuo.Score with parts (BA3198) separate parts (BA3198) and choral score (BA3198-91) available forsale

Kyrie and Gloria-Missa brevis (BuxWV 114) for Mixed choir SSATB and Basso continuoDietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.The Missa brevis is written in the 'Stile antico' following 16th century models and consistsof the Kyrie and Gloria of the Ordinarium.

Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 or 2 Flutes obbligato (with the complete vocal part).Selected movements from secular cantatas from St Matthew Passion Mass in B minor and the Lutheran Mass in A major. This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two Flutes. The musical text has been adopted from the “ Urtext ” of the New Bach Edition. Music and words are inseparable in Bach’s works. Therefore as an aid to the interpretation of these Flute solos our richly annotated collection offers notonly Flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of Orchestral studies it also opens up an important area of the Flute repertoire. Contents:Kantate 45. Es ist dir gesagt Mensch was gut ist. Nr. 5 Alt-Arie: Wer Gott bekenntKantate 55. Ich armer Mensch ich Sündenknecht. Nr. 3 Tenor-Arie: Erbarme dichKantate 79. Gott der Herr ist Sonn und Schild. Nr. 2 Alt-Arie: Gott ist unsre Sonn und SchildKantate 180. Schmücke dich o liebe Seel. Nr. 2 Tenor-Arie: Ermuntre dich dein Heiland kommtKantate 94. Was frag ich nach der Welt. Nr. 4 Alt-Arie: Betörte Welt betörte WeltKantate 110. Unser Mund sei voll Lachens. Nr. 2 Tenor-Arie: Ihr Gedanken und ihr Sinnen (2 Flöten)Kantate 78. Jesu der du meine Seel. Nr. 4 Tenor-Arie: Das Blut so meine Schuld durchstreichtKantate 100. Was Gott tut das ist wohlgetan. Nr. 3 Sopran-Arie (Vers): Was Gott tut das ist wohlgetanKantate 96. Herr Christ der einge Gottessohn. Nr. 3 Tenor-Arie: Ach ziehe die Seele mit Seilen der LiebeKantate 102. Herr deine Augen sehen nach dem Glauben. Nr. 5 Tenor-Arie: Erschrecke doch du allzu sichre SeeleKantate 113. Herr Jesu Christ du höchstes Gut. Nr. 5 Tenor-Arie: Jesus nimmt die Sünder anKantate 99. Was Gott tut das ist wohlgetan. Nr. 3 Tenor-Arie: Erschüttre dich nur nicht verzagte SeeleKantate 114. Ach lieben Christen seid getrost. Nr. 2 Tenor-Arie: Wo wird in diesem JammertaleKantate 130. Herr Gott

Vocal Score-Contents: Cheryomushki Moscow Op. 105 (Musical comedy/operetta in 3 acts) with libretto and piano reduction. From The Collected Works of Dmitri Shostakovich published by Mezhdunarodnaya Kniga Moscow Russia. Hard-cover boundand includes editorial notes (Russian/English) and background information.

Cris de percussions sounds, des rythmes latins Vocalising comme samba, bossa nova, cha cha, mambo et calypso, brésilien et cubain ' corps ' ne voix ' workshopSing mécaniques - comme accompagnement aux pièces a cappella-comme accompagnement pour ensembles instrumentaux-pour percussions / enseignement-rythmique instrumental de formation pour tous les musiciens-pour les chanteurs, les ensembles vocaux, les chorales (école) / Divers

Arrangeur: Jeffrey Beyer. Six vocal works arranged for alto flute and piano by Jeffrey Beyer,/ Recueil / Flûte Traversière Alto et Piano