Composed by Patrick Roulet. Music Education. 48 pages. GIA Publications #244366. Published by GIA Publications

By Rob Sanderl. For marimba. Intermediate-advanced. Solo part. Published by HoneyRock Publishing

(For Vibraphone/Marimba and String Quartet). By Peter Scott Lewis (1953-). Solo instrument with accompaniment. For Vibraphone/Marimba, String Quartet. First performed at Yale University. Score and parts. Standard notation. Composed 1-Nov-83. Duration 6:00

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80

Composed by Brant Karrick. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 8+8+4+4+8+16+16+4+4+4+4+4+4+4+6+12+12+4+4+6+6+6+6+8+6+2+4+14+36+4 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #SPS80. Published by Carl Fischer Music (CF.SPS80).

ISBN 9781491152577. UPC: 680160910076. Key: Bb major.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

SKU: GI.G-109722

Composed by Anthony J Cirone, Daniel Druckman, and Jacob Druckman. Music Education. 24 pages. GIA Publications #109722. Published by GIA Publications (GI.G-109722).

ISBN 9781574632187. UPC: 884088793777.

Jacob Druckman's Reflection on the Nature of Water has become one of the standard 4-mallet marimba solos in the contemporary marimba literature. This master class, written by the person it was composed for, Dan Druckman, the composer's son - Associate Principal Percussionist of the New York Philharmonic - provides a unique insight into the complexities of this monumental work. This analysis of Reflections includes: · Exploration of the sonic, timbral, and expressive possibilities of the marimba in a unique way · A hands-on, specific, nuts and bolts approach to understanding and performing the piece · Applications of mallet choices, strokes, articulation, and phrasing-to have as wide a sonic palette as possible · Correction of mistakes in the score (mostly accidentals or rhythmic errors).

Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, english horn, clarinet, bass clarinet, bassoon, contra-bassoon, 4 horns, 2 trumpets, 3 trombones, harp, timpani, marimba, celesta, synthesizer (sampler), computer, percussion (3 players), 2

SKU: CA.2810307

Oratorio. Composed by Gonzalo Grau. This edition: Paperbound. Contemporary Choir Music. German title: Aqua. Oratorio. Oratorios. Study score. Composed 2010. Duration 62 minutes. Carus Verlag #CV 28.103/07. Published by Carus Verlag (CA.2810307).

ISBN 9790007135836. Language: Spanish. Text: Palacios, Maria Fernanda. Text: Maria Fernanda Palacios.

Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau's compositional style is marked by a variety of influences: For me a Gregorian chant is just as beautiful as a Cuban Santeria song. Indian ornamentation and baroque articulation can both appear in the same piece, says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme. Score available separately - see item CA.2810300.

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Chamber Music

SKU: PR.16400213S

Composed by Dan Welcher. Spiral. Full score. With Standard notation. 1+37 pages. Duration 11 minutes. Theodore Presser Company #164-00213S. Published by Theodore Presser Company (PR.16400213S).

UPC: 680160037636. 8.5 x 11 Landscape inches.

The unusual combination of cello, percussion and piano seems more incongruous than it actually sounds. When I first heard the ensemble Aequalis, in a full evening program I was absolutely astonished at the combination of lyricism, pulse, and color. Something about the mix causes the cello to sound marimba-like, the vibraphone to imitate the cello's harmonics, and the piano to become a kind of proto-orchestra of colors and effects.   Tsunami was written for Aequalis in the summer and fall of 1991 with the assistance of a grant from Chamber Music America. The title, the Japanese word for tidal wave (which is a misnomer -- tsunamis have nothing to do with the tides), refers to the phenomenon of an undersea disturbance causing a huge wall of water to flood the first land in its path. The initial earthquake or volcanic eruption that sends a seismic shock through the water is invisible -- it's only when that shock wave hits land, recoils, and takes ocean swells back with it, that the wave begins to form. In successive landings, recoilings, and re-landings, this force finally spends itself, usually inundating anything in its path, sometimes to a depth of one hundred feet or more.   My piece does not attempt to depict this natural cataclysm -- how could it, with three instruments? -- but the form of the first half of the work is based on it. The initial percussive shock that opens the piece creates a stir in the form of a cello motive marked swelling and employing long portamenti pushing upwards. After a second shock, the cello motive begins an undersea journey -- very slow and lyrical at first -- accompanied by non-pitched percussion only. Eventually the piano joins, first with echoing bass notes, then with a rather mechanical motive high on the keyboard. This force grows, the cello line climbs higher and higher until another double-shock is heard -- perhaps the energy has hit land? Following this, the percussion becomes melodic (marimba), and we now have two lines in canon accompanied by a separate line in the piano. This, too, builds to a climax, and an even louder and more vigorous shock results. Now the texture is a three-way canon with cello, vibraphone, and piano chasing each other in ever faster cycles of sound. The height of this is a triple cadenza in which all three players spend their pent-up energy, one at a time.   The second part of the piece follows after a settling-down, and is marked Dancing. This is a rondo, with a recurring theme (heard first in the marimba) followed by three contrasting sections heard between reiterations of the main tune (the form could be diagrammed A-A-B-A-C-A). The mood is one of joyous kinetic energy, with elements of Eastern or Balinese gamelan sounds, and employing several pentatonic scales (as does the first half of the work). It ends in a vigorous, stomping dance. --Dan Welcher    .

By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor Trombone, Bass Trombone, Tuba, Timpani, Vibraphone, Marimba, Crotales, Chimes, Harmonica (in C), Small Bass Drum, Tuned Drums, Gallon Jug, Small Mounted Wine Glass, Large Suspended Cymbal, Large Suspended Cymbal, Snare Drum, Glockenspiel, Roto-Toms, Harmonica (in B), Harmonica (in D), Medium Bass Drum, Medium Bass Drum, Wine Glasses (Partially Filled with Water), Medium Mounted Wine Glass, Medium Suspended Cymbal, Medium Tam-Tam, Vibraphone (Normal Mallets and 2 Double Bass Bows), Xylophone, Harmonica (in Bb), Nipple Gong (in C), Bass Drum, Tom-Tom, Wine Glass, Small Suspended Cymbal, Small Tam-Tam, Harp, Violin I, Violin II, Viola, Cello, Contrabass, Piano, Celesta, Yamaha Dx7 with Phase Shifter. Full Score - Large. 90 pages. Published by Theodore Presser Company.

Jazz Ensemble Jazz Ensemble - Grade 3

SKU: FJ.HX9008S

Score Only. Composed by Ryan Fraley. Jazz Ensemble; Performance Music Ensemble; Single Titles. HXmusic. Ballad; Jazz. Score. The FJH Music Company Inc #98-HX9008S. Published by The FJH Music Company Inc (FJ.HX9008S).

English.

Here is a beautiful trombone solo feature for jazz ensemble with optional string orchestra. The string parts can easily be replaced or augmented with the included synthesizer part, or the work can be performed with standard big band instrumentation only. Your developing trombone soloist is supported through a series of different scenes with lush, graceful orchestration and an ever-descending harmonic progression. A transcription of the improvised portion of the solo on the recording is provided. An optional marimba part adds depth, color and motion. The top trumpet/flugel note is F-sharp. This is a subtle and mature work for jazz orchestra.

Band Bass Clarinet, Bassoon, Cabasa, Chimes, Clarinet 1, Clarinet 2, Claves, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 2.5

SKU: CF.YPS230

Composed by R. Alan Carter. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+5+2+2+4+4+4+3+3+2+3+2+1+1+6+4+20 pages. Duration 3 minutes, 35 seconds. Carl Fischer Music #YPS230. Published by Carl Fischer Music (CF.YPS230).

ISBN 9781491158142. UPC: 680160916740. 9 x 12 inches.

The Okefenokee Swamp is slated as one of the seven natural wonders of Georgia. The name has two different meanings: first being bubbling waters, and the second meaning Land of Trembling Earth, so named because the peat bog (land) moves when you walk on it, because it is actually floating on water. Although the Oconi are the earliest known inhabitants, this piece is written to honor the Chehaw Indians who gave the swamp its name. The beginning of the piece depicts the grandeur of the over 438,000 acre swamp (one of the five largest swamps in the world). The middle section includes a flute solo that depicts the life of the early inhabitants. For a more authentic portrayal, the use of a recorder, especially an alto recorder should be used. The piece ends with a spirited dance, beginning with the thunderous roll of the timpani and bass drums.
The Okefenokee Swamp is slated as one of the seven natural wonders of Georgia. The name has two different meanings: first being bubbling waters, and the second meaning Land of Trembling Earth, so named because the peat bog (land) moves when you walk on it, because it is actually floating on water. Although the Oconi are the earliest known inhabitants, this piece is written to honor the Chehaw Indians who gave the swamp its name. The beginning of the piece depicts the grandeur of the over 438,000 acre swamp (one of the five largest swamps in the world). The middle section includes a flute solo that depicts the  life of the early inhabitants. For a more authentic portrayal, the use of a recorder, especially an alto recorder should be used. The piece ends with a spirited dance, beginning with the thunderous roll of the timpani and bass drums.

Composed by J.B. Smith. Percussion Ensemble. For Percussion Ensemble (Percussion 1 (4 medium toms, marimba, timbales, cowbell, marimba, suspended cymbal, bass drum, triangle, water gong, vibraphone), Percussion 2 (4 low toms, small bass drum, 3 suspended cymbals, 3 woodblocks, 2 cowbells, drumset, tam-tam, cuica, guiro), Pe). Medium. Score and parts. Published by C. Alan Publications

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani

4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.