(100 Songs Excerpted for Successful Auditions). Edited by Michael Dansicker. For baritone voice solo, bass voice solo and piano accompaniment. Vocal Collection. Broadway, Movies and Pop. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment, chord names and introductory text. 172 pages. Published by Hal Leonard

(B-Flat Trumpet, Baritone T.C.). Arranged by Michael Story and Michael Story. For B-Flat Trumpet, Baritone T.C.. Mixed Instruments - Flexible Instrumentation; Trio. Instrumental Ensembles for All. Movie. Book. 24 pages

(Trombone, Baritone B.C., Bassoon, Tuba). Arranged by Michael Story and Michael Story. For Trombone, Baritone B.C., Bassoon, Tuba. Mixed Instruments - Flexible Instrumentation; Trio. Instrumental Ensembles for All. Movie. Book. 24 pages

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Program Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

(Essential Elements for Band Correlated Collections Baritone TC). By The Beatles. Arranged by John Moss, Johnnie Vinson, and Robert Longfield. For Baritone T.C. (Baritone Treble Clef). Essential Elements Band Folios. Grade 1.5. Softcover. 24 pages. Publis

Marching Band Electric Bass/Opt. Baritone B.C. (Tuba Double) - Grade 2.5; Grade 3

SKU: AP.42764

Volume 2. An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies and a Host of Other Uses. Arranged by Victor Lopez. Collections; Marching Band Collection; Performance Music Ensemble. Book. 12 pages. Alfred Music #00-42764. Published by Alfred Music (AP.42764).

UPC: 038081485447. English.

Here is a terrific compilation of some of the very best from the popular Shorties series by Victor López. This collection contains 18 short, time-out length charts perfect for any occasion. Keyboard, electric bass, and drumset parts make these charts perfect for pep band too! Titles: All Star * Any Way You Want It * Batman Theme * Blitzkrieg Bop * Celebration * Conga * Dynamite * Gonna Fly Now * Gonna Make You Sweat * Heavy Action (Theme from Monday Night Football) * Hey! Baby! * Hips Don't Lie * Jungle Boogie * Shake, Rattle and Roll * Sing, Sing, Sing * The Star-Spangled Banner * Sweet Georgia Brown * We Are Family.

Choir

SKU: HP.C6141C

Composed by Kirk Franklin. Arranged by Joel Raney. My heart, O God, is steadfast, my heart is steadfast; I will sing and make music. Psalm 57:7. Easter Sunday, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6141C. Published by Hope Publishing Company (HP.C6141C).

UPC: 763628961411. By Kirk Franklin.

Spiritual by Kirk Franklin The music of Kirk Franklin is synonymous with the heart of worship in the African-American Church, and Joel Raney has set this powerful resurrection song as authentically as possible, maintaining its soulful, gospel style. The buildup from beginning to end is sure to enrapture all in the message Don't cry, wipe your eyes, he is not dead! If you enjoyed Revelation 19 and Order My Steps, previously published in our catalog, then you won't want to miss this one. Orchestrations: Conductor's Score, Horn (or Alto Sax or Clarinet), 2 Trombone (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Synth (Vintage Rhodes), Electric Guitar (or Capo Guitar), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet). Double Bass and String Reduction.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.