SKU: HP.8123

UPC: 763628181239. Tom S. Long.

Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.

SKU: HP.8122

UPC: 763628181222. Tom S. Long.

Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.

SKU: LO.99-3108L

UPC: 000308133554.

In this powerful offering from Mark Hayes, we journey with Christ through Holy Week, experiencing momentous events that changed history for all of humankind. Mark's distinctive compositional voice adds to the drama of the work. Masterful arrangements of Twila Paris's Lamb of God and Keith Getty and Stuart Townend's The Power of the Cross, along with an unforgettable mezzo soprano solo inspired by Michelangelo's Pieta, contribute to a truly compelling work for Easter worship. This work may be performed during Holy Week by excluding the final movement or in its entirety for Easter and Eastertide. The beautiful piano accompaniment reflects Mark's keyboard artistry, and his masterful orchestration offers an added dimension to the drama. The Power of the Cross provides an artful and poignant reminder of Christ's sacrifice of love, His triumph over death, and His promise of redemption for us all.

SKU: OU.9780193557079

ISBN 9780193557079. 12 x 8 inches.

For mezzo-soprano soloist, with flute, clarinet, harp, 2 violins, viola, and cello. Buller's chosen sonnets revolve around themes of love, sleeplessness, and the destruciton of time. While the other instruments use a single group of intervals to explore aspects of the Shakespearian sonnet form by musical analogy, the voice has more lyrical lines. Material is available on hire from the publisher.

SKU: TM.03141SC

Available in both key of A (original/popular key) of F. Please specify key when ordering.

SKU: LO.99-3106L

UPC: 000308133547.

In this powerful offering from Mark Hayes, we journey with Christ through Holy Week, experiencing momentous events that changed history for all of humankind. Mark's distinctive compositional voice adds to the drama of the work. Masterful arrangements of Twila Paris's Lamb of God and Keith Getty and Stuart Townend's The Power of the Cross, along with an unforgettable mezzo soprano solo inspired by Michelangelo's Pieta, contribute to a truly compelling work for Easter worship. This work may be performed during Holy Week by excluding the final movement or in its entirety for Easter and Eastertide. The beautiful piano accompaniment reflects Mark's keyboard artistry, and his masterful orchestration offers an added dimension to the drama. The Power of the Cross provides an artful and poignant reminder of Christ's sacrifice of love, His triumph over death, and His promise of redemption for us all.

SKU: HL.14030960

ISBN 9788759889480. Danish.

Intermezzi from the opera Under Himlen was composed by Bent Sorensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003, when the Royal Theatre premiered the composer Bent Sorensen's and the dramatist Peter Asmussen's opera Under the Sky, it was not only Bent Sorensen's first opera on the large scale, but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR, Per Erik Veng, who had asked Asmussen in 1996 whether he would write the libretto for an opera and pick out a composer to work with on it. Asmussen was willing, and he pointed to Bent Sorensen as the composer. Bent Sorensen reacted positively to Per Erik Veng's suggestion of an opera collaboration with Asmussen, and with the opera agreement settled, the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera, but sheds light on it from a different angle - Bent Sorensen himself compares it to a film 'trailer'. The result is Intermezzi, a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera, but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first, third and fifth movements as well as the purely instrumental second and fourth movements, as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told, but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems, or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte's child, while from afar Molte observes the idyllic world from the outside. The second movement is instrumental, while the third begins with Ida's love aria, which merges into a great instrumental passage before the movement ends with Molte's cynical remark that Ida is simply a fairytale, a book one closes. After a brief instrumental fourth movement comes the fifth, where Molte laments his coldness and isolation amidst all the riches, and seduces Ida by urging her to liberate him with her warmth. Jakob Levinsen.