SKU: BT.DHP-1033505-010
9x12 inches.
Maxime Aulio composed Les Voyages de Gulliver (Gulliver’s Travels) for the concert band of the Conservatoire National de Région in Toulouse (France) conducted by Jean-Guy Olive. The first performance took place in Toulouse (Auditorium Saint-Pierre des Cuisines) on April 25, 2001. The Anglo-Irish author Jonathan Swift (1667-1745) took about six years to complete his epic tale of adventure. The creative storyline, clear writing and subtlety of Gulliver’s Travels have been engaging readers for generations. This literary travel between reason and foolishness was Maxime Aulio’s inspiration for this piece. Each of the four movements of this suite is a review of Gulliver’sadventures, resembling the effect of a kaleidoscope, which juxtaposes small fragments of colour in a linear pattern. Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.
SKU: BT.DHP-1033505-040
Duration: 19:00 minutesJonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.
SKU: BT.DHP-1033505-140
340 X 250 inches.
Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.
SKU: CA.1039514
ISBN 9790007245368. Language: German.
Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected. Score and part available separately - see item CA.1039500.
SKU: CA.1039505
ISBN 9790007188139. Language: German.
Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected. Score available separately - see item CA.1039500.
SKU: CA.1039512
ISBN 9790007245344. Language: German.
SKU: CA.1039511
ISBN 9790007245337. Language: German.
SKU: CA.1039500
ISBN 9790007188115. Language: German.
Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected.
SKU: CA.1039503
ISBN 9790007188122. Language: German.
SKU: CA.1039519
ISBN 9790007245382. Language: German.
Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected. Score and parts available separately - see item CA.1039500.
SKU: CA.1039513
ISBN 9790007245351. Language: German.
SKU: CL.012-4207-01
The voyages of the great explorers Columbus, Magellan, Cabot, and Verrazano are portrayed in Voyage to the Edge of the World. A bold introduction leads to lyrical, yet driving themes, which depict the tension and uncertainty of the voyagers. A subtle, lyrical theme, which portrays the wonders of the new world, provides a expressive showcase for your ensemble. A powerful restatement of the opening theme leads to an intense and dramatic ending, which will thrill your audience and band alike.
SKU: AP.49474S
ISBN 9781470650032. UPC: 038081570815. English.
Written as a metaphor for the hardship and isolation caused by the 2020 pandemic, this dramatic tone poem is a testament to courage and the undaunted nature of the human spirit. The piece follows the voyage of a ship and its crew to the open sea and into a devastating storm resulting in the separation of the crew and its ultimate reunion. The memorable melodies and stirring harmonies are sure to peak your students' imaginations while a variety of key and time signatures will challenge every section of the advanced string orchestra. A percussion part has been included to add touches of nautical color, resulting in an emotional, picturesque voyage with a cinematic flair. Check out Voyagers We, Undaunted by Richard Meyer! (6:40).
SKU: CL.012-4207-75
SKU: AP.49474
ISBN 9781470650025. UPC: 038081570808. English.
Written as a metaphor for the hardship and isolation caused by the 2020 pandemic, this dramatic tone poem is a testament to courage and the undaunted nature of the human spirit. The piece follows the voyage of a ship and its crew to the open sea and into a devastating storm resulting in the separation of the crew and its ultimate reunion. The memorable melodies and stirring harmonies are sure to peak your students' imaginations while a variety of key and time signatures will challenge every section of the advanced string orchestra. A percussion part has been included to add touches of nautical color, resulting in an emotional, picturesque voyage with a cinematic flair. Check out Voyagers We, Undaunted by Richard Meyer! (6:40) This title is available in MakeMusic Cloud.
SKU: HL.48185771
UPC: 888680832186. 9x12 inches.
Le voyage magique (traduction et adaptation par Stéphane Blet) niveau 4 ' voyageur / théorie. Par Bates aux éditions Leduc. Méthode instrumentale pour Piano.
SKU: FG.55009-414-7
ISBN 979-0-55009-414-7.
Voyage for violin and chamber orchestra (1990) and Voyage 2 for chamber orchestra (1991) are rich works which open new fields of possibilities for Jokinen's compositional career. The clarity and (in terms of traditional aesthetic) beautiful sonic world of Voyages highlight the new dimensions into which Jokinen's composition is travelling: even more original and unexplored corners of the aural consciousness.
SKU: HL.48185772
UPC: 888680832179. 9x12 inches.
Le voyage magique (traduction et adaptation par Stéphane Blet) niveau 5 ' grand voyageur / théorie. Par Bates aux éditions Leduc. Partition / Livre de chansons pour Piano.
SKU: HL.50603530
UPC: 840126931136.
A work for orchestra commissioned by Gothenburg Symphony Orchestra. The composer writes I have borrowed the title 'Voyages extraordinaires' from the writer Jules Verne and his famous novel series depicting fantastic or in reality impossible journeys. The title seemed fitting as my work is intended as fantastical musical voyages on which the listener encounters new worlds of sound through recurring orchestral transformations. I see the work somewhat as a tribute to how art has the abilities to transcend the limits of life. Some years ago I composed a horn trio, 'Diagonal Musik' (2017), inspired by the Swedish artist Olle Baertling. Baertling's paintings consist of large, bright triangular shapes, and although the lines gradually approach one another, the intersecting point is often placed outside the frame. Consequently, the spectator will try to complete the angle in their own head. In my horn trio, I wanted to transfer this to music: the lines that gradually approach each other but rarely meet, except perhaps in the listener's head. In 'Voyage Extraordinaires' I have tried to develop these techniques even further, this time for orchestral forces, and combine them with the magical transformations, an important structural element of the piece. The fantastic journeys also refer to travels in our own imagination: what we believe and picture in our mind. The sudden musical transformations that occur are also reminiscent of dream logic and the dreamscape itself. Here it is possible to wander in and out through worlds in a way that feels consistent within the framework of the dream..
SKU: HL.48185763
UPC: 888680832544. 9.0x12.0x0.162 inches.
“Conceived for Piano beginners who have already been introduced to music reading, Le Voyage magique - Niveau 3A, Aventurier follows up on Le Voyage magique - Niveau 2B, Explorateur. Fifth in a series of eight, it familiarises the students to more complex melodies and rhythms and to the techniques of playing. This volume uses the same characters as the previous books, who evolve through new illustrations which guide the young pianists. Le Voyage magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique ?Alfred Cortot?.â€.
SKU: HL.48185761
UPC: 888680832506. 9.0x12.0x0.178 inches.
“Conceived for Piano beginners who have already been introduced to music reading, Le Voyage Magique - Niveau 2A, Explorateur follows up on Le Voyage magique - Niveau 1, Découvreur (avec portées). Third of a series of eight, it familiarises students to easy melodies and rhythms and to the positioning of their fingers. This volume uses the same characters as the previous books, who evolve through new illustrations to guide the young pianists. Le Voyage Magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique ?Alfred Cortot?.â€.
SKU: HL.48185806
Conceived for Piano beginners, Le Voyage Magique - Niveau 1, Decouvreur, with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stephane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. <>br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stephane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the Ecole Normale de Musique ?Alfred Cortot?..
SKU: BT.DHP-1104903-140
9x12 inches. English-German-French-Dutch.
This opening piece by Japanese composer Satoshi Yagisawa expresses joy, gratitude, hope and courage. The three sections are performed without interruption. We hear ‘Joy’ in the brilliant introduction, ‘Gratitude’ in the chorale-like middle section and ‘Courage and Hope’ in the closing section. A fantastic new addition to the Grade 4 repertoire for Concert Band. Für das symphonische Blasorchester einer japanischen Schule schrieb Satoshi Yagisawa ein erfrischendes Eröffnungswerk, das Freude und Dankbarkeit und zugleich Mut und Hoff nung ausdrücken sollte. Das Ergebnis ist ein Werk aus drei ohne Unterbrechung zu spielenden Teilen: Auf eine brillante Eröffnung namens Joy folgt ein choralartiger Mittelteil, der mit Gratitude überschrieben ist. Der Schlussteil heißt Courage and Hope. Im Mittelteil wurde das Schullied in einem Choral im typischen Stil Yagisawas verarbeitet.Voyage est une pièce en trois parties qui s’enchaînent sans interruption : une ouverture brillante et joyeuse (Joy), un passage central qui expose une mélodie sous la forme d’un choral (Gratitude), et un fi nale optimiste qui décline le courage et l’espoir (Courage and Hope). Voyage porte les prémisses d’un avenir prometteur. Voyage è un brano in tre parti che s’intrecciano senza interruzione: un’ouverture brillante gioiosa (Joy), un passaggio centrale che espone una melodia sotto forma di un corale (Gratitude) e in finale impregnato di ottimismo che rappresenta il coraggio e la speranza (Courage and Hope).
SKU: HL.48185760
UPC: 888680832483. 9x12 inches.
“Conceived for Piano beginners, Le Voyage Magique - Niveau 1, Découvreur, with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates. The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique, offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. <>br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique 'Alfred Cortot'.&rdquo.
SKU: BT.DHP-1104903-010
This opening piece by Japanese composer Satoshi Yagisawa expresses joy, gratitude, hope and courage. The three sections are performed without interruption. We hear ‘Joy’ in the brilliant introduction, ‘Gratitude’ in the chorale-like middle section and ‘Courage and Hope’ in the closing section. A fantastic new addition to the Grade 4 repertoire for Concert Band. Für das symphonische Blasorchester einer japanischen Schule schrieb Satoshi Yagisawa ein erfrischendes Eröffnungswerk, das Freude und Dankbarkeit und zugleich Mut und Hoff nung ausdrücken sollte. Das Ergebnis ist ein Werk aus drei ohne Unterbrechung zu spielenden Teilen: Auf eine brillante Eröffnung namens Joy folgt ein choralartiger Mittelteil, der mit Gratitude überschrieben ist. Der Schlussteil heißt Courage and Hope. Im Mittelteil wurde das Schullied in einem Choral im typischen Stil Yagisawas verarbeitet.Voyage est une pièce en trois parties qui s’enchaînent sans interruption : une ouverture brillante et joyeuse (Joy), un passage central qui expose une mélodie sous la forme d’un choral (Gratitude), et un fi nale optimiste qui décline le courage et l’espoir (Courage and Hope). Voyage porte les prémisses d’un avenir prometteur. Voyage; un brano in tre parti che s’intrecciano senza interruzione: un’ouverture brillante gioiosa (Joy), un passaggio centrale che espone una melodia sotto forma di un corale (Gratitude) e in finale impregnato di ottimismo che rappresenta il coraggio e la speranza (Courage and Hope).
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