SKU: GI.G-CD-952

Composed by M. Roger Holland, II. Sacred. CD. GIA Publications #952. Published by GIA Publications (GI.G-CD-952).

UPC: 785147095224.

Welcome to the revival! Come on in and leave your troubles at the door. “Worthy God” is a moving declaration of faith and devotion by a true emerging voice on the contemporary gospel scene. Part of the full-length CD Building Up the Kingdom, “Worthy God” is sure to ignite the fire of the Holy Spirit in the hearts of all the assembled, and our raised voices will set the rafters ablaze. About M. Roger Holland II: What do you get when you mix a musician who is a pianist, organist, singer, composer, arranger and symphony maestro together? M. Roger Holland, II!! A man who knows Jesus and thanks him with every note he sings, plays, or writes. When you listen to Roger, you will know that God has touched His servant and in that touch, there will be a blessing for you! Roger has always had a passion for music. It started with him tinkering on his toy piano as a child and grew to him being accepted to the High School of Performing Arts in New York City. Roger's falsetto has opened many doors for him. He was a member of the All City High School Choir. Hearing his vocal abilities, he was recruited by the internationally known Boys Choir of Harlem. His musical talents garnered him a position playing keys on two Broadway plays in New York, The Color Purple and Memphis. When you witness the musicianship of M. Roger Holland II you will recognize the influences of some of the people he has worked with like Walter J. Turnbull, James Williams, Joseph Joubert, and Bettye Forbes. When you hear his writing, you may notice the stylings of Stevie Wonder. There is no denying the influences of Marvin Gaye, Peabo Bryson, and Luther Vandross when it comes to his vocals. The gospel inflections are representative of Richard Smallwood, Thomas Whitfield, and Kirk Franklin. The compositional techniques of classical composers such as Wolfgang Amadeus Mozart and the arranging styles of Negro Spirituals by Roland Carter, Jester Hairston, and Moses Hogan are prominent as well. Leading the Gospel Choir of Union Theological Seminary fueled Roger's fire and drew him into seminary. His passion for music led him on a spiritual journey from Westminster Choir College to Manhattan School of Music where he received his graduate degree and ultimately the very same Union Theological Seminary where he received a Master of Divinity degree. Roger is the Minister of Worship & Christian Arts at Calvary Baptist Church in Jamaica, NY, where weekly he ushers in the Holy Spirit through praise and worship. He also serves as Liturgical Consultant for the Office of Black Ministry in the Archdiocese of New York. God is truly using Roger as an instrument to share His message!   For Bookings Contact: Cortney Wright Thomas 646-269-4055 cwthomas406@gmail.com.

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

By Brian Wren. This edition: Complete. Author's Collections. Sacred, General. Hymn Texts. Published by Hope Publishing Company

Double bass (picc.2.2.2.2.dble bsn - 2.2.3.0. - timp - str)

SKU: BR.OB-5235-27

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library).

The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth SymphonyISBN 9790004332344. 10 x 12.5 inches.

The present Urtext edition is based on the known surviving primary sources, and also incorporates two further, previously ignored sources, including a copy of the score made presumably in Vienna around 1820.The score contains a summarizing Critical Report in which the annotations and divergences from familiar editions that seem to be particularly important are brought out through bold print. In the separately published study Die Neubewertung der Quellen von Beethovens Funfter Symphonie (Wiesbaden: Breitkopf & Hartel, 1996), there is an extensive discussion of the source dependencies as well as facts on the origin and transmission of the work.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopfs source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethovens music. (Kurt Masur)

The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth Symphony.

Chorus (with soloists) and orchestra (solos: SSA - choir: SSAA - org - str(without va))

SKU: BR.CHB-3560-02

Composed by Wolfgang Amadeus Mozart. Arranged by Siegfried Strohbach. Choir; stapled. Chor-Bibliothek (Choral Library).

You will find the string and organ parts under OB 5281 of Mozart, Missa brevis in B-dur KV 275 (272B) - Breitkopf Urtext.

Mass; Classical. Choral score. 20 pages. Duration 27'. Breitkopf and Haertel #ChB 3560-02. Published by Breitkopf and Haertel (BR.CHB-3560-02).

ISBN 9790004404881. 7.5 x 10.5 inches. Latin.

For all we know Wolfgang Amadeus Mozart composed the Missa brevis K. 275 (272 b) in 1777 before going on an extensive concert tour with his mother, taking him as far as Paris in March 1778. He learned of the first performance of the mass shortly before Christmas 1777 by a letter from his father who praises the peerless singing technique of the castrato Francesco Ceccarelli. Mozart particularly cherished this mass setting, as repeated requests to send him the work for performance can be gathered from his letters.Siegfried Strohbach's arrangement for female choir opens up additional options for performances of Mozart's Missa in B-flat major. As orchestral material the Breitkopf Urtext edition by Franz Beyer can be used.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037109

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Set of Orchestra Parts. 4 pages. Duration 10 minutes. Carus Verlag #CV 10.371/09. Published by Carus Verlag (CA.1037109).

ISBN 9790007190651. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and parts available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037149

Composed by Lodovico da Viadana. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Organ. Composed 1739. 4 pages. Duration 10 minutes. Carus Verlag #CV 10.371/49. Published by Carus Verlag (CA.1037149).

ISBN 9790007190675. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and part available separately - see item CA.1037100.

SSTTAB vocal soli (SATTB), SATB choir/SSAT/ATBarB, 3 organ, instrument

SKU: CA.1037100

Composed by Lodovico da Viadana. This edition: Paperbound. German title: Magnificat sexti toni. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. 32 pages. Duration 10 minutes. Carus Verlag #CV 10.371/00. Published by Carus Verlag (CA.1037100).

ISBN 9790007086183. Language: Latin.

In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters.

SKU: WD.080689413094

Composed by Dave Williamson. Choral. Sacred Anthem, Christmas. Accompaniment DVD. Word Music #080689413094. Published by Word Music (WD.080689413094).

UPC: 080689413094.

Marvelous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.

Soli SATB, SATB Choir, 2 Ob (auch Eh), 2 Vl, Va, Bc

SKU: CA.5199105

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1767. Hob. XXbis. 16 pages. Duration 60 minutes. Carus Verlag #CV 51.991/05. Published by Carus Verlag (CA.5199105).

ISBN 9790007186296. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score available separately - see item CA.5199100.

Viola

SKU: CA.5199113

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Viola. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Individual part. Composed 1767. Hob. XXbis. 24 pages. Duration 60 minutes. Carus Verlag #CV 51.991/13. Published by Carus Verlag (CA.5199113).

ISBN 9790007225544. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.5199100.

Soli SATB, SATB Choir, 2 Ob (auch Eh), 2 Vl, Va, Bc

SKU: CA.5199149

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Organ. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1767. Hob. XXbis. 36 pages. Duration 60 minutes. Carus Verlag #CV 51.991/49. Published by Carus Verlag (CA.5199149).

ISBN 9790007225575. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.5199100.

Soli SATB, SATB Choir, 2 Ob (auch Eh), 2 Vl, Va, Bc

SKU: CA.5199109

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. 1x 51.991/21 oboe/English horn 1, 1x 51.991/22 oboe/English horn 2. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Harmony parts. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1767. Hob. XXbis. Duration 60 minutes. Carus Verlag #CV 51.991/09. Published by Carus Verlag (CA.5199109).

ISBN 9790007225513. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and parts available separately - see item CA.5199100.